Bøker utgitt av Bloomsbury Publishing PLC

In this book, Ghanem Ayed Elhersh and Laeeq Khan critically examine the depiction of Arabs and Muslims in prominent Disney animated films through application of a rigorous, mixed-methods convergent parallel design. Blending framing analysis with quantitative textual analysis, Elhersh and Khan offer a comprehensive view of media portrayals and public perceptions and reveal how these films have frequently employed biased, negative, orientalist frames that associate Arabs and Muslims with violence, terrorism, and misogyny. Furthermore, they assess public reactions through advanced quantitative analysis of user reviews to uncover and analyze prevailing themes and sentiments in viewer feedback. By integrating interdisciplinary perspectives and meticulous methodology, this book provides an insightful exploration of the causative links between such portrayals and public attitudes, offering a vital resource for scholars, media professionals, and readers interested in the intersections of media, culture, and minority representation.

Amending our Pasts and Futures: Observing Media and Place as Means to Memory is an edited volume presenting original research from established and emerging scholars of public and collective memory. Contributors focus on topics including the memory of race and slavery, wars of oppression, and regional and ethnic identities to interrogate how we as collectives remember, commemorate, discuss, forget, and question what is historically revealed, appropriated, silenced, or concealed from public discourse. Through analyses of a wide range of cultural texts and contexts, contributors to this volume demonstrate the crucial role of communication and media in shaping public opinion-and our collective present more broadly-in an effort to amend our painful histories.

The Cruel and Reparative Possibilities of Failure brings together a variety of scholars and research across disciplines, with an emphasis on communication and gender studies, to work toward reimagining the idea of failure. Contributors consider failure as both a space for growth and repair and as a space from which hope can emerge. The collection is divided into five parts, investigating failure as consumption; failure as media; failure as pedagogy; failure as narrative; and finally, failure as transformation. Contributors spanning the fields of communication, gender, sexuality, performance, and media studies each employ unique disciplinary approaches to failure in their explorations of topics including queer counterpublics, corporeal commodification, misinformation, abolitionist principles, abuse and consent culture, and everyday organizing, among others. Looking to the future, the book takes these perspectives and experiences a step further to explore the reparative possibilities that may be found in failure.

Maternal Narratives in Public Contexts: Shaping Perspectives and Enacting Identities brings together critical research on the construction and enactment of mothering and motherhood in public spheres. The book is divided into two parts - in the first part, authors examine how prevailing ideals of motherhood influence twenty-first century culture by exploring iterations of maternal identity in various media forms, from Dr. Spock's self-help guide to film and small-screen entertainment. In the second part, the authors investigate how tropes of motherhood manifest and operate in academia, the workplace, and in political spheres. Ultimately, this book explores how maternal identities are both formed and articulated in public discourse, arguing that rhetorical influences inform the ways in which we define, recognize, and enact maternal identities and the sociocultural ramifications that result within communication contexts. Scholars of communication, media studies, film and television studies, cultural studies, rhetoric, and women's and gender studies will find this book of particular interest.

Enforcement of Actions in Corporate Law by Non-Shareholder Constituencies: Lessons for the Common Law World from South Africa advocates for a complementary enforcement regime for the current (and proposed) corporate legislative measures in the Anglo-American corporate law. Doing so would empower non-shareholder interests in corporate decision-making. Mongalo argues that corporate legislative initiatives ought to provide for non-shareholder constituencies' considerations in decision-making within corporate entities, and that failure to enforce such frameworks reduces the law to lip service. By offering a comprehensive critique of corporate constituency statutes and benefit corporation statutes in US and the enlightened shareholder value approach in the UK, Mongalo makes the case that a shift from the current enforcement philosophy in Anglo-American jurisdictions-which is based on the preference of those to whom fiduciary duties are currently owed-is necessary and that the Actionable Enlightened Shareholder Value (AESVA), with its origins in South Africa, should be preferred.

Chieftains, Lamas, and Warriors: A History of Kham 1904-1961 explores the region of Kham, situated between Central Tibet and China. By highlighting Kham's pivotal role in Sino-Tibetan relations and frontier dynamics, this book challenges the traditional focus of scholarly research that treat Kham as a mere transit point. Yudru Tsomu argues for the significance of frontier regions in shaping historical narratives and power structures. Tsomu explores how Kham forged its own identity amidst the assimilation pressures exerted by Central Tibet and China. Supported by a wealth of original sources in Chinese, Tibetan, and Western languages-including previously untapped personal and archival collections in China-this book offers a compelling reassessment of Kham's historical agency and significance.

