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The poets anthologized here - from North Africa, Sub Saharan Africa and the Arab World - have long wished to escape from artificial pigeon-holing and rather to be associated with common threads. The past half-century has confirmed their work as poetry of great literary quality, full of a unique vitality and presence.

These poems are written from across the poet's life, contemplating his native land of Russia from both a literal and a figurative distance, while at the same time casting a sometimes jaundiced eye on the alien culture of America in which he spent the final years of his life. Loseff's poetry excels in complex imagery, rich literary allusion, and is abundant in formal experiment. Whether absorbed by the world of literature (particularly his fellow poets) or relating reallife experiences, Loseff conjures up a restless and frequently disturbing universe.

Antonio Moura's third collection has the clarity and urgency of a black and white woodcut. A playful collusion of experimental and traditional poetic styles, this collection has both a powerful mythic reach and a bizarre neo-Baroque flavour. Life appears as uncanny, mysterious, something to be faced by the individual.

Birhan Keskin's poetry is finelyhoned and minimal and at the same time, powerfully visual, evocative and exact. Meaning and music overlap, lines dissolve, restart and repeat. Fluid and elusive, her poems inhabit a space between cognition and remembering, testimony and invention. This book selects work from six of Keskin's books, including her prizewinning collection Ba. George Messo's outstanding translation enables us to appreciate to the full the work of this exceptional poet.

The poetry of Verhaeren reveals a master poet who consistently exhibits sublime visionary gifts as well as his all too contemporary human vulnerability in some of the most tender and beautiful love poems ever written.

The Yellow Buoy is CK Stead's fifteenth collection of poetry, in which the writer journeys in time and space from Croatia and Colombia to Karekare and the Cote d'Azur

Ludwig Steinherr is one of the most compelling new voices to have emerged in Germany since the late 1980s and this selection - the first to appear in English - from his 10 poetry collections published between 1985 and 2005 reflects the breadth and depth of his writing, ranging from its post-Celanian darkness to its insistence on light.

A grounded yet playful collection from an assured poet, flexing his muscles into newer territory. As well as the deep lineage of rural landscapes that populated previous collections, here Johnstone treats us to an extended trip to the circus, where the glitz and thrill of the big top and its stunts are peeled back to allow us into the physical and emotional rigour that forms the show's framework. Elsewhere poems transport you more literally through music, movie and TV history, around Europe and into the distant past, again balancing between illusion and the tension that supports it in the more mundane real world. And throughout, the tone and language also plays an ingenious balancing act between the structured, the rhyming and the informal. This is a personal and expansive collection, honest and exploratory.

The experience of living in the Chernovtsy ghetto under the Nazis remains a dark undertow of all the poetry Auslander wrote, though she rarely addresses it explicitly. The hardships of a life in hiding, the constant fear of Nazi terror, the horror of the concentration camps are all present in many of the poems. Other poems speak indirectly of the mother for whose sake she endured these hardships. Her late poetry, represented in this collection, brought her prizes and acclaim, and established her extraordinary simplicity as a distinctive voice in German poetry.

A collection of poems, which are full of physicality, emotion and an enigmatic quality that is both compelling and unsettling.

The 'ghost' of the title is a 'bad girl' and these poems chart her life, birth and death through dance halls, betting shops, bed-sits, broken love affairs and the streets of Brighton, along with other ghosts from her past.

A collection of poems about regeneration, recuperation, reclamation and retreat, in which the poet reflects on visits, both literal and virtual, to remote parts of Greece, Andalucia and Southern India.

Features meditations on the parents and childhood God the author has lost, the national legacies of England and Germany he was born into, and the discovery of home through love.

Explores the human - particularly the female - condition in the light of her personal experiences as a musician and poet, and is set against the backdrop of the beautiful Mecklenburg countryside in which she has spent most of her life. These poems - often about love, music, the seasons, and the landscape - are full of a meditative beauty.

This anthology contains first-hand accounts from those involved in the conflicts of ancient China. Many of these poems are translated into English for the first time; they invoke powerful, terrible images of ancient warfare, beautifully brought to life. The poetry within this book spans more than sixteen centuries and includes the work of 50 poets.

Stein Mehren, Norwegian poet and playwright, writes in the language of the heart, weaving his themes and imagery into a kind of baroque music, in poems that swell and fall like symphonies. Writing on love, desire, and despair he combines classical love stories and intimate expressions of love in daily life to create a tapestry of potent emotions.

In Crash & Burn, Michael O'Neill describes his treatment for cancer of the oesophagus. Everywhere life and death are in close contact in a volume that is uncompromisingly unafraid to deal with the realities of illness while retaining humour, grace and eloquence.

Twist is a slant look at the connections binding us together - familial, social, political - in poems which range from the curious and disturbing to memories and evocations of the ordinary magic at work in our lives. It meditates on growing into middle age and explores how, obliquely and unseen, grief and loss transform into grace and redemption.

These poems were written to accompany the Los Caprichos images, originally published by Francisco Goya on February 6th, 1799. The images are part of the original `Prado' manuscript, republished by Dover Publications in 1969.

This powerful, unique anthology contains the poetry of Holocaust victims from across the globe. Not only are members of Jewish communities included, but also people targeted by the Nazis on other grounds -- those politically or religiously opposed to the Third Reich, homosexuals, members of Sinti & Roma communities, or those perceived as disabled.

This powerful, unique anthology contains the poetry of Holocaust victims from across the globe. Not only are members of Jewish communities included, but also people targeted by the Nazis on other grounds -- those politically or religiously opposed to the Third Reich, homosexuals, members of Sinti & Roma communities, or those perceived as disabled.

This selection of Ziba Karbassi's poetry, described by her translator as "essentially and almost paradoxically Iranian", explores an array of issues relating to personal trauma and political violence through a mixture of explosive emotional intensity and virtuosic use of language and rhythm.

Kit Fan's As Slow As Possible is a book of changes, of unlikely bridges between far-flung places and times, a collection of shape-shifting, trans-migrant poems that travel across geographies and time zones. Divided into three parts, the book weaves back and forwards between East and West, past and present, art and memory.