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This is an early work by J.A. Rogers (1883-1966) that was originally published in a limited edition in 1919 as a sequel to his first book, From Superman to Man. Rogers focuses on the seldom discussed topic of Black "blood" in the white race. He also discusses the impact this intermixture has had on human history.

Originally published in 1915, Dr. W.E.B Du Bois' "little book," as he called it, was one of the most important and seminal works on Africa and African American history. It was small in size but gigantic in purpose. In it Du Bois, unquestionably an eminent historian, brilliantly attempted to encapsulate the ten thousand-year record of the people of Africa, then referred to as "Negroes."

A Lie of Reinvention is a response to Manning Marable's biography of Malcolm X, A Life of Reinvention. Marable's book was controversially acclaimed by some as his magna opus. At the same time, it was denounced and debated by others as a worthless read full of conjecture, errors, and without any new factual content. In this collection of critical essays, editors Jared Ball and Todd Steven Burroughs lead a group of established and emerging Black scholars and activists who take a clear stance in this controversy: Marable's biography is at best flawed and at worst a major setback in American history, African American studies, and scholarship on the life of Malcolm X. In the tradition of John Henrik Clarke's classic anthology "William Styron's Nat Turner: Ten Black Writers Respond," this volume provides a striking critique of Marable's text. In 1968, Clarke and his assembled writers felt it essential to respond to Styron's fictionalized and ahistorical Nat Turner, the heroic leader of one of America's most famous revolts against enslavement. In A Lie of Reinvention, the editors sense a different threat to an African American icon, Malcolm X. This time, the threat is presented as an authoritative biography. To counter the threat, Ball and Burroughs respond with a barbed collection of commentaries of Marable's text. The essays come from all quarters of the Black community. From behind prison walls, Mumia Abu-Jamal revises his prior public praise of Marable's book with an essay written specifically for this volume. A. Peter Bailey, a veteran journalist who worked with Malcolm X's Organization for Afro-American Unity, disputes how he is characterized in Marable's book. Bill Strickland, who also knew Malcolm X, provides what he calls a "personal critique" of the biography. Younger scholars such as Kali Akuno, Kamau Franklin, Sundiata Keita Cha-Jua, Christopher M. Tinson, Eugene Puryear and Greg Thomas join veterans Rosmari Mealy, Raymond Winbush, Amiri Baraka and Karl Evanzz in pointing out historical problems and ideological misinterpretations in Marable's work.

Originally published: New York: Random House, 1974.

As Black and African Studies programs emerged in the early 1970's, the question of who has the right and responsibility to determine course content and curriculum also emerged. In 1972, Dr. Ben's critique on this subject was published as Cultural Genocide in The Black and African Studies Curriculum. It has been republished several times since then and its topic has remained timely and unresolved.

Blood In My Eye was completed only days before it's author was killed. George Jackson died on August 21, 1971 at the hands of San Quentin prison guards during an alleged escape attempt. At eighteen, George Jackson was convicted of stealing seventy dollars from a gas station and was sentenced from one year to life. He was to spent the rest of his life -- eleven years-- in the California prison system, seven in solidary confinement. In prison he read widely and transformed himself into an activist and political theoretician who defined himself as a revolutionary.

A native of St. Thomas, West Indies, Edward Wilmot Blyden (1832-1912) lived most of his life on the African continent. He was an accomplished educator, linguist, writer and world traveller, who strongly defended the unique character of Africa and its people. Christianity, Islam and the Negro Race is an essential collection of his writings on race, culture, and the African Personality.