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Liminal Fiction at the Edge of the Millennium: The Ends of Spanish Identity investigates the predominant perception of liminalityidentity situated at a threshold, neither one thing nor another, but simultaneously both and neithercaused by encounters with otherness while negotiating identity in contemporary Spain. Examining how identity and alterity are parleyed through the cultural concerns of historical memory, gender roles, sex, religion, nationalism, and immigration, this study demonstrates how fictional representations of reality converge in a common structure wherein the end is not the end, but rather an edge, a liminal ground. On the border between two identities, the end materializes as an ephemeral limit that delineates and differentiates, yet also adjoins and approximates. In exploring the ends of Spanish fictionboth their structure and their intentionalityLiminal Fiction maps the edge as a constitutive component of narrative and identity in texts by Najat El Hachmi, Cristina Fernndez Cubas, Javier Maras, Rosa Montero, and Manuel Rivas. In their representation of identity on the edge, these fictions enact and embody the liminal not as simply a transitional and transient mode but as the structuring principle of identification in contemporary Spain.

Emigrant Dreams, Immigrant Borders: Migrants, Transnational Encounters, and Identity in Spain offers a new approach to the cultural history of contemporary Spain, examining the ways in which Spain's own self-conceptions are changing and multiplying in response to migrants from Latin America and Africa. In the last twenty-five years, Spain has gone from being a country of net emigration to one in which immigrants make up nearly 12 percent of the population. This rapid growth has made migrants increasingly visible in both mass media and in Spanish visual and literary culture. This book examines the origins of media discourses on immigration and takes the analysis of contemporary Spanish culture as its primary framework, while also drawing insights from sociology and history. Emigrant Dreams, Immigrant Borders introduces readers to a wide range of recent films, journals, novels, photography, paintings, and music to reconsider contemporary Spain through its varied encounters with migrants. It follows the stages of the migrant's own journey, beginning outside Spanish territory, continuing across the border (either at the barbed-wire fences of Ceuta and Melilla or the waters of the Atlantic or the Strait of Gibraltar), and then considers what happens to migrants after they arrive and settle in Spain. Each chapter analyzes one of these stages in order to illustrate the complexity of contemporary Spanish identity. This examination of Spanish culture shows how Spain is evolving into a new space of imagination, one that can no longer be defined without the migranta space in which there is no unified identity but rather a new self-understanding is being born. Vega-Durn both places Spain in a larger European context and draws attention to some of the features that, from a comparative perspective, make the Spanish case interesting and often unique. She argues that Spain cannot be understood today outside the Transatlantic and Mediterranean spaces (both real and imaginary) where Spaniards and migrants meet. Emigrant Dreams, Immigrant Borders offers a timely study of present-day Spain, and makes an original contribution to the vibrant debates about multiculturalism and nation-formation that are taking

The Idea of Disability in the Eighteenth Century is a wide-ranging collection of essays that explores philosophy, biography, and texts about and by disabled people living in the eighteenth century. The book, which introduces and affirms the notion that disability studies predates most United States and United Kingdom findings by more than a hundred years, will be of interest to philosophers, historians, sociologists, and literary scholars.

How did it happen that whole regions of Latin AmericaAmazonia, Patagonia, the Caribbeanare named for monstrous races of women warriors, big-footed giants and cannibals? Through history, monsters inhabit human imaginings of discovery and creation, and also degeneration, chaos, and death. Latin America's most dynamic monsters can be traced to archetypes that are found in virtually all of the worlds sacred traditions, but only in Latin America did Amazons, cannibals, zombies, and other monsters become enduring symbols of regional history, character, and identity. From Amazons to Zombies presents a comprehensive account of the qualities of monstrosity, the ways in which monsters function within and among cultures, and theories and genres of the monstrous. It describes the genesis and evolution of monsters in the construction and representation of Latin America from the Ancient world and early modern Iberia to the present.

Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland's encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.

