Bøker utgitt av Bloodaxe Books Ltd

Ana Blandiana is one of Romania's foremost poets, a leading dissident before the fall of Communism, and now one of her country's strongest candidates for the Nobel Prize. A prominent opponent of the Ceaușescu regime, Blandiana became known for her daring, outspoken poems as well as for her courageous defence of ethical values. Over the years, her works have become the symbol of a moral consciousness that refuses to be silenced by a totalitarian government. The Shadow of Words covers Blandiana's early collections published from 1964 to 1981, as well as including uncollected poems from that period which only appeared in anthologies. It follows My Native Land A4 (2014), The Sun of Hereafter - Ebb of the Senses (2017) and Five Books (2021) in completing Bloodaxe's presentation of Blandiana's collected poems to date in English translation. She published these poems during the brief period of political thaw of Romania's communist regime, when aestheticism took on a more subversive role, reaffirming the autonomy of the poetic word and freeing it from the stultifying demands of propagandist proletarian art. In her early poems, Blandiana's voice articulates a pure and vibrant spiritual language of unmistakable ethical clarity, calling for moral regeneration in the face of indifference. Their ethical idealism and steadfastness override the many masks of degradation. These youthful books announce from the outset the sense of responsibility and faith in the survival of the collective soul that has always characterised Blandiana's poetry.

What the Earth Seemed to Say is a powerful collection of more than three decades of profound, luminous poetry from one of America's most daring and courageous poets. First UK publication in paperback only of her hardback New & Selected Poems from Norton in the US.

Brenda Shaughnessy is one of America's most audacious and thrilling poets. In Tanya she weaves a tapestry of literary heritage and intimate reflection as she pays tribute to women artists and mentors, and circles the mysteries of friendship, love, art, and loss. Tanya is her sixth collection, her first since Liquid Flesh: New & Selected Poems.

Russia's Maria Stepanova is a poet, novelist, essayist, journalist and the author of ten poetry collections and three books of essays. Her book-length poem Holy Winter 20/21, written in a frenzy during the pandemic, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment.

Jane Hirshfield is a visionary American writer whose poems ask nothing less than what it is to be human. Both sensual meditations and passionate investigations of our shared and borrowed lives, they reveal complex truths in language luminous and precise. The Asking supersedes her earlier retrospective, Each Happiness Ringed by Lions (2005).

Soul Feast is a companion to the hugely popular poetry anthology Soul Food, offering up a further feast of thoughtful poems to stir the mind and feed the spirit, bringing hope and light in dark, uncertain times. The original Soul Food anthology (2007) achieved its wide popularity by word of mouth. For many thousands of readers feeling adrift in the early years of the 21st century, the poems in that book offered support and sustenance. This new compilation once again shows how poetry can help sustain our search for meaning in the face of even more destructive and disorientating events. All these poems are universal illuminations of the meaning of life, speaking to readers of all faiths as well as to seekers and non-believers. Drawn from many traditions, Soul Feast includes work by poets ranging from Lal Ded and Tukaram to Pessoa, Borges, Cummings and Langston Hughes, as well as poems by celebrated contemporary poets such as Ellen Bass, Imtiaz Dharker, Jane Hirshfield and Naomi Shihab Nye. This is a book to keep by the bedside or to keep with you when travelling.

Focusing on the earliest weeks and months of the pandemic, Aoife Lyall's The Day Before beautifully captures the ordinary moments in life that crystallise in the face of crisis and threat. These intimate and meticulous poems mark the lived experience of someone who must navigate a world she no longer understands, exploring first steps and last breaths, milestones, millstones, emigration, fly-tipping and the entire world to be found in the space behind the front door. Tender, challenging, and historically significant, The Day Before asks what it means when home is the one place you cannot leave, and the one place you cannot go.

Nicole Sealey began making erasures from the US Department of Justice's 2015 report detailing bias policing and court practices in the city of Ferguson, Missouri, three years after the murder of Michael Brown by Ferguson police. She revisits that investigation in an act of erasure that reimagines the entire original text as it strips it away.

A poet of existential magnitude, deep intellect and playful subversion, America's Nicole Sealey writes poems that are restless in their empathic, lucid awareness of what it means to be human. This is first UK edition of her first book-length collection is published at the same time as her new book, The Ferguson Report: An Erasure.

To Abandon Wizardry, Matthew Caley's seventh collection, explores a world where it's harder and harder to tell what's real and what's not. Where our political and cultural reality seems so unbelievable, we search for a plot and find one that comes from the Harry Potter playbook. Our screens full of wonders, our streets full of decay.

MacGillivray draws together her extensive research into the life and work of Norwegian-Shetlandic poet Kristján Norge, who vanished from the Outer Hebrides in 1961, presenting two previously unpublished poetry manuscripts by Norge, Optik: A History of Ghost and Ravage, and a work of fiction, The Wind of Voices.

Hot on the heels of her previous collection Men Who Feed Pigeons, Selima Hill's Women in Comfortable Shoes is the 21st book of poetry from "the UK's Emily Dickinson". This collection presents eleven contrasting but well-fitting sequences of short poems relating to women, including: Fishface, in which a disobedient young girl is sent to a Catholic convent school to give her mother a break; Fridge, in which trucks, geese and fridges speak of death, grief and absence; and Girls without Hamsters, which deals with an older woman's obsession with a spider-legged young man.Writing with her trademark wit and originality, Selima Hill looks closely at the complications and contradictions that define our lives and relationships.

