Bøker utgitt av Arc Publications

A hotel with mysterious guests, a city where the moon wanders, an abandoned seaside pavilion, are some of the places visited in this, Richard Lambert's second collection. Structured around a movement from city to sea and always alert to the emotional resonance of landscape, The Nameless Places dwells on those spaces that lie at the edge of our lives and vision, and that seem somewhere between reality and dream. The collection culminates in a sequence that follows a journey made along the course of a river from its source to its mouth. Here, an English landscape's margins are investigated suburb, waste ground, marsh, and estuary beach. In poems that are formally various (rondeau, villanelle and sonnet) and conjuring an atmosphere of melancholy, The Nameless Places explores forgotten and neglected spaces both of the mind and of our physical world.

Evocative, spiritual poems from a Pakistan-born poet living and working in the Scottish Highlands. Latif's work captures the moments of beauty, alienation, distance and intimacy he finds in the wilderness and remote towns of a region so often associated with emptiness, but which the poet shows us is rich with vivid life.

Never published in verse form before, these translations of some of the earliest known German poetry give us a rich glimpse of a life that, while alien in so many ways, was not so different after all. A beautiful, lyrical journey through the passions and fears of pre-Medieval German life, told by some of its finest poetic voices.

Lane's third collection attempts a reality check on the myths and dreams that permeate our world. It attacks the culture of political and corporate mendacity in Britain today and considers the more ambiguous myths that sustain our personal lives. It also explores the human experience of time, the lessons of grief and the evocative power of music.

From fairy tales to the Bible, Jerusalem to Hollywood, Cromwell to the Suffragettes, cafes to graveyards, the reader is taken to iconic times and landmarks, to breathe in the herbs of history. This is a world where whipped cream is not innocent, just as William Morris wallpaper has significance.

A volume of poetry.

With an Introduction by Rod Mengham.In The Silo, John Kinsella's fifth book of poems (and the second published by Arc), the poet examines the role of the artist in the landscape and the unique character of rural life. Using Beethoven's 6th ('Pastoral') Symphony as the framework for the collection, he explores the music of an Australian rural landscape and the European impact on a tenacious yet fragile environment."Many of the poems are vintage Kinsella, suffused in the beautifully audacious language of his later pastorals ¿ the metonymical manipulations of time and place that set you down firmly in the Australian landscape-history, yet by the end of the poem leave you wondering how he ever arrived at such seamless transformations and transportations."Andy Brown, PQR"The Silo is a fine sequence of poems, giving us a tough, focused, loving picture of Kinsella's heartland."Peter Bland, The London Magazine"John Kinsella, in The Silo, shows himself to be an authentic poet, astonishingly individuated. There are only a handful (or fewer) English-language poets of his generation whose work is already so original, so fully formed, and so clearly destined to become part of the central tradition."Harold BloomJohn Kinsella was born in Perth, Australia in 1963. He studied at the University of Western Australia and travelled extensively through Europe, the Middle East and Asia. He is a prolific writer and author of over 25 books, and has published poems in literary journals internationally and has received a number of literary awards. Since 1998, he has been International Editor for Arc Publications, with whom he has published four collections, the first of which, The Undertow: New and Selected Poems, was his first UK edition. His second collection for Arc, The Silo: A Pastoral Symphony (1997) was followed in 1999 by Landbridge: An Anthology of Contemporary Australian Poetry, which he edited. Lightning Tree was published in 2003, and America in 2006. His most recent collections include The Hunt, Peripheral Light: Selected and New Poems, The New Arcadia and Shades of the Sublime & Beautiful. He is a Fellow of Churchill College, Cambridge University, and a Research Fellow at the University of Western Australia.

Alamgir Hashmi has been writing poetry for the past forty years, and is the first English-language writer to bring such recognition to English writing in Pakistan. Of his work, Ted Hughes wrote: "Hashmi's poems are a delight ¿ sinuous and assured, serious with a light touch, full of character, surprise, authenticity. I read them with intense pleasure."Introduced by John Kinsella

A beautiful, lyrical journey through the passions and fears of pre-Medieval German life, told by some of its finest poetic voices.

Orbita, founded in Riga in 1999, is a collective of Latvian poets writing in Russian whose unique work plays at the boundaries between various creative genres and cultures. This volume combines poetry, translation, imagery, web technologies, video and sound to offer a diverse introduction to Orbita's vital and consistently innovative art.

Michael O'Neill's Return of the Gift is a volume about what is given and what is lost. Writing unsentimentally and with insight about powerful subjects such as the death of his mother, caring for his father, and his own recent diagnosis of cancer, the poet speaks of and to his personal and historical life and also explores themes of elegy and friendship. Memories are woven vividly throughout a thematically varied yet coherent collection, in which a witty and moving pleasure in living and language is always to the fore.

Reading the Flowers began during France's 2010-11 Leverhulme Residency at Moorbank, Newcastle University's Botanic Garden. Here nature and culture meet in poems looking at flowers cultivated and wild, trees in the garden and the rainforest, plants and creatures that live alongside them under the microscope of memory and imagination.

