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"People kept saying there's no smoke without fire, but it's not our fire is it khala? it's like we're just choking on all the fumes." Between the 1990s and 2010s hundreds of young girls were sexually exploited in northern towns by gangs of predatory men. Two sisters grapple with the impact on their community as the men around them are embroiled in a sexual abuse scandal. Playwright Emteaz Hussain's Expendable spotlights the often-overlooked voices of Pakistani women, delving into the shortcomings of law enforcement, politicians, and the media. This edition was published to coincide with the world premiere at London's Royal Court Theatre in November 2024.

"This book questions the cultural capital of traditional archetypes, explores the experience of romance readers, and examines how romance and cultural studies researchers create quantitative, qualitative, and mixed methods research"--

The first collection to provide an overview of the well-known psychoanalytic theory of the death drive in literary and cultural theory, this book features contributions from a range of prominent scholars working in the area of literature and psychanalysis. After its Freudian theorization, the death-drive has been re-interpreted by various psychoanalysts (including Melanie Klein, Jacques Lacan, and Slavoj Zizek), philosophers (Jacques Derrida, Gilles Deleuze, and Jean Baudrillard), political theorists (Judith Butler), queer theorists (Laurent Berlant, Lee Edelman), and posthumanist thinkers (Rosi Braidotti). This volume brings together some of the leading thinkers and theorists about the death-drive as a psychological, aesthetic, and theoretical principle in literary and cultural theory, examining texts by writers such as Plato, Henry James, and Ezra Pound.

In this significant contribution to aesthetic philosophy from one of the foremost writers on American poetry, Charles Altieri champions the neglected, non-cognitive, aspects of our encounters with works of art.Carefully argued with exemplary readings of poems, paintings and fiction, Imaginative Experience in the Arts outlines a new impetus for criticism and liberal education grounded in the way art stimulates our powers of imagination and enriches our experience of the world.In contrast to literary critics and philosophers who argue for the importance of aesthetic experience by subordinating it to knowledge and practical concerns, Altieri defends a view of subjective imaginative experience as important in itself, and already socially oriented. To do so, he proposes a distinction between "experience of" and "experience as," discriminating between cognitive practices and no less valuable practices involving enhanced attention; in turn, he provides a model for criticism of the kinds of description and responsiveness appropriate for aesthetic experience understood as such. Chapters test Altieri's concepts about the nature of aesthetic experience against readings of canonical poems, novels and paintings, by Langston Hughes, Giorgione, Cézanne, Silvia Plath, Emily Dickinson, Baudelaire, Virginia Woolf, William Carlos Williams and Mina Loy. Two appendices cover the limitations of AI poetry, and review other important arguments for the powers of imagination.

Grounded in the author's lived experience and research in the Sydney Anglican Diocese, the book provides a detailed study of individuals who worship and work at three parishes, covering both the stories told about Sydney Anglicans, and the lived experiences of Anglicans themselves, their identity, their faith and their communities.This study theorizes that complementarianism is not simply a set of private beliefs, but rather a specific ecclesial discourse defining orthodoxy and orthopraxy. Embedded in language and in the relationships between church leaders and parishioners, this discourse is used as an operation of power which limits Christian belief, behaviour and belonging.Rosie Clare Shorter offers a feminist, sociological account of lived Sydney Anglicanism and draws on the work of key theorists such as Sara Ahmed, Judith Butler and Joan Scott to explore the social consequences of complementarianism. Shorter provides a new frame for analyzing the specific discourse that uses gender to construct and regulate both faith and sexuality.Furthering the study of global evangelicalism, Shorter unravels the ways in which gender, sexuality, faith and evangelism are entwined and held together by complementarian discourse. In doing so, it provides new directions for safer, more equitable and inclusive Anglican churches.

An exploration of the process in which everyday narrative language can become reflective and then analytical.

Argues that lying is fundamental to the survival of the human species, through a series of philosophical, psychological and cultural examples spanning different traditions and disciplines.

From the bestselling Ukrainian cookery writer comes a profound meditation on the hopes and fears across generations amid political upheaval

Explores human vulnerability through the lens of natural law theory.