Groundbreaking in its range of disciplines and cultural backgrounds, Thinking through Science and Technology explores how individual and societal beliefs, values, and actions are transformed by science, technology, and engineering. Practical and theoretical insights from philosophers, policymakers, STS scholars, and engineers illuminate the promise, perils, and paradoxes that arise with technoscientific change. This collection of original research develops a philosophical understanding of technology and its inscription in a wider web of social and political meanings, values, and civilizational change. It explores foundational beliefs at the core of engineering education and practice, with an emphasis on the movement of ideas between Western and Chinese scholars, as well as the complex interwoven relationship between ideas from religion, science, and technology as they have evolved in the West. Contributors also critically examine the forces and frameworks that shape the development and evaluation of scientific practice and the innovation and adoption of technology, with an emphasis on national and global policy. The volume offers a critical and timely reflection on science and technology that counters trends toward technological optimism, on the one hand, and disciplinary and cultural regionalization, on the other. Chapters written by prominent and promising scholars from around the world make this a global resource; its breadth and clarity make it a superb introduction for those new to its fields. It serves as an essential reference for established scholars as well as anyone seeking a more comprehensive understanding of social and technoscientific entanglements that permeate contemporary life. List of contributors: Gordon Akon-Yamga, Jennifer Karns Alexander, Andoni Alonso, Pamela Andanda, Larry Arnhart, Li Bocong, Albert Borgmann, Adam Briggle, Jose A. López Cerezo, Mark Coeckelbergh, Daniel Cérézuelle, Neelke Doorn, Jean-Pierre Dupuy, Andrew Feenberg, Jose Luís Garcia, Tricia Glazebrook, Janna van Grunsven, J. Britt Holbrook, Helena Jerónimo, Tong LI, Yongmou LIU, Lavinia Marin, Glen Miller, Carl Mitcham, Suzanne Moon, Byron Newberry, Jean Robert, Sabine Roeser, Taylor Stone, Sajay Samuel, Daniel Sarewitz, Jen Schneider, José Antonio Ullate, Carlos Verdugo-Serna, Nan WANG.

Through meticulous research, interviews, and documentation,Gullah Geechee Muslims in America: Exploring Islamic Identity in the African Diaspora presents a unique and significant contribution to religious studies, Africana studies, and anthropology by shedding light on a previously understudied aspect of the Gullah/Geechee community and culture. Previous studies of enslaved African Muslims have claimed that Islam, as a conscious practice, vanished by the eve of the Civil War. However, Muhammad Fraser-Rahim highlights the continuity of Islamic belief and practice in the Lowcountry. For scholars who have spent decades researching the retention of African culture among the enslaved and their descendants, this book reveals certain challenges and poses new avenues of research.

Present-day Evangelicalism represents a microcosm of tensions between male and female gender roles, with some denominations carefully delineating women leadership roles, especially the female pastor, and many others supporting them. The letters attributed to Paul the Apostle contain several divisive passages on the meaning of manhood and womanhood. Dated and dubious readings of these have led some, Christians and non-Christians alike, to conclude that Paul wrote with misogynistic intent. Others quote them to justify Christian patriarchalism. Beyond the Evangelical Gender Roles Gridlock: Reimagining Paul's Views on Women, Marriage, and Ministry reassesses what Paul said about women, reinterpreting his claims on marriage and ministry leadership in light of his first-century worldview. This book proposes a nuanced theological egalitarian approach with significant implications for renewing twenty-first-century congregations, homes, and society.

Pursuing Transformative Inclusion in Higher Education shares the story of the Becoming Community Initiative, a multi-year effort to pursue transformative inclusion on college campuses. The concept of transformative inclusion posits that true inclusion across higher education requires dismantling oppressive structures and an ongoing process of co-creating community. The contributors share the vision of transformative inclusion and Becoming Community, grounding theoretical frameworks, and how they implemented and communicated this inspiring vision. The book then highlights three main prongs of change through Professional Development Practitioner Certificate Programs, Research and Practice Projects, and Dialogue and Contemplative Action Groups, along with inclusive evaluation. Through this work, Amanda Macht Jantzer, Anna Mercedes, and Brandyn Woodard hope to inspire others to engage a broad coalition of changemakers and to establish an ongoing web of influence to begin to dismantle oppression and foster inclusive community formation in colleges and universities.

