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This book argues that civil wars in Africa stem from the contradictions and crises that have been generated by the post-colonial state as the result of the adverse effects of colonialism and the failure of successive generations of African leaders to lead the process of changing the state's nature, character, and mission.

In Instructional Cinema and African Audiences in Colonial Kenya, 19261963, the author argues against the colonial logic instigating that films made for African audiences in Kenya influenced them to embrace certain elements of western civilization but Africans had nothing to offer in return. The author frames this logic as unidirectional approach purporting that Africans were passive recipients of colonial programs. Contrary to this understanding, the author insists that African viewers were active participants in the discourse of cinema in Kenya. Employing unorthodox means to protest mediocre films devoid of basic elements of film production, African spectators forced the colonial government to reconsider the way it produced films. The author frames the reconsideration as bidirectional approach. Instructional cinema first emerged as a tool to ';educate' and ';modernize' Africans, but it transformed into a contestable space of cultural and political power, a space that both sides appropriated to negotiate power and actualize their abstract ideas.

Would you want to be cared for by a robot? Michael C. Brannigan's Caregiving, Carebots, and Contagion explores caring robots' lifesaving benefits, particularly during contagion, while probing the threat they pose to interpersonal engagement and genuine human caregiving. As our COVID-19 purgatory lingers on, caring robots will join our nursing and healthcare frontlines. Carebots can perform lifesaving tasks to minimize infection, safeguard vulnerable persons, and relieve caregivers of certain burdens. They also spark profound moral and existential questions: What is caring? How will we relate with each other? What does it mean to be human?Underscoring carebots hands-on benefits, Brannigan also warns us of perils. They can be a dangerous lure in a culture that settles for substitutes and venerates the screen. Alerting us to the threatening prospect of carebots becoming our surrogate for interpersonal connection, he maintains they are not the culprits. The challenge lies in how we relate to them. While they beneficially complement our caregiving, carebots cannot replace human caring. Caring is a fundamentally human act and lies at the heart of ethics. As humans, we have a binding moral responsibility to care for the Other, and genuine caring demands our embodied, human-to-human presence.

This collection combines adaptation and disability studies to examine the ways that popular cultural remakes, reboots, and adaptations navigate representations of mental disability and health. The chapters analyze the ways that narratives of disability are framed not only by worldviews but also by the media which structure and inform them.

This book examines the origins and boundaries of Japanese digital role-playing games. A geographically diverse roster of contributors introduces English-speaking audiences to Japanese video game scholarship and applies postcolonial and philosophical readings to the Japanese game text.

Music has long played a prominent role in cultural diplomacy, but until now no resource has comparatively examined policies that shape how non-western countries use music in international relations. Inspired by decolonization, this book describes policies and legal frameworks that impact music¿s role in cultural diplomacy worldwide.

This book examines Vatican diplomacy from the fall of the Papal States in 1870 to the present day. The contributors focus on the concept of permanent neutrality and trace the Vatican's political transformation into a modern international institution in conjunction with its use of neutrality as a tool of diplomacy and statecraft.

In You Must Be Born Again: Phillis Wheatley as Prophetic Poet, the author argues that Phillis Wheatley is the mother of liberation theology. The author uses Wheatley's poetry and life experiences to create a portrait of Wheatley beyond that of a poet. Wheatley is described as both poet and visionary who wrestles with God during the creative process. The lyrical expressions of Wheatley's poetry unlock the spiritual impressions on her heart. The author sets up the racial dynamics of Wheatley's time and her engagement with those politics. As a preacher, Wheatley combats the immoral undercurrent that erodes the community's social, economic, and spiritual foundation as well as its political systems. The author positions Wheatley as one uniquely qualified to address the hypocrisy within her world and, by implication, present-day society by calling for immersion into a radical understanding of love and justice, resulting in a renewed hope for equality and a pathway toward equity.

Philosophy and the Modern African American Freedom Struggle: A Freedom Gaze describes the ideas that defined the movement and struggle to be free by Black people in the United States during their Modern Era. Using a historical perspective, this work engages the question of how the historical experience of oppression and the denial of humanity created space for the development of a certain consciousness. The existence and demonstration of agency within the ideas of the African diaspora and the creation of an intentional community with the aim of defining and attaining freedom are dissected in order to understand the Black community as a whole during the modern era.

