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Jamey Popilowski dreams of becoming a rock star and Lilah Cellini dreams of Jamey. Together the young couple leave their childhood home of Terrabain Street and hit the open asphalt, kicking up a musical storm along the way. Entering their raw mix of carelessness and longing is Zeke, destiny in black leather. Zeke is the soundman, producer, preacher, but is he angel or devil? Lilah can''t make up her mind; however, one thing is certain, he changes all their lives forever. While Jamey embraces the musician''s lifestyle, along with its excesses, Lilah is confronted by choices that will ultimately lead her to her own goals. A Raw Mix of Carelessness and Longing follows the intertwined lives of friends and idols and articulates the fine balance between the love of making and performing music and the temptations that hide in the shadows.

Lisa Martin-DeMoor''s debut collection of poetry, One Crow Sorrow, is both fearless and vulnerable-an exploration of grief and loss that is rooted in life affirmation, in deep attention to the natural world. From a tangle of snowflakes in Saskatchewan to cell masses like dislodged icebergs, the earth and body inform one another, their cycles of life entwined. The resulting poems explore grief as an extension of love, and mortality as an extension of living. Pain, she writes, is the opened bloom of beauty.

The poems in Ben Murray'' s debut collection, What We'' re Left With, reflect on disconnection as a feature of contemporary urban experience. Murray'' s poems tackle themes of isolation, loneliness and human separation from nature. Murray creates trademark images of surprising loneliness and suburban angst: sog-white mornings/ of caffeinated mouths/ mating Cheerios/ O to empty O. The poet longs for mall-free days of sprawling languid under a pre-cancerous sun when we hurry up/ and wait, to become men. Writing about climate change, the poet asks how long until hibernating bears/ shake November from their sleep-under fur/ and start snorting around for off-season/ bargains. Capable of many different registers, Murray writes, in assumed voices, of grief and memory beyond his own immediate experience, something he describes as tapping into some larger collective autobiography.

The poems in A Ghost in Waterloo Station take the everyday world as their point of departure, but the place of arrival is never the shore you started from. Vivid invocations and meditations on childhood, art, and travel bring together places and people as likeable and unexpected as the wry poetic sensibility recommending them to our attention. Greece is a country where clarity / is inescapable unless it forces your lids shut. Swallows enter their nests high on the white stacked walls at Indian Lodge as if the ghost/ of a remorseful pickpocket/ were slipping a wallet/ back where it come from. There is much humour here, and warmth, combined with an awareness of loss and the weight of history--all delivered in a voice distinctive in its combination of narrative, whimsy, and psychological observation.

The Canadian media were the first to bring Master Corporal Paul Franklin''s story to the public, and it is only fitting that award-winning journalist Liane Faulder brings the full account of his return from a war zone. The Long Walk Home: Paul Franklin''s Journey from Afghanistan documents the recovery of a soldier injured in a 2006 suicide bombing that left one Canadian diplomat dead, and two comrades in arms wounded. Although Franklin made a promise to his wife that he would come home alive, he needed the heroic help of soldiers on the scene and a medical team abroad to keep his word. He lost both of his legs above the knee as the result of his injuries, but returned home determined to walk again. Within four months of his injury, and against the odds and predictions of doctors, Franklin learned to walk on artificial legs. He continues to represent the courage of Canadian troops overseas as he rebuilds his life at home with his wife Audra and their young son, Simon. As a family on a journey to recovery, they are determined to stand, and walk, together. The Long Walk Home: Paul Franklin''s Journey from Afghanistan is a story of loss, courage, love and hope. It inspires all of those -- military and civilians alike -- who wonder how they will take that next step when tough times challenge the body and the spirit.

A Drag Dynasty is about to be divined from the high life decade of decadence. It is destined, pre-ordained -- and perfectly coiffed. Darrin Hagen, under the mentorship of his drag mother, Lulu LaRude, rose to the height of glamour as Gloria Hole, performer extraordinaire at the legendary Flashback nightclub. Beneath the layers of nightlife, stage lights and make-up lay the complex relationships of a chosen family. Both hilarious and moving, The Edmonton Queen: The Final Voyage once again invites readers to the exclusive party that was, and should not be missed again.

From pink flamingos to plaid furniture, the ins and outs of life on wheels are illuminated by Dotty Parsons, Supermom. In her battle to fight mobile home-ophobia, no souvenir cushion is left unturned: rituals, diet, furnishings, collections, family, and the most mysterious: The Trailer Court Man. In Tornado Magnet, a mac-and-cheese tribute to the mighty mothers of mobile home country, playwright and performer Darrin Hagen debunks the myths of trailer court life.