Francophone Literature After the Postcolonial Age argues that Francophone literature extends beyond the postcolonial critical landmarks that helped define the field since the late 1980s. Today Francophone literature maps out different paths that highlight its emancipation from both the Francophonie's cultural ascendency and postcolonial theory's scholarly hegemony. Farid Laroussi's argument is that three main forces have reshaped the French postcolonial in the twenty-first century: digital globalization, intertextuality, and ecocriticism. With digital globalization, Francophone literature finds new voices, unfettered from former aesthetic, print and distribution diktats. Home and the exilic paradigm are redefined in the postcolonial subject's own terms. Intertextuality reconnects with poetic dialogism, sans the mimicry burden. The intertextuality challenge showcases a new writers' community, across time and cultures. The old anxiety around one's own poetic voice now provides valid responses to literary reconfigurations. The book's study cases operate around three specific pairings: Segalen/Glissant, Kafka/Maghreb literature, and Morrison/Miano. Lastly, ecocriticism, along the decolonial discourse, comes to discuss the place of the postcolonial home as well as the responsibility category. The author contends that the attention to the land cannot be separated from imaginaries, collective and individual. Francophone writers stand at the crossroads of activism and poetics moving further away from French metropolitan preoccupations.

This book explores the making of futuristic memory through cinematic symbols relating to future relationships between humans and artificial intelligence (AI). Amar Singh examines how audiences are being prepared for possible future scenarios where they may find themselves entangled with intelligent objects through developing relationships with them, and if so, how they might react when confronted by an intelligent species. Through this research, Singh focuses on both the complications and flaws of science fiction depictions of AI as well as more abstract works that, while not directly connected, contribute to a better understanding of these emerging technologies. Scholars of film, media, memory, posthuman, transhuman, and cultural studies will find particular value in this book, along with those focusing on literary and critical theory, arts and aesthetics, political sociology, and advanced research in AI.

What have depictions of the working class in popular culture added to our understanding of the professional lives of Americans? Scenes from the American Working Class: This Hard Land offers twelve unique and profound answers from some of the most impactful and timeless novels (O! Pioneers, Ann Vickers, and Native Son), films (Blue Collar, Wall Street, and Other People's Money), television shows (The Wire and Mad Men), songs (the work of Bruce Springsteen), and poems (Natasha Tretheway's "Drapery Factory, Gulfport, Mississippi, 1956"). Key themes include the turn from agrarianism to industrialism and post-industrialism; the challenges particular to women, new immigrants, and workers of color; and the relationship between the demands of the workplace and the responsibilities of citizens in a democracy. Also explored is the extent to which having a productive and fulfilling working life is essential to living a life of meaning and purpose. Although there is a significant gap between the rhetoric and the reality of the "American dream," these portrayals all give a glimpse into the resiliency and optimism of workers and why the country continues to be a land of hope.

Expert lawyers from across the full spectrum of EU law explore the impact of the digital age on the Union's legal framework.

This collective work provides a chronological and up-to-date reconstruction of the three-round debate between Robert Alexy and Ralf Poscher.The debate represents the German development of an enduring jurisprudential controversy over the concept and adjudicatory role of legal principles, classically addressed by HLA Hart and Ronald Dworkin. Alexy's principles theory, which has initially defined 'legal principles' as optimisation requirements, currently argues that they express an 'ideal ought'. Poscher's critique challenges the soundness of Alexy's principles theory by questioning its ontological and epistemological commitments. As legal principles are directly related to constitutional rights, the Alexy-Poscher debate has significant implications for constitutional adjudication. For instance, canons of constitutional interpretation and construction-especially proportionality and balancing tests-and the limits to judicial powers hinge on these two opposing views. Yet despite the centrality and pervasiveness of this topic, German contributions to the theoretical and practical impact of legal principles remain generally overlooked by English-speaking scholars. Concluded with David Duarte's critical and meticulous assessment of the debate, this collection bridges that important scholarly gap. Whether or not conversant in the debate on legal principles, legal researchers and advanced law students with interdisciplinary interests in jurisprudence and constitutional law will find in this book a timely and distinctive introduction to leading developments in German legal thinking.

Is it possible to consider art-making as a spiritual practice independent of explicit religious belief or content? This open access collection establishes a new paradigm that changes the conversation surrounding the spiritual significance of art. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with particular ritual practices.By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artist shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them.Bringing a practice-centered approach to the study of religion and the arts, this is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Templeton Religious Trust.