Federal recognition enables tribes to govern themselves and make decisions for their citizens that have the power to retain their cultures. But over the last forty years, the news media coverage of the federal recognition of tribes has perpetuated ignorance and stereotypes about tribal sovereignty. This book examines how past coverage has prioritized gaming over sovereignty and interfered in Tribes' ability to be federally recognized. Scholars of journalism, mass communication, media studies, and indigenous studies will find this book of particular interest.

Haunted Laughter addresses whether it is appropriate to use comedy as a literary form to depict Adolf Hitler, The Third Reich, and the Holocaust. Guided by existing theories of comedy and memory and through a comprehensive examination of comedic film and television productions, from the United States, Israel, and Europe, Jonathan Friedman proposes a model and a set of criteria to evaluate the effectiveness of comedy as a means of representation. These criteria include depth of purpose, relevance to the times, and originality of form and content. Friedman concludes that comedies can be effective if they provide relevant information about life and death in the past, present, or future; break new ground; and serve a purpose or multiple purposescapturing the dynamic of the Nazi system of oppression, empowering or healing victims, serving as a warning for the future, or keeping those who can never grasp the real horror of genocide from losing perspective.

Carolyn M. Cunningham and Heather M. Crandall analyze the rise of climate activist girls who manage to advance the climate movement using social media, ingenuity, and an intersectional approach. United and focused, they confront the challenges of global systems and cultures that maintain power through all kinds of oppression.

Tilling Sacred Grounds examines Black women's interiority and negotiation of race, gender, and sexuality in religious spaces and religious practices. Phillis Isabella Sheppard argues for the importance of the exchange between interiority and public spaces, and examines religion in cyberspace, art, ritual, and street ministry. She refigures the location of religious experience by retrieving Black women's interiority as religious space. Often excluded from Black religious studies, interiority is necessary for understanding Black women's complex and even unconscious relationship with religion. The book weaves a thread by stressing that interiority has subjective, intersubjective, conscious, unconscious, and relational dimensions formed in historical, and social contexts.

The Bohemian reformer Jan Hus made a substantial and critical contribution to the development of the medieval church, owing especially to his views and teachings on Scripture, the church, faith, conscience, and spirituality. This book offers a presentation of Hus's theological commitment centered on his understanding of truth. Lek and Franklin explore Huss preaching ministry and his long-drawn-out legal struggle against charges of heresy as ethical outworkings of this approach to truth. Central to this exploration is a new annotated translation of Hus's Appeal to Jesus Christ as the Supreme Judge against the pope and canon law. This document was not only a protest against papal power, but expressed a fundamentally new legal situation: in bypassing canon law, it essentially represented a personal claim to freedom of conscience. This unheard-of principle from within the medieval legal framework preceded other related ecclesiastical and legal developments by several centuries. The authors argue that Hus's appeal thus represents a momentous event in church history and European history as a whole. Due to the historical significance of his martyrdom and commemoration by many churches throughout Europe, this book demonstrates that Hus remains an important figure not only for the study of European history, but also for understanding contemporary values of Western civilization.

Perverse Feelings: Poe and American Masculinity examines white masculinity in Poes fiction and the culture it represents. Poes men are tormented by chronic illness, deviant attachments, and ugly emotions. As it analyzes these afflictions, this book illuminates the pathologies of American masculinity that emerged in a terrible history of imperialism, capitalism, racism, misogyny, and homophobia. One of its central contentions is that we can better understand a past and present American masculinity through a reckoning with its perverse feelings. More pointedly, this book asks: What does masculinity feel? What does white American masculinity feel in the first decades of nation formation? What does it feel in the crucible of its revolution, its slave system, its democracy, its nascent capitalism, and its pursuit of happiness? What feelings besiege and beleaguer Poes men? And what can they teach us about the antagonisms of contemporary white American masculinity?

This book explores the interconnectedness of the cultural zeitgeists around the anthropocene and the undead showing how the latter reveals increasing cultural anxieties over who and what constitutes humanity in the twenty-first century and whether it has a place in any possible post-Anthropocene futures.

This collection examines the political logic of the ongoing trade war between the United States and China. The contributors examine a number of theories behind the trade war, the historical background in which the trade war emerged, and the international contexts.

