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For many years, the coverage of grammar and usage in The Broadview Guide to Writing has received particular praise. Now, for the first time, that material is made available in a stand-alone volume. Readable, reliable, and comprehensive, The Broadview Guide to Grammar, Usage, and Punctuation is appropriate for students at all post-secondary levels. The book is divided into four sections. The Grammar section provides unrivalled coverage of complete and incomplete sentences, dangling constructions, and other subjects that give many writers special difficulty. The Usage section offers sensible and up-to-date advice on hundreds of points that frequently cause confusion. The Punctuation section provides a wealth of helpful guidance on all aspects of punctuation, with particular attention paid to such vexed questions as when to use the colon and the semi-colon, and (when using quotation marks) how to properly integrate quotations into one's own text. A final section, English as an Additional Language, gives a wide range of helpful advice on special issues that may arise for those whose native language is not English. A companion website provides hundreds of exercises on every topic covered in the book itself. Many of these are interactive; on completing an exercise, students are told how they did--and explanations are provided as to why the right answers are right and the wrong answers are wrong. This book is adapted from The Broadview Guide to Writing, which is available in American and Canadian editions

This compact edition offers a substantial selection of Whitman's writing. Highlights include the full text of the 1855 Preface to Leaves of Grass, the 1855 text of the poem later titled "Song of Myself," the complete "Live Oak, with Moss" sequence, numerous selections from the 1881 edition of Leaves of Grass, and several samples of Whitman's early and late prose. The appendices include nineteenth-century reviews of Leaves of Grass, a selection of illustrations showing Whitman's design choices for various editions of the book, and numerous portraits of the author. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature. The series is designed to make selections from the anthology available in a format convenient for use in a wide variety of contexts; each edition features an introduction and explanatory footnotes, and is designed to meet the needs of today's students. This edition departs from most other editions in the series in one important respect--its format. The large page size of the edition facilitates the reading of Whitman's long lines of verse.

The two-volume Broadview Anthology of British Literature, Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the concise edition nevertheless provides a thoughtful balance between well-established canonical authors and a diverse array of lesser-known works. Guided by the latest scholarship in British literary studies, the anthology is committed to inclusiveness, social responsibility, and contextualization. The anthology skillfully balances the representation of widely-agreed upon major works with a thoroughgoing reassessment of the canon that emphasizes diversity, variety, and breadth. With an unparalleled number of illustrations and contextual materials, accessible and engaging introductions, and full explanatory annotations, the concise edition of this acclaimed Broadview anthology provides focused yet wide-ranging coverage for British literature survey courses. Among the works now included for the first time in the bound book of the concise edition are poems by Gwerful Mechain, selections from Giovanni Boccaccio's The Decameron, Samson Occom's autobiography, and selections from Samuel Richardson's Pamela and Frances Burney's Evelina. There are also new omnibus sections--including an expanded "Culture: A Portfolio" section with material on theater and crossdressing, a revised section on "Other Lands, Other Cultures" in the early modern period, and new omnibus sections addressing "The Enlightenment," "Slavery and Resistance," and "Empire and Enterprise." As before, the Concise edition includes a substantial website component, providing instructors with a great degree of flexibility. New to the Concise Edition are a selection from The Táin, Mary Rowlandson's complete narrative, Aphra Behn's The Rover, selections from Henry Fielding's Joseph Andrews, substantial selections from Ottobah Cugoano's Thoughts and Sentiments, and an omnibus section on the environment in the early modern period. Also new to the website are additional tales from Chaucer's Canterbury Tales in facing-column format, with versions in modern English included opposite the original text.

This book is a guide for understanding climate change. It takes an interdisciplinary approach because climate change is simultaneously a matter of science, engineering, economics, politics, culture, ethics, and more. A Field Guide to Climate Change thus follows the contours of climate change as it appears in the world--as a tangle of problems. Briggle presents climate literacy as a form of problem-posing by offering a set of tools for understanding how problems get framed, debated, and resolved. Through developing climate literacy, students gain the ability to think critically about how facts are constructed and mobilized in the pursuit of values. Part One (Big Picture and Fundamentals) provides basic definitions and broad orientation by situating climate change within larger contexts like the Anthropocene, international climate diplomacy, sustainable development, and "green growth." Part Two (Climate Sciences) offers tools for understanding climate science, its historical development, and its place in society by asking: who knows, what do we know, and how do we know it? Part Three (Politics, Ethics, and Policy) shows how to analyze debates about climate change policies from mitigation to rewilding.

