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First performed the day after Marie-Antoinette's beheading, Le Jugement dernier des rois stages the burlesque trial of the remaining kings and queens of Europe--paraded in chains like animals, made to brawl over a barrel of crackers, and finally obliterated by a spectacular volcanic eruption. Such is the shocking context--at once tragic and farcical--of the most infamous play of the French Revolution, familiar to all specialists of the period. Until now, however, no standalone critical edition or English translation of this historic play existed. This bilingual edition revives Maréchal's play and reveals its centrality to scholarly debates about Revolutionary notions of justice, religion, commemoration, comedy, and propaganda. Provocative, written in accessible prose, and short--perfect for students in a French or history seminar--Le Jugement dernier des rois offers an ideal introduction to the most important and contentious questions of the Revolutionary period. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

In eighteenth-century Britain, criminals were routinely whipped, branded, hanged, or transported to America. Only in the last quarter of the century--with the War of American Independence and legal and sociopolitical challenges to capital punishment--did the criminal justice system change, resulting in the reformed prison, or penitentiary, meant to educate, rehabilitate, and spiritualize even hardened felons. This volumeis the first to explore the relationship between historical penal reform and Romantic-era literary texts by luminaries such as Godwin, Keats, Byron, and Jane Austen. The works examined here treat incarceration as ambiguous: prison walls oppress and reinforce the arbitrary power of legal structures but can also heighten meditation, intensify the imagination, and awaken the conscience. Jonas Cope skillfully traces the important ideological work these texts attempt: to reconcile a culture devoted to freedom with the birth of the modern prison system that presents punishment as a form of rehabilitation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Biomythography Bayou is a ritual, making available multigenerational blood memory, nonlinear time, and spiritual connection. Eurocentric epistemologies are drowned down deep. Each section of the text opens with an explicatory essay, animating the powers of particular elements in nature and thereby offering context to history, location, community, and cultural specificity. Essays are followed by a collection of thematic narrative portraits that maintain a relationship with the element and with one another; they embody nonlinear generational connection, scene, setting, and theme. Influenced by Audre Lorde's biomythographic form, Alexis DeVeaux's embodiments in queer time, and Octavia Butler's historical harkening and speculative futurist meditations, the author quilts the narrative contours of decolonial Black and Indigenous queerness and kinship across time and place. The text's primary foundations lie in the anthropological narratives and cultural analyses, both fiction and non-fiction, of Zora Neale Hurston and the political poetic portraits of Gwendolyn Brooks.

The sixth volume of the Collected Writings of Charles Brockden Brown presents for the first time writing from the final years of Brown's life, including from his magisterial periodical project, the American Register, in which Brown narrates a contemporary history of the United States and Europe during the Napoleonic Wars.

The fourth volume of the Collected Writings of Charles Brockden Brown presents the political pamphlets and related writings of Charles Brockden Brown (1771-1810), a key writer of the U.S. early republic. The texts address the national and wider global contexts of the Louisiana Purchase and Jefferson's Embargo, accompanied by historical commentary.

Postracial America? argues that the notion of "postracial" does not begin with the election of Barack Obama, nor will it end with his administration. The "postracial" is an expression of the protean nature of white supremacy in America, and the articles collected here demonstrate the variations of this seemingly innocuous and salutary expression.

This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world's greatest literary hero takes place in film, theater, and literature. To accomplish this task, eighteen scholars have come together, and each of them has brought his/her unique perspective to the subject.

The seventh volume of the Collected Writings of Charles Brockden Brown showcases a comprehensive collection of his poetry. While Brown is well known as a novelist, his poetry has never before been collected and many of the works included in this book appear in print for the first time in two hundred years.

The third volume of the Collected Writings of Charles Brockden Brown presents a selection of Brown's published writings between 1801 and 1807. The majority of the volume is devoted to texts that appeared in The Literary Magazine, and American Register, which Brown edited from October 1803 to December 1807, through fifty-one issues.

Rewriting Franco's Spain proposes a new reading of some of the most culturally significant and closely studied works of Spanish memory fiction from the past seventy years. This book explores how the work of the French writer Marcel Proust has shaped the ways Spanish novelists write about the Spanish Civil War and Franco's dictatorship.

This book focuses on Jose Marti's reflections and critique of social, cultural, and political events in the United States between the years of 1880 and 1895, bringing together some of the most recognized scholars from the United States, Cuba, South America, and Europe studying Marti in a unique contribution and collaborative international effort.

Strangers at the Gate promises, for the first time, to examine culture since 9/11 from the perspective of hospitality. It asks new questions about how we engage with others and strangers and claims hospitality as an imperative political concern as well as a social, cultural, and ethical one.

