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The Father and Daughter was one of the most widely read novels of the early nineteenth century, captivating readers with its pathos and melodrama. It tells the story of Agnes Fitzhenry, whose seduction by the libertine Clifford causes her father to descend into madness. Rooted in the social conditions of late eighteenth- and early nineteenth-century Britain, the novel is both an affecting narrative and a compelling social commentary. Opie's first novel, Dangers of Coquetry (1790), also addresses issues of female sexuality and the social construction of gender. It is the story of a young woman who, while possessing many virtues, is given to coquetry. She attracts the attention of a sternly moral gentleman who dislikes coquettes, and mutual love ensues. This Broadview edition includes a careful selection of contextual documents, such as Opie's letters, dramatic adaptations, and texts on coquetry, chastity, and the treatment of insanity.
In 1761, Frances Sheridan published her novel The Memoirs of Miss Sidney Bidulph, which became a popular and widely praised example of the sentimental novel. The Conclusions, that novel's sequel, is set eight years later, after Sidney Bidulph's marriage and motherhood. Psychologically subtle and emotionally immediate, the novel is told almost entirely in the form of letters.
This is the first edition in over a century to present David Hume's Enquiry Concerning Human Understanding, "Dissertation on the Passions," Enquiry Concerning the Principles of Morals, and Natural History of Religion in the format he intended: collected together in a single volume.
"With a sure sense of the needs of the classroom, Murray presents a clear, idiomatic translation and adds just enough commentary to guide readers through the text." - Walter Goffart, Yale University
Drawn from official papers as well as from scholarly and popular periodicals, Doucments in Canadian Film presents textual eveidence of Canada's rich cinematic heritage and the continuing struggle to enlarge film's place in the society.
"Broadly conceived and accessibly written." - Marcia L. Colish, Visiting Fellow, Yale University
This compact guide covers a wide variety of terms commonly used in academic discussions of poetry, fiction, drama, rhetoric, and literary theory. Definitions are kept concise; examples are abundant. The coverage ranges from traditional topics through to recent scholarship, and the straightforward entries aim to enable students to learn new terms with confidence. The pocket glossary brings together entries from a variety of Broadview publications--including The Broadview Anthology of British Literature and The Broadview Anthology of Short Fiction--and adds a number of new entries.
This new Broadview/ISE edition traces Twelfth Night's long and remarkable performance history on stage and screen.
The texts in this unique collection range from the gothic revival of the late eighteenth century through to the late Victorian gothic, and from the poetry of Wordsworth and Coleridge to the short fiction of H.G. Wells and Henry James. Genres represented include medievalist poetry, psychological thrillers, dark political dystopias, sinister tales of social corruption, and popular ghost tales.
R.M. Liuzza's translation of Beowulf, first published by Broadview in 1999, has been widely praised for its accuracy and beauty. The facing-page translation is accompanied in this edition by genealogical charts, historical summaries, and a glossary of proper names. Historical appendices include related legends, stories, and religious writings.
An anthology that collects classic and lesser-known writings on Victorian fiction. This title presents important Victorian statements on the form and the function of fiction. It addresses questions of genre, such as realism and sensationalism; questions of gender and authorship; and, questions about the morality of fiction.
It is widely known that Charles Dickens gave public readings of his works, and that those readings were enormously popular. Far less well known are the stories themselves; these were not, as is the modern fashion, taken verbatim from the published novels. Instead, Dickens trimmed, reworded, and re-shaped material from the novels to create stories that would be self-contained artistic entities. These concise "performance fictions," shaped in every way to be accessible to a broad audience, are in many ways an ideal introduction to Dickens's work for the modern reader. Four of the most successful of these short works have been selected for this volume, including "The Story of Little Dombey" (perhaps the most emotionally affecting of all the readings, and described by Dickens as his "greatest triumph everywhere") and the violent and suspenseful "Sikes and Nancy" (Dickens's overpowering performances of which were said to have contributed to his death). Provided in the contextual materials is a selection of reviews and contemporary descriptions that comment on Dickens's manner of performance and audience reception. A brief excerpt from Dombey and Son is also included, illustrating the extensive revision process that led to "The Story of Little Dombey."
This reclaims logic as a branch of philosophy, offering a self-contained and complete introduction to the three traditional systems of classical logic and the philosophical issues that surround those systems. The treatment is conceptually tight: classical logical theory is developed as an attempt to characterise two central notions - logical possibility and demonstrative proof.
This book argues that it is time for African nations to govern themselves using modified, indigenous political structures and ideologies.
Biodiversity in Canada tackles the formidable and critically important issues of our natural resources and wilderness.
This accessible, personal, and provocative study returns to the major subject in literary discussion before and during the relatively recent flourishing of literary theory, that of literary intention. Probing the range of issues connected with this knotty concept, this book engages with interpretation on both theoretical and practical levels.
Novel Definitions captures the lively critical debate surrounding the invention of the English novel, showing how the rise of the novel is accompanied by a rise in popular literary criticism.
