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I thought I would be grafting and working on it.Pursuing it until I breathed my last breath.My ambition and drive was that concrete.But ambition will.Ambition will kill you.The spark is instant. Miles away from home they find each other. They were going to make it big, together.Fast forward years later, a world reset and changed forever they return to where they left it. One an award-winning writer, the other adopting a child and putting faith in crystals. The spark is still there, electric and dangerous. But how do you heal once you've been burned? Right Where We Left Us is a lyrical and witty three-hander and a heartfelt examination of what happens instead of "happy ever after".A new Welsh play produced by Welsh theatre makers Chippy Lane Productions, this edition was published to coincide with the world premiere at the Chapter Arts Centre, in September 2022.

What if researchers interested in 'the past' used their noses? This open access book makes the case for a more imaginatively interdisciplinary approach to sensory heritage and history, arguing that we can and should engage our noses as a research tool for articulating the past. Assessing how both we and our ancestors approach, understand and conceptualise smell, Tullett shows how archives can be 're-odorized' to uncover narratives that are only implicit in or obscured by the historical record. From perfume libraries to organic compounds emitted by historical objects, this book acts as a guide for employing our olfactory senses when researching and studying history in order to understand and communicate the past more fully. Employing 'olfactory figures' examples, Smell and the Past shows how historical narratives and arguments can be found through a structured olfactory experience, and demonstrates how our understanding of the past and its relationship with the present is enriched by opening our minds and using our noses. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the European Union's Horizon 2020 program project ODEUROPA under grant agreement number 101004469.

Reframing Aristotle's natural philosophy, this wide-ranging collection of essays reveals the centrality of magic to his thinking. From late medieval and Renaissance discussions on the attribution of magical works to Aristotle to the philosophical and social justifications of magic, international contributors chart magic as the mother science of natural philosophy. Tracing the nascent presence of Aristotelianism in early modern Europe, this volume shows the adaptability and openness of Aristotelianism to magic. Weaving the paranormal and the scientific together, it pairs the supposed superstition of the pre-modern era with modern scientific sensibilities. Essays focus on the work of early modern scholars and magicians such as Giambattista Della Porta, Wolferd Senguerd, and Johann Nikolaus Martius. The attribution of the Secretum secretorum to Aristotle, the role of illusionism, and the relationship between the technical and magical all provide further insight into the complex picture of magic, Aristotle and early modern Europe. Aristotelianism and Magic in Early Modern Europe proposes an innovative way of approaching the development of pre-modern science whilst also acknowledging the crucial role that concepts like magic and illusion played in Aristotle's time.

I am getting nearer to something. The answer to the question. Who am I? A woman who leaves her husband very suddenly for an old lover and heads to a cottage in Kerry?I needed someone strong. Someone who would sweep me along. Keep me here. In this world. Not allow me to wander down below, and I wanted a child. I dearly wanted a child.Mairead and Mal are struggling to keep their marriage together. Perhaps attending a wedding will help, or it might raise questions that are difficult to answer.Poignant, funny, and beautiful, Heaven is a new play that is full of humanity. It is presented by the Olivier Award-winning Fishamble, and written by Eugene O'Brien (winner of the Rooney Prize for Literature).This edition was published to coincide with the world premiere at the Dublin Theatre Festival, followed by an Irish tour, in Autumn 2022.

In this global approach to climate change and freshwater access, Cameron Fioret explores the harmful effects of water commodification. Making use of deliberative democratic theory, Fioret suggests tools that can change the balance of democratic decision-making power by rethinking the governance of water more broadly.Five main case studies including Detroit, Cochabamba, and Kerala span four continents to convey the global and local scope of normative water issues. These examples draw on contemporary water justice movements to explore how anti-water-commodification struggles can utilize water recommoning practices to make water governance processes more deeply democratic. Highlighting the ethical and sociopolitical ramifications of water injustice, this study moves beyond the surface issue of distributional concerns. To this end, Fioret draws on research in democratic political theory and environmental philosophy to consider what right people have to water, the putative harms of privatizing and commodifying water, common ownership, and legal protections, alongside local and transnational political activism. In navigating these pressing issues, The Ethics of Water provides a searing analysis of water commodification and political domination today.