Your brain cells are prison cells! Break free with The Power of Ignorance, the smash Fringe play! Join certified Ig-master Vaguen on the road to bliss. You might think that ignorance comes naturally, but on the contrary, the world conspires to cram our heads full of useless and dangerous know-ledge every day. Fall off this knowledge into the safe and comforting world of oblivio(n/ousness) by discovering The Power of Ignorance. In this playscript Vaguen is featured at one of his seminars where he helps successful people, wealthy people, good-looking people, and people just like you to attain the heights/depths of ignorance.

Join certified Ig-master Vaguen on the road to bliss. You might think that ignorance comes naturally, but on the contrary, the world conspires to cram our heads full of useless and dangerous know-ledge every day. Fall off this know-ledge into the safe and comforting world of oblivio(n/ousness) by discovering The Power of Ignorance. In his seminars, Vaguen has helped successful people, wealthy people, good-looking people, and people just like you to attain the heights/depths of ignorance. For the first time, his secrets are revealed between the covers of a book. Purchase this reasonably-priced volume and join the ranks of those who understand that a lack of understanding is unimportant. Based on original material and characters by Jeff Sumerel and Sam Reynolds.

In British Columbia''s remote and exotic Cariboo Plateau, "Everything is slow. Everything is happening at the same speed, which is no speed at all." Harold Rhenisch has spent eleven years watching birds every day from his house on the shore of 108 Lake--at this speed, but you wouldn''t know it from reading Winging Home. Known as "one of Canada''s master prose stylists," Rhenisch dissects avian behaviour with the ear of a poet and the mouth of a stand-up comedian. His blackbirds are a jug band in full flight, his robins drunken bachelors on a jag, and his eagles decrepit, stumblebum scavengers.With lively illustrations by noted bird artist Tom Godin, Winging Home: A Palette of Birds is more than just writing about the natural world. It is a lyrical, evocative memoir of life in the Cariboo that crackles with humorous, often startling observations of birds and men set amidst the wild beauty of British Columbia.

Standing Together is a powerful expression of women''s collective and individual strength. It is a collection of personal stories from women who have suffered the horrors of violence and abuse and have made the hardest decision: to stand up, choose life, take control and walk away from the darkness.The disturbing, compelling, and inspiring stories in Standing Together were written by women of all ages, professions, and ethnicities, from rural and urban areas and all social backgrounds; they could be women you know. They tell of abuse at the hands of husbands, boyfriends and partners, fathers and strangers. They tell of deciding to seek help, leaving a life of fear for one of hope. They tell of the family, friends, and strangers that helped them rebuild their lives. Taken together, they form a greater story of hope and inspiration: You are not alone. You can make a change. You can survive this, get through the pain, and build a new life. You have the strength; we have the strength when we stand together.

At once a memoir, a work of philosophy, a story of European immigration to Canada''s dark places of the earth, and an exploration of the roots and effects of colonialism, The Wolves At Evelyn: Journeys Through a Dark Century is a stylistic and rhetorical tour de force from one of Canada''s master prose stylists.Dissident communists fleeing 1920s Germany, Harold Rhenisch''s grandparents imagined that British Columbia''s Interior was the end of the earth--a new world where they could fulfil their dreams of the land, freed from tyrrany and from history itself. A generation later, in the wake of World War II, his father arrived, carrying many of the same ideas with him. What they found instead was a colonial culture as highly developed as Doris Lessing''s Rhodesia.Rhenisch grew up at the nexus of these cultures: a Germany where Nazism simultaneously did and did not happen, a Canada in the process of shedding British colonialism for American, and a land--the Interior--that had no point of contact with any of them.With remarkable range and vision, Rhenisch turns in a bravura performance, sifting through the ashes of personal experience, family anecdotes, literature, art, history, and the land itself for clues to a great untold story, Rhenisch assembles a collage of images and ideas that becomes a whole much greater than the sum of its parts. The hidden history of a forgotten outpost of the Empire is laid open, shattering dearly held myths and exposing buried skeletons.How was the sunny, carefree Okanagan Valley fruit culture built on the back of King Leopold''s Congolese slave trade? How does Margaret Atwood''s garrison theory of literature reflect on Rhenisch family''s hidden Nazi past? How did the Hudson''s Bay Company Blanket act as both a cherished kitsch object for generations of Canadians and a tool of genocide? Alternating between light and darkness, great humour and sharp indignation, this is a disturbing, thought-provoking and important work from a masterful writer and cultural analyst.