Jay Goulding's Daoist Phenomenology represents a lifelong project of interpolating the works of Martin Heidegger with the interweavings of Daoism and Zen. Illustrating styles of reading complex texts from Europe and East Asia, Goulding moves away from horizontal reading of simple comparisons on a single plain to vertical reading as a deep dive of ideas into ancient worlds.Vertical Reading is hermeneutic strategy that captures the depth of connection between phenomenology and Daoism, especially Heidegger and classical Daoists Laozi and Zhuangzi. His method reveals Daoist implications of Dogen's Zen and draws on writing and ideas from popular culture including Jules Verne, H. P. Lovecraft, Philip K. Dick, George Lucas' Star Wars universe and martial artist Bruce Lee.Original and wide-ranging, Goulding's interconnected approach to phenomenology and Daoism enhances and promotes further intercultural dialogues between two great traditions in world philosophies.

Based on extensive new material, much of it unpublished, by and about Sartre from archives across Europe, this book explores Sartre's lifelong relationship with Italy, its culture, society and, above all, its intellectual left. Starting with his dawning awareness of politics as foremost a moral responsibility during his first tourist trips to Naples in the 1930s and the poverty he encountered there, Italy, Jean-Paul Sartre, and Europe's Cold War examines the relationships Sartre forged with a number of Italian liberal, leftist and communist intellectuals after the war. Immediately drawing him into debates over the ethical crisis that they held responsible for fascism, the war, and now, Europe's Cold War, several of them became lifelong friends of his, as well as collaborators in a number of efforts to address that crisis in Italy and, by the late 1950s, in Eastern Europe. Reconstructing the networks they established through cultural organisations they founded themselves, Nancy Jachec traces how Sartre and his ideas were brought into the Soviet Union, Poland and Czechoslovakia in pursuit of a democratic socialism. Using private correspondence, press reports, memoirs, embassy dispatches, government committee minutes, and surveillance and intelligence reports from Eastern and Western sources, the book reconstructs Sartre's activities and the impact they had in a way that Sartre did not foresee. While his many discussions with his Italian peers on the theme of political morality led him to support the New Left in spite of its organisational problems, in Poland and Czechoslovakia his work was taken in a very different direction, where intellectuals would go on to assume real political responsibility.

This book sets out the future directions for UK consumer law and policy. After decades of EU-driven development, the continuous improvement of UK consumer law and policy has stalled after Brexit. Yet, there are major challenges, including the progressive digitalisation of the consumer environment, the need to reconcile sustainability with consumption, and the need for better crisis resilience, alongside more specific concerns such as better enforcement, students as consumers, or subscription contracts. The disruption caused by Brexit demands a comprehensive solution to ensure that UK consumer law and policy remains current and robust rather than becoming moribund. It also presents an opportunity for realigning UK consumer law and policy towards a consumer-centric focus and to develop innovative solutions to contemporary consumer challenges. With original contributions from UK consumer law scholars, the book shows how the UK could develop in response to both major and specific challenges. Topics include a historical perspective on consumer law, consumer law reform, the implications of Brexit, vulnerability, changing paradigms, challenges in the context of financial services and digital consumer law, and enforcement.

Explores the function of everyday materials and processes in the work of contemporary installation artists during the 1990s using three major US artists as primary case studies, situated in relation to contemporary art making, aesthetics and modernist value systems.

Analyzing the different modes of appearance and application of the most ubiquitous medium in art and ritual, this book examines the aesthetics, anthropology, ethnography and history of paint.

A city is always a cemetery.When a professor named Cristina Rivera Garza stumbles upon the corpse of a man in a dark alley, she finds a stark warning on the brick wall beside the body, scrawled in coral nail polish: ?Beware of me, my love / beware of the silent woman in the desert.'After reporting the crime to the police, the professor becomes the lead informant of the case, led by a detective with a newfound obsession with poetry and a long list of failures on her back. But what has the professor really seen? While more bodies of men are found across the city, the detective tries to decipher the meaning of the poems, and the darker stream of violence spreading throughout the city.From one of Mexico's greatest living writers, Death Takes Me is a dark and dazzling literary thriller that flips the traditional crime narrative on its head, in a world where death is rampant and violence is gendered. Unfolding with the charged logic of a dream in sentences as sharp as the cuts on the bodies of the victims - a word which, in Spanish, is always feminine - it explores with masterful imagination the unstable terrains of desire and sexuality.PRAISE FOR CRISTINA RIVERA GARZA'Warning: Cristina Rivera Garza is an explosive writer. A dexterous creator of atmospheres, with a powerful style, an evocative and indomitable language' Lina Merwane'A masterful storyteller' Jennifer Clement

This book is a provocative and fresh look into how Black women display an authentic identity in the face of constant negative images and portrayals of themselves in the media over time. Idrissa N. Snider explores noteworthy occurrences when prominent Black women, including First Lady Michelle Obama, Oscar-winning actress Viola Davis, and Grammy-winning songstress Beyonce Knowles, have used their platforms and notoriety to push back against age-old stereotypes used to justify their subjugation and mistreatment, such as the mammie, angry black woman, jezebel, or the tragic mulatto. Snider emphasizes and honors how Black women uniquely identify as a form of resistance and positive self-actualization and argues that both everyday and socially elite Black women and girls can - and do - utilize self-definition to disrupt and reject inauthentic and harmful representations of themselves.

