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Great Plains Homesteaders tells the epic story of how millions of people, white and Black, women and men, young and old, and of many different religions, languages, and ethnic groups, moved to the Great Plains to claim land. Most were poor, so the government's offer of "free" farms through the Homestead Act of 1862 seemed a godsend. The settlers found harsh growing conditions and many perils--including exploitation by railroads and banks, droughts, prairie fires, and bitter winters--yet they persisted. The settlers successfully "proved up" nearly a million claims between the 1860s and the 1920s. They filled up the immense grassland, transforming it into productive farms, the beginning of the region's agriculture. They also created a distinct culture that continues to shape their estimated fifty million descendants living today. Every homesteader's experience was different, as particular and distinct as the people were themselves. Yet their collective story, with all its hardships and toil, its ambitions and setbacks, its fresh starts and failures and successes, is central to the American experience.

Twisting in Air chronicles the gritty and glittery era when an extraordinary group of horses made Western movies come alive and explores how one of them, Cocaine, overcame a debilitating injury to become the fastest falling horse of all. Falling horses came into being in the 1940s after movie studios agreed to abide by the Hollywood Production Code's ban on cruelty to animals and stop using deadly trip wires, tilt chutes, and covered pits to topple unsuspecting horses. Filmmakers still wanted to depict horses falling in battle, however, so they went looking for a new wave of "acting" horses who could tumble to the ground on command. Cocaine was a thoroughbred-quarter horse mix who doubled many times for John Wayne's horse Dollar and appeared in a number of Westerns directed by John Ford. Coke was one of only a couple dozen horses who mastered the demanding athleticism required to fall safely at will. Twisting in Air offers an absorbing look at the dark early history of stunt horses in movies and the development of falling horses, the stunt riders who owned, trained, and depended on them, and the behind-the-scenes circumstances in which they performed.

Leslie Patten had seen grizzly bears, wolves, coyotes, deer, elk, and many other species in her years living next to Yellowstone National Park. Yet, like most visitors, she had never seen a mountain lion--the charismatic yet enigmatic predator also known as a cougar, panther, or puma. She had only detected their ethereal presence on the landscape, which left her pondering where they were and what they were up to. After five years, through her serendipitous encounters with their tracks and scat, the burning question remained: What is the essence of the mountain lion? To understand an animal no one sees, Patten conducted more than one hundred interviews with biologists, conservation groups, state wildlife managers, houndsmen, and professional trackers. Slowly, a picture of the lion's elusive nature emerged. Ghostwalker presents a complete picture of mountain lions in the West today, uncovering the intimacies of their secretive lifestyle as well as the issues they face in our changing world.

This eighteenth installment in the complete collection of Henry James’s known and extant letters records James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage with timely political and economic issues, and maximize his income.

Anthropologist Robert Jarvenpa examines how the energy and extraction industries in Canada’s subarctic north threatens destruction of traditional southern Denesüiné cultural practices, land, and sovereignty near the Churchill River headwaters in northern Saskatchewan.

By utilizing all available resources, George Aaron Broadwell has constructed the first fully developed reference grammar of the Timucua language, shedding crucial light on distinctive grammar properties important to reading and interpreting Timucua texts.

Using an innovative approach that puts Jewish, German, and Polish voices together to map the impacts of the Treblinka death camp near and far, Spaces of Treblinka reconceptualizes the relationship between sites of mass atrocity and the spaces surrounding them.

Edward Armston-Sheret offers new perspectives on British exploration during the Victorian and Edwardian eras by focusing on the contributions of those people and animals ordinarily written out of mainstream histories on this era of travel.

Maricas traces the erotic lives and legal battles of Argentine and Spanish queer people, who despite state repression and sexual violence, carved out their own spaces in metropolitan and rural cultures between the 1940s and the 1980s.

Brandon Morgan tells the story of how dreams of capitalist development and varied forms of violence went hand-in-hand to create rural communities along the U.S.-Mexico border around the turn of the twentieth century.

Rewilding the Urban Frontier argues that the urban rivers of the United States might be one of the best opportunities for rewilding in the Anthropocene—that is, creating self-sustaining ecosystems capable of adapting to the rapid and cascading changes caused by human impacts.

Derek Taira argues that during the territorial period many Hawaiians neither subscribed nor succumbed to public schools’ aggressive efforts to assimilate and Americanize but instead engaged with American education to envision and support an alternate future.

Postcolonial Hauntologies is an interdisciplinary analysis of critical, literary, visual, and performance texts by women from different parts of Africa. Ayo A. Coly employs the concepts of “hauntology” and “ghostly matters” to examine postcolonial silences surrounding the African female body as well as female sexuality in the art of African women.

The stories of thirteen Black Minor League baseball players during the post–Jackie Robinson era, from the 1960s to the mid-1970s, who were figuratively and literally left behind even as both baseball and the country claimed a newfound racial progressiveness.

Mark Derby focuses on Douglas Jolly’s wartime surgical work in Spain, tracing his career after the Spanish Civil War through his distinguished service in World War II and into his civilian life as medical director of Britain’s largest hospital for amputees.

This new edition of the first comprehensive history of the financing, construction, growth, and management of the Atchison, Topeka and Santa Fe Railway includes nearly twenty-five more years of history.

Between Soil and Society traces the history and development of conservation policy, especially as it compares to, and interacts with, the development of farm policy and such factors as climate change.

This seventeenth installment in the complete collection of Henry James’s known and extant letters records James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage timely political and economic issues, and maximize his income.

For young readers, this biography of poet Ted Kooser is a celebration of the power of stories and of finding oneself through words.

The Incorrigibles explores the relationship between Progressive social welfare institutions and eugenics, which, in the mid-1930s, justified the sterilization of fifty-one juvenile girls from the Girls’ Industrial School in Beloit, Kansas.

¡Vino! explores the history and identity of Spanish wine production from the nineteenth century to today.

Centered around a massive ecological disaster in which eight hundred thousand Algerians died between 1865 and 1872, Ecologies of Imperialism in Algeria explores how repeated performance of divisions across an expansive ecosystem produced modern imperialism in nineteenth-century Algeria.

Janet Farrell Brodie explores the Trinity test and those whose contributions have rarely, if ever, been discussed—the men and women who constructed, served, and witnessed the first test—as well as the downwinders who suffered the consequences of the radiation.

Joy Schulz explores Polynesia’s nineteenth-century women rulers, who held enormous domestic and foreign power and expertly governed their people amid shifting loyalties, outright betrayals, and the ascendancy of imperial racism.

Back from the Collapse covers the evolution, Euro-American-driven collapse, and large-scale restoration of Great Plains wildlife through efforts by the nonprofit organization American Prairie to assemble a protected area of 3.2 million acres on the plains of northeast Montana.

Michael J. Devine explores the public memory of the Korean conflict of 1950–1953 to show how these memories have evolved over time in a complex and changing international environment and how they continue to impact U.S. efforts to resolve tensions with East Asia.

Harvesting History focuses on the example of Cyrus McCormick’s invention of the mechanized reaper in 1831 to reveal connections between the historical profession and economic power in the competitive harvesting machine industry of the late nineteenth century.

Tom Lynch examines the ecological consequences of a settler-colonial imaginary by comparing the expressions of settler colonialism in the literary output of the American West and Australian Outback.

Using geopoetics to map geopolitics, this epic poem is a personal narration of Uhuru Portia Phalafala’s family’s experience of the migrant labor system brought on by the gold mining industry in Johannesburg, South Africa.