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Liz, born in China and raised in Montreal, is about to land in Germany for a summer physics internship at the end of her freshman year. Eager for a new beginning, she hopes to break free of her unrealized childhood dream of becoming a pianist, a dead-end romantic relationship, and the tug of war between her Chinese and Canadian identities. In Germany, she meets fellow intern Haider, an Indian Muslim from Toronto, and they fall in love against expectations. But summer doesn't last forever. Once they return to Canada, culture clashes and family disapproval threaten to pull them apart. As her sense of self is pushed dangerously close to a tipping point, Liz must summon the courage to survive the chaos that her life has become.

Connected via the fictional town of St Anne' s, a community along Nova Scotia's western shore, each story takes its title from the children's rhyme Counting Crows. One for sorrow, two for joy, three for a message, four for a boy, five for silver, six for gold, seven for a secret never to be told. Within each tale an individual (often from the same family, always from the same town) will note the number of crows in their midst and recall the poem as it relates to the prophecy and the story at hand. Between the last century and the current one, the characters (for the most part, women) walk a shifting landscape carved out by war, poverty, and patriarchal expectations. Beneath the gaze of a small town and these intelligent birds whose memories are unforgiving, we are as close as a heartbeat to the souls upon these pages.

In the fiery political debates in and about Italy, silence reigns about the country's colonial legacy. Reducing European colonial history to Britain and France has effectively concealed an enduring phenomenon in Italian history that lasted for 80 years (1882 to 1960). It also blots out the history of the countries it colonized in Northeastern Africa. Francesco Filippi challenges the myth of Italians being " nice people" or " good" colonialists who simply built roads for Africans. Despite extensive historiography, the collective awareness of the nations conquered and the violence inflicted on them remains superficial, be it in Italy or internationally. He retraces Italy's colonial history, focusing on how propaganda, literature and popular culture have warped our understanding of the past and thereby hampered our ability to deal with the present. Filippi's unique approach in which he deftly pits historical facts against popular myths provides a model that can be adapted to countries everywhere, including the United States and Canada.

Two young writers who grew up in the shadow of the huge chimney of a copper refinery in Rouyn-Noranda speak out. They refuse to be lulled by the songs of gold that have silenced the people who built the city and enriched the foundry owners for many decades. They subtly and poetically illustrate the love-hate relationship they maintain with the " piles of slag and copper." This passionate dialogue has hit Quebec bookstores like a tornado and will echo in mining towns across North America. The title is inspired by the Marguerite Duras book Hiroshima Mon Amour and the film by Alain Resnais.

Born during the Great Depression, Jean-Claude Morel is an Everyman, an ordinary Montreal construction worker who has built the city with his own hands, digging its metro, creating islands, and weaving expressways through the downtown core. But the progress has come at a cost: neighbourhoods have been razed, streets wiped off the map, and the Morel family expropriated. Teeming with life, Morel uncovers a story of Montreal that has been buried under years of glitzy urban renewal and modernization. This intricately constructed literary novel is a profoundly human portrait of one man and his time, a monument to a city, and a toast to days gone by.

Wendake, Odanak, Wô linak, Pointe-du-Lac, Kahnawake, Kanesatake, Akwesasne, Kitigan Zibi are communities located all along the St. Lawrence River valley and its tributaries. They have been home to descendants of the Huron-Wendat, Algonquin, Nipissing, and Iroquois nations. These First Nations have in common the fact that their ancestors were allies of the French and had converted to Christianity. Historians have ignored these nations described as " domiciled Indians" (" sauvages domicilié s" ) by the French administrators. Jean-Pierre Sawaya carefully studied how an alliance of such diverse " missions" was created, developed and conducted to become The Seven Nations of Canada. How did this confederation come about? Who took part and what were their roles? The answers are mined in the massive colonial archives. Seven Fires is original research at its best, combining detailed analysis and systematic investigation, that has enabled the author to dispel the tenacious colonial myth about irrational, submissive, and fatalistic Indigenous peoples. Readers will discover forward-looking people motivated by a deep desire for independence and solidarity.

Bloody Sunday (1972) catapulted the Irish " troubles" onto the world stage, exacerbating suspicion in US intelligence circles that the IRA might turn to the Soviets for guns. South Boston native Raymond Daly, just off a CIA stint in Laos, is sent to Ireland to re-establish a line running guns to the IRA. He deftly earns the trust of gunrunner Slowey, a tough money-making South Boston native, who introduces him to an IRA splinter group operating near Blacklion, a town bordering on Northern Ireland. Ray begins to manipulate Aoife, an Irish woman, in order to gain the trust of the community and embed himself in the organization. After the British Special Air Services raid a safehouse, Ray finds himself involved in executing an informant and his wife. But he also finds himself getting soft on some of those he was sent to infiltrate and becoming more like his cover, " an Irish American gunrunner with a romantic attachment to the Cause," and less like an obedient CIA operative. Events spiral, culminating in a shootout with the British army that compels Ray to make a Faustian decision on his future and that of Aoife and the others he was assigned to manipulate.

Alfred Thomas Wood was nothing and everything. One hundred years before the Hollywood film The Great Impostor, Wood, the Great Absquatulator, roved through the momentous mid-19th century events from Halifax, Nova Scotia, to New England, Liberia, Great Britain, Ireland, Germany, Canada, the U.S. Mid-West, and the South. An Oxford-educated preacher in Maine and Boston, he claimed to be a Cambridge-educated doctor of divinity in Liberia, whereas neither University admitted black students then. He spent 18 months in an English prison. In Hamburg in 1854, he published a history of Liberia in German. Later, in Montreal, he claimed to have been Superintendent of Public Works in Sierra Leone. He served the African Methodist Episcopal Church in Ohio, Indiana, and Illinois as an Oxford-educated DD, then toiled in post-Civil War Tennessee as a Cambridge-trained MD. People who knew him couldn't wait to forget him. In his Foreword, Rapper Webster (Aly Ndiaye) compares Wood to a mid-19th-century Forrest Gump but also to Malcolm X, before Malcolm became political.

Hydro-Québec manages one of the largest power grids on the continent. It is among the most profitable, the least expensive, and the greenest. With a stunning renewable energy rate of 99.8%, Quebec has two-generation advance on places like California and Ontario. Combining a reporters' style with thought, philosophy, and a touch of humour, Julie Barlow and Jean-Benoît Nadeau look into Hydro-Québec's future as the public utility marks the 75th anniversary of its founding. The future is now and it is electric. It spans widely diverse fields such as big data aggregation centers, exports to the United States, acquisitions in Mexico, Chinese buses, mega-batteries, bitcoins, charging stations, and much more. Between now and Hydro-Québec's 100th anniversary, the challenges will be vast. As habits and expectations change radically, everything will be on the table, from solar panels to rates, from remote heating control to underground power lines, and from the environment to relations with the indigenous peoples.