Provocative, brutally honest, and timeless, Machiavelli's The Prince is one of the most important yet misunderstood writings in history. In it, Machiavelli lays bare the reality behind politics as it has always been practiced, teaching leaders to avoid the errors and failings of others while also educating those outside of government about what goes on inside the halls of power. This edition offers a new and lively translation of The Prince, written in fluid modern English that is impressively accurate to the original source. It also includes extensive selections from the Discourses on Livy, together with a range of Machiavelli's other works such as his poetry, his personal correspondence, and the Florentine Histories. The supplemental readings, engaging original introduction, and thorough annotations provided in this edition show the relevance of The Prince to a wide range of themes: human nature, the philosophy of history, and the existential question all rulers face--how to survive in a world that is largely outside of one's control.

How are sex and gender related? Are they the same thing? What exactly is gender? How many genders are there? What is the science on all of this? Is gender a product of nature, nurture, or both? This book introduces readers to fundamental questions about sex and gender categories as they've been considered across the centuries and through a wide array of disciplines and perspectives. From the Bible to Darwin, from Enlightenment thinkers to contemporary trans philosophers, Beyond the Binary offers an accessible survey of the wide range of views about sex and gender. This revised and expanded edition uses updated terminology and diagnostic criteria and offers new material with a greater focus on trans, Indigenous, racialized, and subaltern thinkers. It includes useful discussion questions and further reading recommendations at the end of each chapter, as well as an extensive glossary of terms.

Considering the composition classroom as a mad scientist's laboratory, The Mad Scientist's Guide to Composition introduces different kinds of writing as experiments. Writing an essay is a task that can strike fear into a student's heart, but performing an experiment licenses creativity and doesn't presume that one knows the outcome from the start. The Mad Scientist's Guide covers the kinds of writing most often required on college campuses, while also addressing important steps and activities frequently overlooked in composition guides, such as revision and peer reviewing. Actual examples of student writing are included throughout, as are helpful reminders and tips to help students polish their skills. Above all, the Mad Scientist's Guide seeks to make writing fun. The book briefly covers up-to-date MLA, APA, and Chicago citation styles.

Reviled as a regicide, isolated in a personal darkness, and aging, John Milton did not relinquish his voice. He somehow used that tireless voice, rather, to create Paradise Lost, one of the enduring masterpieces of English literature. Despite its difficulties--idiosyncratic syntax, densely packed ideas, capacious structure, and epic form--the poem still has the power to dislodge modern readers from our ordinary habits of reading and push us to experience new perspectives and new ideas. This new edition, based on the 1674 text, guides readers through the poem's interpretive challenges with a compact but thorough introduction and a readable and helpfully annotated text. Illuminating contextual materials, including related works by Milton, classical and biblical sources, material on the composition of the poem, and illustrations of Paradise Lost from the seventeenth to the twentieth centuries, are also included.

How to Think Critically begins with the premise that we are all, every day, engaged in critical thinking. But just as we may develop bad habits in daily life if we don't scrutinize our practices, so are we apt to develop bad habits in critical thinking if we are careless in our reasoning. Readers are presented with a traditional step-by-step method for analysis that can be applied to all argument forms. Hundreds of exercises (with solutions) are included, as are several random statement generators that can be used to create thousands of additional examples. Truth tables, Venn diagrams, and other essential concepts are introduced not merely as objects for academic study but also as tools for better thinking and living. At a time when the value of critical thinking is recognized to be greater than ever, this book is an important resource both inside and outside the classroom.

AI and Writing is an introduction to Generative Artificial Intelligence (GenAI) and its emergent role as a tool for academic, professional, civic, and personal writing. Sid Dobrin examines GenAI from two perspectives: the conceptual and the applied. The conceptual approach addresses the function of GenAI and the ramifications of its use as a writing tool - especially the ethical, social, and material issues it raises. The applied approach offers guidance to assist readers in using GenAI responsibly and authentically. In consideration of the rapid evolution of GenAI and the many unsettled questions about its role, Dobrin leaves room for readers to adapt to shifting technological and institutional conventions. This book is intended for composition and writing-intensive courses, and for any readers with a general or professional interest in the role of GenAI in writing. While it is primarily designed for first-year writing courses, it's also applicable to courses in advanced writing, professional writing, technical writing, business writing, and writing across the curriculum, as well as writing-intensive courses in other disciplines. In other words, it can be used in any course in which students are required to produce texts.

