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"For most people in the U.K., Mid Wales and its border with England will be somewhere vague, a landscape largely unknown and barely considered. Ask where Shropshire is, or Hereford, or indeed the old Welsh counties of Montgomeryshire or Radnorshire and most people will not know. Yet this area, known as the Welsh March, has in the past played an important part in the history of these islands, and has also been a repository of the esoteric and the occult. While many people, both those in the occult community and the wider public, are unfamiliar with this, this work endeavours to address this situation. " - Gary NottinghamWELSH BORDER WITCHCRAFTA RENDITION OF THE OCCULT HISTORY OF THE WELSH MARCHThe occult history of the Welsh March is brought to life by the author in Welsh Border Witchcraft through stories of the cunning men and women, conjurors and healers, ceremonial magicians and witches who practised their arte in this liminal landscape. This borderland between England and Wales is an area steeped in bloodshed and mystery. This is the ancestral lands of Dr John Dee and is one that is redolent of the spirit of Merlin, and where the mysterious Sin-Eaters practised their trade.Here for centuries, various occult practitioners have flourished with their charms and their poppets. Examples of these local charms and curses are discussed by the author, shining a light on their origins and purpose, often revealing that the knowledge and inspiration for the magic in this region came not only from the local area but also from much further afield. Throughout the author draws on his own research, anecdotes and extensive local knowledge. Author Gary St Michael Nottingham has lived and worked in the Welsh March for many years. His previous published books include the seven-volume set Foundations of Practical Sorcery and its companion Ars Alchemica: Foundations of Practical Alchemy, both published by Avalonia.

Njord and Skadi: A Myth Explored delves into the story of the Norse giantess Skadi and her unhappy marriage to the sea-god Njord. As compensation, after the gods killed her father, Skadi is given a choice of husbands from among the gods, but she has to choose by looking at just their feet. She chooses the finest-looking feet, believing them to belong to Baldr, but finds to her dismay that she chose the Vanir god Njord instead. Not surprisingly, the marriage does not work out, and they each return to their respective domains, with Skadi keeping her status as a goddess.The author, Sheena McGrath, presents this book as a series of questions, using the story to open up the world of Norse myth and culture. She goes beyond the bare narrative by providing a wide perspective both on how myths work and some of the interesting theoretical questions raised in the study of mythology. Even simple questions, like why Skadi had to choose her husband by his feet alone, are shown to open up all sorts of mythological perspectives from Cinderella to medieval penitents to interpretations of myth in the 19th century. Drawing on her extensive study of mythology the author also addresses many other important questions, including:ASGARD, JÖTUNHEIM, MIDGARD: WHERE ARE THEY?ARE THERE ANY STORIES SIMILAR TO THIS MYTH?WHAT IS A GIANT? WHY DO THE GODS AND GIANTS INTERACT AT ALL?WHO ARE THE VANIR?WHAT IS IT THAT GIANTESSES WANT?WHY IS LOKI SO VULGAR?WHY DOES LOKI BORROW A SHAPE IF HE'S A SHAPE-SHIFTER?WHY DOES LOKI KEEP GETTING STUCK?Influenced by the work of the scholar Margaret Clunies-Ross, who views the conflict between the gods and giants anthropologically, as a battle over resources, access to women, and power, this book does not start from the assumption that the giants are evil or stupid but treats them every bit as seriously as the gods. In this ground-breaking study, McGrath encourages the reader to question received wisdom, explore Norse mythology and its goddesses, and deepen their understanding of the 'how and why' of myth.

The Grimoire of Arthur Gauntlet is an outstanding example of a seventeenth century London Cunning-man's book of practice. Cunning-folk were practitioners of magic and herbal medicine who dealt with problems in their local communities. Cunning-man Arthur Gauntlet was based in Gray's Inn Lane in London, and his personal working book contains a fascinating diverse mixture of herbal remedies, prayers, magical and biblical charms, with previously unseen angelic conjurations and magic circles, in an eclectic blend of practical magic for health, wealth, love and protection.This unique manuscript demonstrates both the diverse and spiritual nature of such Cunning-folk's books of practice, as well as their magical emphasis on Biblical scripture, particularly the Psalms, and their opposition to witchcraft, found in charms and conjurations. Arthur Gauntlet worked with a female skryer called Sarah Skelhorn, and drew on numerous preceding sources for his craft, including the Arbatel, the Heptameron, Folger Vb.26, The Discoverie of Witchcraft, the Book of Gold, the writings of the German magus Cornelius Agrippa, the astrologer William Bacon and Queen Elizabeth I's court astrologer Dr. John Dee, as well as other London Cunning-folk.In his introduction, the author provides fresh insights into the hidden world of seventeenth century magical London, exploring the web of connections between astrologers, cunning-folk and magicians, playwrights, authors and church figures. These connections are also highlighted by the provenance of the manuscript, which is traced from Arthur Gauntlet through the hands of such notable angel magicians as Elias Ashmole (founder of the world's first public museum, the Ashmolean in Oxford), Baron Somers (the Lord Chancellor), Sir Joseph Jekyll (Master of the Rolls) and Sir Hans Sloane (founder of the British Museum), as well as the astrologer John Humphreys and the cunning-woman Ann Savadge.This is a unique work which draws attention to the often neglected place of women in seventeenth century magic, both as practitioners (such as skryers and Cunning-women), and customers. It also emphasises the vital and influential role played by Cunning-Men and Women in synthesising and transmitting the magical traditions of medieval Britain into the subsequent centuries, as well as their willingness to conjure a wide range of spiritual creatures to achieve results for their clients, including angels, demons, fairies, and the dead.