Authority, Piracy, and Captivity in Colonial Spanish American Writing examines the intricate bond between poetry and history writing that shaped the theory and practice of empire in early colonial Spanish-American society. The book explores from diverse perspectives how epic and heroic poetry served to construe a new Spanish-American elite of original explorers and conquistadors in Juan de Castellanos's Elegies of Illustrious Men of the Indies. Similarly, this book offers an interpretation of Castellanos's writings that shows his critical engagement with the reformist project postulated in Alonso de Ercilla's LaAraucana, and it elucidates the complex poetic discourse Castellanos created to defend the interests of the early generation of explorers and conquistadors in the aftermath of the promulgation of the New Laws and the mounting criticism of the institution of the encomienda. Within the larger context of a new poetics of imperialistic expansion, this book shows how the Elegies offers one of the earliest examples of the reconfiguration of some of the main tenets of Petrarchism/Garcilacism, as well as the bold transmutation of dominant poetic discourses that had until then been typically associated with the nobility. Focusing on the practice of poetic imitation (imitatio) and the themes of authority, piracy, and captivity, this book shows the transformation undergone by heroic poetry owing to Europe's encounter with America and illustrates the contribution of learned heroic verse to the emergence of a Spanish-American literary tradition.

Espectros is a collection of original scholarly studies on contemporary literature and film in Spanish and by authors of Latin American descent. Contributors contemplate ghosts, haunting, the spectral, and absence as central motifs in narratives that deal with the aftermath of collective or individual trauma, affect in visual and material culture, and the economic and social pressures of globalization and neoliberal economics.

Toni Morrison's wooded and verdant clearing, a central trope in her novel Beloved, is the model for this book. The collection is a distinctive review, examination, and (re)discovery of Morrison's work and cultural impacts as defined by emerging and acclaimed artists, scholars, and public figures.

Toni Morrison's wooded and verdant clearing, a central trope in her novel Beloved, is the model for this book. The collection is a distinctive review, examination, and (re)discovery of Morrison's work and cultural impacts as defined by emerging and acclaimed artists, scholars, and public figures.

How do we understand academic freedom today? Does it still have relevance in a globalreconfiguring of higher education in the interests of the economy, rather than the publicgood? And locally, is academic freedom no more than an inconvenient ideal, paid lip serviceto South Africa's Constitution as an individual right, but neglected in institutional practice?This book argues that the core content of academic freedomthe principle of supporting andextending open intellectual enquiryis essential to realizing the full public value of highereducation. John Higgins emphasizes the central role that the humanities, and the particular forms ofargument and analysis they embody, bring to this task.Each chapter embodies the particular force of a critical literacy in action, one which bringsinto play the combined force of historical inquiry, theoretical analysis, and precise attentionto the textual dynamics of all statement so as to challenge and confront the received ideas ofthe day. These provocative analyses are complemented by probing interviews with three keyfigures from the Critical Humanities: Terry Eagleton, who discusses the deforming effects ofmanagerialism in British universities; Edward W. Said, who argues for increased recognition ofthe democratizing force of the humanities; and Jakes Gerwel, who presents some of the mostrecent challenges for the realization of a humanist politics in South Africa.

Performing Authorship in Eighteenth-Century Periodicals discusses the English periodical and how it shapes and expresses early conceptions of authorship in the eighteenth century. Unique to the British eighteenth century, the periodical is of great value to scholars of English cultural studies because it offers a venue where authors hash out, often in extremely dramatic terms, what they think it should take to be a writer, what their relationship with their new mass-media audience ought to be, and what qualifications should act as gatekeepers to the profession. Exploring these questions in The Female Spectator, The Drury-Lane Journal,The Midwife, The World, The Covent-Garden Journal, and other periodicals of the early and mid-eighteenth century, Manushag Powell examines several ';paper wars' waged between authors. At the height of their popularity, essay periodicals allowed professional writers to fashion and make saleable a new kind of narrative and performative literary personality, the eidolon, and arguably birthed a new cult of authorial personality. In Performing Authorship in Eighteenth-Century Periodicals, Powell argues that the coupling of persona and genre imposes a lifespan on the periodical text; the periodicals don't only rise and fall, but are born, and in good time, they die.

