Bøker utgitt av Atlantic Books

A vivid cast of characters, endless intrigue and all the fun of a Golden Age mystery await you at Kilfenora House' Catherine Ryan Howard'Witty, twisty and featuring my favourite antiheroine in a long time' Alex MarwoodMurder is easy ... when it doesn't look like murder Tess Morgan has finally made her dream of restoring beautiful Kilfenora House and Gardens into a reality. But during rehearsals for the play that forms the opening weekend's flagship event, her dream turns into a nightmare when a devastating accident looks set to ruin her carefully laid plans. There are rumours that Kilfenora House is cursed, but this feels personal, and becomes increasingly terrifying when more than one body is discovered. Could someone be closing in on Tess herself? Clarissa Westmacott, ex star of stage and screen, certainly believes so, particularly when she learns that purple-flowered aconite has been picked from the Poison Garden. And Clarissa will stop at nothing to protect the friend she has come to see as a daughter...

Oli and Joe are identical twins. But they will never be the same.Beth Truman gives birth to her sons at thirty-three weeks, then checks out of the maternity hospital with them and leaves her old life behind.From the start, the differences between the twins are clear. Oli is bigger, stronger, healthier. Joe is small and weak, his future inexorably altered by the trauma of his birth.By the time the boys are grown, Beth has a new name and a thriving business, and has successfully raised her sons alone.But when the truth about their past emerges, Oli and Joe will be forced reassess everything they thought they knew about their mother, their upbringing and themselves.

'Will Self may not be the last modernist at work but at the moment he's the most fascinating of the tradition's torch bearers.' New YorkFrom one of the most unusual and distinctive writers working today, dubbed 'the most daring and delightful novelist of his generation' by the Guardian, Will Self's Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature.Self takes us with him: from the foibles of his typewriter repairman to the irradiated exclusion zone of Chernobyl, to the Australian outback and to literary forms past and future. With his characteristic intellectual brio, Self aims his inimitable eye at titans of literature like Woolf, Kafka, Orwell and Conrad. He writes movingly on W.G. Sebald's childhood in Germany and provocatively describes the elevation of William S. Burroughs's Junky from shocking pulp novel to beloved cult classic. Self also expands on his regular column in Literary Hub to ask readers how, what and ultimately why we should read in an ever-changing world. Whether he is writing on the rise of the bookshelf as an item of furniture in the nineteenth century or on the impossibility of Googling his own name in a world lived online, Self's trademark intoxicating prose and mordant, energetic humour infuse every piece.

***A Waterstones Best Books of 2022 pick***'A unique, funny picture of Britain... A love letter to bookshops and the vagaries of public transport.' Richard Osman'Ince's love of books is infectious.' 'Books of the Year', IndependentWhy play to 12,000 people when you can play to 12? In Autumn 2021, Robin Ince's stadium tour with Professor Brian Cox was postponed due to the pandemic. Rather than do nothing, he decided instead to go on a tour of over a hundred bookshops in the UK, from Wigtown to Penzance; from Swansea to Margate.Packed with witty anecdotes and tall tales, Bibliomaniac takes the reader on a journey across Britain as Robin explores his lifelong love of bookshops and books - and also tries to find out just why he can never have enough of them. It is the story of an addiction and a romance, and also of an occasional points failure just outside Oxenholme.

'Arnott has an eye and an ear for description that can elevate otherwise quiet moments to something genuinely transcendent... A luminously told, whole-life story of a young boy discovering how to be his own man.' GuardianNed West dreams of sailing across the river on a boat of his very own. To Ned, a boat means freedom - the fresh open water, squid-rich reefs, fires on private beaches - a far cry from life on Limberlost, the family farm, where his father worries and grieves for Ned's older brothers. They're away fighting in a ruthless and distant war, becoming men on the battlefield, while Ned - too young to enlist - roams the land in search of rabbits to shoot, selling their pelts to fund his secret boat ambitions. But as the seasons pass and Ned grows up, real life gets in the way. Ned falls for Callie, the tough, capable sister of his best friend, and together they learn the lessons of love, loss, and hardship. When a storm decimates the Limberlost crop and shakes the orchard's future, Ned must decide what to protect: his childhood dreams, or the people and the land that surround him... At turns tender and vicious, Limberlost is a tale of the masculinities we inherit, the limits of ownership and understanding, and the teeming, vibrant wonders of growing up. Told in spellbinding, folkloric spirit, this is an unforgettable love letter to the richness of the natural world from a writer of rare talent.

A big, suspenseful, page-turning debut novel of teen summers and unsolved murders, by an award-winning rising Irish star

Janice Hallett meets Ben Aaronovitch in this debut crime series that will have you laughing loudly enough to raise the dead.

