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Latin America is known to be producing some of the most exciting literature in the world today. With the region's rich intersecting traditions, history of migrations, political movements, and commitment to poetic innovation, the women poets who are currently working there are some of the fiercest and most creative voices in the 21st century.

''Write only what pierces and surprises,' says Anna Szabo in this riveting collection that lives up to its own advice. Szabo deserves a wide audience in the UK: Trust is a book to bring it to her.'

The poems in this collection move from memories of Libya before the revolution, to Libya engulfed in violent turmoil, to life in exile in the brooding landscape of Norway.

Mara Bergman's poetic voice is a subtle one, based on the rhythms of ordinary speech, and has an admirably natural or even casual feel that can be deceptive.

"Invisible is a teasing title for a collection of poetry. [Wallace] Stevens, with whose work Jacek Gutorow has a deep and sustained engagement, suggested in ¿The Creations of Sound¿, that poems should ¿make the visible a little hard / To see¿ [¿] Both Gutorow and Stevens develop a poetic medium that maintains an oscillating dialectic between the seen and the unseen. The invisible operates not as an occlusion of reality, but as an aura saturating what is described; images are gently prised from the contexts of time and place and invested with a mysterious in-between life..."- Mark Ford, from the Introduction to Invisible.

Marking the 700th centenary of Dante's death in 1321.

Kevin Crossley-Holland's name will be familiar to readers of all ages for his historical novels, his re-telling of the Norse myths and his many volumes of poetry. Previously published by the late Enitharmon Press, he is a very welcome newcomer to Arc with his twelfth collection - his first for six years - inspired by the "heavenly squelch" of his own north Norfolk where "the word on the tip of your tongue may be sacramental". As Ronald Blythe puts it: "His language has been honed by the Norfolk and Suffolk climate itself, and has the polish of split flint."

With a number of highly-acclaimed poetry collections to his name, this well-known poet has produced a chapbook of enigmatic and beautifully-crafted poems, each of which is accompanied by an illustration by the poet who reveals himself as an accomplished artist. This will undoubtedly be a collector's piece.

An unsentimental, forensic account of the breakup of a marriage, told without rancour and with a humanitarian resolution. An exceptional first book.

This bilingual (German / English) chapbook of 20 poems makes for an exciting introduction to Kathrin Schmidt's work. Thanks to Sue Vickerman's daring translations, we are able to appreciate Schmidt's irrepressible poetic style as she ranges across the themes of gender, identity, the body, eroticism, her own personal history and language itself.

A bilingual introduction to the work of one of the leading poets on the Belarusian scene today - lyrical, surreal, political poetry, written in Belarusian (classified by UNESCO as a vulnerable language) and superbly translated by Annie Rutherford.

Lyrical and narrative, startlingly evocative, elisions and connections, thrilling, satisfying and demanding, the words and poetic shapes travel down and across pages and spaces. The travel metaphor is only a beginning. Original and exciting, this collection resonates in mind and memory.

TBC

This anthology showcases sixty poets writing in twenty-five languages from countries across Europe. A feat of European intercultural exchange, it is also a fitting celebration of the Versopolis ethos: an extraordinary variety of themes, styles, and subjects finding common ground in a shared idea of what poetry - and a poetry community - can be.

Camp Notebook is a masterpiece in its own right, a crucial work of European verse. It is one of the greatest pieces of literature to emerge from the Holocaust, and probably the finest volume of poetry born from the horror of the Second World War.

Fate's Little Pictures is a bilingual poetry pamphlet by Larissa Miller, published by Arc Publications.

The poet Ian Crockatt uses the same highly-wrought form here developed by the Skalds (the professional poets employed by the kings and earls of the Viking courts of the 9th to 13th centuries) to tell a quasi-Viking tale set in the landscapes and seascapes once under Viking control.

¿The Rohingya poets gathered here for the first time in English hold a mirror to the light for the rest of humanity, flashing their poems of misery and warning from the genocidal zone and refugee camp of Cox¿s Bazaar. Their songs are more accurate than news reports for word of the plight of the most oppressed. These are poems that begin with the fragrance on the bird¿s handkerchief and end by walking among the mass graves. They write from a dire present to a possible future, wondering in their peril if the world outside was too quiet to hear them. Let the world not be quiet, let the world listen to these poems.¿ Carolyn Forché¿I Am a Rohingya implores the world to listen to the spirit of a people who have experienced some of the worst human rights abuses on the planet. These poems have no alternative but to speak out, they are from a crisis that must be addressed. There is brilliance in here!¿John Kinsella

Stein Mehren, Norwegian poet and playwright, writes in the language of the heart, weaving his themes and imagery into a kind of baroque music, in poems that swell and fall like symphonies. Writing on love, desire, and despair he combines classical love stories and intimate expressions of love in daily life to create a tapestry of potent emotions.

M is the third collection from Antony Rowland, Prof. of Literary Studies at Salford. Jeffrey Wainwright describes his work as "significant and powerful", and nowhere is this more apparent than in M, an ode to Manchester in the present moment and to the world it finds itself in, awash with the movement of peoples, cultures, politics and words.