In looking closely at Horace Walpole's Correspondence, George E. Haggerty shows how these letters, when taken in aggregate, offer an astonishingly vivid account of the vagaries of eighteenth-century masculinity. Walpole talks about himself obsessively: his wants, his needs, his desires; hies physical and mental pain; his artistic appreciation and his critical responses. It is impossible to read these letters and not come away with a vivid impression of a complex personality from another age. Haggerty examines the ways in which Walpole presents himself as an eighteenth-century gentleman, and considers his personal relationships, his needs and aspirations, his emotionalism and his rationality - in short, his construction of himself - in order to see what it tells us about the age in general and more specifically, about masculinity in an era of social flux. This study of Walpole and his epistolary relations offers a unique window into both the history of masculinity in the eighteenth century and the codification of friendship as the preeminent value in western culture. Recent studies have tried to rewrite Walpole in a twenty-first century mold while this work looks at the writer and the ways in which he constructs himself and his relations, not in hopes of uncovering a lurid secret, but rather in pursuit of the figure that he created and that has fascinated generations of readers and writers since the eighteenth century.

This book traces the development of John Eliot's mission to the Algonquian-speaking people of Massachusetts Bay, from his arrival in 1631 until his death in 1690. It explores John Eliot's determination to use the Massachusett dialect of Algonquian, both in speech and in print, as a language of conversion and Christianity. The book analyzes the spoken words of religious conversion and the written transcription of those narratives; it also considers the Algonquian language texts and English language texts which Eliot published to support the mission. Central to this study is an insistence that John Eliot consciously situated his mission within a tapestry of contesting transatlantic and political forces, and that this framework had a direct impact on the ways in which Native American penitents shaped and contested their Christian identities. To that end, the study begins by examining John Eliot's transatlantic network of correspondents and missionary-supporters in England, it then considers the impact of conversion narratives in spoken and written forms, and ends by evaluating the impact of literacy on praying Indian communities. The study maps the coalescence of different communities that shaped, or were shaped by, Eliot's seventeenth-century mission.

Impossible Mourning argues that while the HIV/AIDS epidemic has figured largely in public discourse in South Africa over the last ten years, particularly in debates about governance and constitutional rights post-apartheid, the experiences of people living with HIV for the most part remain invisible and the multiple losses due to AIDS have gone publicly unmourned. This profound fact is at the center of this book which explores the significance of the disavowal of AIDS-death in relation to violence, death, and mourning under apartheid. Impossible Mourning shows how in spite of the magnitude of the epidemic and as a result of the stigma and discrimination that has largely characterized both national and personal responses to the epidemic, spaces for the expression of collective mourning have been few. This book engages with multiple forms of visual representation that work variously to compound, undo, and complicate the politics of loss. Drawing on work Thomas did in art and narrative support groups while working with people living with HIV/AIDS in Khayelitsha, a township outside of the city of Cape Town this book also includes analyses of the work of South African visual artists and photographers Jane Alexander, Gille de Vlieg, Jillian Edelstein, Pieter Hugo, Ezrom Legae, Gideon Mendel, Zanele Muholi, Sam Nhlengethwa, Paul Stopforth, and Diane Victor.

Espectros is a collection of original scholarly studies on contemporary literature and film in Spanish and by authors of Latin American descent. Contributors contemplate ghosts, haunting, the spectral, and absence as central motifs in narratives that deal with the aftermath of collective or individual trauma.

This collection of essays by distinguished scholars from various disciplines addresses the central question: 'Was Enlightenment a force for emancipation?' Their responses, working from within, and frequently across the disciplinary lines of history, political science, economics, music, literature, aesthetics, art history, and film, reveal unsuspected connections and divergences even between well-known figures and texts. In their turn, the essays suggest the need for further inquiry in areas that turn out to be very far from closed. The volume considers major writings in unusual juxtaposition; highlights new figures of importance; and demonstrates familiar texts to embody strange implications.

Reading Riddles: Rhetorics of Obscurity from Romanticism to Freud explores how the riddle becomes a figure for reading and writing in early German Romanticism and how this model then enables Sigmund Freud's approach to the psyche. It traces a migration of ideas from literature to psychoanalysis and argues that the relationship between them must be situated at the methodological level. Through readings of texts by August Wilhelm, Friedrich Schlegel, G.W.F. Hegel, and Ludwig Tieck Reading Riddles documents how the Romantics expand the field of poetic signification to include obscure, distorted signs and how they applied this rhetoric of obscurity to the self. The book argues that this model of self and signification plays a central role in the formulation of Freud's psychoanalytic theory. If the self is a riddle, as many in the nineteenth century claim, Freud takes the figure seriously and interprets the mind according to all the structures and techniques of that textual genre.

Developments in the Histories of Sexualities: In Search of the Normal,1600-1800 explores the oppositions created by the official exclusion of banned sexual practices and the resistance to that exclusion through widespread acceptance of those outlawed practices at an interpersonal level.

