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Is God a white racist? Posed by William R. Jones in his ground-breaking book of the same name, this question disrupted the theological assumptions that marked Black religious thought from early writings of the 1800s to the formation of Black theology in the 1960s. This book compiles his key and essential writings related to over three decades of critical reflection on race, religion, secularism, and oppression in the United States. Over the course of 30 years, Jones pushed questions and considerations that refined Black theology and that gave greater shape to and understanding of Black philosophers' intervention into issues of racial and structural inequality. His philosophical work, related to the grid of oppression, fosters an approach to the nature and meaning of oppression in the United States, encouraging rational interrogation of structures of injustice and thought patterns supporting those structures. Still relevant today, the straightforward style of communication used by Jones makes these essays easily accessible to a popular audience, while maintaining intellectual rigor, making the book also suitable for an academy-based audience.

Through examination of the death penalty in literature, Aaron Aquilina contests Heidegger's concept of 'being-towards-death' and proposes a new understanding of the political and philosophical subject.Dickens, Nabokov, Hugo, Sophocles and many others explore capital punishment in their works, from Antigone to Invitation to a Beheading. Using these varied case studies, Aquilina demonstrates how they all highlight two aspects of the experience. First, they uncover a particular state of being, or more precisely non-being, that comes with a death sentence, and, second, they reveal how this state exists beyond death row, as sovereignty and alterity are by no means confined to a prison cell.In contrast to Heidegger's being-towards-death, which individualizes the subject - only I can die my own death, supposedly - this book argues that, when condemned to death, the self and death collide, putting under erasure the category of subjectivity itself. Be it death row or not, when the supposed futurity of death is brought into the here and now, we encounter what Aquilina calls 'relational death'. Living on with death severs the subject's relation to itself, the other and political sociality as a whole, rendering the human less a named and recognizable 'being' than an anonymous 'living corpse', a human thing.In a sustained engagement with Blanchot, Levinas, Hegel, Agamben and Derrida, The Ontology of Death articulates a new theory of the subject, beyond political subjectivity defined by sovereignty and beyond the Heideggerian notion of ontological selfhood.

"Heracles and Athenian Propaganda examines how Greece's most important hero was appropriated and portrayed by Athens in religion, politics, architecture and literature, with a detailed study of Euripides' Heracles in relation to this interplay between the hero and the city's ideology. Though Athens needed a hero of Hellenic stature, Heracles was a deeply problematic figure: a violent hero of ancient epic, with an aristocratic nature and a murderous temper, who did not naturally fit into the new ideals of democratic society at Athens. Examining how Euripides' play fits within the space of the polis and its political ideology, Sofia Frade asks specific questions of tragedy and politics: how does Euripides' tragic drama of grief, insanity and murder reconcile this hero to a palatable, patriotic ideal? How does the tragic hero relate to his own representations and his cult within the polis? In a city so marked by iconographic propaganda, how did the imagery influence the audience? By looking at the play's larger contexts - literary, civic, political, religious and ideological - new readings are offered to the most problematic elements of the play, including the question of its unity, the nature of the hero's madness and the role of the gods"--

Translating and interpreting in crises is emotionally and cognitively demanding, with crisis communication in intercultural and multilingual disaster settings relying on a multitude of cross-cultural mediators and ever-emerging new technologies. This volume explores the challenges and demands involved in translating crises and the ways in which people, technologies and organisations look for effective, impactful solutions to the communicative problems.Problematising the major issues, but also providing solutions and recommendations, chapters reflect on and evaluate the role of translation and interpreting in crisis settings. Covering a diverse range of situations from across the globe, such as health emergencies, severe weather events, earthquakes, terrorist attacks, conflicts, and mass migration, this volume analyses practices and investigates the effectiveness of current approaches and communication strategies. The book considers perspectives, from interpreting specialists, educators, emergency doctors, healthcare professionals, psychologists, and members of key NGOs, to reflect the complex and multifaceted nature of crisis communication. Placing an emphasis on lessons learnt and innovative solutions, Translating Crises points the way towards more effective multilingual emergency communication in future crises.