Well and Good presents a combination of classic and little-known cases in health care ethics. These cases, accompanied by information about the major ethical theories, give students a chance to grapple with the ethical challenges faced by health care practitioners, policy makers, and recipients. The authors' narrative style and leading questions provoke interest and engagement, while allowing readers to work through complicated issues for themselves. This fourth edition includes an expanded discussion of feminist ethics, as well as new cases addressing pandemic ethics, humanitarian aid, the social determinants of health, research and Aboriginal communities, and a number of other emerging issues.
This book provides a concise overview of the institutions of government in modern democracies.
Sir Gawain and the Green Knight is a masterpiece of medieval English literature and one of the finest Arthurian tales in any language. Though its ingenious plotting and verbal artistry continue to dazzle readers, it is written in a challenging regional dialect and uses many words that were already archaic when the poem was written in the late fourteenth century. This edition is designed to make the poem, in its original Middle English, accessible to students and general readers. Following standards adopted for editing other Middle English poets, the edition lightly normalizes spellings to make words more recognizable for a modern audience. Extensive marginal glossing of difficult words, thorough on-page explanatory notes, and a comprehensive glossary offer further support for readers. The historical appendices include other examples of medieval romance from France and Britain.
In 1716, Lady Mary Wortley Montagu's husband Edward Montagu was appointed British ambassador to the Sublime Porte of the Ottoman Empire. Montagu accompanied her husband to Turkey and wrote an extraordinary series of letters that recorded her experiences as a traveller and her impressions of Ottoman culture and society.
The Rivals and Polly Honeycombe revolve around young women who wish the world would conform to novelistic convention. Unlike most eighteenth-century heroines keen on novel reading, however, Lydia Languish and Polly Honeycombe are neither deluded nor in any real danger. Rather, they inhabit a world in which everyone is engaged in some sort of quixotic performance; the more appealing characters are just willing to admit it. Both farcical and wise, these plays teasingly celebrate the perennial appeal of fiction, while never letting us forget how much it relies upon the everyday rituals of performance. The introduction to this Broadview edition explores the interrelations between print and performance in the eighteenth century, including a detailed and well-illustrated account of what it was like to go to the theater. Appendices include material on the original casts, the often dubious reputation of novel reading and circulating libraries, Sheridan's high-profile elopement with Elizabeth Linley (which made him a celebrity before he ever staged a word), and the narrative possibilities conjured up by setting The Rivals in the resort city of Bath.
This is an edition of what are arguably Leibniz's three most important presentations of his metaphysical system: the Discourse on Metaphysics, from 1686, The Principles of Nature and of Grace and The Monadology, from 1714. Based on the Latta and Montgomery translations and revised by the editor, these texts set out the essentials of Leibniz's mature metaphysical views.
George Berkeley's Three Dialogues between Hylas and Philonous is one of the most challenging and beloved classics of modern philosophy. The heart of the work is the dispute between materialism and idealism. This is a critical new presentation of Berkeley's 1734 third edition. It combines an annotated version of Berkeley's complete original text with a substantial critical introduction, chronology of events in Berkeley's life, and annotated Appendices of original sources from thinkers relevant to Berkeley's work.
"The appendices alone provide material for an entire course, linking [the text] to literary, philosophical, sentimental, and feminist concerns. An unparalleled achievement for Wollstonecraft scholarship." -- Mary Favret, Indiana University, Bloomington
Best known today for the novels Joseph Andrews and Tom Jones, Henry Fielding was just as renowned in his own time as a prolific and highly successful dramatist. Among his most popular plays was The Tragedy of Tragedies: Or, The Life and Death of Tom Thumb, one of the most extraordinary parodies in English theater. The print version of the play incorporates, in an elaborate structure of annotations, a remarkable satire of heroic drama and of the pretensions and excesses of "false scholarship." This edition includes the text of the play itself and the text of the extraordinary notes (by Fielding's pseudonym "H. Scriblerus Secundus"), appearing in facing page layout; extensive explanatory notes for the modern reader appear at the bottom of the page. Also included are a substantial introduction and a wide range of background materials that set the work in the context of its time. These contextual materials include contemporary reviews, excerpts from the plays that Fielding's parody most frequently targeted, and selections from works that provided inspiration for The Tragedy of Tragedies--from contemporary versions of the "Tom Thumb" folktale to satirical writing by authors such as Alexander Pope, John Gay, and George Villiers.
This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siecle.
Provides an accessible and thorough grounding in sentence logic and predicate logic. While technical jargon is kept to a minimum, all logical concepts and vocabulary are explained clearly. A standard system of natural deduction is developed, and readers are given suggestions for developing strategies for creating derivations in this system.
Oscar Wilde wrote of this novel, "Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make Reuben Sachs, in some sort, a classic.” Reuben Sachs, the story of an extended Anglo-Jewish family in London, focuses on the relationship between two cousins, Reuben Sachs and Judith Quixano, and the tensions between their Jewish identities and English society.
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