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Would you mind if I asked you a troubling question?An Oscar-winning American actor, an English director and a Northern Irish playwright are about to begin rehearsals for a new play ‿ one that could transform each of their careers. But when it turns out that they‿re not on the same page, the night threatens to spiral out of control. Power dynamics, cultural identity and the perils of being a woman in the entertainment industry; nothing is off limits in this pitch-black comedy from the award-winning playwright David Ireland. This edition is published to coincide with the revival at Riverside Studios, London, in December 2023.

No.1 ‿ Players always come firstNo.2 ‿ We look to the futureNo.3 ‿ We never leave anyone behindNo.4 ‿ We place others before ourselvesNo.5 ‿ We keep our promisesFive women have come together with one goal, one dream. Coming from very different backgrounds in life they have to work together as a team if they want to do what no one from Scotland has ever done before. To win the Homeless World Cup, and bring the trophy home. A joyful story of community and teamwork, building connections between each other and homelessness. Written with the Dundee Women‿s Street Soccer Team, Robbie Gordon and Jack Nurse's Same Team ‿ A Street Soccer Story is an uplifting whirlwind through the highs and lows of homeless football. This edition was published to coincide with the world premiere at the Traverse Theatre in Edinburgh, in December 2023.

Newcastle, London, America. You can go anywhere, it‿s still the same old shit. People just getting by, in any way they know how. But I tell you what they don‿t have, they don‿t have a £1 Thursday!17-year-old Jen and Stacey are best friends. Since forever. Stacey always dreamed of being a dancer. And she‿s actually got the talent for it. Only her school career advisor hasn‿t even been to London, let alone heard of Urdang. Jen is smart. Like Oxbridge smart. But all ‿smart‿ gives her is the ability to see that there‿s no use trying to change the story prewritten for her, growing up in an underfunded and forgotten Bradford in the 2010s. They only have one place they can escape to‿ Club Ocean on a Thursday night. Freedom for Jen and Stacey. A beautiful and hilarious coming-of-age story, Kat Rose-Martin's £1 Thursdays captures and celebrates the trials and tribulations of what it means to be young, Northern and working class, when for one Vodka-blurred second, you‿re allowed to forget everything and just dance. This edition was published to coincide with the world premiere at London's Finborough Theatre in November 2023.

There's a legend about the Watch House... Scrape beneath the whitewash and you'll find terror. You'll find him. Tynemouth, late 1970s. Christmas is coming and Front Street's swinging. But Anne, dumped here while her parents sort their divorce, isn't in the mood. She escapes to the castle, the Priory the beaches. Best of all, the Watch House. The old coastguard's place is packed with weird treasures and no one bothers her. Until lights start to flicker and something stirs in the dark nights... Buried deep in the past is a secret which now threatens everything. Only Anne can stop it. The Watch House is an epic new adaptation of Carnegie Medal-winner Robert Westall's original novel, from Olivier Award-winning theatre-maker Chris Foxon. This edition was published to coincide with the world premiere at Laurels Theatre in Whitley Bay, in December 2023.

The Japanese philosopher Miki Kiyoshi opens doors to all those interested in rethinking the problem of imagination, myth, and technology.Miki Kiyoshi is one of the central figures in the Kyoto School, often spoken of as the heir of Kitaro Nishida. Born in Japan in 1897, he died in prison shortly after the end of World War II in 1945 at the age of 48.Miki's Logic of Imagination first appeared in the journal Thought in 1937 under the themes of "Myth," "Institution," and "Technology". The next part, "Experience," was serialized in the same journal and Miki continued to work on the final part, but was never completed it due to his arrest. This translation makes this seminal work available in English for the first time. Featuring an introduction and accompanied throughout by contextual notes, it includes essential information about Miki's life and work. Miki's philosophy of the imagination anticipated later theories found first in Hannah Arendt, and then in Paul Ricoeur and most recently in Charles Taylor. The connection Miki makes of the imagination with technology anticipates ideas of the technological imagination in Don Ihde and Bernard Stiegler. Miki's thinking about the imagination illuminates our understanding of technology and how we behave in the world. This accessible, critical edition of his work does justice to one of the most unfairly underrated authors of Japanese philosophy.

With the rise of populist governments and corresponding popular protests, this book turns renewed focus on Baruch Spinoza's idea of the political multitude. Acting at once as a body with a single mind and a state with its own political-institutional structure, the multitude mirrors some of the central actors in democratic movements across early 20th-century Europe - from Occupy Wall Street to Indignados and Nuit Debout. Gonzalo Cernadas draws from two of Spinoza's key works on this subject in his Political Treatise and Theological-Political Treatise, setting out the progress of his ideas: how Spinoza conceives of the body, how that body can become part of the multitude, and how that multitude can form a political society. In recovering Spinoza's relevance to contemporary political phenomena, Cernadas explains why this early modern thinker has found renewed importance three hundred and fifty years after his death, and ultimately how he could even prompt us to reassess democracy as the best form of government.