This book explores the impact of localities and regions on universities and shows how the diversity of the higher education landscape is critically affected by the geophysical character of regions and their differentiated economies and cultures; regional inequalities bear heavily on universities' strategy-making. A study of the interrelationship between higher and further education argues that from a regional perspective a change to a tertiary education system in England (following Wales) would create the conditions for better local and regional coordination. Universities make a significant contribution to 'levelling up' through technology transfer and the creation of innovation hubs but the contribution of locally or regionally based students who on graduation return to disadvantaged communities rather than seek employment elsewhere should be recognised also as a longer term step to redressing regional inequality. The book argues strongly that the time has come to decentralise the governance of a re-aligned tertiary system to regions and identifies the move to create metro mayors and combined authorities as providing the appropriate vehicle to release new initiative from regional sources. It cites the success of decentralisation to Scotland and Wales as offering relevant models for scrutiny. The authors draw on 12 UK widely differentiated university case studies, a survey of further education and a study of three continental European comparators (Germany, Ireland and Norway) to develop the argument.

This book covers new ground in its focus on the Anglican Church congresses 1861-1938 as a public space in which the views of notable women were widely disseminated. It celebrates the contribution made by women to public life and discourse on womanhood as platform speakers, and commemorates the presence of the large numbers of women who joined congresses as audience members. Original research draws on extensive primary sources from official records, diaries and the press to capture women's views and voices and to evoke congress as a communicative social space and a window into topical affairs. Women and the Anglican Church Congress 1861-1938 examines the roles of women in the Church and reflects on how women with a sense of vocation negotiated contemporary attitudes to their positions and spirituality. The book also explores how women's secular aspirations towards citizenship in the context of poverty, work, temperance, eugenics, class and suffrage played out at congress.

Aimed toward graduate student instructors and other creative writing educators, Teaching Cultural Dexterity in Creative Writing offers a formula for important changes in creative writing instruction-especially in literary/creative nonfiction, probing how instruction might become more inclusive and accessible for minoritized/marginalized student-authors. The book chapters use antiracist, trauma-informed, and anticolonial frameworks toward exploring the 21st-century professional, theoretical, and institutional concerns surrounding creative writing practices in North American higher education. As a result, the book explores ways creative writing pedagogies and theories might be adapted for racially and linguistically marginalized (by English) student-authors, who often inhabit minoritized positions within North American colleges and universities.Applying as a frame the notion of cultural dexterity as it is taught to medical professionals to allow them to engage effectively with patients from all backgrounds, ethnics groups and with all sensitivities, Teaching Cultural Dexterity in Creative Writing examines why and how creative writing instruction needs to be urgently renegotiated. In this essential text for all creative writing instructors, McCray provides all the tools necessary to take positive action with discussions of potential readings, writing prompts and sample course materials.

In the nineteenth century, Charles Dickens backed the cause of abolition of the death penalty and wrote comprehensively about it, in public letters and in his novels. At the end of the twentieth century, Jacques Derrida ran two years of seminars on the subject, which were published posthumously. What the novelist and the philosopher of deconstruction discussed independently, this book brings into comparison.Tambling examines crime and punishment in Dickens's novels Barnaby Rudge, A Tale of Two Cities, Oliver Twist and Bleak House and explores those who influenced Dickens's work, including Hogarth, Fielding, Godwin and Edgar Allen Poe. This book also looks at those who influenced Derrida - Freud, Nietzsche, Foucault and Blanchot - and considers Derrida's study on terrorism and the USA as the only major democracy adhering to the death penalty.A comprehensive study of punishment in Dickens, and furthering Derrida's insights by commenting on Shakespeare and blood, revenge, the French Revolution, and the enduring power of violence and its fascination, this book is a major contribution to literary criticism on Dickens and Derrida. Those interested in literature, criminology, law, gender, and psychoanalysis will find it an essential intervention in a topic still rousing intense argument.

What is self-control? Does a person need to be conscious to act? Are delusions always irrational? Questions such as these are fundamental for investigations into action and rationality, as well as how we assign responsibility for wrongdoing and assess clinical symptoms. Bridging the gap between philosophy and psychology, this interdisciplinary collection showcases how empirical research informs and enriches core questions in the philosophy of action.Exploring issues such as truth, moral judgement, agency, consciousness and cognitive control, chapters offer an overview of the current state of research, present new empirical findings and identify where future experimental work can further advance the frontier between philosophy and psychology. This is an essential resource for anyone looking to better understand how science and philosophy can meaningfully inform our knowledge of human agency.

