Bøker utgitt av Beacon Press

A love letter to queer of color theory and how it has helped the author to discover himself, reclaim identities, celebrate queer joy, and work towards liberationMarcos Gonsalez found his greatest source of joy when he encountered queer theory in college. As they put it, "queers and college go together like peanut butter and jelly," and for them, this was especially true. Seeing himself reflected in the work José Esteban Muñoz was life-changing: Muñoz's theory of disidentification empowered Gonsalez to reclaim their Latinx and queer identities--and inspired him to push back against the largely-white monolith of queer theory.In the sophisticated yet intimately disarming prose of In Theory, Darling, Gonsalez takes his copy of Disidentifications to the gay bar, to the classroom, to their childhome and beyond, inviting us to go along with him as he limns the queerness of reality TV, mourns the victims of the Pulse nightclub massacre, searches for their uncle in Paris Is Burning, looks for Muñoz's legacy in the streets of New York, and situates themself in the lineage of the queer elders who have come before him.Conversational yet deeply analytical, intimate yet wide-ranging, youthful yet sophisticated, Gonsalez's essays crackle with intellectual energy--and remind us just how life-giving theory can be.

"A queer Black feminist debunks the myth of rainbow solidarity, repositioning Black and Latinx LGBTQ+ people at the forefront of queer pasts, presents, and futures"--

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "e;child freak,"e; she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.

Lalu Nathoy's father called his thirteen-year-old daughter his treasure, his "e;thousand pieces of gold,"e; yet when famine strikes northern China in 1871, he is forced to sell her. Polly, as Lalu is later called, is sold to a brothel, sold again to a slave merchant bound for America, auctioned to a saloonkeeper, and offered as a prize in a poker game. This biographical novel is the extraordinary story of one woman's fight for independence and dignity in the American West.