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The Iranian People's Fada'i Guerrillas have received little dedicated scholarly investigation in the shadow of the Iranian Revolution. This unique collection combines scholarly analysis of the movement, with first-hand accounts from those within the movement, in order to shed light on the experiences, organisation and history of this group during the 1970's. The volume is partly composed of eyewitness accounts from veteran Fada'i members on themes such as everyday life in safehouses, the activities of the small but active Fada'i representation abroad, the experience of Fada'i men and women who were subject to long imprisonment in the 1970s or perspectives on military organisation. Alongside these accounts are scholarly investigations into the various aspects in the history of the organisation, which cover elements such as its ideological foundations and political orientation, the importance of the Iranian labour movement in Fada'i thought and praxis and the impact of guerrilla activism in the arts.

Shortlisted for the 2024 British-Kuwait Friendship Society Book PrizeA wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina. This book demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread.

The revised edition of Sync or Swarm promotes an ecological view of musicking, moving us from a subject-centered to a system-centered view of improvisation. It explores cycles of organismic self-regulation, cycles of sensorimotor coupling between organism and environment, and cycles of intersubjective interaction mediated via socio-technological networks. Chapters funnel outward, from the solo improviser (Evan Parker), to nonlinear group dynamics (Sam Rivers trio), to networks that comprise improvisational communities, to pedagogical dynamics that affect how individuals learn, completing the hermeneutic circle. Winner of the Society for Ethnomusicology's Alan Merriam prize in its first edition, the revised edition features new sections that highlight electro-acoustic and transcultural improvisation, and concomitant issues of human-machine interaction and postcolonial studies.

Where did the idea of sin arise from? In this meticulously argued book, David Konstan takes a close look at classical Greek and Roman texts, as well as the Bible and early Judaic and Christian writings, and argues that the fundamental idea of "sin" arose in the Hebrew Bible and the New Testament, although this original meaning was obscured in later Jewish and Christian interpretations. Through close philological examination of the words for "sin," in particular the Hebrew hata' and the Greek hamartia, he traces their uses over the centuries in four chapters, and concludes that the common modern definition of sin as a violation of divine law indeed has antecedents in classical Greco-Roman conceptions, but acquired a wholly different sense in the Hebrew Bible and New Testament.

The one-hit wonder has a long and storied history in popular music, exhorting listeners to dance, to teach the world to sing in perfect harmony, to ponder mortality, to get a job, to bask in the sunshine, or just to get up and dance again. Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, with a view toward understanding both the mechanics of success and the socio-musical contexts within which such songs became hits. Some artists included here might have aspired to success but only managed one hit, while others enjoyed lengthy, if unremarkable, careers after their initial chart success. Put together, these chapters provide not only a capsule history of popular music tastes, but also ruminations on the changing nature of the music industry and the mechanics of fame.

This collection of essays offers crucial and luminous insights into one of the best-known Czech authors, Milan Kundera, including his lesser known works. With essays that focus on Kundera's poetry and plays, his last four novels written in French, and his nonfiction writings on the novelistic form and translation, Milan Kundera Known and Unknown explores the complex and productive career of this globally recognized author. The approach begins by examining Kundera's distinctive literary style, and then how his voice radiated outward from the small communist country of Czechoslovakia to the world. Starting as a poet and playwright, Kundera transcended the Czech literary scene and rose to global prominence with his novelistic style of variations, paradoxes, humor, and clairvoyance into human relationships mixed with political tensions. His multi-dimensional existential topics introduced complex novelistic characters that have reached a large audience and remain evocative. Kundera also critically commented on creative works - his own and of others - thus contributing a unique approach to a specific aesthetic ideal and within the masterworks of world-renowned authors. Chapters on Kundera's aesthetics and form, his philosophical leanings, his relationship to the burgeoning concept of "world literature," and translations of his writings offer new perspectives on his life's work. These insights shed light on Kundera's understudied works, such as his early poetry and his recent French novels, making connections between his early and later writing, and cementing his literary legacy for English-language audiences.

"Exploring a diverse range of formats, this book identifies and prioritizes writing forms often excluded from the categorization of rock music writing. The scope of the book goes beyond rock journalism in order to take in many other forms of expression that can also be considered "writing," such as album notes, gig reviews, rock biopics, and concert/tour programs and gives equal consideration to commercial and critical writing and fiction, memoir, and fantasy writing. Vitally, the volume places rock and roll writing within a wider cultural frame often overlooked by studies of traditional white male-led music journalism"--

"This volume focuses on the musicscapes that contest, critique, and rethink Mediterraneidad (Mediterraneaness) in Contemporary Spain, and understands it as a fluid and elusive sociological, cultural, and artistic category. In its traditional formulation, Mediterraneidad concerns the mythical image of "Mediterranean harmony" represented by the metaphor of the mosaic. The volume argues that since the 1990s we have witnessed a shift in which the mosaic has been superseded by the net: a figure that represents the linking of urban nodes and trans governmental networks, migratory movements, and cultural fluidity"--