Combining corpus linguistics, critical discourse analysis, and a discourse analysis of narratives, this book considers one aspect of the Brexit process: the language that journalists, politicians and individuals used to write and talk about what it means to be British and European around the time of Brexit. It reveals a trajectory towards a discourse of national division in Brexit Britain in three datasets: pro-Brexit newspaper articles, UK Government documents, and interviews with individual citizens.Demonstrating the important role that (supra-)national identity discourses played in discussions about Brexit, the book traces a shift towards a representation of Brexit Britain as divided and in decline at a time when the construction of a collective identity is likely to be paramount. The emerging representation is a direct contradiction of the great global trading nation narrative that the Vote Leave campaigners - and later the UK Government - promised, questioning the discursive success of the Global Britain project.Constructing Brexit Britain demonstrates that the transition from pre- to post-Brexit Britain was a crucial period of destabilisation for institutional and lay national identity narratives. It also illustrates that the coming years are likely to be just as important, as the UK forges its post-Brexit place in the world amid declining levels of trust in politicians, calls for a second Scottish membership referendum, the COVID-19 pandemic, and a cost of living crisis.

Bringing together scholars from a wide-range of discipline, this book explores the diversity and vibrancy of feminist activism in Xi-era China. Feminist Activism in Post-2010s China examines a range of urgent feminist issues in 21st century China, including the #metoo movement, online misogyny, feminism in popular media, and trans and ethnic minority experiences and rights. Chapters engage shifting dynamics between state feminism, NGO and grassroots feminism; between academia and intellectuals, between the arts and activism; the greater dependence on digital media platforms; as well as (re)formations of transnational and diasporic alliances. Rather than aiming to offer definitive conclusions, the contributors offer innovative and provocative perspectives to push the debates forwards, aided by their nuanced deployment of conceptual theorizations and rich empirical data. What are the specifics of Sinosphere and Chinese groundings of feminist activism today? How is violence perceived intersectionally, and what feminist engagements connect to the precarity in the context of pandemic and totalitarianism/war?

Architectural Encounters in Asia Pacific explores the architecture of colonial trade and industry, revealing a complex network of transnational connections across the built heritage of the world's most dispersed and culturally diverse region. A wide-ranging collection of case studies uncover these forgotten connections, drawing together stories of migratory architects, imperial commodities, and indentured labour. From Iran to Tasmania, Japan to Java, and Imperial China to the Pacific Islands, the chapters reveal how remnants of colonial trade and industry shed light on the many multi-faceted mobilities of the imperial age, and their enduring legacy in the postcolonial built environments of Australasia, the Pacific, Southeast Asia and beyond. The chapters also reveal deep strands of cultural influences and material imprints long neglected by national histories of architecture, and showcase new methodologies to analyse the interconnectivities and bordering practices which are shaping our experiences of the 21st century. With almost every chapter arising from new archival sources, this richly interdisciplinary volume brings together the work of architectural historians, geographers and heritage practitioners to provide a new understanding of the rich and contested history of this region.

In a new era of global virology that requires novel methodologies to improve the comprehension of viruses and viral phenomena, Viral Behaviors explores the cultural, material, and artistic significance of viral agents.Across a rich variety of case studies stemming from different areas of interest-covering literature, the graphic arts and scientific visualization, as well as performance, installation and bioart-this book asks whether embracing the complexity of viruses, rather than obsessively measuring, dissecting, or precisely mapping their parts and manifestations, may provide new methodological directions in the intersection of scientific thinking and artistic practice. The book examines the struggles and successes of science and technology to tame the elusive nature and behavior of viruses, and the potential of art-based and cross-disciplinary collaborations to better communicate their complex making and intense entanglement with the world at large. Combining perspectives from art, philosophy, science and technology, it places biological and informational viruses alongside each other, revealing that, while the two types of agents affect the world in very different ways, their histories and manifestations contain surprising similarities that speak to a cultural continuum. Viral Behaviors unravels the extraordinary mobility of viruses across disciplines, and their intersection with all aspects of culture, rather than their import within one specific disciplinary realm. It shows how the numerous attempts by artists, scientists and professionals to tackle, represent and appropriate viruses, and their intricate dynamism, can lead to new nuanced and sophisticated understandings of these substances and their related phenomena, and reveals the contribution of non-measurable or non-traditional practices in their construction and dissemination.