In 2008 this book, Llunari (Lunarium) was the winner of the Prize Jocs Florals de Barcelona and Josep Lluis Aguilo was appointed Poet Laureate of the City of Barcelona during the period 2008-2009. It takes up once more the theme of the uncertainty of life, and in omens and elements of fantasy, the poet reveals allegories of our everyday universe.

Detailing the lives of Syrian women living in Paris, these poems, capturing the unheard voices of women whose lives are suppressed in unimaginable ways, allow us to explore moments never mentioned in the news reports.

White Coins rewards the reader with a nomadic poetry for the 21st century; one that mingles personal, social and historical spaces whilst celebrating, at all times, linguistic versatility and innovation.

When Michael O'Neill senses "e;gangs / of shadow halfbeckoning from twilit water"e;, the moment is eerily alluring as well as scary. Fusions of feeling recur throughout a book that has something of the 'dash' and 'darkness' praised in 'Louis MacNeice', along with a strong responsiveness to the physical and visual experience of living. Formally adventurous and alert to change and movement, combining memorable phrasing with a reaching towards the unsayable, Gangs of Shadow brims with imagery of past, present and future; its poems "e;seek to bear witness, and above all sing"e;.

Self-Portrait with a Swarm of Bees combines the poet's unerring instinct for the surprising perspective on commonplace objects or events with a mischievous delight in the detail of the absurd. Wagner is a vigilant, yet playful, chronicler of the quotidian, his meticulous handling of image and sound forging a worldly, almost luminous palpability.

A grounded yet playful collection from an assured poet, flexing his muscles into newer territory. As well as the deep lineage of rural landscapes that populated previous collections, here Johnstone treats us to an extended trip to the circus, where the glitz and thrill of the big top and its stunts are peeled back to allow us into the physical and emotional rigour that forms the show's framework. Elsewhere poems transport you more literally through music, movie and TV history, around Europe and into the distant past, again balancing between illusion and the tension that supports it in the more mundane real world. And throughout, the tone and language also plays an ingenious balancing act between the structured, the rhyming and the informal. This is a personal and expansive collection, honest and exploratory.

PBS Recommended Translation Winter 2013. Talking Vrouz is the second collection by the prizewinning French poet Valerie Rouzeau to be published by Arc, and it sees the return of her formidable poetic voice. Selected from Rouzeau's most recent collections, Quand Je Me Deux (2009) and Vrouz (2012), these poems present a language that is a hybrid of liberties and constraints - omissions, grammatical contractions, colloquialisms and archaisms, wordplay, puns, childspeak, exploded cliche and the heightened awareness of a poetic tradition - a language that Susan Wicks recreates in all its richness and quirkiness in her brilliant translation. No subject is taboo, and each is treated with a degree of humour that results in the reader looking at a familiar world from a new perspective. The tone and poetic procedures are sometimes reminiscent of Rimbaud, Apollinaire and Desnos, and the book has a seemingly casual innocence that foams with the odd splinter of glass. Rouzeau's first collection from Arc, Cold Spring in Winter, also translated by Susan Wicks, was shortlisted for a number of prizes including the 2010 International Griffin Prize for Poetry, and Susan Wicks won the prestigious Scott Moncrieff Prize in 2010 for her translation of this work.

Six Finnish Poets, the eleventh volume in this series, features six writers whose work is symbolic of the connection between the life of poetry in Finland and the life of the poets who write it. In Finland, poetry is a part of everyday life, a way of living, founded upon a doityourself attitude that is independent of the approval of critics, publishers, or the popular masses. The poets selected here exhibit the vast range of Finnish poetry, from experimental prose to imagerich surrealism, and from sparse, stark minimalism to ironically melancholy popculture references.

The poets anthologized here - from North Africa, Sub Saharan Africa and the Arab World - have long wished to escape from artificial pigeon-holing and rather to be associated with common threads. The past half-century has confirmed their work as poetry of great literary quality, full of a unique vitality and presence.

These poems are written from across the poet's life, contemplating his native land of Russia from both a literal and a figurative distance, while at the same time casting a sometimes jaundiced eye on the alien culture of America in which he spent the final years of his life. Loseff's poetry excels in complex imagery, rich literary allusion, and is abundant in formal experiment. Whether absorbed by the world of literature (particularly his fellow poets) or relating reallife experiences, Loseff conjures up a restless and frequently disturbing universe.

Antonio Moura's third collection has the clarity and urgency of a black and white woodcut. A playful collusion of experimental and traditional poetic styles, this collection has both a powerful mythic reach and a bizarre neo-Baroque flavour. Life appears as uncanny, mysterious, something to be faced by the individual.

Birhan Keskin's poetry is finelyhoned and minimal and at the same time, powerfully visual, evocative and exact. Meaning and music overlap, lines dissolve, restart and repeat. Fluid and elusive, her poems inhabit a space between cognition and remembering, testimony and invention. This book selects work from six of Keskin's books, including her prizewinning collection Ba. George Messo's outstanding translation enables us to appreciate to the full the work of this exceptional poet.