Since the Industrial Revolution, capitalism has unleashed unimaginable opportunity and prosperity. However, at key points, economic disruption has led to a greater role for government to protect against capitalism's excesses. Gramm and Boudreaux argue that government interference and policies pose the most significant threat to economic freedom.

Rebels at the Gate chronicles an intriguing series of events that nearly changed American history. In the last full year of the Civil War, Washington, DC came within hours of being invaded and Lincoln within inches of being shot.

Sam Gennawey, a retired urban planner and historian, embarks on an incredible #VanLife journey spanning six-years, 175,000-miles, and over 380 sacred locations protected by the U.S. National Park Service. In a mix of travelogue, history, and self-reflection, Gennawey seeks answer to crucial questions about "We, the People" in America's journey.

A police detective and an investigative journalist team up in secret to try and solve a series of rapes and murders from the early 1980s on Florida's Gulf Coast, hoping to crack the cold case that has passed through generations of detectives.

Nothing about wool is warm and fuzzy. The history of wool is intertwined with the history of war.Fleeced explains how competition for wool in wartime helped create our current unsustainable and environmentally disastrous reliance on petrochemical fibers.

Through the use of case studies from across the Roman world, this book investigates the cultural interaction and local traditions of provincial communities under the control of imperial Rome. By drawing its theoretical approach from the anthropology of agrarian societies in South Asia, it sets out the framework for a novel cultural history cap­turing both sides of Roman imperialism: the abun­dan­ce of con­tacts bet­ween cultures and also the hierarchy in which they exis­ted. It encompasses sources from throughout the empire and across a variety of types - from Rhineland grave portraiture, to Egyptian temples, pottery finds in Britain and, lastly, inscriptions in local languages across the Mediterranean.With this focus on the influence of prestige tradition in particular Graeco-Latin societies, this book demonstrates that in spite of recent attempts to interpret the Roman world as uniquely interconnected for its time, it was in fact no exception to pre-modern conditions. The establishment of the Roman Empire produced a significant cultural interaction throughout the affected communities, and interaction with Greek and Latin traditions affected local cultures deeply, at times even transforming them. However, full participation in the culture of the ruling elite was only possible for a small segment of the provincial populations, and therefore the encounter with the Roman elite tradition did not lead to the demise of the local cultural world.

Transforming Love in China examines love, affection, and emotions in China from Maoist to contemporary China, focusing on the intersections with politics, economics, gender, class, race and technology.From the founding of the People's Republic of China to the end of the Cultural Revolution, political ideology and class struggle dominated everyday life, and love was subordinated to the communist revolution and socialism. During the Cultural Revolution, this turbulent period witnessed the paradoxical existence of self-abstinence and self-indulgence. Since China changed its political ideology in 1979 and shifted to a market-oriented economy, the country embraced the idea of romantic love. This "emotional turn" fostered opportunities for diverse intimate relationships characterized by the growth of cross-cultural love, LGBTQI+ love, and the emergence of a "sexual revolution" (Zhang 2011; Jeffreys and Yu 2015). The new dynamic was linked to contested discourses of (fantasised, eroticized, and racialized) foreign love intertwined with nationalist sentiments and ongoing tensions between sexual minorities and the government. The new millennium has witnessed love crises characterised by growing concerns about "leftover" men and women, high divorce rates, declining marriage and birth rates, and other relationship problems. The deepening of the market economy and technological advances have turned love into a "fast food" commodity for mass consumption, manifested in dating shows, digital platforms and intimacy between humans and AI/dolls.Wang draws on a wide range of texts, including government statistics on marriages and divorces, legal documents, Maoist folk songs, poems, posters, love letters, media texts, popular discourses, online dating websites, and ethnographic observations and interviews.