This book studies the phenomenon of "cultural transfer" via a gallery of case studies from Europe's early modernity. Perhaps its most original feature is to relate the European phenomenon to events in Europe's "East" (Central Europe) and developing practices of European Orientalism in the Middle East and India.

This book explores practices of recollection in contemporary Argentina that helped define the nation's approach to transitional justice in the first decades of the twenty-first century and enhances the critical literature on historical memory and trauma in Latin America by integrating affect theory to cultural representations of state violence.

Jane Austen and Masculinity provides a diverse selection of critical essays on representations of men and masculinity in Austen's work. This anthology will attract interest from scholars of eighteenth- and nineteenth-century British literature as well as gender studies scholars who are interested in the widening scope of masculinity studies.

This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world's greatest literary hero takes place in film, theater, and literature. To accomplish this task, eighteen scholars have come together, and each of them has brought his/her unique perspective to the subject.

British Romanticism and the Literature of Human Interest investigates the generic structures of Romantic literature and the negotiation of the status of literature in the period in relation to a new media landscape. This book explores the self-theorization of Romantic literature and argues for its value to contemporary literary criticism.

Lady Anne: A Chronicle in Verse by Antjie Krog is the first English translation of an award winning book published in Afrikaans in 1989. It engages critically and creatively with a key moment of colonial historythe time Lady Anne Barnard spent at the Cape of Good Hope, from 1797 to 1802. Usually mentioned merely as a witty hostess of fabulous parties, Anne Lindsay Barnard, the daughter of a Scottish Earl and the wife of a colonial administrator, was an independent thinker and a painter and writer of genius. She left diaries, correspondence and watercolors documenting her experiences in this exotic land, the contact zone of colonizers and indigenous peoples. Antjie Krog acts as bard and chronicles an epic about this remarkable heroine's life in South Africa, and intertwines it with life two hundred years later in the same country but now in the throes of anti-apartheid anger and vicious states of emergency. Krog's powerful and eloquent bringing together of the past and the present, and the historical and the poetic embodies an experience that is as pertinent and compelling today in a democratic but still turbulent South Africa, as it is in the USA and other places where the intersections of race, identity, power, and language lie at the center of civic life.

Building on postcolonial and transatlantic paradigms as well as new theoretical developments like Actor-Network-Theory, Global Romanticism: Origins, Orientations, and Engagements, 1760-1820 views the literature and culture of late-eighteenth- and early-nineteenth-century Britain and beyond through the lens of long-durational globalization.

From the cabinets of wonder of the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector.Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies?Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gomez Carrillo, Ruben Daro, Jose Asuncion Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel Garca Mrquez's One Hundred Years of Solitude.

Mina Loypoet, artist, exile, and luminarywas a prominent and admired figure in the art and literary circles of Paris, Florence, and New York in the early years of the twentieth century. But over time, she gradually receded from public consciousness and her poetry went out of print. As part of the movement to introduce the work of this cryptic poet to modern audiences, Poetic Salvage: Reading Mina Loy provides new and detailed explications of Loy's most redolent poems. This book helps readers gain a better understanding of the body of Loy's work as a whole by offering compelling close readings that uncover the source materials that inspired Loy's poetry, including modern artwork, Baedeker travel guides, and even long-forgotten cultural venues. Helpfully keyed to the contents of Loy's Lost Lunar Baedeker, edited by Roger Conover, this book is an essential aid for new readers and scholars alike. Mina Loy forged a legacy worthy of serious considerationthrough a practice best understood as salvage work, of reclaiming what has been so long obscured. Poetic Salvage: Reading Mina Loy dives deep to bring hidden treasures to the surface.

This book argues that Oliver Wendell Holmes Jr., helps us see the law through an Emersonian lens by the way in which he wrote his judicial dissents. Holmes's literary style mimics and enacts two characteristics of Ralph Waldo Emerson's thought: ';superfluity' and the ';poetics of transition,' concepts ascribed to Emerson and developed by literary critic Richard Poirier. Using this aesthetic style borrowed from Emerson and carried out by later pragmatists, Holmes not only made it more likely that his dissents would remain alive for future judges or justices (because how they were written was itself memorable, whatever the value of their content), but also shaped our understanding of dissents and, in this, our understanding of law. By opening constitutional precedent to potential change, Holmes's dissents made room for future thought, moving our understanding of legal concepts in a more pragmatic direction and away from formalistic understandings of law. Included in this new understanding is the idea that the ';canon' of judicial cases involves oppositional positions that must be sustained if the law is to serve pragmatic purposes. This process of precedent-making in a common-law system resembles the construction of the literary canon as it is conceived by Harold Bloom and Richard Posner.