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This open access book offers a detailed study of the foundation and expansion of the Dutch Cape Colony to ask why certain regions in the global south became European settler societies from the 16th century onwards. Examining the different factors that led to the creation of the Cape Colony, Erik Green reveals it was a gradual process, made up of ad hoc decisions, in which the agency of indigenous peoples played an important role. He identifies the drivers behind settler expansion, explores the effect of inequality on long-term economic development and examines the relationship between settlers and the colonial authorities, asserting that they should not be treated as one homogenous group with shared economic interests. Assessing specific characteristics of the Cape Colony, such as the proposition it was a slavery economy, and comparing key insights of this study with the historiography of other settler colonies, Creating the Cape Colony demonstrates the need to revise our understanding of how settler economies operated, and to rethink the long-term legacies of settler colonialism.The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 license on bloomsburycollections.com. Open access was funded by The Bank of Sweden Tercentenary Foundation grant.

Winner, ASA (American Society for Aesthetics) 2023 Outstanding Monograph PrizeFor Theodore Gracyk meaning in popular music depends as much on the context of reception and performer's intentions as on established musical and semantic practices. Songs are structures that serve as the scaffolding for meaning production, influenced by the performance decisions of the performer and their intentions. Arguing against prevailing theories of meaning that ignore the power of the performance, Gracyk champions the contextual relevance of the performer as well as novel messaging through creative repurposing of recordings. Extending the philosophical insight that meaning is a function of use, Gracyk explains how both the performance persona and the personal life of a song's performer can contribute to (or undercut) ethical and political aspects of a performance or recording. Using Carly Simon's "You're So Vain", Pink Floyd, the emergence of the musical genre of post-punk and the practice of "cover" versions, Gracyk explores the multiple, sometimes contradictory, notions of authenticity applied to popular music and the conditions for meaningful communication. He places popular music within larger cultural contexts and examines how assigning a performance or recording to one music genre rather than another has implications for what it communicates. Informed by a mix of philosophy of art and philosophy of language, Gracyk's entertaining study of popular music constructs a theoretical basis for a philosophy of meaning for songs.

An astounding project of analysis on more than one hundred translations of ancient philosophical texts, this index of words found in the Ancient Commentators on Aristotle series comprises some 114,000 entries. It forms in effect a unique dictionary of philosophical terms from the post-Hellenistic period through to late antiquity and will be an essential reference tool for any scholar working on the meaning of these ancient texts. As traditional dictionaries have usually neglected to include translation examples from philosophical texts of this period, scholars interested in how meanings of words vary across time and author have been ill served. This index fills a huge gap, therefore, in the lexical analysis of ancient Greek and has application well beyond the reading of ancient philosophical commentaries. Bringing together the full indexes from 110 of the volumes published in Bloomsbury's Ancient Commentators on Aristotle series, McKirahan has combined each word entry and analysed how many times particular translations occur. He presents his findings numerically so that each meaning in turn has a note as to the number of times it is used. For meanings that are found between one and four times the volume details are also given so that readers may quickly and easily look up the texts themselves.

Pedagogical leadership views leadership as something separate from formal authority or qualifications, seeing educators' understanding, interpretation and passion as the key lever for continuous improvement in early childhood education (ECE). This book shows how effective pedagogical leadership can create the right conditions for quality ECE provision, to increase motivation and engagement among staff, and impact positively on staff recruitment and retention. Written by a team of international experts based in Australia, Azerbaijan, Estonia, Greece, Finland, Norway, Sweden, the UK and the USA, this book explores pedagogical leadership in ECE in-depth and through an international lens. The chapters address questions including: what is pedagogic leadership?; what does it look like?; what impact can pedagogic leadership have on the everyday work of nurseries and other ECE providers? The contributors cover a range of topics including trauma-responsive pedagogy, child-initiated pedagogies, conflict management, change management theory and social leadership theory.