"An innovative reading of Baudelaire's poetry and criticism in dialogue with the aesthetic theory of Theodor Adorno"--

"By capturing the temporal dimensions in Wordsworth's The Prelude, Richardson's Clarissa, Flaubert's "Un Coeur Simple," and Melville's Moby Dick, John Park argues that these literary works of realism - the artistic claim to represent life as it is - do not necessarily depend upon the plotline of the story they tell. The reduced significance placed on plot is counterbalanced by something else: an experience of duration, a sheer extension of time in reading, a sense of time stemming from the unique stylistic innovations in each work"--

"The first study of the literature of dissent that has emerged from the veterans of the global War on Terror. Veteran Activism and the Global War on Terrror explores America's post-9/11 soldier-writers, a community that challenges pivotal contemporary assumptions about allegiance, democracy, geography, solidarity, and national identity. Chapters are organized around a triad of core concepts--parrhesia, cosmopolitanism, and dissensus--and discuss authors including Elliot Ackerman, Kristin Beck, Joseph Hickman, Phil Klay, Kevin Powers, and Edward Snowden, arguing that their work forms a loci of a "dissenting" overhaul of the official narratives and rhetorical maps that chart the United States' Global War on Terror"--

"An overview of record technology and its direct impact on modern listening devices"--

The chapters collected in this book explore the place and role of judge-made private law in an emerging European polity.Examining case-law from the perspective of different theories and viewpoints, scholars and judges assess and reflect on the role of judges in civil cases for polity-building in Europe. The chapters thus present a kaleidoscopic view on the dynamics of private law adjudication against a European backdrop.The book aims to add a private legal perspective to existing discourses in European constitutional law on Europe's political constellation. It aspires to enrich two debates - the first on the influence of fundamental rights in private legal relations, and the second on the constitutional dimension of European private law. The contributions are placed within a framework of five sub-categories or dimensions of judge-made European private law: politics of European private law adjudication, rights, remedies, representation and reflections of judges on specific cases.

"This masterful collection draws on the expertise of scholars and jurists on the place of the rule of law in the EU's constitutional order"--

"This book presents a clear, carefully-analysed picture of the operation of equity today, across the common law world. Rather than revisit the abstract debate as to whether or not equity has 'fused' with the common law, it focuses on specific equitable principles and doctrines. Expert contributors step back and take a wider view of those doctrines, examining how they can best be understood today, and how they might develop in the future. This will prove invaluable to practitioners and courts (at first instance as well as appellate level), allowing them to navigate the constantly-growing mass of case law. Drawing on expertise from across the worlds of academia, practice and the bench, this seminal collection provides the most illuminating picture available of how equity operates"--

"This book is the outcome of two workshops hosted at êAbo Akademi University in Turku/ êAbo, Finland, in January and November 2021"--ECIP foreword.

"Examines trans-Pacific poets and writers to suggest a different way of understanding Oceanic literature and its place in world literature"--

Intended to be "unlistenable," Germany's Einstürzende Neubauten's 1981-debut album Kollaps has attracted listeners four decades after it was recorded. Perhaps the best musical encapsulation of the Cold War as experienced in the walled city of West Berlin, Kollaps is a product of its time while remaining as vital, exhilarating and surprising as the day it was released.The book explores the contexts, themes, and influences that shaped Kollaps. It describes the early days of Einstürzende Neubauten in West Berlin, the manic energy of their performances, their use of scrap metal, drill hammers, bodily sounds, and tape loops, their preoccupation with nihilism and subversion, and what Nick Cave called the "incredibly mournful, haunting" nature of their music. The beginning of a 40-year career, this first burst of energy remains their purest statement.

This book deconstructs traditional developmentalist logic around children's engagement with digital media where the focus is on what the digital 'does to' children's bodies and brains. Rather than seeing children as vulnerable and passive recipients, the authors position children as co-creators and digital artists, embracing the richness of children's digital play. The chapters cover a wide range of topics including indigenous digital art, digital drawing, learning to code, social media and artificial intelligence. The authors use a diverse range of theoretical perspectives, including posthumanism, feminist new materialism, social semiotics, socialcultural and multimodal approaches to childhood to generate new ways of seeing the relationship between children and the digital. The book includes chapters from academics and practitioners based in Australia, Canada, Sweden, the UK and the USA and a companion website showcasing innovative and interactive material, including visual essays and soundscapes.

Philosophy begins and ends in disagreement. Philosophers disagree among themselves in innumerable ways, and this pervasive and permanent dissent is a sign of their inability to solve philosophical problems and present well-established substantive truths.This raises the question: "What should we do with our philosophical beliefs in light of philosophy's epistemic failure?" In this open access book, János Tozsér analyzes the possible answers to this question, develops them into comprehensive metaphilosophical visions, and argues that we cannot commit ourselves to any of them in peace, with a clear intellectual conscience, and without self-deception.Tozsér calls this disheartening insight "the experience of breakdown," claiming that no matter how we struggle, we are unable to create substantive philosophical knowledge that goes beyond the cost-benefit analysis of philosophical theories. He makes the case that, at the same time, we cannot suspend all of our beliefs about the most fundamental facts of our world once and for all, and so forever give up on seeking substantive philosophical truths.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Research Centre for the Humanities, Hungary.

