Bøker utgitt av Bloomsbury Academic

"As the British fashion industry took off in the post-war period, the figure of the photographic fashion model rapidly came to represent a new mode of femininity: independent, successful, and fashionably dressed. Fashioning a Life explores the wealth of life writing surrounding these glamourous 'Model Girls', from autobiography and memoir to advice literature. The book draws on a wealth of archival research and the writing of professional women in the field - including Jean Shrimpton, Mary Quant, and Janey Ironside - and explores these narratives through the lens of the popular culture and mass media of the late 1950s and 1960s"--

The Palestinian national liberation movement - or the Palestinian revolution as it is known in Arabic - emerged during the 1960s as an iconic cause of the global Left. This volume highlights the different practices of international solidarity that characterised this period, and how they shaped and were shaped by the global trajectory of the Palestinian movement. Bringing together scholars with versatile linguistic and interdisciplinary skills, Palestine in the World puts the Palestinian movement into conversation with the models of transnational politics that emerged through the revolutionary period. From participation in a vibrant sphere of intellectual and cultural production, the work of travelling revolutionaries as delegates, volunteers, and militants, and the connected mobilisations that took place in different corners of the world, international solidarity with and from the Palestinian movement was integral to its ascendance on the global stage. By treating the Palestinian revolution as a world phenomenon - with cases from Cuba, France, the US, the GDR, Japan and more - this volume reveals the forms of solidarity that shaped the rise of the movement and their afterlives today. It illuminates the rich connected histories of international solidarity that positioned the Palestinian movement as an iconic anticolonial struggle.

Thinking through anti, post, and decolonial theories, this book examines, analyses, and conceptualises 'visibly Muslim' Lebanese women's lived experiences of discrimination, assault, wounding, and erasure. Based on in-depth research alongside over 100 Sunni and Shia participant between 2017 and 2019 it situates these experiences at the intersection of the local and the global and argues for their conceptualisation as a form of structural and lived anti-Muslim racism. In doing this, it discusses the convergences and divergences of anti-Muslim racism in Lebanon with anti-Muslim racism in other parts of both the global north and the global south. It examines the production of this racialisation as well as its workings across spheres of public, private, work, and state - including an analysis of internalised self-hate. It further explores various forms of resistance and negotiation and the contemporary possibilities and impossibilities of working beyond the epistemic framework of Eurocentric modernity. As the first in-depth and extensive study of anti-Muslim racism within Muslim-majority and Arab-majority spaces, it offers an urgent and timely redress to multiple gaps and biases in the study of the Muslim-majority and Arab-majority worlds as well as racialisation broadly and Islamophobia specifically.

This book examines the period of political violence in Turkey between 12 March 1971 and 12 September 1980. It sets out a close analysis of the tactics used by the various protagonists in the conflict, showing how they took over public institutions, the first of which was the police. This book challenges the myth of a 'strong' Turkish state viewed as authoritative and autonomous from society, instead reflecting a state that was unable to contain the political mobilisation actually taking place. In the book, Benjamin Gourisse analyses the structure, mobilisation, and strategies of antagonistic radical political groups caught up in this dynamic of violence, including the far-left organisations and the Nationalist Movement, comprising the Nationalist Movement Party and its satellite organisations. Gourisse demonstrates that from 1975 to 1980, the state was never "out of play". Quite the contrary, in fact, for its institutions, together with the practices, beliefs, and representations of their members and users, were central to the processes constituting the crisis.

Compares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings - shown by 40 images in the book, plus thousands of photos and videos online - Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior "pagan" temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.

A collection of diverse flash fiction centred around the theme of renewed hope; each story features a myriad of new, wildly different characters and plotlines that readers get to unearth. In '#CaffeineSpeakeasy, ' a coffee obsessed family who take drastic measures when coffee is outlawed by the government. 'Death of the Sun' depicts a supernatural, dystopian world ravaged by demons and a few heroic characters who face trials and tribulations. 'I Have A Heart to Heart with My Great-Great-Great Grandmother' revolves around the theme of ancestral wisdom and a disgruntled young writer facing writer's block. "Binding Shackles" depicts a young boy forced into a business career path but harbouring an all consuming passion to pursue music. "Elevators: Awkward" revolves around a woman whose internal musings about the awkward phenomenon of sharing elevator rides with random strangers, as well as her descriptions of them, keep the audience entertained. Plus four other brilliantly crafted stories that aim to inspire hope in the young audience.

Scandals about cheating and corruption have dogged amateur and professional sports in the United States since the nation's earliest days. This work examines the most infamous and consequential of these controversies and scandals both on and off the field.Authoritative Individual essays tackle notorious events in popular American sports ranging from the 1919 Black Sox scandal to revelations of sign stealing by the Houston Astros throughout their 2020 championship season, with stops in between to survey horrific sex abuse scandals at Penn State, Baylor, and Michigan State; steroid and drug scandals that brought down once-admired athletes like Mark McGwire and Lance Armstrong; and cheating/betting controversies that tainted individual players (Pete Rose), teams (Boston College, New England Patriots), and entire leagues (including the Little League World Series in 2001). But this work does more than just recount these events; it will also examine the cultural and economic pressures and forces that contributed to these events, as well as the lessons learned and steps taken (if any) to enact reform and help the sport recover.

