Bøker utgitt av Bloodaxe Books Ltd

The Butterfly's Burden is a captivating piece of literature penned by the renowned author, Mahmoud Darwish. Published by Bloodaxe Books Ltd on November 10, 2007, this book is a testament to Darwish's unparalleled storytelling skills. The genre of the book is a unique blend that will leave the readers enthralled and yearning for more. The Butterfly's Burden takes you on a journey that intertwines the complexities of life with the simplicity of the butterfly's existence. This book is more than just a read; it's an experience that will leave you pondering long after you've turned the last page. Published by the esteemed Bloodaxe Books Ltd, this book is a must-have for every literature enthusiast.

This stunning collection gathers never-before-seen poems, found by archivists in boxes kept at the Pablo Neruda Foundation in Chile in 2014 presented here in Engllish and Spanish alongside full-colour reproductions of the poems in their original composition on napkins, playbills, receipts, and in notebooks.

Bilingual selection of 50 of Pablo Neruda's best poems, many newly translated, with an introduction by Lawrence Ferlinghetti. This edition results from an initiative including the Neruda Estate and leading Neruda scholars and translators to produce an authoritative introduction to his work.

Hannah Lowe taught for a decade in an inner-city London sixth form. At the heart of this book of compassionate and energetic sonnets are 'The Kids', her students, the teenagers she nurtured. But the poems go further, meeting her own child self as she comes of age in 80s and 90s. Winner of the Costa Poetry Award, shortlisted for the TS Eliot Prize.

This selection from Frieda Hughes's first four poetry collections is prefaced by a short memoir about her life and work, including the loss of her parents, Ted Hughes and Sylvia Plath, and brother Nicholas. The book excludes poems from Forty-five (HarperCollins, US, 2006), and Alternative Values: poems & paintings (Bloodaxe Books, 2015).

First British edition of leading South Korean poet known for her innovative experimental feminist poetry.

Hirshfield is one of America's leading poets. This is her fourth book from Bloodaxe, following Come, Thief (2012), T.S. Eliot Prize shortlisted After (2006) and Each Happiness Ringed by Lions: Selected Poems (2005).

The latest addition to Bloodaxe's range of books appealing to a broad reader-ship, Lifesaving Poems has grown from Anthony Wilson's popular poetry blog into a highly personal anthology.

This pocketbook selection of 100 essential poems from the trilogy is a Staying Alive travel companion. As well as selecting favourite poems from the trilogy - readers' and writers' choices as well as his own favourites - editor Neil Astley provides background notes on the poets and poems.

Bilingual French-English edition of poems by Jules Supervielle with English versions by Moniza Alvi.

Come On Everybody brings together poems from a dozen collections published by Adrian Mitchell over five decades, from Poems (1964) to his final collection, Tell Me Lies (2008).

Staying Alive is an international anthology of 500 life-affirming poems fired by belief in the human and the spiritual at a time when much in the world feels unreal, inhuman and hollow. These are poems of great personal force connecting our aspirations with our humanity, helping us stay alive to the world and stay true to ourselves.

French-English bilingual edition. Andre Breton called Cesaire's Cahier 'nothing less than the greatest lyrical monument of this time'. It is a seminal text in Surrealist, French and Black literatures - published in full in English for the first time in Bloodaxe's bilingual Contemporary French Poets series. Aime Cesaire (1913-2008) was born in in Basse-Pointe, a village on the north coast of Martinique, a former French colony in the Caribbean (now an overseas departement of France). His book Discourse on Colonialism (1950) is a classic of French political literature. Notebook of a Return to My Native Land (1956) is the foundation stone of francophone Black literature: it is here that the word Negritude appeared for the first time. Negritude has come to mean the cultural, philosophical and political movement co-founded in Paris in the 1930s by three Black students from French colonies: the poets Leon-Gontran Damas from French Guiana; Leopold Senghor, later President of Senegal; and Aime Cesaire, who became a deputy in the French National Assembly for the Revolutionary Party of Martinique and was repeatedly elected Mayor of Fort-de-France. As a poet, Cesaire believed in the revolutionary power of language, and in the Notebook he combined high literary French with Martinican colloquialisms, and archaic turns of phrase with dazzling new coinages. The result is a challenging and deeply moving poem on the theme of the future of the negro race which presents and enacts the poignant search for a Martinican identity. The Notebook opposes the ideology of colonialism by inventing a language that refuses assimilation to a dominant cultural norm, a language that teaches resistance and liberation.