Through examination of the death penalty in literature, Aaron Aquilina contests Heidegger's concept of 'being-towards-death' and proposes a new understanding of the political and philosophical subject.Dickens, Nabokov, Hugo, Sophocles and many others explore capital punishment in their works, from Antigone to Invitation to a Beheading. Using these varied case studies, Aquilina demonstrates how they all highlight two aspects of the experience. First, they uncover a particular state of being, or more precisely non-being, that comes with a death sentence, and, second, they reveal how this state exists beyond death row, as sovereignty and alterity are by no means confined to a prison cell.In contrast to Heidegger's being-towards-death, which individualizes the subject - only I can die my own death, supposedly - this book argues that, when condemned to death, the self and death collide, putting under erasure the category of subjectivity itself. Be it death row or not, when the supposed futurity of death is brought into the here and now, we encounter what Aquilina calls 'relational death'. Living on with death severs the subject's relation to itself, the other and political sociality as a whole, rendering the human less a named and recognizable 'being' than an anonymous 'living corpse', a human thing. In a sustained engagement with Blanchot, Levinas, Hegel, Agamben and Derrida, The Ontology of Death articulates a new theory of the subject, beyond political subjectivity defined by sovereignty and beyond the Heideggerian notion of ontological selfhood.

Christianity, Politics and the Afterlives of War in Ugandasheds critical light on the complex and unstable relationship between Christianity and politics, and peace and war. Drawing on long-running ethnographic fieldwork in Uganda's largest religious communities, it maps the tensions and ironies found in the Catholic and Anglican Churches in the wake of war between the Lord's Resistance Army and the Government of Uganda. It shows how churches' responses to the war were enabled by their embeddedness in local communities. Yet churches' embeddedness in structures of historical violence made their attempts to nurture peace liable to compound conflict. At the heart of the book is the Acholi concept of anyobanyoba, 'confusion', which depicts an experienced sense of both ambivalence and uncertainty, a state of mixed-up affairs within community and an essential aspect of politics in a country characterized by the threat of state violence. Foregrounding vulnerability, the book advocates 'confusion' as an epistemological and ethical device, and employs it to meditate on how religious believers, as well as researchers, can cultivate hope amid memories of suffering and on-going violence.

This book illustrates the developments of task-based language teaching (TBLT) approaches in relation to the evolution of digital technologies. It highlights how technology-mediated TBLT principles can support English as a Foreign Language (EFL) learning and contribute to understanding new classroom dynamics. Drawing from the key theoretical concepts of TBLT, the author discusses the integration of tasks and technologies from a secondary education perspective, which is often under-represented in the TBLT literature. Morgana looks at how the EFL secondary classroom has been recently re-conceptualised as a social place whose boundaries go far behind the traditional school settings. This book provides theoretical approaches and classroom implementation practices by presenting four case studies on the different L2 skills (reading, writing, listening and speaking).The volume is organised into two main sections. The first section focuses on the theoretical approaches to TBLT and highlights the key concepts behind this methodology. This section also looks at the recent development of a technology-mediated TBLT framework and its implementations in various EFL educational contexts. The second section presents four case studies of secondary-school EFL learners in Italy. Each case study focuses on a different language skill, providing examples of classroom practices in both blended and online learning settings. Pedagogical recommendations for teachers are provided at the end of each case study. The book adopts a multimodal approach and aims at providing scholars in applied linguistics and TBLT practitioners with theories and implementation practices to understand the ways technologies are shaping tasks and mediating students' learning processes.

Highlighting intersections of gender, race, and class and their explosive encounters with Pop Art during the Long Sixties, this book offers a new critical reading of Pop for the 21st century. 'a brilliant and important corrective to much writing on Pop art' - Jo Applin, The Courtauld Institute of Art, LondonFeaturing an array of rigorous chapters that examine the work of over 20 artists from 5 continents, Pop Art and Beyond transcends the borders of individual and national contexts, and suspends hierarchies to create a space for the work of artists like Andy Warhol and the women of the Black Arts Movement to converse. Casting an inclusive look at the intersectional complexities of difference in Pop at a moment that gave rise to a plethora of radical social movements and identity politics, it contributes bold new perspectives on Pop's heterogeneity.While this book introduces revelatory non-canonical artists into the Pop context or amplifies the careers of others, it is not limited to the confines of fine art. Chapters explore the intersecting variables of oppression and liberation in rituals of youth subcultures as well as practices across media with Pop sources and parallels ranging from Native American objects, Harlem advertisements, and Cordel literature, to stand-up comedy, music, fashion, and design. Pop Art and Beyond thus widens the conversation about what Pop was and what it can be for contemporary art in its struggle for social justice and critiques of power.