Serious, comic, brave, cowardly, engaged, disengaged, urgent, unurgent, chattering chiffchaff, talking horses, unpretentious, pretentious: Mark Waldron's expansive fifth collection encompasses it all.There are a series of fairytale poems, and others which give unfettered voice to the character of Marcie, a character who has appeared in Mark Waldron's previous books. But behind the humour and playfulness, there is always something deeply unmeant, meant. Readers of Mark Waldron's previous collections will find all of his trademark wit and imagination here, as well as new poetic territory as Waldron continues to develop his distinctive voice.

Marjorie Lotfi's award-winning debut collection is a book of two halves, each a meditation on the idea of home, both the places we start and end up in our lives. Spanning a childhood in Iran dislocated by revolution, through years as a young woman in America, to her current home in Scotland, these poems ask what it means to come from somewhere else, what we carry with us when we leave, and how we land in a new place and finally come to rest. Winner of the James Berry Poetry Prize.

In her award-winning debut collection Kaycee Hill frankly explores coming of age as a woman - and the intricacies of connection and memory - against an urban-pastoral landscape.Raging with vivid, smoky lyricism and full-blooded imagery, Kaycee Hill's poems are both a beginning and a continuation. Reflecting on her life and those in it, as well as first-times, underground scenes and the female body, she looks towards what is unflinchingly personal, and also outwards: towards family and strangers, nature and place, and a world that shapeshifts before us.Hot Sauce is a searing first collection that captures the visceral vulnerabilities of navigating life on the cusp. Winner of the James Berry Poetry Prize.

Notable for its moral engagement, Aleš Šteger's poetry is acutely precise in its observation and concentration. Multi-layered and technically versatile, ingenious and inventive, his poetry is adventurous and playful yet serious in intention, and incessantly curious in its investigations. He loves to ambush the reader with the unexpected.

Spanning twenty years and five collections, Brenda Shaughnessy's Liquid Flesh: New & Selected Poems introduces new readers to one of America's most audacious and thrilling poets.

Ahren Warner's fourth collection is one-part phantasmagoria, one-part brutal document, with equal measures of irony and sincerity. It is a book compulsively drawn to a world in which identity and performance have become indistinguishable, where violence and inadequacy are so often the corollaries of love.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? Chen Chen continues his exploration of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings and the COVID-19 pandemic.

The Glimmer is a many-voiced meditation on the time-span of life and purpose of art.In an artists' colony in Mexico, a taxidermist tends animals in their after-life, contemplating what remains of us after death. Among the artists she encounters are a painter of miniatures, a war photographer, a light artist, a ghazal singer, and dancers from Tanzteater Wuppertal, as they reflect on the impulse to make work and meaning in a world where value is increasingly monetised. Within the extended narrative are self-contained poems ranging in form from syllabics and ghazals to OULIPO-inspired anagram poems, drawing on found text and verbatim speech to bring a choir of voices to life. The title work is followed by two elegies.The Glimmer is Shazea Quraishi's second full-length book of poetry, following her debut, The Art of Scratching.

A poetry collection on inheritance, loss, and the relationship between real and imagined lives.In Little Silver, moments of crisis - a near-drowning, a fall down a mine-shaft, the death of a friend - prompt reflection on the stories 'we tell ourselves about our / selves', and on the sheer strangeness of existing in our bodies and in time. The book's title sequence responds to the recent demolition of Jane Griffiths' childhood home, whose absence appears as 'a little silvering between the trees'. Setting its absence against the memory of 'Little Silver', a small enclave of houses in Exeter that she passed on the way home from school (and whose name fascinated her), she considers the gap between the two as the space of the imagination: the origins of her writing.Other poems centre on the theme of childlessness and the relationship between that and other kinds of making; a sequence centred on conversations between an artist and her imaginary children concludes when the daughter asks 'So if we existed the tree could stand alone?' The emphasis in these poems is on inventiveness and endeavour, on lifelines and human traces.

When knowledge is ours at the tap of a key, what is it we're accumulating, and is it at the expense of another, more intuitive, kind of knowing?The word 'fool' derives from the Latin follis, one of whose meanings is 'empty-headed person'. Such mindlessness is not quite imaginable, but perhaps it is possible that by unknowing a thing we can start to see it differently. There's a lot the fool doesn't know - otherwise they wouldn't be a fool - but can anyone be trusted to know anything?A low-level hum of discordance runs through these poems: between inner and outer worlds, between the sceptical and the wondering mind. Ideas of belief and truth play out in various ways, often through lone figures, fools maybe, thinking aloud, continually distracted by the necessary performance of being. Already an established and respected name in the world of poetry and drama, Fool is Greta Stoddart's fourth collection. Her third collection Alive Alive O was published by Bloodaxe in 2015. In 2023, Greta Stoddart won a Cholmondeley Award, a prize which recognises a poet's body of work.

America's much celebrated poet-undertaker Thomas Lynch is renowned for his thought-provoking poems on life, faith, doubt and death. This new retrospective shows the passage of his work over time, 'a pilgrimage of sorts through growing old and facing death - subjects that caregivers know all too well.

High Desert is a psychedelic journal of end-times and ode to the American Southwest. Exploring such key events as the First Red Scare, the Tulsa Race Massacre and the West Coast's wildfire epidemic, Naffis-Sahely's reflections on class, race, and nationalism chart the region's hidden histories from the Spanish Colonial Era to the recent pandemic.

Anne Rouse is a keenly observant writer of spiky satirical portraits and shapely lyrics of the ordinary and the bizarre. Her perspective in Ox-Eye - the term for a small cloud presaging a storm - is one of apprehension in poems relating to personal and social change. Ox-Eye is her fifth collection from Bloodaxe.

Clare Shaw's fourth collection shows that poetry can say as much as about who we are - and especially how we feel - as psychology. The book is inhabited by the character of Monkey, who shows by example how early attachments and trauma may shape us, but how ultimately we come to realise our own general theory and practice of love.