It is commonplace to regard many great works of literaturepoems, dramas, works of fictionas in some sense philosophical. Yet ever since Plato, there has been a tension between the kind of abstract theorizing that goes on in philosophy and the focus on concrete particulars that occurs in poetry and fiction. Beyond Words: Philosophy, Fiction, and the Unsayable elaborates on and addresses this Platonic tension, asking in what sense, if any, literature in the form of poetry, drama, short stories, and novels can contribute significantly to our philosophical understanding. Timothy Cleveland suggests there is something in certain poems, novels, and stories that makes them especially suited to expanding our awareness and understanding into the nature of things otherwise unsayable and unconceived. Such literary works show us something that a theoreticalscientific or philosophicaldiscourse cannot literally say.

This book analyzes how concepts of race and religion were interpreted in the 1987 U.S. Supreme Court case Shaare Tefila Congregation v. Cobb, the first case to provide race-based legal protection to American Jews. The author examines how the judges viewed the White-perceived Jews as well as the congregants' reactions and embodied experiences.

This volume brings forensic and cultural anthropology closer together through case studies of structural violence and power. Paying attention to how death further marginalizes minoritized populations, this volume goes beyond conventional forensic anthropology and sheds light on the field's potential to address social injustice.

This volume examines East and Southeast Asian folktales unfamiliar to most Western audiences and highlights similarities to and differences from Western folktales. The discussion includes folktales from Vietnam, Laos, Cambodia, Burma, China, Japan, and Korea.

With 46 chapters, The Rowman & Littlefield Handbook of Christianity in the Middle East spans the historical, socio-political and contemporary settings of the region and importantly describes the interactions that Christianity has had with other major/minor religions in the region.

This book tells the inspiring story of the 1984 U.S. men's Olympic volleyball team. After many years playing as underdogs, a maverick coach would take over and push the players to their physical and emotional limits. Their journey to the Olympics reveals the value of teamwork, never giving up, and trusting in an innovative style of leadership.

Winner of the 2023 Woven Voices PrizeWho do you blame? The woman, the gun, or politics?Berker travels from Britain to Turkey to meet his estranged father, but it's too late: his sister Elif informs him that their Baba has already died. A family reunion becomes an exhilarating whodunnit investigation as Berker discovers the truth about his roots, grieves for a man he will never truly know, and accidentally unravels a conspiracy that goes to the heart of global politics.Featuring British spies, Turkish soldiers, and London's kebab shops, Aaron Kilercioglu's The EU Killed My Dad is the winner of the Woven Voices Prize 2023 and an inventive, fast-paced exploration of identity, belonging, and history spanning five decades. Aaron's previous award-winning work includes the sell-out hit For a Palestinian, which has been seen at Bristol Old Vic, the Camden People's Theatre, and Underbelly.This edition was published to coincide with the world premiere at London's Jermyn Street Theatre in January 2024.

Winner of the 2023 Olivier Award for Best Entertainment or Comedy Play.Joe Hisaishi and Royal Shakespeare Company present Studio Ghibli's My Neighbour Totoro.My Neighbour Totoro is a captivating coming-of-age tale that celebrates the wondrous magic of childhood and the transformative power of imagination. Two sisters, Satsuki and Mei, embark on the summer of their lives in the idyllic countryside. With their mother recovering from an illness at a rural convalescent hospital, their father decides to relocate the family so they can be closer to her.As they explore their enchanting new surroundings, Mei discovers fantastical creatures and encounters Totoro, the ancient and loveable guardian of the forest. Satsuki initially doubts her younger sister's claims, but soon finds herself joining in on their thrilling adventures. Along with their new friends, the siblings embark on a journey through a mystical world teeming with spirits, sprites, and breath-taking natural wonders. The stage production is adapted by Tom Morton-Smith from the feature animation by Hayao Miyazaki, directed by Phelim McDermott featuring music by Joe Hisaishi, in collaboration with Nippon TV and Improbable. This edition was published to coincide with the production at London's Barbican Centre, in November 2023.

The Balyan family were a dynasty of architects, builders and property owners who acted as the official architects to the Ottoman Sultans throughout the 18th and 19th centuries. Originally Armenian, the family is responsible for some of the most famous Ottoman buildings in existence, many of which are regarded as masterpieces of their period - including the Dolmabahçe Palace (built between 1843 and 1856), parts of the Topkap? Palace, the Ç?ra?an Palace and the Ortaköy Mosque. Forging a unique style based around European contemporary architecture but with distinctive Ottoman flourishes, the family is an integral part of Ottoman history. As Alyson Wharton's beautifully illustrated book reveals, the Balyan's own history, of falling in and out of favour with increasingly autocratic Sultans, serves as a record of courtly power in the Ottoman era and is uniquely intertwined with the history of Istanbul itself.