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Frances Trollope's Domestic Manners of the Americans, complemented by Auguste Hervieu's satiric illustrations, took the transatlantic world by storm in 1832. An unusual combination of realism, visual satire, and novelistic detail, Domestic Manners recounts Trollope's three years as an Englishwoman living in America. Trollope makes the civility of an entire nation the subject of her keen scrutiny, a strategy that would earn her, in the words of the critic Michael Sadleir, "more anger and applause than almost any writer of her day." Auguste Hervieu's twenty-four original illustrations, placed and scaled as in the first edition, are included in this Broadview Edition, inviting readers to experience the original relationship of image and text.

Arguably no medieval English literary work has had as far and wide a reach as Sir Thomas Malory's Le Morte Darthur. Yet there has been no edition that draws on the results of the past generation's scholarship while presenting Malory's work in a form that is at once true to the original and accessible to the modern reader. This new edition is all of those things.

An accessible, historically focused new edition of a contentious Canadian classic.

As well as the text itself and an informative introduction, this new edition includes a selection of background documents (also newly translated), which help set the work in the cultural and intellectual context out of which it emerged.

One of the earliest novelistic efforts to articulate an American identity, and more specifically to investigate what that identity might promise for women. This second edition has been updated throughout and includes a greatly expanded selection of historical materials on castaway narratives and the cultural context of colonial America.

Regarded by Bernard Shaw as a master of the theatre, Dion Boucicault was arguably the most important figure in drama in North America and in Britain during the second half of the nineteenth century. He was largely forgotten during the twentieth century--though he continued to influence popular culture (the iconic image of a woman tied to railway tracks as a train rushes towards her, for example, originates in a Boucicault melodrama). In the twenty-first century the gripping nature of his plays is being discovered afresh; when The Octoroon was produced as a BBC Radio play in 2012, director and playwright Mark Ravenhill described Boucicault's dramas as "the precursors to Hollywood cinema." In The Octoroon--the most controversial play of his career--Boucicault addresses the sensitive topic of race and slavery. George Peyton inherits a plantation, and falls in love with an octoroon--a person one-eighth African American, and thus, in 1859 Louisiana, legally a slave. The Octoroon opened in 1859 in New York City, just two years prior to the American Civil War, and created a sensation--as it did in its subsequent British production. This new edition includes a wide range of background contextual materials, an informative introduction, and extensive annotation.

A century ago Tennyson had begun to be dismissed as a poet whose work embodied everything the modern world was looking to leave behind. He still seems to readers to embody the substance of the Victorian era more fully than any other poet--but nowadays that is counted in his favor. Critics continue to find layers of complexity in poems once thought simplistic--while appreciating with fresh ears Tennyson's aural mastery. This new edition includes the two long poems In Memoriam and Maud: A Monodrama in their entirety, all the short poems for which Tennyson remains famous, and a generous selection of his lesser-known poetry, together with a concise introduction to the poet and his work, and substantial headnotes for In Memoriam, Maud, and Idylls of the King. Unlike other editions that provide a selection of Tennyson's work, this one includes both marginal glosses of obscure or archaic words and phrases, and extensive annotations at the bottom of each page. Appendices of visual material are also included.

Upon opening their expensive new book in 1623, buyers of the folio collection of William Shakespeare's plays were promised The Life of Henry the Fift. What they went on to read, however, was not a full "life" in the modern biographical sense. The battle of Agincourt is the play's main event; every scene leads up to or follows directly from the climax of one of England's most one-sided and famous victories. The play's ambiguous portrayal of war has spurred critical debate for centuries, and its performances have reflected shifting political and cultural views. James D. Mardock's Introduction provides an extensive discussion of Henry V's critical and stage histories and explores the play's complex relationship with other history plays (and with history itself). The appendices provide materials on the play's historical background and sources, as well as documents on contemporary warfare. Additional materials, including an annotated text of the 1600 quarto (Q1) edition, are available on the Internet Shakespeare Editions website. A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

This thorough introduction to good reasoning has been refined over more than twenty years.

R.M. Liuzza's Broadview edition of Beowulf was published at almost exactly the same time as Seamus Heaney's; in reviewing the two together in July 2000 for The New York Review of Books, Frank Kermode concluded that both translations were superior to their predecessors, and that it was impossible to choose between the two: "the less celebrated translator can be matched with the famous one," he wrote, and "Liuzza's book is in some respects more useful than Heaney's." Ever since, the Liuzza Beowulf has remained among the top sellers on the Broadview list. With this volume readers will now be able to enjoy a much broader selection of Old English poetry in translations by Liuzza. As the collection demonstrates, the range and diversity of the works that have survived is extraordinary--from heartbreaking sorrow to wide-eyed wonder, from the wisdom of old age to the hot blood of battle, and to the deepest and most poignant loneliness. There is breathless storytelling and ponderous cataloguing; there is fervent religious devotion and playful teasing. The poems translated here are meant to provide a sense of some of this range and diversity; in doing so they also offer significant portions of three of the important manuscripts of Old English poetry--the Vercelli Book, the Junius Manuscript, and the Exeter Book.

