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David Constantine's poetry is informed by a profoundly humane vision of the world. His title, Belongings, signals that these are poems concerned with our possessions and with what possesses us, with where we belong. Another kind of belonging is also challenged: our relationship with the planet to which we belong, but which does not belong to us.

Deborah Landau's Soft Targets draws a bull's-eye on humanity's vulnerable flesh and corrupted world. In this ambitious lyric sequence, fear of annihilation expands beyond the self to an endangered planet where all inhabitants are "soft targets", as she views a world beset by political tumult, random violence, terror attacks and climate change.

One of Britain's best-known and most popular Caribbean poets traces a journey that moves from the coastal memories of a Guyana childhood to life in Britain and her adoptive Sussex landscape, turning the ordinary into something vivid and memorable, most notably in a sonnet-sequence which grew out of a recent return trip to Guyana.

When Bill Herbert was made Dundee Makar (or City Laureate), he intended to write about his home town in both its native tongues. Then within six months his much-loved father died, and that civic idyll was thrown into crisis. This is his Dundonian Book of the Dead, in which he explores both his own grief and the encroachment of a new intolerance.

Wayne Holloway-Smith's second collection Love Minus Love is an innovative book-length sequence which Max Porter calls "unforgettably brilliant" and Fiona Benson calls "exciting, excoriating, gorgeous, appalling, and eye-wateringly honest". Poetry Book Society Wild Card Choice shortlisted for the 2020 T.S. Eliot Prize.

Whether wildly or wryly funny, each poem in Phoebe Stuckes' debut presents an episode in the up-and-down life of a wise-cracking party girl inhabiting a world of dancefloors and bathrooms, but beneath the laughter and antics these are self-questioning poems about self-belief, self-image, vulnerability, insecurity, loneliness, trauma and survival.

Jane Hirshfield is a visionary American writer with a wide readership. Her urgent new collection is a book of personal, ecological and political reckoning. Her poems inscribe a ledger personal and communal, a registry of our time's and lives' dilemmas as well as a call to action on climate change, social justice and the plight of refugees.

The sea that is always in sight, between us and beyond us, becomes a metaphor in Between the Islands for conversations between separated friends, but it is also the real sea of this planet, used and abused and in need of our care. Between the Islands is Philip Gross's 21st book of poetry, and his 11th from Bloodaxe.

Roisin Kelly's Mercy is an attempt to reconcile her Irish Catholic background with her pagan heritage, transcending the limits of a world in which everything is connected. Both intimate and political, this powerful debut collection combines a passionate exploration of self with an awestruck confrontation of wilderness. Roisin Kelly lives in Cork.

Lawrence Sail is one of Britain's most distinguished poets. Forty-six years on from the publication of his first book, Guises offers the fruits of fullness. His poetry explores belief and doubt, memory and imagination, art and perception, the loss of friends and the state of our ailing planet.

Inspired by recent advances in space science, poet Katrina Porteous translates to the non-scientist contemporary questions about the nature of physical reality and our understanding of it. Edge contains three poem sequences, Field, Sun and the title sequence, which extend Porteous' previous work on nature, place and time beyond the human scale.

Trawlerman's Turquoise, Matthew Caley's sixth collection, brings together elements as diverse as telepathy, Madame Blavatsky, epistolary novels, muse worship and Balzac's coffee addiction.

When the Tree Falls is Jane Clarke's second collection. These lyrically eloquent poems bear witness to the rhythms of birth and death, celebration and mourning, endurance and regrowth. An elegiac sequence, inspired by the loss of her father, moves gracefully through this second collection.

I May Be Stupid But I'm Not That Stupid is Selima Hill's 19th book of poetry and features six contrasting but complementary poem sequences: about family, fear, abuse and autism, and finding refuge with swimming, dogs and a jovial uncle.