This edited collection offers the first in-depth analysis and sourcebook for 'Lockdown Shakespeare'. It brings together scholars of stage, screen, early modern and adaptation studies to examine the work that emerged during the Covid-19 pandemic and considers issues of form, liveness, reception, presence and community. Interviews with theatre makers and artists illuminate the challenges and benefits of creating new work online, while educators consider how digital tools have facilitated the teaching of Shakespeare through performance. Together, the chapters in this book offer readers the definitive work on the performance and adaptation of Shakespeare online during the pandemic.From The Show Must Go Online, which presented Shakespeare's First Folio via YouTube, to Creation Theatre and Big Telly's interactive The Tempest and Macbeth, which used Zoom as their stage, the book documents the variety and richness of work that emerged during the pandemic. It reveals how, by taking Shakespeare online in new and innovative ways, the theatre industry sparked the evolution of new forms of performance with their own conventions, aesthetics and notions of liveness. Among the other productions discussed are Arden Theatre Company's A Midsummer Night's Dream, Tender Claws' 'The Under Presents: Tempest', The Shakespeare Ensemble's What You Will, Merced Shakespearefest's Ricardo II, CtrlAltRepeat's Midsummer Night Stream, Sally McLean's Shakespeare Republic: #AllTheWebsAStage (The Lockdown Chronicles) and Justina Taft Mattos's Moore - A Pacific Island Othello.

Answering foundational questions like "what is a comic" and "how do comics work" in original and imaginative ways, this book adapts established, formalist approaches to explaining the experience of reading comics. Taking stock of a multitude of case studies and examples, The Comics Form demonstrates that any object can be read as a comic so long as it displays a set of relevant formal features. Drawing from the worlds of art criticism and literary studies to put forward innovative new ways of thinking and talking about comics, this book challenges certain terminology and such theorizing terms as 'narrate' which have historically been employed somewhat loosely.In unpacking the way in which sequenced images work, The Comics Form introduces tools of analysis such as discourse and diegesis; details further qualities of visual representation such as resemblance, custom norms, style, simplification, exaggeration, style modes, transparency and specification, perspective and framing, focalization and ocularization; and applies formal art analysis to comics images. This book also examines the conclusions readers draw from the way certain images are presented and what they trigger, and offers clear definitions of the roles and features of text-narrators, image-narrators, and image-text narrators in both non-linguistic images and word-images.

An increasingly important field of research within multilingualism and sociolinguistics, Family Language Policy (FLP) investigates the explicit and overt planning of language use within the home and among family members. However the diverse range of different family units and contexts around the globe necessitates a similarly diverse range of research perspectives which are not yet represented within the field. Tackling this problem head on, this volume expands the scope of families in FLP research. Bringing together contributors and case studies from every continent, this essential reference broadens lines of inquiry by investigating language practices and ideologies in previously under-researched families. Seeking to better reflect contemporary influences on FLP processes, chapters use innovative methodologies, including digital ethnographies and autoethnography, to explore diverse family configurations (adoptive, LGBTQ+, and single parent), modalities (digital communication and signed languages), and speakers and contexts (adult learners, Indigenous contexts, and new speakers).Bringing to light the dynamic, fluid nature of family and kinship as well as the important role that multilingualism plays in family members' negotiation of power, agency, and identity construction, Diversifying Family Language Policy is a state-of-the-art reference to contemporary theoretical, methodological and ethical advances in the field of family language policy.

What is the connection between causation and responsibility? Is there a best way to theorize philosophically about causation? Which factors determine and influence what we judge to be the cause of something? Bringing together interdisciplinary research from experimental philosophy, traditional philosophy and psychology, this collection showcases the most recent developments and approaches to questions about causation. Chapters discuss the diverse theoretical ramifications of empirical findings in experimental philosophy of causation, providing a comprehensive survey of key issues such as the perception and learning of causal relations, omission, normative considerations, mechanism, voluntariness and legal theories of causation. With novel contributions from both experts and rising stars, Advances in Experimental Philosophy of Causation demonstrates the value of empirical work and opens new domains of inquiry at the cutting edge of the field.