Offers an accessible introduction to the metatheory of first-order predicate logic. No background knowledge of logic is presupposed, as the book is entirely self-contained and clearly defines all of the technical terms it employs. Yaqub begins with an introduction to predicate logic, and ends with detailed outlines of the proofs of the incompleteness, undecidability and indefinability theorems.

Walter of Châtillon's Latin epic on the life of Alexander the Great was a twelfth- and thirteenth-century "best-seller: " scribes produced over two hundred manuscripts. The poem follows Alexander from his first successes in Asia Minor, through his conquest of Persia and India, to his progressive moral degeneration and his poisoning by a disaffected lieutenant. The Alexandreis exemplifies twelfth-century discourses of world domination and the exoticism of the East. But at the same time it calls such dreams of mastery into question, repeatedly undercutting as it does Alexander's claims to heroism and virtue and by extension, similar claims by the great men of Walter's own generation. This extraordinarily layered and subtle poem stands as a high-water mark of the medieval tradition of Latin narrative literature. Along with David Townsend's revised translation, this edition provides a rich selection of historical documents, including other writings by Walter of Châtillon, excerpts from other medieval Latin epics, and contemporary accounts of the foreign and "exotic."

Blind Love is Wilkie Collins's final novel. Although he did not live to complete the work, he left detailed plans for the last third of this absorbingly plotted novel which were faithfully executed by his colleague, the popular author Walter Besant. The novel is set during the Irish Land War of the early 1880s and tells the story of Iris Henley, an independent young woman who marries the "wild" Lord Harry Norland, a member of an Irish secret society, and becomes unhappily drawn into a conspiracy plot. The Broadview edition of Blind Love includes a critical introduction and primary source materials that address the novel's focus on movements for Irish independence. Appendices include newspaper accounts of Ireland during the Land War and of the fraud case on which Collins based his story, articles reacting to Collins's sudden death, Punch cartoons depicting the English attitudes toward the Irish, and contemporary reviews.

Globalization poses some of the least tractable of moral dilemmas and demands some of the most vexed of political decisions. This new anthology offers a wide selection of readings addressing the contemporary moral issues that arise from the division between the Global North and South.

In this, Hannah More's only novel and an early nineteenth-century best-seller, More gives voice to a wealthy twenty-three-year-old bachelor, who styles himself ""Coelebs"" (unmarried), but seeks a wife. Along with a critical introduction, this Broadview edition includes a wide selection of historical documents, from reviews, imitations, and sequels.

Provides a light, informal, and contemporary introduction to the study of philosophy. These entertaining conversations emphasize that philosophical questions are contested and open-ended. The characters in each dialogue advocate different answers to questions on religion, ethics, personal identity, and other topics equitably.

In Samson Agonistes, Milton's last great work, he addresses questions that pressed insistently on the imagination of all who were unhappy with the changes wrought by the Restoration. In addition to Samson Agonistes, this volume includes a selection of Milton's best-known short poems. The biblical material concerning Samson is also included in an appendix.

Providing examples of scientific thoughtfrom all disciplines of Western science, this volume covers everything from Jean-Baptiste Lamark''s theory of evolution of 1809 to the isolation of radium by Marie and Pierre Curie in 1898.'

Memoirs of Modern Philosophers follows the plight of Brigetina Botherim, whose participation in an English anti-Jacobin group leads her to disregard the advice of her mother and of other elders.'

Originally published in 1823, Valperga is probably Mary Shelley's most neglected novel. Set in 14th-century Italy, it represents a merging of historical romance and the literature of sentiment. Incorporating intriguing feminist elements, this absorbing novel shows Shelley as a complex and intellectually astute thinker.

A witty satire of the sentimental novel, a popular genre in Britain throughout the 1790s and the Regency. This newly annotated edition offers a thorough and perceptive introduction and a wide range of carefully selected contextual materials that further explore the term "sensibility.

This text dramatises many key issues relating to class and gender in late Victorian culture. In Gissing's story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment.

Perhaps the first extended non-fiction prose satire written by an English woman, Jane Collier's An Essay on the Art of Ingeniously Tormenting is a wickedly satirical send-up of eighteenth-century advice manuals and educational tracts. This Broadview edition uses the first edition, the only edition published during the author's lifetime.

"A work of intrinsic merit; competent and philosophically adept. The general public, as well as academics, will enjoy reading this book, and will profit from doing so." -- Robert Carter, Trent University

That James Joyce's "The Dead" forms an extraordinary conclusion to his collection Dubliners, there can be no doubt. But as many have pointed out, "The Dead" may equally well be read as a novella--arguably, one of the finest novellas ever written. "The Dead," a "story of public life," as Joyce categorized it, was written more than a year after Joyce had finished the other stories in the collection, and was meant to redress what he felt was their "unnecessary harsh[ness]." Set on the feast of the epiphany, it is a haunting tale of connection and of alienation, reflecting, in the words of Stanislaus Joyce (James's brother and confidant), "the nostalgic love of a rejected exile." The present volume highlights "The Dead" for readers who wish to focus on that great work in a concise volume--and for university courses in which it is not possible to cover all of Dubliners. But it also gives a strong sense of how that story is part of a larger whole. Stories from each of the other sections of Dubliners have been included, and a wide range of background materials is included as well, providing a vivid sense of the literary and historical context out of which the work emerged.