This volume explores late ancient and Byzantine media from an ecological view point and with a special focus on non-human agencies. How are such agencies entangled in the human elements - whether in the human media itself or the human characters of literary texts? How were these media once weathered by concrete ancient elements, and how can we re-expose them - to the weather of ecological readings? To what degree do these media imply the agency of landscapes, plants, animals, and other natural phenomena? To what degree do they comprise literary exploitations of other species?By applying an interdisciplinary approach that merges the fields of literature, history, and religious studies in the service of ecocriticism, the chapters highlight diverse ways in which premodern writers engaged with the non-human world. The integration of ecological perspectives into late ancient and Byzantine studies is a remarkably recent development. This book pioneers the interweaving of late ancient and Byzantine studies with ecocriticism. From the ancient treatises on dreams to monastic tales, from the Hexameron literature to the Byzantine romance, from the Exeter Book to a mysterious Byzantine icon, the book investigates a diverse range of media to uncover the intricacies of relationships in the natural world. It illustrates how these media are not only repositories of cultural and intellectual history but also valuable chests of ecological awareness, by overcoming the binary antinomy of culture and nature, human and non-human.

This book examines the links between experiencing immersion in antiquity and modernity. Immersive experiences are big business within today's creative economy. Forms range from immersive museum exhibitions, theatrical performances, art installations and experiences facilitated through virtual and augmented reality technologies. Yet the idea of immersion is not new; paintings, sculpture and theatre have all been theorised historically in terms of illusion, realism and immersion. From antiquity to modernity, there has been an interest in theorising the relationship between reality and virtual realities, and in contemplating whether feeling present in an alternate universe is a sought-after experience or something problematic and dangerous. The chapters in this volume explore the warnings against immersion voiced by Plato and embodied in the figure of the Homeric sirens, contrasted with the pro-immersion perspectives championed by Aristotelian mimesis and embodied in the concept of enargeia. The volume also examines the integration of the ancient world into immersive novels, games, museum exhibitions and theatrical performances. Practice-as-Research contributions explore the benefits of this synergy from practitioner perspectives. Contributors from diverse fields - including classical reception studies, art history, game studies, heritage studies and theatre studies - approach the interplay between antiquity and modernity from varied standpoints. Together, they uncover previously unforeseen connections across disciplines and lay the groundwork for future research and additional classically inflected immersive experiences.

Life lessons from living on a narrowboat, and the wonders that the waterways brings, from Adam Lind, of the popular Instagram and TikTok account, @adam.floatinghome.

Approaching Alain Badiou as a militant thinker committed to diagnosing political disorders of his time and waging theoretical battles to advance the communist hypothesis, this book focuses on the principal ambiguity of Badiou's project, which concerns the enigmatic relationship between philosophy and politics. On the one hand, his mature texts maintain a strict line of separation between the two disciplines. On the other hand, Badiou consistently links the philosophical pursuit of true life to a political revolt against injustice and inequality.Rather than treating Badiou as a builder of grand ontological systems, this book approaches the French philosopher as a combative polemicist and thinker of the contemporary moment. Not only does it take into account the development of Badiou's thinking from Sartre, Althusser, and Lacan as well as the yet unexplored relationship between Badiou's thinking and that of Foucault, but beyond that, places him in dialogue with contemporary thinkers such as Nancy Fraser and Wendy Brown.The Philosopher Militant not only diagnoses the political malady of the epoch, but also proposes a course of treatment and actively intervenes in the current situation. Seeking to foreground the actuality of Badiou's work, Gordienko provides commentary on the philosopher's canonical texts, exploring the relevance of his ideas to the latest political developments such as the election of Trump, as well as 'the dream of the lockdown' during the COVID-19 pandemic. As such, this book aspires to thinking with Badiou.

In this original study Khai Wager explores cosmopsychism - an approach that argues that the cosmos as a whole is conscious and that human consciousness is derived from it - and its relation to cognate views such as panpsychism, panqualityism and perennialism.The problem of phenomenal consciousness surfaces when we try to understand how it can be that our human consciousness arises from entirely non-conscious matter. Reflecting the growing interest in panpsychism, which argues consciousness does not emerge from entirely non-conscious matter, but rather that all matter is in some sense already conscious, Wager draws our attention to the combination problem: how do these small instances of consciousness combine to form larger instances? He demonstrates that cosmopsychism turns panpsychism on its head, reasoning to macro-level consciousness from a more fundamental form at the cosmic level. However, it faces its own challenge in the derivation problem: how is macro-level consciousness derived from the cosmic consciousness? This volume brings a cosmopsychism approach into critical engagement with panpsychism and investigates their respective handling of these problems, together with looking beyond these views to panqualityism and perennialism. Setting out an overall defence of cosmopsychism and attuning to enduring currents of human thought, it will be of interest to students and scholars of philosophy of mind and metaphysics as well as philosophy of religion, philosophy of psychology and cognitive science.