English-Medium Instruction (EMI) is a rapidly growing global phenomenon in countries where English is a second or foreign language. This book focuses on empirical research studies conducted on this growing trend in the Middle East and North Africa, an under-researched area with regards to the effects and challenges of the implementation of EMI in higher education. The contributors are researchers with first-hand experience in countries in the region, including Iran, Kuwait, Morocco, Oman, Saudi Arabia, Sudan, and Turkey. Each chapter follows a consistent structure, allowing comparisons to be drawn between policies and practices in different countries. Topics covered include investigating perceptions and attitudes of both students and lecturers, opportunities and challenges afforded by EMI, as well as the evolution of EMI practices. By exploring these issues, through the lens of a decolonial critical approach, this volume informs theory underlying research into the phenomenon of EMI in the region.

Building/Object addresses the space in between the conventional objects of design and the conventional objects of architecture, probing and reassessing the differences between the disciplines of design history and architectural history Each of the 13 chapters in this book examine things which are neither object-like nor building-like, but somewhere in between - air conditioning; bookshelves; partition walls; table-monuments; TVs; convenience stores; cars - exposing particular political configurations and resonances that otherwise might be occluded. In doing so, they reveal that the definitions we make of objects in opposition to buildings, and of architecture in opposition to design, are not as fundamental as they seem. This book brings new aspects of the creative and experiential into our understanding of the human environment.

Women and Indian Shakespeares explores the multiple ways in which women are, and have been, engaged with Shakespeare in India. Women's engagements encompass the full range of media, from translation to cinematic adaptation and from early colonial performance to contemporary theatrical experiment. Simultaneously, Women and Indian Shakespeares makes visible the ways in which women are figured in various representational registers as resistant agents, martial seductresses, redemptive daughters, victims of caste discrimination, conflicted spaces and global citizens. In so doing, the collection reorients existing lines of investigation, extends the disciplinary field, brings into visibility still occluded subjects and opens up radical readings. More broadly, the collection identifies how, in Indian Shakespeares on page, stage and screen, women increasingly possess the ability to shape alternative futures across patriarchal and societal barriers of race, caste, religion and class. In repeated iterations, the collection turns our attention to localized modes of adaptation that enable opportunities for women while celebrating Shakespeare's gendered interactions in India's rapidly changing, and increasingly globalized, cultural, economic and political environment. In the contributions, we see a transformed Shakespeare, a playwright who appears differently when seen through the gendered eyes of a new Indian, diasporic and global generation of critics, historians, archivists, practitioners and directors. Radically imagining Indian Shakespeares with women at the centre, Women and Indian Shakespeares interweaves history, regional geography/regionality, language and the present day to establish a record of women as creators and adapters of Shakespeare in Indian contexts.

Analyzing the importance of joy, laughter, and cheerfulness in Nietzsche's thought, this volume addresses an under-examined topic in the secondary literature. By exploring disparate aspects of these interrelated emotions it provides new insights into his key ideas.The contributors-among them philosophers and political scientists-illustrate the significance of these feelings to reveal political ramifications of their affirmative potential and their broader role in Nietzsche's philosophical aims. These include how the joyful disposition Nietzsche commends informs his free spirit's self-overcoming, attempts to revalue all values, and prospects of ultimately transfiguring humanity.Among other topics, scholars assess the Übermensch and shared joy, learning to laugh at oneself, Schopenhauer's jokes, Pascal's cheerfulness, and the Dada movement's subversively playful aesthetic. By contemplating Nietzsche's emphasis on joy and laughter, the volume reveals a thinker who, far from being a caricature of hopeless nihilism, is in fact the hitherto unrecognised champion of an alternative liberatory politics.