Food stood at the centre of Mussolini's attempt to occupy Ethiopia and build an Italian Empire in East Africa. Seeking to redirect the surplus of Italian rural labor from migration overseas to its own Empire, the fascist regime envisioned transforming Ethiopia into Italy's granary to establish self-sufficiency, demographic expansion and strengthen Italy's international political position. While these plans failed, the extensive food exchanges and culinary hybridizations between Ethiopian and Italian food cultures thrived, and resulted in the creation of an Ethiopian-Italian cuisine, a taste of Empire at the margins. In studying food in short-lived Italian East Africa, Gastrofascism and Empire breaks significant new ground in our understanding of the workings of empire in the circulation of bodies, foodways, and global practices of dependence and colonialism, as well as the decolonizing practices of indigenous food and African anticolonial resistance. In East Africa, Fascist Italy brought older imperial models of global food to a hypermodern level in all its political, technoscientific, environmental, and nutritional aspects. This larger story of food sovereignty-entered in racist, mass settler colonialism-is dramatically different from the plantation and trade colonialisms of other empires and has never been comprehensively told. Using an original decolonizing food studies approach and an unprecedented variety of unexplored Ethiopian and Italian sources, Cinotto describes the different meanings of different foods for different people at different points of the imperial food chain. Exploring the subjectivities, agencies and emotions of Ethiopian and Italian men and women, it goes beyond simple colonizer/colonized binaries and offers a nuanced picture of lived, multisensorial experiences with food and empire.

"Celebrating the rich diversity of meaning-making resources within 19 Australian languages, this book presents stories recorded in these languages, identifying and explaining their different patterns of meaning. Each story is approached in terms of their cultural and historical context and subject matter before being presented both in English translation and the original language, highlighting and explaining the subject matter and textual patterning of the languages, their phases of meanings, and the clauses that compose them"--

A quiet, anxious class can be an uncomfortable learning experience for all concerned, yet it can be a situation language educators regularly face. This volume offers a range of activities which teachers can use with both classes and individual students to reduce their anxiety and increase their confidence for speaking. Drawn from a variety of theoretical backgrounds and educational contexts, the activities are presented in a clear and easy-to-follow format, allowing educators to choose according to the needs of their students and style of instruction. By describing the theories, reasons and events which gave rise to the development of the activities, readers will be able to recognise their own experiences and easily realise how they might put the activities into practice in their own situations. Theories and practices explored include: mindfulness, flow practices, self-esteem theory, Stoic philosophy, attribution retraining, Cognitive Behaviour Therapy (CBT) and positive evaluation.

"In this edited volume, librarians and faculty members offer perspectives, workshop initiatives, and classroom strategies to assist readers in increasing news literacy on their campus"--

This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these three directors take up key aesthetic prompts from earlier innovators - Stanislavski, the modernist avant-garde and not least Brecht - and thereby prepare the ground for contemporary, politically-engaged 'directors' theatre'. It argues that, in creating their major productions in the prosperous 'glorious decades' that followed the devastation of the Second World War, they represent a first expressly 'European' generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.

This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud-Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these three directors and their companies.

This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.

In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.

This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre's possibilities: where it takes place - whether in theatres or beyond - and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director's documentation of their practice in print and film and the influence this has had on 21st-century performance.

This volume surveys and assesses the contributions of Vsevolod Meyerhold, Erwin Piscator and Bertolt Brecht to theatre-making, which richly exemplify the range of ways that directors address dramatic material, theatrical space and their audiences. Their directorial work marks an unmistakeable interest in developing the political potential of theatre in the early 20th century, although each director offered more to their actors, collaborators and spectators than simply the staging of politics and the political.

This volume examines the work of directors Jacques Copeau, Theodore Komisarjevsky and Tyrone Guthrie. It explores in detail many of the directors' key productions, including Copeau's staging of Molière's The Tricks of Scapin, Komisarjevsky's signature season of Chekhov plays at the Barnes Theatre and Guthrie's pioneering direction of Shakespeare's plays in North America. This study argues that their work exemplifies the complexity and novelty of the role of theatre directing in the first three-quarters of the 20th century, as Komisarjevsky was in the middle of the genesis of directing in Russia, Copeau launched his directorial career just as the role was gaining definition, and Guthrie was at the vanguard of directing in Britain, at last shaking off the traditions of the actor-manager to formulate the new role of artistic director.

In her first collection of plays, Olivier award-winning playwright and screenwriter Morgan Lloyd Malcolm's talent for writing complex female characters is on dazzling display. Belongings (2011): "Malcolm's writing is sharp and witty but also very powerful in places. Her use of humour can be shocking but it helps to balance out the weighty issues being explored: guilt, gender and family politics, sex as both a commodity and a weapon. Touching, funny and brutal, this is - on many levels - an impressive first work." - ExeuntThe Wasp (2015): "Morgan Lloyd Malcolm's two-hander is sprung like a bear trap, a play with very sharp teeth." - The StageMum (2021): "Lloyd Malcolm, who resurrected a 17th-century feminist poet for her riotous 2018 hit Emilia, here spills the dark side of modern maternity: exhausted anxiety, love-hate co-dependency, what happens when your very worst fears come true." - Evening StandardWhen The Long Trick's Over (2022): "Grief can feel like drowning. And in Morgan Lloyd Malcolm's play about a swimmer with the challenge to cross the Channel, it is voluminous." - GuardianThe Passenger (2021): Originally commissioned and produced by Shakespeare's Globe, this piece recounts the experience of the author's childhood terrors. A shadowy figure who follows. Has it followed us here? How will she escape him? The Passenger was staged as a part of the first Terrifying Women showcase at the Golden Goose Theatre, London, in October 2021.Morgan Lloyd Malcolm's play Emilia became a hit show in summer 2018 before transferring to the West End in 2019, winning three Olivier awards. Her adaptation of her play The Wasp completed filming at the end of 2022 starring Naomie Harris and Natalie Dormer and directed by Guillem Morales. Her play Belongings was shortlisted for the Charles Wintour Most Promising Playwright Award. She formed Terrifying Women with Abi Zakarian, Sampira and Amanda Castro in 2021 with an aim to producing more horror in theatre.

This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.