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Released on the 50th anniversary of the publication of Penny Slinger''s iconic artists' book 50% The Visible Woman, this 2021 edition presents Slinger's series of surrealist photomontage works and poetry unabridged for the first time, following the hand-constructed snakeskin-bound book from 1969, and the out-of-print abridged edition from 1971. With a new conversation transcribed between Slinger and fellow artist and friend Linder.

"Quin's paintings roil with the frenetic energy of many lines in motion, each moving with a different weight and at a different speed; the finished compositions hum with the radiant electricity of a neon sign" -CulturedThe paintings of Los Angeles- and San Francisco-based artist Lauren Quin (born 1992) have mesmerized audiences with their electric colors and pulsating lines. Her compositions contain an intricate language of overlapping shapes (most recently, Légeresque tubes), engendering a dizzying multitude of compositional center points. Each painting features motifs--spider, needle, sun--which she then transfers onto the canvas through a monoprint technique.This is the first comprehensive monograph on Quin, accompanying her solo show at the Nerman Museum of Contemporary Art. Featuring a foreword by Nerman director JoAnne Northrup, essays by art historian Fanny Singer and artist and writer Juliana Halpert, and an interview with the artist by curator Sarah Lehrer-Graiwer, My Hellmouth also provides insight into Quin's artistic process.