This book reveals how a remarkable ancient Greek and Latin poetic form -- the alcaic metre -- found its way into English poetry, and continues shaping the imagination of poets today. English poets have always admired the extraordinary beauty and intricacy of the alcaic stanza (Tennyson called it 'the grandest of all measures') and their inventive responses to the ancient alcaic have generated remarkable innovations in the rhythms, sounds and shapes of modern poetry. This is the first book-length study of this neglected strand of English literary history and classical reception. Attending closely to the rhythm and texture of their verses, John Talbot reveals surprising connections between English poets across five centuries, among them Mary Shelley, Milton, Marvell, Tennyson, Edward FitzGerald, Wilfred Owen, W. H. Auden and Donald Hall. He gives special attention to a flourishing of English alcaics during the late twentieth and twenty-first centuries, and what it suggests about the changing place of classics and poetic form in contemporary culture.

Between April 1992 and December 1995, more than 100,000 people were killed in the war in Bosnia and Herzegovina. The terrible atrocities committed in this period have been much discussed and studied and many prosecuted as acts of genocide, war crimes or crimes against humanity. But so far, the academic scholarship has focused on the role of the military in these events. This has come at the expense of considering the police's role, which Nielsen here demonstrates as crucial. Nielsen traces the origins of the war in Bosnia and Herzegovina to the police and associated paramilitary groups. Nielsen makes this ground-breaking case by drawing on a host of confidential archival sources, academic research and practical experience as a widely cited expert witness in the most notorious of the war crimes tribunals. His innovative new history sheds light on wider issues regarding the dissolution of Yugoslavia, the Balkan wars and the region today.

Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' - termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.

In recent years, the Arab world and Iran have been afflicted by cataclysmic events, among them brutal state crackdowns of revolutions. Yet, filmmakers have persisted in their desire to tell their stories, against the odds, in creative acts that attest to their imagination, courage and resilience.In this book, Shohini Chaudhuri examines a broad range of films made during the tumultuous period since 2009, ranging from internationally award-winning festival favourites, such as For Sama (2019), Capernaum (2018) and Taxi Tehran (2015), to lesser-known films from the region. While freedom of expression is often understood through the lens of state censorship, she reveals the different types of obstacles that filmmakers face and their strategies for overcoming them so that those constraints are transformed into creative opportunities. Using her original interviews with filmmakers such as Waad al-Kateab, Yasmin Fedda, Larissa Sansour, Mani Haghighi and Ossama Mohammed, she identifies nine creative strategies for producing work under conditions of crisis.Chaudhuri argues that creativity is indelibly shaped by constraints, whether these are externally imposed by existing materials, funding and socio-political conditions, or self-imposed constraints, through choices of genre or acceptance of rules and responsibilities.She shows that the range of creative strategies emanating from the region is much wider than allegory and becoming ever more direct. She thus opens up new lines of inquiry into cinematic creativity in sites of conflict and crisis in the Middle East and beyond.

While Adorno has tended to be read as a critic of the administered world and the consumer industry rather than a Marxist, Adorno and Marx establishes Adorno's negative dialectics as fundamental for understanding Marx's critique of political economy. This conception of the critique of political economy as a critical theory marks both a radical departure from traditional Marxist scholarship and from traditional readings of Adorno's work and warns against identifying Adorno with Marx or Marx with Adorno. Rather, it highlights the intersection between Adorno's critical theory and Marx's critique of political economy that produces a critical theory of economic objectivity that moves beyond Marxian economics and Adornonian social theory. Adorno and Marx offers an ingenious account of critical social theory. Its subversion of the economic categories of political economy contributes to the cutting-edge of contemporary social theory and its critique of social practice.