What does it mean to think with images? There is a well-established tradition of studying thought processes through the nature of language, and we know much more about thinking with language than about thinking with images. Piotr Kozak takes an important step towards rectifying this position.Presenting a unified theory of different types of images, such as diagrams, maps, technical drawings and photographs, Kozak argues that images provide a genuine and autonomous form of content and knowledge. In contrast to the propositional view of thinking and resemblance-based accounts, he puts forward a measurement-theoretic account of images as operations that exemplify measures, revealing the outcomes of measurement operations performed on a depicted situation. Bringing together insights from philosophy of science, picture-theory, cognitive science and cognitive psychology, this book demonstrates that we can only understand what an image is if we truly understand the role they play in our thought processes, challenging the prevailing view that the utility of images is only instrumental and cognitively inferior.

AIDS & Representation explores portraits and self-portraits made in response to the AIDS epidemic in America in the 1980s and 1990s. Addressing the work of artists including Mark Morrisroe, Robert Blanchon and Felix Gonzalez-Torres through the interrelated themes of sickness and mortality, desire and sexual identity, love and loss, Fiona Johnstone shows how the self-representational practices of artists with HIV and AIDS offered a richly imaginative response to the limitations of early AIDS imagery. Johnstone argues that the AIDS epidemic changed the very nature of visual representation and artistic practice, necessitating a radical new approach to conceptualising and visualising the human form. An extended epilogue considers the ongoing art historicization of the epidemic, re-contextualising the book's themes in relation to contemporary photographic works.More than just a historical discussion of the art of the AIDS crisis, AIDS and Representation contributes to an emergent body of scholarship on the visual representation of illness. Expanding the established genre of the autopathography or illness narrative beyond the predominantly textual, this important contribution to art history and health humanities sensitively unpicks the entanglements between aesthetic form and the expression of lived experiences of critical and chronic ill health.

"Written to celebrate the 100th birthday of Sir Kenneth Dover, this volume unites the two major elements in his life: the relatively private groundbreaking scholarly work he did on aspects of Greek language and history and the more public-facing roles he assumed in universities and at the British Academy that led to him being in the national spotlight later in his career. The contributors to this volume consider all the major facets of Dover's life and work, setting them in the context of the burgeoning field of the history of scholarship. Contributors include students and colleagues of Dover's at different stages of his career, while others are themselves leading experts in areas of Classics to which Dover devoted his energies"--

This book draws critical connections between teacher education or preparation and the field of comparative and international education (CIE) showing ways in which the two fields can inform and advance one another. The chapters consider how teacher education shapes and is shaped by CIE, particularly in an era of socio-cultural upheavals, politico-economic transformations and climate or health crises affecting the human and natural world. The question at the core of the book is: in what ways can comparative and international education support a rethinking of teacher education in the wake of the social movements for equity, justice and civil liberties with ramifications for educators around the world? It includes contributions from leading academics based in Argentina, Canada, China, Columbia, Finland, Grenada, Hong Kong, Myanmar, Spain, South Africa, Turkey and the USA. The chapters cover topics ranging from equity, social justice, and the sustainable development goals to country case-studies including teacher education in Myanmar and a comparative study of teacher preparation in South Korea and the USA.

"This Handbook includes new scholarship on the cinema of Iran. Chapters engage with the national and transnational history of Iranian cinema and cover a range of themes and concerns including cinema before and after the revolution, stylistic innovation, documentary, gender and genre. Contributors approach Iranian cinema via a range of disciplinary frameworks including Film Studies, Cultural Studies, Religion and Politics. Filmmakers discussed include: Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, Ida Panahandeh, Shahram Mokri, Marva Nabili and Ebrahim Golestan"--

With a discography of over 1000 songs, 20 musicals and three motion pictures, the Lebanese singer and performer, Fairouz, is an artist of pan-Arab appeal, who has connected with listeners from diverse backgrounds and geographies for over four often tumultuous decades.In this book, Dima Issa explores the role of Fairouz's music in creating a sense of Arab identity amidst changing political, economic context. Based on two years of research including 60 interviews, it takes an ethnographic approach, focussing on audience reception of Fairouz's music among the Arab diasporas of London and Doha. It shows that for discussants, talking about Fairouz meant discussing diasporic life, bringing to the surface notions of Arabness and authenticity, presence and absence, naturalization and citizenship, and the issue of gender. Conversations with the research respondents shed light on the idea of iltizam (commitment), or how members of the Arab diaspora hold on to attributes that they feel define and differentiate them from others.