Arundhathi Subramaniam's poems map a wobbling world, trying to find its axis in a season of change. Fabrics tear, lands splinter, stances harden, loved ones die, names dissolve. But wandering through these pages are some extraordinary women - women who vault nimbly over borders, walk naked, walk aslant, and sometimes upside down.Leaping from the past into a global present, these exuberant voices offer tips on how to retain one's spine through life's giddiest rollercoaster rides. Blurring the divide between the mundane and the magical, the historical and the imaginary, they point to a new world that might lie within the folds of the old. A world that requires a new set of skills: how to find the right nicknames, how to 'gatecrash into the present', how to 'go skinny-dipping in the self'. These are songs of bewilderment, insight and startling freedom.

First Rain in Paradise is a book about falling. Gwyneth Lewis's highly inventive poems trace an interior landscape carved out by the trauma of childhood emotional abuse through subsequent chronic ill health and towards a hard-won resurrection. These accounts of living in and emerging from the dark wrestle with the angel of language. Suffering does not preclude humour and may, in fact, require it, in poems written from the shadows but committed to the light. This work refuses to keep pain a secret. Shame is a lurking presence. Gwyneth Lewis has won wide acclaim for her versatile and varied writing across genres, most notably in her award-winning poetry in both English and Welsh. This book shows a deepening of her technical, imaginative and intellectual resources which are challenged and exercised to the full. The poems map uneasy terrains with realism and - most importantly - with joy.

In Pretenders, her third book of poetry, Kate Potts asks: what is it like, as a daily, lived experience, to feel like a fraud or a fake? And what can 'the imposter phenomenon' - a sense that our true abilities and achievements, and other core aspects of our identities, are unreal, undeserved or mistakenly bestowed - tell us about who we are and how we relate to one another? Through lively and vivid poetic monologues drawn from original interview material, and through original poetry, Pretenders begins to consider individual feelings and experiences of fraudulence, pretence and persona in a wider social and historical context. The varied, hesitant, questing voices build to create a bold and innovative chorus. Pretenders shines a light on our value systems and hierarchies, unsettling notions of 'realness', self-assurance, and the self.

My Secret Life is the first book in English translation by one of the leading Hungarian poets of the generation who began publishing in the late 1980s. The recipient of many awards, Krisztina Tóth is also renowned for her fiction which has been translated into many languages including English. The poems in My Secret Life were selected by her from three of her nine published collections, with the addition of some new or previously uncollected poems. Tóth is, and has been for several years, a major figure in Hungarian writing and, being a major figure with an important public voice, she has also been, and is now, subject to unrelenting attacks by the government-funded, government-supporting, gutter press. She has been self-exiled in England but is moving to Switzerland shortly. Originally attacked for suggesting that a couple of standard pieces of literature might be removed from the school syllabus and replaced by writing by living women authors, her life has become the subject of the sort of storm of defamation already practised on others perceived to be threatening the values of the government.

Conceived while collaborating with a Dutch artist on a project in Death Valley, California, Charlotte Van den Broeck's The Inside of a Stone explores desert landscapes and womanhood - and the emotional resonance between the two - while reconceptualising their metaphorical relationship. With close observation and striking images she engages with the arid, eroded landscape. In other poems she considers sexual violence while watching a pair of mating turtles, imagines an alternative emotional life for Ilsebill, the fisherman's wife from the Grimm fairytale, and explores medieval poet Hildegard of Bingen's magical healing.After first making her mark as a compelling performer, Belgian poet Charlotte Van den Broeck was acclaimed as one of Europe's most innovative and original new voices in poetry. Her first two collections, Chameleon and Nachtroer, were published together in David Colmer's English translation by Bloodaxe in 2020. The Inside of a Stone marks a departure from the themes of those earlier books, which often return to childhood and youth in urban and European landscapes.