Memoirs of diasporic Iranian-American authors are a unique and culturally powerful way in which Iran, its politics, and people are understood in the USA and the rest of the world. This book offers an analysis of the processes of production, promotion, and reception of the representations of post-revolutionary Iran. The book provides new perspectives on some of the most famous examples of the genre such as Betty Mahmoody's Not Without My Daughter, Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books, and Fatemeh Keshavarz's Jasmine and Stars: Reading More Than Lolita in Tehran. Hossein Nazari places these texts in their social, historical, and political contexts, tracing their origins within the trope of the American captivity narrative, teasing out and critiquing neo-Orientalist tendencies within, and finally focusing on modes of discursive resistance to neo-Orientalist narratives. The book analyzes the structural means by which stereotypes about Islam and women in the Islamic Republic in these narratives are privileged by news media and the creative industries, while also charting a growing number of 'counterhegemonic' memoirs which challenge these narratives by representing more nuanced accounts of life in Iran after 1979.

The religious minorities of Iraq suffered immense violence at the hands of ISIS and they are now trying to rebuild their lives. In their own words, this book tells their stories of resilience against oppression, creativity in the darkest moments, and hope amidst death. Covering the experiences of the Christians, Kakais, Yezidis, Sunni Muslims and Shabaks, among others, this is an in-depth investigation that reveals how the different communities narrate their beliefs and deal with life and recovery in the aftermath of ISIS.Existing literature on the religious minorities in Iraq treats them in isolation as if they do not interact. This is the first book to show that a strong network between them operates in the absence of a strong civil society and based on a common desire to coexist, reconstruct their society and build peace. Over three years, the author visited religious and archaeological sites and interviewed more than one hundred people between representatives of the religious communities, academics, activists, politicians, policy makers and refugees. Among them are victims and persecutors, men, women and children, all who have been overwhelmed by the tragic events of the last few years. The author shows that all these groups are animated by the same desire for a new, more tolerant society and that their treatment of each other is nurtured by their shared experience of persecution and oppression.

This volume presents a range of methodologically innovative treatments on ritual action in the Hebrew Bible. They treat a diverse range of ritual phenomena, including space, blessings and oath-taking, from the world of ancient Israel and Judah.The introduction engages with the dominant scholarly models drawn from ritual theory, and the volume explores their applicability to ancient textual material such as the Hebrew Bible. The chapters reflect high-level specialized engagement with specific ritual phenomena through the lens of appropriate theoretical and methodological approaches.

The Hebrew Bible and art reside at the core of this book, which analyzes the iconographic representation of several women of the Bible. The contributors consider the ways in which the biblical texts regarding these women had been read and understood throughout time and the means by which they were represented. Each study also explores the different values associated with these representations according to the problems, worries and concerns of each period. Drawing upon disciplines such as theology, philology or history of art, the essays within this volume provide a cross-sectional, plural and rich approach. In focusing upon iconographic representation, numerous visual cultures of the last millennium are explored, and special emphasis is placed upon several integral biblical women such as Bathsheba, Moses' mother, the Pharaoh's Daughter, Ruth, Naomi and Deborah, and their lasting influence upon Western art and culture. This book pursues an understanding of the history of the transmission and reception of the Bible in general, and of the women of the Old Testament in particular.

Steve Walton has consistently focused his research and scholarship upon the theological perspective of Acts, while considering the book's nature and focus, its portrait of the early Christian communities and their mission in the culturally varied first-century world, and its major theological themes. Walton now collects several of his key essays into an expansive and coherent perspective, bringing together studies published over nearly two decades during his time of study and reflection in the process of writing the Word Biblical Commentary on Acts.The collection begins with an exploration of what 'reading Acts theologically' means, the divine perspective of Acts, and how Luke theologizes through narrative. Walton presents analyses covering the nature of the early Church and the main terms used by the communities; the believers' sharing of possessions; early Christian attitudes to the Jewish temple; decision-making among the earliest Christians; and the church's engagement with the Roman empire and its representatives. This volume studies theological themes in Acts such as Jesus' role as a character in the text while also located in heaven, and the cosmology and anthropology communicated by Acts, thus providing a new reflection on the early Christian understanding of God, Jesus and humanity.