The Letters and Early Epistolary Writings of Charles Brockden Brown gathers and presents, for the first time, the complete extant correspondence of a key American author, along with early manuscript fictions never before published and new scholarly work contextualizing and exploring the writings and their context. The volume is edited to highest scholarly standards and bears the seal of the Modern Language Association's Committee on Scholarly Editions.

The essays in this volume portrays the public debates concerning freedom of speech in the 18th century in France and Britain as well as Austria, Denmark, Russia, and Spain and its American territories. The economic integration of Europe and its offshoots over the past three centuries into a distinctive cultural product, 'the West,' has given rise to a triumphant universalist narrative that masks these disparate national contributions to freedom of speech and other liberal rights.

This first volume in the new Stories of the Susquehanna Valley series describes the Native American presence in the Susquehanna River Valley, a key crossroads of the old Eastern Woodlands between the Great Lakes and the Chesapeake Bay in northern Appalachia. Combining archaeology, history, cultural anthropology, and the study of contemporary Native American issues, contributors describe what is known about the Native Americans from their earliest known presence in the valley to the contact era with Europeans. They also explore the subsequent consequences of that contact for Native peoples, including the removal, forced or voluntary, of many from the valley, in what became a chilling prototype for attempted genocide across the continent. Euro-American history asserted that there were no native people left in Pennsylvania (the center of the Susquehanna watershed) after the American Revolution. But with revived Native American cultural consciousness in the late twentieth century, Pennsylvanians of native ancestry began to take pride in and reclaim their heritage. This book also tells their stories, including efforts to revive Native cultures in the watershed, and Native perspectives on its ecological restoration.While focused on the Susquehanna River Valley, this collection also discusses topics of national significance for Native Americans and those interested in their cultures.

The book offers new perspectives on works that were central to the visual and literary culture of the Anglo-American world-ephemeral print-but which have received little scholarly attention in the past.

Global Tangos: Travels in the Transnational Imaginary argues against the hackneyed rose-in-mouth cliches of Argentine tango, demonstrating how the dance may be used as a way to understand transformations around the world that have taken place as a result of two defining features of globalization: transnationalism and the rise of social media. Global Tangos demonstrates the cultural impact of Argentine tango in the world by assembling an unusual array of cultural narratives created in almost thirty countries, all of which show how tango has mixed and mingled in the global imaginary, sometimes in wildly unexpected forms. Topics include Tango Barbie and Ken, advertising for phone sex, the presence of tango in political upheavals in the Middle East and in animated Japanese children's television programming, gay tango porn, tango orchestras and composers in World War II concentration camps, global tango protests aimed at reclaiming public space, the transformation of Buenos Aires as a result of tango tourism, and the use of tango for palliative care and to treat other ailments. They also include the global development of queer tango theory, activism, and festivals. Global Tangos shows how the rise in social media has heralded a new era of political activism, artistry, solidarity, and engagement in the world, one in which virtual global tango communities have indeed become very ';real' social and support networks. The text engages some key concepts from contemporary critics in the fields of tourism studies, geography, dance studies, cultural anthropology, literary studies, transnational studies, television studies, feminism, and queer theory. Global Tangos underscores the interconnectedness of cultural identity, economics, politics, and power in the production, marketing, distribution, and circulation of global images related to tangoand, by extension, Latin Americathat travel the world.

What is Film Noir? surveys the various theories of film noir, defines film noir, and explains how the genre relates to the style and the period in which noir was created. It also provides a very useful theory of genre and how it relates to film study.

Magical Realism and the History of the Emotions in Latin America rethinks the rise and fall of magical realism in Latin America in light of the cultural history of the emotions and in conversation with contemporary theories of affect.

Developments in the Histories of Sexualities: In Search of the Normal,1600-1800 explores the oppositions created by the official exclusion of banned sexual practices and the resistance to that exclusion through widespread acceptance of those outlawed practices at an interpersonal level.