Counter-revolution has long been a tool of propagandists to redirect populist movements from achieving actual liberation for themselves. But what happens when counter-revolutionaries begin to believe their own claims of genuine revolution? What leads to such a phenomenon? And how big a role does mainstream political ideology and policy play in the mass ignorance and revisionism that has now allowed nationalism to influence national elections?Privileged Populists sets out to answer these questions while aiming to understand the organic emergence of anti-political populism within the context of late-stage capitalism in the West. This book analyses how these elements inform and validate each other as means of appealing to the growing sense of cultural angst and economic unrest within the conservative working class-and unwittingly giving undue credence to some of the most extreme right-wing ideological claims in the process. What results is a journey through the history of revolutionary thought (and how that history has been distorted over time), as well as an anthropological investigation of populism itself as a naturally occurring logic within groups-and how it can be exploited in the absence of substantive mainstream solutions to present-day economic crises.

This book arises out of contemporary questions regarding the nature and formation of the church amidst an economically divided society. Looking to Augustine of Hippo for guidance, Jonathan D. Ryan argues that the movement from private self-interest toward common love of God and neighbor is fundamental to the church's formation and identity amidst contemporary contexts of economic inequality. Ryan demonstrates the centrality of this theme in Augustine's Sermons and his monastic instruction (principally the Rule), illustrating how it shapes his pastoral guidance on matters pertinent to economic division, including use of material resources, and attitudes toward rich and poor. By reading Augustine's Sermons alongside his monastic instruction, this volume allows for a closer understanding of how Augustine's vision of a common life is reflected in his pastoral guidance to the wider congregation. The book's concluding reflections consider what the church in our time might learn from these aspects of Augustine's teaching regarding the formation of a common life, as members are drawn together in love of God and neighbour.

Stigma is a corrosive social force by which individuals and communities throughout history have been systematically dehumanised, scapegoated and oppressed. From the literal stigmatizing (tattooing) of criminals in ancient Greece, to modern day discrimination against Muslims, refugees and the 'undeserving poor', stigma has long been a means of securing the interests of powerful elites.In this radical reconceptualisation Tyler precisely and passionately outlines the political function of stigma as an instrument of state coercion. Through an original social and economic reframing of the history of stigma, Tyler reveals stigma as a political practice, illuminating previously forgotten histories of resistance against stigmatization, boldly arguing that these histories provide invaluable insights for understanding the rise of authoritarian forms of government today.

The volumes focus on select aspects of the British imperial archives: the accounts of "discovery" and exploration - fauna and flora, geography, climate - the people of the subcontinent, English domesticity and social life in the subcontinent, the wars and skirmishes - including the "Mutiny" of 1857-58 - and the "civilisational mission".This volume documents how the practice of thuggee was viewed by the British before: as if it symbolized everything that was wrong with the social order in India. The texts collected here are accounts of how the British 'discovered' the subcontinent. The narrative of discovery, with the freshness of the 'new', was couched very often in the rhetoric of wonder. But this sense of wonder, even astonishment in some cases at the variety, magnitude and sheer difference of the land and its people, was tempered over time with a narrative of exploration.

Listening, Belonging, and Memory puts connected listening at the center of current debates around whose voices might be listened to, who by, and why. Arguing that listening has to be understood in relation to the self, nation, age, witnessing, and memory, it uses examples from digital storytelling, listening projects, and critical media analysis to highlight connections between listening and power. It centers on voices, stories, and silence, how they interweave, and are activated, maneuvered, reconfigured, and denied. It focuses on the small, microengagementsthat crouch within the superstructures of violent border control and the censorious policing of sonic citizenry, identifying cracks in the reshuffling of histories and hierarchies that connected listening affords.