Stephen J. Smith enters the lively field of editorial-criticism of the Hebrew Psalter or Psalterexegese with this detailed investigation into the final form of Psalms 73-83. In the book, he engages scholarly disagreements over this collection's structure, the degree and nature of its literary unity, and the primary theological message(s) it communicates. Smith argues that the sequence of Psalms 73-82 - and possibly 83 - has a deliberate design that reflects a sustained focus on addressing, and resolving, a multidimensional collision between "faith" (i.e., core Israelite beliefs about God) and "experience" (i.e., the individual/community's lived experience of God) that was precipitated by God's prolonged absence in the Temple's destruction (c. 586/587 BCE). Parting ways with previous scholarship, Smith contends that a recursive organizing principle rooted in biblical parallelism structures the collection. Over the book's nine chapters, he makes the case that the editor(s) grouped its psalms into two major blocks (74-78; 79-82) of two sub-groupings each (74-76, 77-78; 79/82, 80-81) in order to develop a single topic in multiple dimensions: the severe threat that God's prolonged absence in the temple's destruction posed to the ongoing viability of various core Israelite beliefs about God, most fundamentally God's goodness. Smith makes the case that the collection is shaped to resolve this crisis by bolstering the reader's confidence in, and commitment to, these beliefs in the face of their apparent failure.

Antonios Finitsis and contributors continue their examination of dress and clothing in the Hebrew Bible in this collection of illuminating essays. Straddling the divide between the material and the ideological, this book lends shape and texture to topics including social standing, agency, and the motif of cloth and clothing in Esther. Essays also explore the function of dress metaphors in imprecatory Psalms, the symbolic function of headdresses, and the divine clothing of Adam and Eve and the hermeneutics of trauma recovery. Together, the contributors continue to shape scholarly discourse on a growing body of scholarship on dress in the Bible.By turning their analytical gaze to this primary evidence, the contributors are able to reveal the social, psychological, aesthetic, ideological and symbolic meanings of dress in the Hebrew Bible, thereby producing insights into the literature and cultural world of the ancient Near East.

Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain - a doppelgänger to human thought.

Islands and their status in international law have become one of the more contentious issues in public international law. However, despite this, there is no contemporary book-length study on the question. This book fills that gap. Written by one of the world's leading public international lawyers, it offers an authoritative overview of how public international law operates in relation to islands. Key issues such as artificial islands, archipelagos, sovereignty, territorial rights, maritime entitlements, and governance are explored in depth. This will become a classic text in the field of international law.

This authoritative one-stop resource helps readers understand the problem of sexual assault in the United States, including societal factors, notorious cases, laws and practices, victim advocacy and reform efforts, and keys to recovery. It discusses who is being victimized, who is perpetrating the offenses, and what can be done (and is being done) to reduce rape, sexual assault, and sexual harassment in homes and communities across America. The volume also explores the role that investigative shortcomings and rape culture have played in facilitating sexual assault and abuse, and how shifts in attitude and policy could combat this devastating crime.

This book proposes a new way of thinking about the controversial and complex challenges associated with the regulation of high-cost credit, specifically payday lending. These products have received significant attention in both the media and political arena. The inadequacy of regulatory interventions has created ongoing problems with the provision of high-cost credit, particularly for consumers with lesser bargaining power and who are already financially vulnerable. The book tackles two specific gaps in the existing literature. The first involves inadequate analysis of the relevant philosophical concepts around high-cost credit, which can result in an over-simplification of what are particularly complex issues. The second is a lack of engagement in both the market and lived experience of borrowers, resulting in limited understanding of those who use these financial products.The Future of High-Cost Credit explores the theoretical grounding, policy initiatives and interdisciplinary perspectives associated with high-cost credit, making a novel and insightful contribution to the existing literature. The problems with debt extend far beyond the legal sphere, and the book will therefore be of interest to many other academic disciplines, as well as for those working in public policy and 'the third sector'.