Fanny Fern dominated the New York literary scene in the 1850s, garnering both esteem and, occasionally, derision for her witty and acerbic newspaper columns and literary criticism; her semi-autobiographical novel Ruth Hall, which traces the rise of an intelligent and determined young woman from poverty to prestige through her pursuit of a writing career, was one of America's most significant early bestsellers. Fern's use of informal, vibrantly conversational prose and her abundant colloquialisms marked an important shift in the established literary conventions of nineteenth-century fiction and journalism. This compact edition collects some of Fern's most frequently taught journalism--much of which focuses on the changing roles of women in nineteenth-century America--along with excerpts from Ruth Hall. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature. The series is designed to make selections from the anthology available in a format convenient for use in a wide variety of contexts; each edition features an introduction and exaplanatory footnotes, and is designed to meet the needs of today's students.

As Americans began defining who was to be counted a citizen in their newly-established republic, Susanna Rowson's comic opera Slaves in Algiers (1794) makes an earnest case that women be accorded the rights guaranteed to men, playfully turning sexual hierarchies on their head: "Women were born for universal sway; / Men to adore, be silent, and obey." A fast-paced plot, engaging characterization, and rollicking songs ensured that Slaves in Algiers garnered success when it was first performed at the New Theater in Philadelphia. But Rowson's play also engages in perpetuating racial stereotypes: set in Algiers at a time when Barbary pirates were seizing more and more U.S. ships in the Mediterranean Sea, Slaves in Algiers is written for a largely white audience driven by outrage at the enslavement of white people in the Barbary states. The play is critical of many aspects of North African cultures, particularly the practices of piracy and enslavement, while not acknowledging the moral and ethical taint of America's own enslavement of African Americans. In recent years, critics have given increased attention to Slaves in Algiers, particularly to its interwoven feminist, nationalist, and imperialist themes, as well as to its treatment of Muslim and Jewish characters. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature. The series is designed to make selections from the anthology available in a format convenient for use in a wide variety of contexts; each edition features an introduction and exaplanatory footnotes, and is designed to meet the needs of today's students.

"Even the most useful reference guides are not always, well, shall we say, riveting. A refreshing exception is the new Broadview Guide to Writing, which is smart, helpful, and even fun to read." --Gerald Graff and Cathy Birkenstein, authors of They Say / I Say: The Moves That Matter in Academic Writing Key Features --A coil-bound reference text suitable for a range of introductory composition and writing courses --Divided into three sections: Writing Processes (including Research, Argumentation, and Style) Writing Mechanics (Grammar, Usage, and Punctuation) Writing Contexts (Writing in different academic disciplines, Forms and conventions, and citation) --Comprehensive treatment of citation style guides, with 2016 MLA style updates --Expanded treatment of research methods, argument structures, and writing in the workplace --A unique section on "How to Be Good With Words"--issues of gender, race, class, religion, sexual orientation, disability, etc. --Expanded coverage for those whose native language is not English --All-new chapter on reading images --Extensive companion website featuring interactive exercises Increasingly, writing handbooks are seen as over-produced and overpriced. One stands out: The Broadview Guide to Writing is published in an elegant but simple format, and sells for roughly half the price of its fancier-looking competitors. That does not change with the new edition; what does change and stay up-to-date is the content of the book. The sixth edition brings a substantial re-organization of the contents under three headings: Writing Processes, Writing Mechanics, and Writing Contexts. Coverage of APA, Chicago, and CSE styles of documentation has been substantially expanded, and the MLA section has now been fully revised to take into account all the 2016 changes. Also expanded is coverage of academic argument; of writing and critical thinking; of writing about literature, of paragraphing; of how to integrate quoted material into one's own work; of balance and parallelism; and of issues of gender, race, religion etc. in writing. The chapter "Seeing and Meaning: Reading (and Writing About) Visual Images" is entirely new to the sixth edition.

Knowing Reality is a guided introduction to metaphysics and epistemology. Each of the book's twelve chapters contains extended excerpts from influential historical and contemporary philosophers, as well as a guided exposition of their views and their locations within the logical space of the issues at play. Topics are introduced through engaging thought experiments, with relevant philosophical puzzles sprinkled throughout. Complex issues are explained using down-to-earth examples, with illustrations provided to connect with readers and assist them in understanding the sophisticated concepts under discussion.