Ana Blandiana is one of Romania's foremost poets, a leading dissident before the fall of Communism, and now one of her country's strongest candidates for the Nobel Prize. A prominent opponent of the Ceaușescu regime, Blandiana became known for her daring, outspoken poems as well as for her courageous defence of ethical values. Over the years, her works have become the symbol of a moral consciousness that refuses to be silenced by a totalitarian government. The Shadow of Words covers Blandiana's early collections published from 1964 to 1981, as well as including uncollected poems from that period which only appeared in anthologies. It follows My Native Land A4 (2014), The Sun of Hereafter - Ebb of the Senses (2017) and Five Books (2021) in completing Bloodaxe's presentation of Blandiana's collected poems to date in English translation. She published these poems during the brief period of political thaw of Romania's communist regime, when aestheticism took on a more subversive role, reaffirming the autonomy of the poetic word and freeing it from the stultifying demands of propagandist proletarian art. In her early poems, Blandiana's voice articulates a pure and vibrant spiritual language of unmistakable ethical clarity, calling for moral regeneration in the face of indifference. Their ethical idealism and steadfastness override the many masks of degradation. These youthful books announce from the outset the sense of responsibility and faith in the survival of the collective soul that has always characterised Blandiana's poetry.

What the Earth Seemed to Say is a powerful collection of more than three decades of profound, luminous poetry from one of America's most daring and courageous poets. First UK publication in paperback only of her hardback New & Selected Poems from Norton in the US.

Brenda Shaughnessy is one of America's most audacious and thrilling poets. In Tanya she weaves a tapestry of literary heritage and intimate reflection as she pays tribute to women artists and mentors, and circles the mysteries of friendship, love, art, and loss. Tanya is her sixth collection, her first since Liquid Flesh: New & Selected Poems.

Russia's Maria Stepanova is a poet, novelist, essayist, journalist and the author of ten poetry collections and three books of essays. Her book-length poem Holy Winter 20/21, written in a frenzy during the pandemic, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment.

Jane Hirshfield is a visionary American writer whose poems ask nothing less than what it is to be human. Both sensual meditations and passionate investigations of our shared and borrowed lives, they reveal complex truths in language luminous and precise. The Asking supersedes her earlier retrospective, Each Happiness Ringed by Lions (2005).

Soul Feast is a companion to the hugely popular poetry anthology Soul Food, offering up a further feast of thoughtful poems to stir the mind and feed the spirit, bringing hope and light in dark, uncertain times. The original Soul Food anthology (2007) achieved its wide popularity by word of mouth. For many thousands of readers feeling adrift in the early years of the 21st century, the poems in that book offered support and sustenance. This new compilation once again shows how poetry can help sustain our search for meaning in the face of even more destructive and disorientating events. All these poems are universal illuminations of the meaning of life, speaking to readers of all faiths as well as to seekers and non-believers. Drawn from many traditions, Soul Feast includes work by poets ranging from Lal Ded and Tukaram to Pessoa, Borges, Cummings and Langston Hughes, as well as poems by celebrated contemporary poets such as Ellen Bass, Imtiaz Dharker, Jane Hirshfield and Naomi Shihab Nye. This is a book to keep by the bedside or to keep with you when travelling.

Focusing on the earliest weeks and months of the pandemic, Aoife Lyall's The Day Before beautifully captures the ordinary moments in life that crystallise in the face of crisis and threat. These intimate and meticulous poems mark the lived experience of someone who must navigate a world she no longer understands, exploring first steps and last breaths, milestones, millstones, emigration, fly-tipping and the entire world to be found in the space behind the front door. Tender, challenging, and historically significant, The Day Before asks what it means when home is the one place you cannot leave, and the one place you cannot go.

Nicole Sealey began making erasures from the US Department of Justice's 2015 report detailing bias policing and court practices in the city of Ferguson, Missouri, three years after the murder of Michael Brown by Ferguson police. She revisits that investigation in an act of erasure that reimagines the entire original text as it strips it away.