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Bridge Volume 23, Number 1: DATA 1: APPARITIONSSECTIONS & EDITORSPublisher & Editor-in-Chief Michael WorkDATA 1: APPARITIONS A first in an occasional series of data-themed volumesSECTIONS & EDITORSPublisher & Editor-in-Chief Michael WorkmanArchitecture David SundryCouture Kristin MarianiDance & Performance Art Michelle KranickeFiction Meghan LambPhilosophy Mark TschaepeVisual Art Laura KinaMusic Efua OseiCover Image: Allen Moore, 2022CONTENTSLetter from the Editor - Michael WorkmanPUBLIC UTILITIES, the Bridge not for profit spotlight: CivicLab POETRY - Jeanne Morel, Warren LemingFICTION - Judith Brotman, Jae GreenFEATURE "Time Seen" by Johanna DruckerVISUAL ART "Stock Charts" by Richard MinskyINTERVIEW "Studio Visit" with Allen Moore by Michael WorkmanCONTRIBUTORSFiction Illustrations by Maura Walsh
An anthology based on the Treatments 2019 / 2023 photographic series by Rappaport, made to accompany the 2022 exhibition at Material Gallery, and as a stand-alone anthology of artistic meditations on spousal loss and grief. The volume includes an essay by Michael Workman, with poetry collections "The Well: Grief Poems," by Rachel J. Webster, and Josh Honn's "We Fall: Migration."
"The original goals of Bridge in the late 1990s emerged from the bedrock notion of interdisciplinarity, of a need to recognize interdependence of art across the disciplines, and to think and combine them where appropriate; we feel this concept has further evolved over the decades. The simple belief behind Bridge is that separate fields of inquiry can and should be thought of as having shared, intersectional horizons. Today, every existing worldview, whether scientific, philosophic, aesthetic, political, or literary must acknowledge its limits or risk being defined as obsolete, unachievable, and incoherent."Bridge began in the early-aughts and published roughly 15 editions, with fiction, poetry, essays and more, publishing previously unreleased art, literature, interviews, poetry, news and essays from a diverse list of names such as Kurt Vonnegut, Aleksander Hemon, Wislawa Szymborska, Christo and Jeanne-Claude, Catherine Opie, David Cronenberg, and on and on. It won a Pushcart prize, published legions of firsts, and helped define new avant (and arriere) garde standards of art and art-making. Our goal is to publish a journal in the tradition of the vanguard printed volumes of previous eras -- from Tristan Tzara's Litterature magazine to Wyndham Lewis' Blast. What matters most is an uncompromising focus on the art and on art-making that doesn't split the difference with commerce, and of the humanist devotions of this position.
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