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Edward Eggleston (December 10, 1837 - September 3, 1902) was an American historian and novelist. Eggleston was born in Vevay, Indiana, to Joseph Cary Eggleston and Mary Jane Craig. The author George Cary Eggleston was his brother. As a child, he was too ill to regularly attend school, so his education was primarily provided by his father. He was ordained as a Methodist minister in 1856. He wrote a number of tales, some of which, especially the "Hoosier" series, attracted much attention. Among these are The Hoosier Schoolmaster, The Hoosier Schoolboy, The End of the World, The Faith Doctor, and Queer Stories for Boys and Girls.Eggleston was elected a member of the American Antiquarian Society in 1893.His boyhood home at Vevay, known as the Edward and George Cary Eggleston House, was listed on the National Register of Historic Places in 1973.His summer home, Owl's Nest, in Lake George, New York, eventually became his year-round home. Eggleston died there in 1902, at the age of 64. Owl's Nest was declared a National Historic Landmark in 1971. His daughter, the writer, Elizabeth Eggleston Seelye, was married to Elwyn Seelye, the founder of the New York State Historical Association. (wikipedia.org)

God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man. Johnson observed an absence of attention in folklore studies to what he called a "folk sermon," then went on to describe its nature and specific examples from his memory:I remember hearing in my boyhood sermons that were current, sermons that passed with only slight modifications from preacher to preacher and from locality to locality. Such sermons were: "The Valley of Dry Bones," which was based on the vision of the prophet in the 37th chapter of Ezekiel; the "Train Sermon," in which both God and the devil were pictured as running trains, one loaded with saints, that pulled up in heaven, and the other with sinners, that dumped its load in hell; the "Heavenly March," which gave in detail the journey of the faithful from earth, on up through the pearly gates to the great white throne. Then there was a stereotyped sermon which had no definite subject, and which was quite generally preached; it began with the Creation, went on to the fall of man, rambled through the trials and tribulations of the Hebrew Children, came down to the redemption by Christ, and ended with the Judgment Day and a warning and an exhortation to sinners.Johnson explains the title's use of the trombone by discussing the vocal and rhetorical qualities of a preacher he had recently heard who, he felt, exemplified the compelling and persuasive nature of the folk preacher, naming the trombone as "the instrument possessing above all others the power to express the wide and varied range of emotions encompassed by the human voice - and with greater amplitude." He also cited a dictionary definition that noted the trombone as being the brass instrument most resembling the range and sound of the human voice.The seven poems were composed primarily in 1926, with "Go Down[,] Death" being composed in the space of a single afternoon on Thanksgiving Day, 1926, and the remaining five poems during a two-week retreat; "The Creation," the first poem of the set, had been composed about 1919.The work went on to find acclaim in many circles, proving "enormously popular among both the black cognoscenti as well of the masses of black Americans" and being used widely in oratorical contests; poet Owen Dodson wrote Johnson in 1932 to tell him that Dodson and his brother had taken first and second place in a poetry-recitation competition with works from that volume.Gates and West particularly note that the work "attempts a mimetic capturing of the black church sermon... without making recourse to the misspellings and orthographic tricks often employed in representing black vernacular speech." Dorothy Canfield Fisher, in a personal letter to the poet to thank him and offer to help promote the collection, praised the work as "heart-shakingly beautiful and original, with the peculiar piercing tenderness and intimacy which seems to me special gifts of the Negro. ...it is a profound satisfaction to find those special qualities so exquisitely expressed."The poem "The Creation" was used in the 1951 film Five, serving as the soliloquy for the character Charles, played by African-American actor Charles Lampkin. Lampkin convinced film-maker Arch Oboler to include excerpts of the poem in the final script of Five where it would become Lampkin's soliloquy for his character Charles. This may be the first time that audiences in the USA, Latin America, and Europe were exposed to African-American poetry, albeit not identified as such in the film. (wikipedia.org)

Don Rodriguez: Chronicles of Shadow Valley is a fantasy novel by Lord Dunsany, issued in the United States under this title and in the United Kingdom as The Chronicles of Rodriguez. The first editions, in hardcover, were published simultaneously in London and New York by G. P. Putnam's Sons in February 1922. The first paperback edition was published by Ballantine Books as the thirtieth volume of its Ballantine Adult Fantasy series in May 1971. It was the series' third Dunsany volume. The Ballantine edition includes an introduction by series editor Lin Carter. It and later editions use the American title. A coming of age story set in the mythical "golden age" of Spain. The titular character is excluded from the inheritance of the family castle on the grounds that given his expertise with sword and mandolin he should be able to win his own estate and bride. Setting out to achieve his place in the world, Rodriguez quickly acquires a Sancho Panza-like servant, Morano, and goes on to experience a series of extraordinary adventures that lead him into the heart of fantasy in the mythopoeic Shadow Valley. (wikipedia.org)