This book offers the first sustained analysis of the interactions between British writers, propaganda and culture from the Second World War to the Cold War. It traces the involvement of a series of major cultural figures in domestic and international propaganda campaigns and throws new light on the global deployment of British propaganda and cultural diplomacy in colonial and post-colonial theatres such as Cyprus, India and Sierra Leone.Chapters re-evaluate the propaganda work of prominent writers including Arthur Koestler and Dylan Thomas in the light of new archival research, study how organisations including the BBC, British Council and Ministry of Information engaged with new media forms, analyse cultural representations of propaganda service and investigate how British literature and culture was deployed and projected as a form of soft power across the globe.Featuring contributions from a variety of disciplines, including literary studies, visual culture, book history and radio history, this book brings together a constellation of established and emerging scholars to show the crucial role played in shaping and mediating the techniques and content of British information campaigns of the mid-twentieth century.

Andrew Shanks brings together a grand narrative of theology and continental philosophy to argue that the 'solidarity of the shaken' is the kingdom of God in secular dress. Shanks engages with the philosophy of Jan Patocka; specifically, his Heretical Essays in the Philosophy of History, which culminate in the concept of the 'solidarity of the shaken'. Such solidarity is quite simply that which empowers the most radically thoughtful openness to others, embattled against even the most repressive closure; a solidarity without any other essential qualification.Split into three distinct parts, Shanks begins by discussing Patocka's philosophico-centric grand narrative, and drawing wider reference to the pre-philosophic origins of Abrahamic religious tradition. This is followed by an exploration of mystical theology, Christian and Islamic; of its decay into 'mysticism', and its influence on Christian and Jewish gnostic traditions. The final third presents a discussion on ethical phenomenology. Analysing the proponents of a 'pathos of shakenness' such as Kierkegaard, Levinas, Løgstrup, he juxtaposes 19th-century thinkers such as Arendt and Hegel with Heidegger and Strauss as he moves through the century, and eventually to the rise of secular public conscience movement.

Worldwide women constitute the majority of the teaching force, but men are more likely to achieve headship. Internationally a number of scholars working within sociology and the sociology of education have focused on the continued influence of gender on the shaping of identity and choices in relation to leadership, work and home. But in Greece the under-representation of women in educational leadership has received limited attention. Why are there so few women in educational leadership? How are leadership and gender constructed by men and women head teachers and teachers? Are the perceptions of men and women different and gendered? What is the future for women in leadership in Greece? Papanastasiou uses qualitative data from interviews with men and women head teachers and teachers in Greece and analyzes them using a feminist social constructionist framework to provide some answers to these key questions. In doing so, the book sheds light on social, cultural and political factors that influence women's potential advancement in educational leadership.

In what innovative ways do novels by diasporic Black women writers experiment with the representation of Black subjectivity? This collection explores the inventiveness of contemporary Black women writers - Black British, African, Caribbean, African American - who remake traditional understandings of blackness. As the title word "experimental" signals, these essays foreground the narrative form and stylistic innovations of the black-authored novels they analyze. They also show how these experiments with form mirror the novels' convention-breaking experiments with reimagining Black female subjectivities. While each novel, of course, represents the complexities of diasporic experiences differently, some issues emerge that are broadly shared not just within a regional group, but across geographical borders. One feature of the collection is a comparative look at such linking themes across borders, under the rubrics: a return to precolonial systems of belief, reinventions of mothering, relational subjectivities, memory, history and haunting, and posthumanist revaluations. These themes take different shapes across the multitude of diverse cultures studied in this book. But together they establish a pan-global imaginative practice.

What role has religion played in the major civilizational transformations associated with the Neolithic Revolution, the Axial Age, and Modernity? This book introduces new methodological tools and material insights for guiding conversations about these debates. The authors introduce a new branch of computational humanities, using computational modeling to simulate civilizational transformations. They integrate multiple theories across many disciplines, including the scientific study of religion, and evaluate the relative importance of those causal theories in processes of civilizational change. Materially, the book sheds new light on major debates among historians, archaeologists, and other social theorists on the role of religion within these major transitions.The book tackles the urgent question of what sort of civilizational transformations might be possible in a world where the influence and significance of religion continues to decline wherever technology, education, freedom, and cultural pluralism are most advanced.

