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In his 1979 essay The Postmodern Condition: A Report on Knowledge philosopher Jean-François Lyotard noted that the advent of the computer opened up a stage of progress in which knowledge has become a commodity. Modernity and postmodernity appear as two stages of a process resulting from the conflict of science and narrative. As science attempts to distance itself from narrative, it must create its own legitimacy. This paper takes up this challenge with a focus on the question of imagery. The image is precisely what modern science seeks to free itself from in its quest for absolute transparency. This transparency is examined from the perspective of architecture, drawing on arguments from philosophy, quantum mechanics, theology and information theory. Natural science in the context of postmodernism Quantum mechanics and information theory New volume in the Applied Virtuality Book Series
In this book, the editors focus on architecture and communication from various different perspectives - taking into account that the term "architecture" is used for buildings as well as in the context of computer software. Data and software also impact on our cities; raw data, however, do not convey any information - in order to generate information and communication they have to be organized and must make sense to the reader. The contributions avoid clear separation of the various communication spheres of their disciplines. Instead, they use the wide range of approaches to explore meanings - an ambitious aim that leaves the destination wide open; the reader is invited to share in this adventure.
While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the materiality and social practices attached to room heating, compound greening, street alignment or climate policies together form the tissue for contemporary urban climates. It interweaves socio-cultural with meteorological data and pioneers the new concept of "thermal governance" by linking architectural and technological as well as legal and economic dimensions of climate control in urban environments.
Architecture and freehand drawing are inextricably linked. Even in the Gothic period, the principle applied: what you can't build, you at least draw. The same applies to the sketches of Wolf dPrix, co-founder and CEO of Coop Himmelb(l)au. Over the 53 years of their creation, Prix's sketches formed the first stage of every design - despite rapid developments in digital architecture. Whereas his freehand drawings were proxies for completed projects in the 1960s and 1970s, today they serve as strategic guides to the firm's complex buildings. From 2,800 archival drawings, 1,300 examples were selected for publication to represent developmental dynamics in an archive-like format. As invaluable documents of architectural history, they illustrate some 320 selected projects.
Around 1800, one of the most influential architectural concepts of the last 250 years emerged-that of built spaces as technical devices. Climate, morality, and comfort are the three main themes of this study, and each is vividly examined in separate chapters through synchronous comparison and with the help of examples. The emergence of corresponding metaphors, knowledge, and construction forms is traced over a period of about 70 years. The author focuses particularly on the operative dimension of architecture. Thus, the book provides a historical perspective on a key topic for the future of architecture. The book is aimed at readers interested in architecture, technology or the cultural history of building and living. The Exploring Architecture series makes architectural scholarship accessible, introduces the latest research methods, and covers a wide range of periods, regions, and topics.
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