This edited volume presents a cutting-edge discussion and analysis of civilian 'enemy alien' internment in Britain, the internment of British civilians on the continent, and civilian internment camps run by the British within the wider British Empire. The book brings together a range of interdisciplinary specialists including archaeologists, historians, and heritage practitioners to give a full overview of the topic of internment internationally.Very little has been written about the experience of interned Britons on the continent during the Second World War compared with continentals interned in Britain. Even fewer accounts exist of the regime in British Dominions where British guards presided over the camps. This collection is the first to bring together the British experiences, as the common theme, in one study. The new research presented here also offers updated statistics for the camps whilst considering the period between 1945 to the present day through related site heritage issues.

"This fresh approach to the study of Islamization proposes an innovative conceptual framework that treats the subject as a particular case of cultural change. The aim of the volume is to make Islamization amenable to archaeological and historical analyses of changes in material conditions of life without forsaking the specific history of Islam. Islam and Islamization must be understood in their particular social context, but also in relation to the conditions that hold them together over large geographical and chronological expanses. Archaeologists and historians have considered Islamization from a range of different perspectives, from conversion to cultural change, though these studies have tended to be underpinned by a normativist conception of Islam. In contrast, Josâe C. Carvajal Lâopez takes a hermeneutical stance, wherein Islam is the result of exploration, and adopts a New Materialist theoretical analysis to explore Islamization and its impact on identities, communities and their material culture. The consequences for the study of Islamization are examined through examples that include some of the author's own experiences. This innovative take on Islamization is not exclusively interested in the spread of the religion or of the polity, and therefore it overcomes the theoretical limits imposed by the concepts of religious conversion and ideological imposition. This book will appeal to scholars interested in associating cultural and religious change and, in particular, those working on Islam, whether within or outside the discipline of archaeology"--

Drawing on the author's experience as a sociolinguist and a mountain climber, this book shows how the expertise and affect-laden experience of Japanese rock climbers can be illuminated through linguistic methods and theories. Through a detailed investigation of multimodal interaction among climbers, the book explores a number of significant sociolinguistic and linguistic anthropological themes, including spatial frames of reference, intersubjectivity, chronotopic configurations, and poetic formations of talk. In doing so, it presents climbing as a condensed locus of human interactions in which the integrated analysis of semiotic processes brings to light a new set of relationships between humans and their surroundings. Grounded in an extended and focused participation in rock climbing activities and interviews with other climbers, Kuniyoshi Kataoka examines the assemblage of semiotic resources including the language, the body, and the space mediated by their climbing equipment and the surrounding environment. The result is a showcase of interdisciplinary multimodal approaches to climbing discourse analysis in and around the gravity-sensitive zone, ranging from expert climbers' instruction to novices, gossip and narratives on near-death experiences, to a multi-participant discussion of a critical accident. As well as demonstrating how language reflects extraordinary experiences on the vertical plane, the findings also offer a chance to learn more about climbing, which is attracting a growing number of participants and competitors worldwide.

This comprehensive reframing of Gilles Deleuze as a transcendental empiricist delves into his seminal Difference and Repetition to unearth a system that inverts the Kantian worldview. By focusing on Deleuze's theory of the faculties, we can see how he builds a transcendental system of thought that defies the predictability of empirical experience.The place of experience in the way we understand our relation to the world, to others and to ourselves, is a central theme of modern philosophy. Deleuze's transcendental empiricism points to an unexplored direction in this major philosophical preoccupation. It is a road not taken that, against the tide of his times, rejected the possibility of an immediate contact with being and embraced the possibility of reaching a 'real' that lay beneath many layers of mediation. Unlike many of his contemporaries, Deleuze neither subscribed to a specific philosophical school nor did he try to establish one. This new understanding of him as a transcendental empiricist not only helps to situate his work in the constellation of twentieth century French philosophers but also helps us to understand a philosopher for whom difference and heterogeneity were central to his own philosophical corpus.

Thomas Brobjer revisits Nietzsche's Twilight of the Idols (1888) and positions it as a rich and stimulating work that contains and summarizes much of Nietzsche's late philosophy, especially his unfinished magnum opus, The Revaluation of All Values. By examining the contents and the purpose of The Twilight of the Idols in relation to Nietzsche's Hauptwerk, Brobjer shows the deep influence of the revaluation project on its construction, a theme ignored by almost all previous commentators. This book reveals more of what Nietzsche was reading as well as outlining influences on him at the time of writing this text, providing a comprehensive commentary that explores both German and English language scholarship. Detailed analyses of the moral, religious and scientific underpinnings of the text enable a new interpretation that is rooted in the project's core philosophy, yielding more knowledge about The Revaluation of All Values as well as Nietzsche's last philosophical thought and position.