How easy and uncomplicated was it for an 18th-century, medium-sized, Ottoman trade company to expand its business in the West? Which kind of resources, in terms of knowledge, information, experience, contacts and capital, could guarantee its successful passage from the business environment of a precapitalist oriental market to that of a major commercial and financial center of western Europe?Following the venture of the Ottoman Greek merchants Bartholo and Raphael Cardamici, who in the 1760s traded goods between Smyrna, Constantinople and Amsterdam, Despina Vlami investigates various aspects of the organization and strategy necessary for such an important transition. To expand their wholesale trade business to Amsterdam, the Cardamicis chose as their local correspondent an experienced and strong-minded Dutch merchant, Thomas De Vogel. De Vogel's letters addressed to his Ottoman clients reveal the course of their business transactions and the making of their personal relationship. At the same time, they are comprehensive and efficient tutorials on trade business and strategy guiding the Ottoman Greek merchants through the unpredictable and unfamiliar 18th-century international business universe.

"This book explores the role of material entities and processes in shaping political lives in Turkey, revealing the formative role of material entities and processes in political processes of infrastructure construction, knowledge production, and technical expertise. Chapters explore the politics of material entities such as roads, canals, oilfields, and mines as well as less elaborated material sites, including military bases, soccer fields, wetlands, and mental healthcare institutions. These interdisciplinary case studies from the fields of anthropology, science and technology studies, history of medicine and sports, and environmental humanities, provide important new analytical and theoretical approaches to understanding Turkey's ongoing politics of 'modernisation'"--

"The key question this volume addresses is 'how does Bonhoeffer's thought help to re(dis)cover the doctrine of Christ's two natures and one person and understand and renew it in its significance for a modern post-metaphysical and secular world?' The volume takes a fresh look at Dietrich Bonhoeffer's Christology and brings it into a fruitful dialogue with current Christological debates. In a multi-perspectival, pluralistic world, Bonhoeffer's thinking offers a productive basis for conceptually incorporating the openness required for this task into academic theology. Bonhoeffer's theology offers a starting point for the recovery of a productive Christology that reflects the plurality of the globalized world, as Bonhoeffer's Christology begins precisely with this integration into worldly reality, whereby the world is understood in its plurality and polyphony. In this way, he characterizes his enterprise as follows: "What keeps gnawing at me is the question, what is Christianity, or who is Christ actually for us today" (DBWE 8, 362). Accordingly, it opens itself up not only to inner-Christian discussion but also to non-Christian worldviews, from which a basic ethical demand follows"--

"This volume uses narrative theory to provide a new interpretation of the relationship of cosmic spaces in the Book of Revelation"--

Steven J. Duby provides a close verse-by-verse exegesis of the book of Habakkuk, setting forth the important literary and historical considerations with a view to their bearing on the theological content of the text. Duby shows how Habakkuk fits within and contributes to the larger mosaic of God's self-revelation in redemptive history and reflects on how this intersects with important points of Christian doctrine. The work incorporates key concepts and doctrinal insights from the church's dogmatic tradition showing how they in turn can shed light on the scriptural text. The commentary includes excurses (for example, on the doctrine of justification) elaborating on how Habakkuk's message can inform biblical exegesis and Christian theology today.

Etienne Nodet proposes that Qumran functioned as a pilgrimage site for the Essenes from the 1st century BC onwards. Nodet suggests that the Essenes were scattered everywhere within Palestine in rural communities and that they used to commemorate a renewal of the early Israelites' entrance into the Promised Land, after crossing the Jordan river and celebrating Passover at Gilgal with Joshua, Moses' heir. The Essene dead were moved to be buried at Qumran in a well-organized graveyard, as the place was deemed to be a kind of gate to heaven.Nodet shows how the Jewish movement of the Essenes did not did not disappear after the war in 70 CE, rather its customs had a strong influence upon early Christianity and Rabbinic Judaism. The chapters of this book examine the Essenes in the period after the war in Jerusalem, showing how this community developed and its longer term significance. This is linked to the texts of the New Testament, to the writings of Josephus and to the Qumran community's own documents, the Dead Sea Scrolls.