Coal Dust on Your Feet is a historical ethnography of Shamokin, Pennsylvania and its surrounding borough of Coal Township. This anthracite coal fueled the industrial revolution and its miners generated the rise of organized labor, both of which make the region of northeast Pennsylvania one of great economic and historic importance. The ethnographic field site of the study spans a century and a half as it looks at the history and ties to the home countries of the immigrants who established and worked the coal mines. Details of individual lives and family histories enliven accounts of industry and the struggles of the unions, means of livelihood, ethnicity, associational life and ceremonial occasions. It will be of interest to anthropologists, sociologists, scholars of urban studies and labor historians, and contributes to the canon of literature on community and sense of place. The study focuses on the rise and decline of the mining industry, on the ethnic groups that formed the town's neighborhoods, and on the changes that have taken place in ethnicity, religion, class and community. It covers the period of prosperity when the factories of the New York garment industry moved into town for the middle years of the twentieth century and made Shamokin a shopping mecca. Today, the town is decimated by economic decline and population loss, but ethnicity remains an identity option and still has economic content. The strong sense of place of the people of the town rooted in their cultural and militant heritage, has given rise to a wider community of former residents who return to visit, participate in events and buy ethnic foods and cultural items. This wider community of belonging and identity helps to boost morale, sense of community and economy, in what is now primarily a retirement town with commuters traveling to work in nearby cities.

Antonio Lopez Garca's Everyday Urban Worlds: A Philosophy of Painting is the first book to give the famed Spanish artist the critical attention he deserves. Born in Tomelloso in 1936 and still living in the Spanish capital today, Antonio Lopez has long cultivated a reputation for impressive urban scenesbut it is urban time that is his real subject.Going far beyond mere artist biography, Benjamin Fraser explores the relevance of multiple disciplines to an understanding of the painter's large-scale canvasses. Weaving selected images together with their urban referentsand without ever straying too far from discussion of the painter's oeuvre, method and reception by criticsFraser pulls from disciplines as varied as philosophy, history, Spanish literature and film, cultural studies, urban geography, architecture, and city planning in his analyses.The book begins at ground level with one of the artist's most recognizable images, the Gran Va, which captures the urban project that sought to establish Madrid as an emblem of modernity. Here, discussion of the artist's chosen painting styleone that has been referred to as a ';hyperrealism'is integrated with the central street's history, the capital's famous literary figures, and its filmic representations, setting up the philosophical perspective toward which the book gradually develops.Chapter two rises in altitude to focus on Madrid desde Torres Blancas, an urban image painted from the vantage point provided by an iconic high-rise in the north-central area of the city. Discussion of the Spanish capital's northward expansion complements a broad view of the artist's push into representations of landscape and allows for the exploration of themes such as political conflict, social inequality, and the accelerated cultural change of an increasingly mobile nation during the 1960s.Chapter three views Madrid desde la torre de bomberos de Vallecas and signals a turn toward political philosophy. Here, the size of the artist's image itself foregrounds questions of scale, which Fraser paints in broad strokes as he blends discussions of artistry with the turbulent history of one of Madrid's outlying districts and a continued focus on urban development and its literary and filmic resonance.Antonio Lopez Garca's Everyday Urban Worlds also includes an artist timeline, a concise introduction and an epilogue centering on the artist's role in the Spanish film El sol del membrillo. The book's clear style and comprehensive endnotes make it appropriate for both general readers and specialists alike.

Ricardo Palma's Tradiciones is the first full-length account of Ricardo Palma informed by theories of cultural criticism. Elisa Sampson Vera Tudela sheds new light on important aspects of Palma's work. She offers a fresh interpretation of the relations between history and literature perhaps the most discussed aspect of Palma's work engaging with new critical thinking on historicism and examining the significance of the marginal and the anecdotal in Palma's work. By using the tools of postcolonial cultural criticism, Vera Tudela considers Palma's encounter with modernity, arguing that his recuperation of colonial history plays a crucial part in imagining the modern future. Most innovatively, Vera Tudela examines the multiple and contradictory notions of femininity in nineteenth-century Latin America and in Palma's writing, showing how a historical consideration of the sexual politics of cultural production transforms our understanding of many of the assumptions about this period. Finally, by applying the insights of cultural geography in analysing the racial, sexual and political identity of domestic, urban and national space in Palma's writing, Vera Tudela demonstrates that Palma's literary maps and topographies are uniquely revelatory of questions of power and agency. In its exploration of sexual politics and nationhood, Ricardo Palma's Tradiciones presents Palma as a proto-modernist who paved the way for many of the experiments of twentieth-century Latin American narrative fiction.