No other city has had so many faces and so many disasters and has reinvented itself so many times. No other city is like Berlin.The Berlin of the past 800 years has been both haven and hell. It is a city tortured by its history, where the traumatised gather and where traumas are unleashed. Each plague, each fire, each war, each act of destruction and self-destruction requires it to start again.Berlin should never have become a world metropolis. Its geography and topography spell trouble: where are the great rivers and bridges? The mountains on the horizon? Instead, it started out as a swamp and all around are sweeping plains, exposed to the Siberian winds. Over the centuries, few of the great figures who have visited have had much good to say about it. Yet now it is the destination to which the world is flocking. It has been a trading post, military barracks, industrial powerhouse, centre of science and learning, consumer paradise, hotbed of self-indulgence and promiscuity - and the laboratory for the worst experiment in horror known to man. It has now achieved global status/it is the geographical and spiritual midpoint between the rival superpowers/it is the city of refuge/it is home to 180 nationalities, and more than a quarter of the population have a migrant background. After all the episodes of disaster, redemption and reinvention, is Berlin finally at ease with itself? This is the tale of a turbulent city that in spite of itself has become a magnet for the world.

"When Helen Ledwick discovered she had a prolapse after the birth of her second child, she wasdevastated, not just by the constant discomfort but also by the pervasive shame she felt and thelack of available information and support. When she learned that one in three women have pelvicfloor disorders, she was horrified and determined to do something about it. In this warm, factual and anecdote-rich look at a taboo subject, Helen shares her story along withthose of many other women. From postpartum care to incontinence, with expert advice on returning tosport, the impact on sex and intimacy, and having another baby after pelvic floor injury, Why Mums Don't Jump is a groundbreaking book that will have readers laughing, cryingand cringing as finally women come together to break the stigma around pelvic floor issues"--Publisher's description.

A brand new heart-warming and atmospheric saga fiction series from Jean Fullerton, charting the loves, hopes and heartaches of three women who move into a rectory in Stepney, East London during WW2.*East London, 1940. Prue Carmichael never dreamed that she'd end up working at a railway yard. But when her reverend father is called up to Stepney, she and her family are uprooted from their country home for a new life in the turbulent city.Determined to help with the war effort, Prue signs up for work and soon becomes intrigued by handsome train engineer Jack Quinn. But as the spark between them grows apparent, so does his troubled past - a past that Prue's mother would certainly not approve of.In between cleaning train carriages and helping to shelter Jewish refugees, Prue manages to stay busy. But she has more than one admirer, and when Jack is recruited into Churchill's secret army, a very different suitor begins to pursue her.As air raid sirens sound overhead, Prue Carmichael is facing her own battle - the fight between her heart and her head . . .Amidst the ruins of war, will Prue and Jack's love find a way?*PRAISE FOR JEAN FULLERTON 'Food for the soul, it's simply deliciously readable and enjoyable' Liz Robinson, LoveReading'Charming and full of detail... You will ride emotional highs and lows... Beautifully written' The Lady'A delightful, well researched story' bestselling author Lesley Pearse

All disciplinea deception to hide the wildness, all symmetry an excuse for keeping count. Tomorrow Someone Will Arrest You cements Meena Kandasamy as one of the most exciting, radical thinkers at work today. These poems chronicle wanting, art-making, and the practising of resistance and solidarity in the face of a hostile state. Here, the personal is political, and Kandasamy moves between sex, desire, family and wider societal issues of caste, the refugee crisis, and freedom of expression with grace and defiance. This is a bold, unforgettable collection by a poet who compels us to sit up and listen.

'A compelling history of the dark arts of statecraft... Fascinating' Jonathan RugmanToday's world is in flux. Competition between the great powers is back on the agenda and governments around the world are turning to secret statecraft and the hidden hand to navigate these uncertain waters. From poisonings to electoral interference, subversion to cyber sabotage, states increasingly operate in the shadows, while social media has created new avenues for disinformation on a mass scale.This is covert action: perhaps the most sensitive - and controversial - of all state activity. However, for all its supposed secrecy, it has become surprisingly prominent - and it is something that has the power to affect all of us. In an enthralling and urgent narrative packed with real-world examples, Rory Cormac reveals how such activity is shaping the world and argues that understanding why and how states wield these dark arts has never been more important.

As a child, Anna Wintour was a tomboy with no apparent interest in clothing but, seduced by the miniskirts and bob haircuts of swinging 1960s London, she grew into a fashion-obsessed teenager. Her father, the influential editor of the Evening Standard, loomed large in her life, and once he decided she should become editor in chief of Vogue, she never looked back.Impatient to start her career, she left high school and got a job at a fashionable boutique in London - an experience that would be the first of many defeats. Undeterred, she found work in the competitive world of magazines, eventually moving to New York. Before long, Anna's journey to Vogue became a battle to ascend, no matter who or what stood in her way. Once she was crowned editor in chief - in one of the stormiest transitions in fashion magazine history - she continued the fight to retain her enviable position, ultimately rising to dominate all of Conde Nast.Based on extensive interviews with Anna Wintour's closest friends and collaborators, including some of the biggest names in fashion, journalist Amy Odell has crafted the most revealing portrait of Wintour ever published. Weaving Anna's personal story into a larger narrative about the hierarchical dynamics of the fashion industry and the complex world of Conde Nast, Anna charts the relentless ambition of the woman who would become an icon.

How would we live if insects no longer existed?