The Beatles and Black Music discusses the influence that black music and culture has had over the Beatles throughout their career. The book adopts a musicological and historiographic account to demonstrate the extent to which Liverpool's colonial history has influenced the Beatles' music. Beginning with the grand narrative British colonial history pre-Beatles, it moves through the influence on the Beatles teenage years in the 1950s, through their association with Lord Woodbine, the Beatles love American Rhythm and Blues in the mid-1960s, a discussion of post-colonial British identity to the lasting effect black music has for the Beatles' legacy and still has on the solo careers of Ringo Starr and Paul McCartney. Tracing the history from the Slave Trade in 1795 to the nascent Mersey Beat scene in the early 1960s, this book is the first to explore the Beatles from this important cultural lens.

Reinventing Europe provides a thorough exploration of the history of the European Union, tracing its development from inception to recent times. It is the first book of its kind to contextualize the history of the EU within the wider frames of European and global history. The volume also breaks new ground by successfully highlighting the roles individuals, member states, transnational actors and European institutions played in both advancing and slowing down European integration in the EU.With chapters from leading academics in the UK, the US and across Europe who draw on sources in a variety of languages, the book presents a balanced and comprehensive account of this sometimes controversial Union. It is made up of three main parts which in turn cover:· A narrative survey of the EU· A historical analysis of the key institutions and policies· Critical themes and vital geographical spacesThere is also a historiographical essay which handily charts the literature in the field, as well as 50 illuminating images, a range of maps, text boxes and primary source extracts, a bibliography and a useful glossary.

Stalinism, that particularly brutal phase of communism, came to an end in most of Eastern Europe with the death of Josef Stalin in 1953 or at least with the Khrushchev reforms that began in the Soviet Union in 1956. However, in one country - Albania - Stalinism survived virtually unscathed until 1990. The regime that the Albanian dictator Enver Hoxha led from the time of the communist takeover in 1944 until his death in 1985, and that continued unabated under his successor Ramiz Alia until 1990, was incomparably severe. Such was the reign of terror that no audible voice of opposition or dissent ever arose in the Balkan state, a European country that became as isolated from the rest of the world as North Korea is today. When the Albanian communist system finally imploded, it left behind a weary population, frightened and confused after decades of purges and political terror. It also left behind a country with a weak and fragile economy, a country where extreme poverty was the norm. In the decades since Hoxha's death, Albania has made substantial progress in political and economic terms, yet the spectre of Hoxha still lingers over the country.Despite this, many people - inside and outside Albania - know little about the man who ruled the country with an iron fist for so many decades. This book provides the first biography of Enver Hoxha available in English, from his birth in GjirokastEr in southern Albania, then still under Ottoman rule, to his death in 1985 at the age of 76. Using archival documents and first-hand interviews, Albanian journalist Blendi Fevziu pieces together the life of this tyrannical ruler, in a biography which will be essential reading for anyone interested in Balkan history and communist studies.

Now in its fifth edition, Global Transfer Pricing: Principles and Practice continues to provide a straightforward and accessible introduction to this complex and increasingly important area of business taxation. It offers readers an overall view of transfer pricing as it is practised today. In addition to the theory of transfer pricing, this practical handbook explains how to implement transfer pricing models in global multinationals, how to monitor transactions to ensure compliance and how to create transfer pricing documentation. Readers will benefit from the practical experience that the Deloitte transfer pricing group have gained in helping businesses implement processes that deal with the business models that have evolved in today's increasingly competitive landscape. The transfer pricing environment has evolved significantly since the publication of the previous edition - changes reflected in this new edition include the impact of Brexit, Covid-19, guidance on financial transactions and IBOR and proposed updates to UK documentation requirements. Roy Donegan is a partner in Deloitte's transfer pricing group, based in London, with 19 years' experience in the field. During that time, Roy has worked extensively on a wide range of transfer pricing matters, from advising on policies, through to documentation, implementation and liaising with tax authorities on tax payers behalf's. Within Deloitte, Roy leads a sub-group that focuses on advising privately owned groups on transfer pricing matters, ranging from large private companies and partnerships in the professional practices sector to innovative and entrepreneurial start-ups and fast-growing disruptor businesses.This title is included in Bloomsbury Professional's International Tax online service.

