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Emmanuel Levinas's voice is crucial to the resurging global attention to ethics because he grapples with the quintessential problem of alterity or "otherness", which he conceptualizes as the articulation of, and prior responsibility to, difference in relation to the competing movement toward sameness.
Anchoring her work in archival sources in film technology, economy, and education, Naida Garcia-Crespo argues that Puerto Rico's position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures.
Argues that Machado de Assis, hailed as one of Latin American literature's greatest writers, was also a major theoretician of the modern novel form. Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.
Examines the significant role that disability plays in shaping the British literary history of sexuality. Jason Farr shows that various eighteenth-century novelists represent disability and sexuality in flexible ways to reconfigure the political and social landscapes of eighteenth-century Britain.
Offers a new understanding of Islam in eighteenth-century Britain. Samara Cahill explores two overlapping strands of thinking about women and Islam, which produce the phenomenon of "feminist orientalism".
In bringing together Austen and comedy, which are both often dismissed as superfluous or irrelevant to a contemporary world, this collection of essays directs attention to the ways we laugh, the ways that Austen may make us do so, and the ways that our laughter is conditioned by the form in which Austen writes: comedy.
Examines Anglophone writers who repurposed William Wordsworth's poetry. By reading Wordsworth in dialogue with J. M. Coetzee, Lydia Maria Child, and Jamaica Kincaid, Katherine Bergren revitalizes our understanding of Wordsworth's career and its place in the canon.
Homer's Odyssey, the first great travel narrative in Western culture, is a compelling tale about the consequences of war, and about redemption, transformation, and the search for home. Reading Homer's Odyssey offers a book-by-book commentary on the epic's themes that informs the non-specialist and engages the seasoned reader in new perspectives.
Presents essays and reviews from and about a wide range of academic disciplines - literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas.
Revises established readings of the avant-gardes in Peru and Bolivia as humanizing and historical. By presenting fresh readings of canonical authors and through analysis of newer artist-activists, Daly argues that avant-gardes complicate questions of agency and contribute to theoretical discussions on vital materialisms.
On the 200th anniversary of the first edition of Mary Shelley's Frankenstein, Transmedia Creatures: Frankenstein's Afterlives presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities.
Weaving in authors from Antiquity to Agamben, Williams shows how European - and, above all, German - Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature.
The poets discussed in Cultivating Peace imagine states of peace and war to be fundamentally and materially linked. In distinct ways, they dismantle the dream of the golden age renewed, proposing instead that peace must be sustained by constant labour.
Claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity.
Brings together research on modern Spanish women as writers, activists, and embodiments of cultural change. The essays are innovative in their consideration of lesser-known writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II.
Tells the troubled history of abolition and slave violence by examining representations of shipboard mutiny and insurrection in late eighteenth- and early nineteenth-century Anglo-American and American literature. Fire on the Water centers on five black sailors, whose experiences either inspired or found resonance within fiction.
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