James Hyde, a practicing painter, boldly revises the concept of space in the European history of art. He presents it as a concept bound to historical circumstance, developing -sometimes contentiously-in philosophy, mathematics and science, and finally emerging in 20th century theorizations of art. Using primary documents, Hyde exposes what many will find surprising-that space only becomes part of the descriptive and analytic apparatus of art and architecture at the turn of the 20th century, not earlier. Hyde examines narratives that have shaped our understanding of the history of art and their explanatory efficacy in the context of the transformations of 13th and 15th century Italian art. He offers insights into the relationship between painting, architecture, icons and narrative pictures, the effects of St. Francis's miracles on painting and the essential diagrammatical nature of Renaissance perspective. The arrival of space into discussions about art introduces Kant, Leibniz, Apollonaire and Adolf von Hildebrand into the story. Hyde considers how and why artists and historians appropriated space at the end of the 19th century, as well as how space moved from the discourse of Neoclassical sculpture and Cubism to its prominence in discussions of art today. Hyde's original reading of the definition of space and the cultural forces that shaped it provides a re-envisioning of the foundations of art history and the philosophy of art.

THE TIMES BEST SCIENCE BOOK OF 2024GUARDIAN BEST IDEAS BOOKS OF 2024ECONOMIST BEST BOOKS OF 2024FINANCIAL TIMES BEST BOOKS OF 2024From one of the world's great science writers, a book that explores the deepest principles of evolutionary history.In this groundbreaking new approach to the evolution of all life, Richard Dawkins shows how the body, behaviour, and genes of every living creature can be read as a book - an archive of the worlds of its ancestors. A perfectly camouflaged desert lizard has a desiccated landscape of sand and stones 'painted' on its back. Its skin can be read as a description of ancient deserts in which its ancestors survived - and, before that, of the worlds of its more remote ancestors: a genetic book of the dead.But such descriptions are more than skin-deep. The fine chisels of Darwinian natural selection carve their way through the very warp and woof of the body, into every biochemical nook and corner, into every cell of every living creature. A zoologist of the future, presented with a hitherto-unknown animal, will be able to reconstruct the worlds that shaped its ancestors, to read its unique 'book of the dead'.The book is filled with fascinating examples of the power of Darwinian natural selection to build exquisite perfection, paradoxically accompanied by what look like gross blunders. Along the way, Dawkins dismantles influential criticisms of the 'gene's-eye-view' of life. And, to end with a provocative sting in the tail, the author asks there is a sense in which all our 'own' genes can be seen as a gigantic colony of cooperating viruses?From the author of The Selfish Gene and The Ancestor's Tale comes a revolutionary book that unlocks the door to an ancient past, seen through wholly new eyes.

A reconceptualization of the concept of humanism that places dialectical humanism as the core philosophical and political project capable of resisting and overcoming capitalism.

How have feelings, presumptions, and preconceptions concerning racialized Blackness intersected with film noir? Dan Flory relies on recent advances in philosophy of film, philosophy of emotion, cognitive film theory, and critical philosophy of race to guide his analyses of this well-known film genre.Making sense of techniques, themes, and characterizations filmmakers have used in order to structure movies into films noirs, Flory focuses on those viewer responses that are not consciously registered by higher-level forms of cognition. He argues that embodied, affective, and implicit reactions are key to understanding how film noir typically conveys ideas, feelings, and perspectives concerning race.Flory examines how recent noir films and TV series by African American and other artists have substantially raised awareness of such responses which renders their analysis more straightforward. In some cases, these artists have created works that aim, both explicitly and implicitly, to generate serious philosophical reflection.By using advances in theoretical subfields in conjunction with developments in mainstream, African American, and other kinds of filmmaking, Flory elucidates many underanalyzed dimensions of noir films and their intersection with racial Blackness. His approach represents a needed opportunity to both diagnose and seek ways to overcome this vexing sociopolitical problem.