Taking 44 Mecklenburgh Square as the focal point and springboard for a critical group study of D.H. Lawrence, H.D. and Richard Aldington, this book offers a fresh perspective on the relationship of modernist biofiction and poetry to the literature of the First World War. A group that Perdita Schaffner described as 'another Bloomsbury set', the Mecklenburgh Square writers, like the Bloomsbury Group proper, 'lived in squares' and 'loved in triangles', in Dorothy Parker's famous formulation. Geographically adjacent, these sets intersected socially and, at points, in their aesthetics: both practiced innovative forms of what may broadly be defined as 'life writing'. But, demarcating the Mecklenburgh Square writers from the Bloomsbury Set, the former had its origins in the transatlantic avant-garde: Lawrence. H.D., Aldington (and John Cournos) were all associated with Imagism, the poetic movement which instantiated Anglo-American modernism. Considered as a pro-tem collective, these four poets, all of whom were also novelists and translators, contest the binaries that still obtain between modernist and First World War writing. This group study of Lawrence, H.D., Aldington and Cournos tracks the transition of Imagism from a pre-war mode to a war poetics which includes but is not confined to the trench lyric and it traces, in the transtextual relations between the Mecklenburgh Square novels, the traumatic imprint of the war on modernist life writing.

Sustainable Fashion, Migrants, Embroidery: Ateliers of 'Social Integration' tells of community-led 'solidarity ateliers' engaged in sewing and embroidery activities which, in the Global North and Global South, are providing a vital alternative to neoliberal and neo-colonial fashion paradigms.On encountering several ateliers solidaires/sartorie sociali during her immersive fieldwork, for which she travelled to Morocco, Southern Italy, and Turkey, and contrasting her findings with her knowledge of parallel and analogous initiatives in London, Alessandra Lopez y Royo suggests that despite their different outlook and approach these ateliers can be inscribed within an ever-growing economy of solidarity and sharing.With a uniquely combined focus on sustainability, fashion and migration, Lopez y Royo examines how the ateliers foreground a powerful social inclusion agenda, encouraging migrants (and refugees) to collaborate, exchange knowledge, and foster communities on a level playing field with locals.Questioning widely accepted notions of 'empowerment' and 'social integration', and drawing on her background in archaeology and material culture studies, Lopez y Royo uses micro-studies to illuminate a broader path to a more inclusive, sustainable, and socially conscious industry, presenting a fresh perspective on repurposing and upcycling.In a world grappling with the need to shift away from fast fashion's wasteful practices, this thought-provoking exploration shows how slow-growth 'solidarity ateliers' can challenge the widely accepted notions of both 'fashion' and 'social integration'.

The end of the Qajar era in Iran, despite the accepted narrative of decline, was in fact an occasion of modern and forward-thinking nationalism. Iran developed an imperial nationalism, which was informed by its experiences under British and Russian hegemony and the absorption of Western modern ideas and practices, and which now looked towards a future as a sovereign and independent state within the foundational framework of its previous Empire. Emboldened by post-WWI notions of self-determination and the development of international institutions devoted to peace, Iran spearheaded its new-found diplomacy by sending a delegation to the peace talks in Paris in 1919. This book shows how Iran's immediate post-war diplomacy came about, the conduct of Iran's delegation to Paris, frustrations with the Anglo-Persian Agreement, and ultimately how Iran's progress became the victim of British imperialism. Throwing a spotlight on an under-researched period of Iranian history, it will be of interest to readers of Iranian history, and those interested in the Paris Peace Conference of 1919.

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state.Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in this book Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants.Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings.The Brass Band of the King is an original exploration of the social making of nationhood and foreignness in Africa and elsewhere.

This volume examines the use of Paul's writing within the work of ante-Nicene apologetic writers. It takes apologetics as a broad genre in which many early Christian writers participated, offering rhetorical defenses for emerging aspects of doctrine, rooted in understanding of the scriptures, and often specifically the writings of Paul. The volume interacts with the writings of many significant 'apologetic' writers, including: Melito of Sardis, Clement of Alexandria, Tatian, Tertullian, Hippolytus and Cyprian. The chapters examine how these early Christian writers used the letters of Paul to develop their own philosophical ideas and defenses of aspects of the emerging Christian faith. The internationally renowned contributors have all been specially commissioned for this volume, and an afterword by Todd D. Still considers the question of whether or not Paul was an 'apologist' himself.

The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and 'protestant' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.

Governments face increasingly serious, seemingly intractable management challenges. This book brings together scholars, thought leaders, and government executives to address the future of government operations, and provide government leaders with practical, actionable insights on how best to manage and lead through uncertain and disruptive times.

Governments face increasingly serious, seemingly intractable management challenges. This book brings together scholars, thought leaders, and government executives to address the future of government operations, and provide government leaders with practical, actionable insights on how best to manage and lead through uncertain and disruptive times.

The Promise of Women¿s Boxing details the exciting period from the first ever inclusion of women¿s boxing in the 2012 Olympics through the true ¿million-dollar baby¿ women¿s super-fights of 2022 and beyond. Rich in content, the stories that emerge focus on boxing stars, important battles, and the challenges women in boxing still face today.