After Cezanne is a sequence of 56 poems exploring the life and work of the post-impressionist painter Paul Cezanne, with 26 full colour reproductions of his paintings. Reimagining his friendships with Zola and Pissarro, his impact on Matisse and Picasso, Maitreyabandhu celebrates Cezanne's work in poems at once tender, urgent and amused.

Legna Rodriguez Iglesias has quickly become one of the most celebrated Cuban poets writing today. Her intense - often confrontational - poetry refuses to conform, subverting expectations and challenging social mores. Co-published with The Poetry Translation Centre, this dual-language Spanish-English edition of her work is her first UK publication.

Frank Ormsby's seventh collection of poems reflects not only the beauty of the Irish landscape and the sensuous and aesthetic impact of the small farms among which he grew up, but also the continuing violence of the 'Troubles'. Close to the surface of mountain and bogland lie the hidden graves of the 'Disappeared'.

After first making her mark as a compelling performer, Belgian poet Charlotte Van den Broeck was acclaimed as one of Europe's most innovative and original new voices in poetry. Her first English translation combines her debut volume Chameleon (2015) with its sequel Nachtroer (2017), its title the name of all-night shop in Antwerp where she lives.

In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family - the strained relationship between a mother and son, the cost of necessary goodbyes - all from Asian American, immigrant and queer perspectives. With a foreword by Jericho Brown, Chen Chen's book has received numerous honours in the US.

America's Tony Hoagland is known for his provocative poetry which interrogates human nature and contemporary culture with an intimate and wild urgency, combining outrage, stand-up comedy and grief. His late poems are no less sceptical and no less amusing, but they drifted towards the greater depths of open emotion.

Ravinthiran's second collection is a book of sonnets for his wife. These are love poems that turn analytical, consider the world, and stand for a larger community, including readers themselves. Many describe life in the North East for a mixed-race couple, considering both the redemptive force of love and the cultural origins of our discontent.

The late U.A. Fanthorpe (1929-2009) was a later developer as a writer, not publishing any poetry until she was 45. This gathering of her early, uncollected poems shows the latent mastery and the rapid development of the craft that would bring her wide critical acclaim and an affectionate general readership.

First collection by comedy writer turned poet who's written for Coronation Street and many comedians, some featuring in these poems on comics and variety artistes. 2018 Laureate's Choice poet.

Trilogy of Scottish surrealist poetry with three Books of the Dead including a tree alphabet and sonnets on the execution of Mary Queen of Scots. Follows The Nine of Diamonds (Bloodaxe, 2016).

New collection of poems about beauty, death, time and contradiction by the esteemed American poet and prose writer Tess Gallagher, celebrating the two places where she has lived for the past four decades: the Northwest of America and the north-west of Ireland.

Spiritual orphanhood and the loss and protection of innocence lie at the heart of this new collection by the eminent Irish poet Harry Clifton, in poems which revisit - in meditations on death and migration - the territories of the Far East from his early years, in the light of a new nomadic age.

Carolyn Forche's The Country Between Us bears witness to what she saw in El Salvador in the late 1970s, travelling around a country erupting into civil war. Briefly available from Jonathan Cape in the 1980s, it was reissued by Bloodaxe to coincide with the publication of Forche's long awaited memoir of those times, What You Have Heard Is True.

The poems in Miriam Gamble's third collection journey through scenes and landscapes at once of the world and of the mind. By turns uncanny, dark, poignant and uproarious, What Planet sets individuality of perception and inventiveness of memory against fixed certainties, probing chaos in a post-truth world. Winner of the 2020 Pigott Poetry Prize

Taking its title from an 18th-century anatomical wax sculpture of an idealised woman, Ivory's fifth collection examines how women have been portrayed as 'other'; as witches; as hysterics with wandering wombs; and as beautiful corpses cast in wax, or on mortuary slabs in TV box sets.

Mark Waldron's fourth collection shows his always surreal work delivering even more surprises as he depicts the absurdity behind the posturing of human beings in society. Sometimes metaphysical, sometimes apparently confessional, often hilarious, they show our lives as both funny and sad, dark and light, silly and serious.