In the wake of the reversal of Roe v. Wade in 2022, Abortion in International Popular Culture: The Decision Heard Round the World examines representations of abortion and reproductive justice across a wide range of popular culture artifacts, literary texts, and activist movements across the world. Contributors analyze examples from Chile, Italy, Malta, Sweden, Canada, France, the U.K., Argentina, Ireland, and Poland to consider the relationships between art and public policy, the impact of American policy on global policy and pro-choice movements, and the transnational influence of cultural representations of abortion.

Creative Responses to Environmental Crises and Aesthetics in Nordic Art and Literature gives a broad perspective on artistic responses to climate change and other environmental crises in the Nordic countries. Showcasing examples of environmental literature, visual art and entertainment from Sweden, Norway, Denmark, Finland, Iceland and the Faroe Islands, the chapters of the volume reflect the complex interplay of the local, regional and global in environmental art and activism. Authored by established and notable scholars in the field of Nordic ecocriticism, the volume highlights the complex and vital role art, literature, and other creative activities assume in times of crisis.

Child Activist Literature at the Turn of the 2020s: From Kids You Read About to Kids You Read looks at how today's child activists are not just followers in their forekids' footsteps, but blazers of new pathways, employing sophisticated rhetorical strategies that invert and subvert conventional thinking on the roles of children in politics. These young activists situate their work within a dense web of texts-the ones they read, the ones they write, and the ones that they expect adults to deploy to dismiss them. Nance-Carroll analyzes texts authored by child activists alongside narratives of youth activism in literature and media and the stories activists tell about themselves and their work, exploring issues of influence, inspiration, and authorship in child activist literature, as a growing body of work challenges not just adults' assumptions about children and politics, but also some fundamental disciplinary tenets of children's and young adult literature.

The United States is a bastion of commercial surrogacy. Intended parents from all over the globe travel to the United States seeking to build a family. However, they must navigate a complicated, convoluted industry that consists of hundreds of fertility clinics, surrogacy, and egg donor agencies, as well as new forms of business that have appeared to ease the efficiency of a long, drawn-out process. Mobility in North American Surrogacy: A Fertile Global Industry examines the multiple players involved in global surrogacy contracts between international intended parents who opt to create a family with the help and labor of surrogates from the United States. This market remains the final frontier of commercial surrogacy, while other reproductive hubs only allow for altruistic surrogacy. The author considers the mobility and immobility experienced by intended parents, egg donors, surrogates, and professionals whose intimate labor fosters connections across economic, geographic, and social divisions. Based on four years of ethnographic research that also spans the globe, the author argues for a more nuanced consideration of the ethics of surrogacy.

The Indigenous musicians from the surrounding pueblos de indios took on a leading role in urban musical activity. Musical Practices and Mobility in Asunción: Indigenous Musicians in Colonial Paraguay sheds light on dynamics that go beyond the studies centered on the doing of Jesuits in missionary contexts and provides a more thorough comprehension of the urban musical models that were imposed and adapted. Indigenous musicians were transferred to the city from the Jesuit reductions and the pueblos under the care of secular and Franciscan priests for festivals and celebrations. Without them, and without the mobilities that placed them in both contexts, Laura Fahrenkrog Cianelli argues the urban institutional-musical model would not have been possible to maintain in that distant corner of the empire. By transcending the city limits imposed by urban approaches, this book enables a novel reading of musical practices in a city connected with its hinterland, revealing the different musical physiognomies of the empire in distant contexts.

Folkloric Horror in Medieval Literature: New Discussions and Approaches focuses on the medieval and early modern precursors of what is now frequently described as Folk Horror. Part of the argument staged in this book stems from an observation that much of what is currently excluded from the conversation about folk horror, if not all horror generally, could be considered folkloric or folkloresque in many cases and would be worthy of inclusion in the discussion. The argument here is that the recurrent use of medieval literature and tropes as elements of the modern Folk Horror revival in the late twentieth and twenty-first centuries stems in part from a modern repulsion and fascination with the premodern. It is also an outgrowth of traditional narrative fascinations with the abject and the rejected sense of past and place which is present in recognizable forms in premodern literatures globally.