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut book offers a remarkable record of this historic moment. As night fell on 15 August 2021, the Taliban entered Kabul, capital of Afghanistan. After a 20-year conflict with the United States, its Western allies and a proxy Afghan government, the Islamic militant group once aligned with al Qaeda was about to bury yet another foreign foe in the graveyard of empires. And for the US, world superpower, this was yet another foreign disaster. As cities and towns fell to the Taliban in rapid succession, Western troops and embassy staff scrambled to flee a country of which its government had lost control. August in Kabul is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbours dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of only a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days.

"1936. In villages, towns and cities across Scotland, 549 lives are gradually intertwining. eople of contrasting backgrounds, ideologies and religions. Spurred on by their burning passion for equality and freedom, they will form the Scottish ranks of the Spanish Civil War's legendary International Brigade. 2022. The country is in crisis. In a small pub in Prestonpans, East Lothian, four millennials are told a story. The true story of four local miners who, over 80 years ago, travelled from the streets of Prestonpans to the valleys of Spain. They gave up everything that was familiar: for a land that was not; for a people they had never met; and for a cause they believed was right. 549, a play with songs and storytelling, is a timely insight into one of Scotland's almost forgotten conflicts. 549: Scots of the Spanish Civil War was first performed 7 February 2018 at Prestonpans Town Hall."--Provided by publisher.

"In this room, or in rooms like this room, they use phrases like collateral damage, like extraordinary rendition, like perception management. They cover up their dirty words with clean ones, in rooms like this room. In rooms like this room, they redact the names. In rooms like this room, language is laundered. The name of the game is spin." --

Unsettling traditional understandings of housing reform as focused on the nuclear family with dependent children, Single People and Mass Housing in Germany, 1850-1930 is the first complete study of single-person mass housing in Germany and the pivotal role this class- and gender-specific building type played for over 80 years-in German architectural culture and society, the transnational Progressive reform movement, Feminist discourse, and International Modernism-and its continued relevance.Homes for unmarried men and women, or Ledigenheime, were built for nearly every powerful interest group in Germany-progressive, reactionary, and radical alike-from the mid-nineteenth century into the 1920s. Designed by both unknown craftsmen and renowned architects ranging from Peter Behrens to Bruno Taut, these homes fought unregimented lodging in overcrowded working-class dwellings while functioning as apparatuses of moral and social control. A means to societal reintegration, Ledigenheime effectively bridged the public-private divide and rewrote the rules of who was deserving of quality housing-pointing forward to the building programs of Weimar Berlin and Red Vienna, experimental housing in Soviet Russia, Feminist collectives, accommodations for postwar "guestworkers," and even housing for the elderly today.

This book charts the personal and professional journey of Greg Doran, Artistic Director of the Royal Shakespeare Company from 2012 until 2022 and "one of the great Shakespearians of his generation" (Sunday Times). During his illustrious career, Doran has directed or produced all of the plays within Shakespeare's First Folio -- a milestone reached in the same year that the world celebrates the 400th anniversary of its original publication. Each chapter looks at a different play, considering the choices made and weaving in both autobiographical detail and background on the RSC, as well as giving insights into key collaborations, including those with actors such as Judi Dench, David Tennant, Harriet Walter, Patrick Stewart, Simon Russell Beale, Paterson Joseph and Doran's husband, the late Antony Sher, as well as seminal practitioners such as Cicely Berry, John Barton and Terry Hands. The book also includes 16 striking pages with stills from some of the RSC plays. Through Doran's account of this extraordinary journey, we see how Henry VIII, initially regarded as a poisoned chalice, became his lucky break; how the tragedy of 9/11 unfolded during a matinee of King John and how the language of the play went some way in helping to articulate the unfathomable; how a RSC supporter bequeathed their skull to the company to be used as Yorick in Hamlet; how meeting Nelson Mandela inspired the production of Julius Caesar; how Falstaff was introduced to China for the very first time; and how arachnophobia informed the production of Macbeth. This book uniquely captures the excitement, energy, surprises, joys and agonies of working on these greatest of plays; sheds new light on these plays through Doran's own research and discoveries made in the rehearsal room; and gives unprecedented access into the craft, life and loves of this exceptional director.