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The three short texts presented here belong to the Caitanya Vaiṣṇava tradition which was inspired by the great Bengali saint Śrī Caitanya (1486-1533 CE) over five hundred years ago. Śrī Caitanya''s movement was itself a revival/reinterpretation of an even older tradition dating back to pre-common era Vaiṣṇavism (the worship of the god Viṣṇu). This is testified to in such ancient Sanskrit texts as the Śatapatha Brāhmaṇa (The One Hundred Paths Commentary [on the White Yajur Veda], 700 BCE) down through numerous others to the Padma Purāna (Ancient Lore of the Lotus, ~1500 CE).Caitanya Vaiṣṇavism has itself also inspired a rich blossoming of literature, philosophical discourse, and graphic art in the centuries succeeding its rise. The texts in this book present the essential teachings and practices of Śrī Caitanya and his followers majestically rendered into heroic couplets by a modern British bard, Morris Brand. The book has been edited with an introduction by Neal Delmonico.

This is a metrical translation with introduction and notes of the Hindu classic, the Bhagavad-gita, or the Song of the Lord. The translation is by C. C. Caleb and is edited and introduced by Neal Delmonico. Six brief traditional summaries of the Gita are included in an appendix.

This book is a presentation of new decorative designs by artist Kajal Dass Beck. Displaying her unique sense of creativity and imagination, they are nonetheless based upon and inspired by the traditional folk art of Bengal known as alpana (alpona in Bengali pronunciation). Thus she has chosen the title, Nava Alpana ("New Alpana"). Alpana belongs to the larger category of what is known as Indian 'rangoli,' in which patterns are created on floors of temples, courtyards, living spaces, or other surfaces utilizing rice flour, water, and other materials for religious and domestic ceremonies. (From the Introduction by Guy L. Beck)The book contains sixty example images of alpana portraying animals, vegetables, and various ornate squares, triangles, and diamonds. The some of the images are in black and white and others in full color.

This is a revised and corrected edition of Dr. O.B.L. Kapoor's now classic work on Krishna bhakti. Dr. Kapoor defines bhakti (sometimes loosely translated as religious devotion) as it is understood in the North Indian bhakti traditions. In addition, he isolates what he considers the four major traits or "laws" of bhakti, illustrating each of those laws with numerous stories from the lives of the great bhakti saints. Though Kapoor makes a case for bhakti's being a "science," the major value of this work lies in its phenomenological presentation of bhakti based on the experiences of bhakti practitioners and saints as recorded in various premodern and modern literary sources. It is thus one of best introductions to the religious phenomenon of bhakti available in the English language.

Premananda Bharati's classic work, Sri Krishna: the Lord of Love, was originally published in 1904 in New York. It is the first full length work presenting theistic Hindu practices and beliefs before a Western audience by a practicing Hindu "missionary." Premananda Bharati or Baba (Father) Bharati had come to the USA as a result of the encouragement of his co-religionists in India and of a vision he received while living in a pilgrimage site sacred to his tradition. He arrived in the USA in 1902 and stayed until 1911 with one return journey to India in 1907 with several of his American disciples. His book, Sri Krishna, was read and admired by numerous American and British men and women of the early 20th century and captured the attention of the great Russian writer Leo Tolstoy through whom Mahatma Gandhi discovered it.This new edition of his book contains two introductions, one by Gerald T. Carney, PhD, a specialist on Premananda Bharati's life and work and another by Neal Delmonico, PhD, a specialist on Caitanya Vaisnavism, the religious tradition to which Baba Bharati belonged. In addition, the text has been edited, corrected, annotated, and newly typeset. The spellings of the technical Sanskrit words in the text have been standardized according to modern diacritical practices. Appendices have been added containing supporting texts and additional materials bearing on Baba Bharati's sources for some of the ideas in his book and on his life and practices in India before his arrival in the USA.

Vedanta is one of the six orthodox philosophical schools of the Hindu tradition, orthodox because they profess to accept the authority of the ancient Vedas as revelation. Vedanta is the school that attempts to discover in the final portions of the Vedic texts, known as the Upanishads, a consistent religious and philosophical way of seeing reality tattva-darshana). The "school" of Vedanta is really a family of schools, all of its members sharing the belief that there is a single consistent "way of seeing" presented in the Upanishads, but whose hermeneutic efforts often have led to radically different conclusions. Within this family of Vedantic schools the spectrum ranges from the absolute monism, or more correctly the non-dualism, of the Advaita sub-school to the quasi-dualistic theism of the Dvaita sub-school. Fundamentals of Vedanta, Part One is a translation, with a detailed introduction and notes, of two short Sanskrit texts, the Vedanta-sara (Essence of Vedanta) of Sadananda and the Prameya-ratnavali (Necklace of Turht-Jewels) of Baladeva, from opposite ends of the Vedantic spectrum, that have been used in India for centuries to introduce beginning students to the fundamental ideas of Vedanta. Generations of Indian students received their first exposure to Vedantic ideas from one or both of these texts, and thus they form an excellent starting point for modern readers who are interested in knowing more about the rich intellectual and religious world of Vedanta. From the Introduction: ``Anyone who has walked, either actually or sympathetically, some distance down the path of Advaita Vedanta, far enough at least to get a glimpse of the Advaitin's world, will be able to attest to what a powerful vision of reality it is and to what a relief and joy the transforming experience of Brahman must be. As part of that experience the burden of one's fears, disappointments, anxieties, losses, frustrations, and limitations is lifted off one's shoulders and one realizes one's true nature as unending consciousness and joy. In that moment when one realizes that there is no ``other," one's fear vanishes for it is the ``other" that one feared, and even when the "other" is a source of joy, as the ``other" often is, that joy is always conditioned by fear, the fear of loss. The joy of Brahman is unlimited and unconditioned by fear.'' Neal Delmonico received his Ph.D. from the University of Chicago in South Asian Languages and Civilizations in 1990. He has published numerous articles on Caitanya Vaishnavism and has done several translations from Sanskrit and Bengali into English. Dr. Delmonico taught for six years in the Religious Studies Program at Iowa State University, and, most recently (2001), was a visiting assistant professor in Philosophy and Religious Studies at Truman State University. He is currently working on a series of translations and commentaries on some of the fundamental texts of Indic religion and philosophy, like the ones presented here, and collaborating on an online Sanskrit text repository called the Gaudiya Grantha Mandira (www.granthamandira.org).