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  • av Hamed Khosravi
    699,-

    Zoe Zenghelis' paintings create an unprecedented imaginary inspired by metropolitan structures, landforms and abstract tectonics. Born in Athens in 1937, she began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a very particular urban form - one that is perhaps a surreal mix of the Aegean landscape of her youth and metropolitan cities such as Paris, Berlin, New York or London. She has lived and worked in the latter since 1955. Do You Remember How Perfect Everything Was? traces the development of Zenghelis' artistic career through her paintings, projects and teaching. Published to accompany her first major retrospective exhibition, this monograph assembles an extensive selection of Zenghelis' work from the early 1960s to 2020, alongside a unique collection of her paintings as a member of OMA. Containing a number of studies, sketches and archival documents, it reviews the working process behind Zenghelis' OMA projects and teaching methods at the Architectural Association.

  • av Maria Shéhérazade Giudici
    410

    AA Files is the Architectural Association's (AA) journal of record. Launched in 1981 by the AA's then chairman Alvin Boyarsky, the journal appears twice a year and is sent out to members of the Architectural Association and individual subscribers, and is distributed to a global network of bookshops. Currently under the editorship of Maria Shéhérazade Giudici, AA Files looks to promote original and engaging writing on architecture. It does this by drawing both on the AA's own academic research, public program, exhibitions and events, as well as by a rich and eclectic mix of architectural scholarship from all over the world.

  • av Maria Shéhérazade Giudici
    452

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