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The Florida Man meme lodged itself into the national consciousness through viral headlines like "Florida man threw live gator in Wendy's drive-thru window." But there's much more to the meme than a punchline. In this innovative collection, Tyler Gillespie strips away the accepted myths of his home state and its inhabitants in poems centered on Florida's history and culture. He uses a lyric mix of journalism, science, family lore, and lived experience to reveal complex realities of the state and a redemption that's wondrously messy and surprising.Since the collection's initial publication in 2018, Florida has become even more chaotic and unsafe. In this time, too, Gillespie emerged as one of the state's rising literary voices for his wit and style. This second edition revisits the original collection and extends its themes with 20 new poems that form the chapbook-length addition HEAT ADVISORY.

"Ramos's Cells questions and complicates that idea, presenting the beehive as a trope for all sorts of thorny constraints and limitations-in the workplace, at national borders, within economic models, in poetic form itself. In our various cells, must we always serve a Queen? Must we forever have a Keeper? If so, how can we break free? This stunning collection urges us to imagine more nourishing forms of life."-JENA OSMAN author of Motion StudiesUsing bees, hives and keepers as a central conceit, this collection explores how language acts as imperfect material for building not only poems, but also laws and institutions.

WINNER OF THE FLORIDA BOOK AWARD¿In this wildly imaginative debut collection, whimsical fairy tales of princesses and farm girls turn dark, and dark tales of mistreated sideshow freaks turn whimsical. An itinerant marionette falls prey to a lusty mesmerist. An alcoholic camp counselor is haunted by her dead best friend. A juvenile delinquent languishes in a boot camp run by authoritarian grandmas. Be they human monsters or reluctant moth-girls, the outcasts that populate these eleven compelling stories all long for escape, community, acceptance, and self-discovery.

Fixed Stars investigates the in-between: windows, porches, drawers, bedrooms, and basements are portals to examine how language shapes and is shaped. A lush voyage through trauma and toward the reestablishment of hope.

"Part trickster, part soulmate, part self-reflection, there is nothing small about Avni Vyas's little god."-Anne Barngrover, author of Brazen Creature"In this dazzling debut of a collection, Avni Vyas asks the important not often considered question: What if our gods aren't malevolent or benevolent, but like...just kind of annoying?" -Nik De Dominic, author of Your Daily HoroscopeIn the wake of a miscarriage, a speaker looks outside of herself for a sign. In looking through her past, the figure of Little God arrives to shape-shift grief into self-knowledge. Unlike benevolent deities who receive prayers and bestow blessings, Little God offers faulty insight and callous love. Through these poems, Little God explores family, diaspora, grief, loss, and landscape. Set in southwest Florida, the Gulf of Mexico, ibises, and manatees echo possible lives that never arrive in the form one expects. These poems negotiate finding one's place in the world, and the courage to leave that place. With original illustrations by Mimi Cirbusova.

"In Ariel Francisco's Miami, invasive lionfish are sympathetic spirit animals, the beach succumbs to sea-level rise, and "305 till I die" is a cry for help. The speakers in these hilarious and melachonly poems depict a rich and varied emotional landscape that mirrors that of the state they long to leave, dead or alive. They imagine themselves standing on ocean garbage patches, contemplate the crabgrass on traffic medians, and envision the new beauty of a submerged Miami Beach: "Famed art deco replaced by fire coral / and colorful parrot fish, neon lights / restored by pulsating swarms of moon / jellyfish, lit up like a Saturday night." In one moment the strange becomes familiar, only to become strange again in the next stanza. Taking inspiration from Campbell McGrath and Richard Blanco, among others, Ariel Francisco's second book of poems deals with climate change and the absurdities and difficulties of being a millenial Latinx in the Sunshine State."--

At age 18 Alysia Sawchyn was diagnosed with bipolar I. Seven years later she learned she had been misdiagnosed. A Fish Growing Lungs takes the form of linked essays that reflect on Sawchyn's diagnosis and its unraveling, the process of withdrawal and recovery, and the search for identity as she emerges from a difficult past into a cautiously hopeful present. Sawchyn captures the precariousness of life under the watchful eye of doctors, friends, and family, in which saying or doing the wrong thing could lead to involuntary confinement. This scrutiny is compounded by the stigmas of mental illness and the societal expectations placed on the bodies of women and women of color. And yet, amid juggling medications, doubting her diagnosis, and struggling with addiction and cutting, there is also joy, friendship, love, and Slayer concerts. Funny, intelligent, and unflinchingly honest, Sawchyn explores how we can come to know ourselves when our bodies betray us. Drawing from life experience, literature, music, medical journals, films, and recovery communities, each essay illuminates the richness of self-knowledge that comes from the act of writing itself.

Bookended by a choose-your-own-adventure story and a final exam, Bright Lights, Medium-sized City is a formally inventive city novel in the tradition of The Bonfire of the Vanities.

From the neon strip of Little Vietnam to a desolate Albertsons parking lot, 15 Views of Orlando takes the reader on a secret tour of the City Beautiful. Told by 15 authors in a series of loosely linked fiction, this collaborative anthology is a literary portrait of an often misunderstood city.

From the screenwriter of The Zero Theorem comes the book that inspired the film. Roberts is not interested in food, sex, or any of life's pleasures.

Framed as the drug-addled memoir of addict-turned-reality TV star Ronald Reagan Middleton (annotated and published by floundering doctoral candidate Harold Swanger), Clean Time is a darkly comic satire set in a near-future America ravaged by addiction.

Space Heart paints a picture of an era of endless optimism and television cowboys amid the looming Soviet threat. Combining prose poems, narrative memoir, and history, Buckmaster juxtaposes the natural world of Space Coast Florida in the 1950s and 60s with the cutting-edge technology of the early days of the space race.

In a voice both lyrical and conversational, Orlando Poet Laureate Susan Lilley interprets various stages of womanhood while parsing the beauty and decay of her beloved homestate of Florida.

A mysterious condition sweeps the country, leaving its victims in a catatonic state. The power grid fails and the world goes dark. Somewhere in Florida, where the sprawling suburbs meet a dying citrus grove, a janitor at a small community radio station, an FCC field agent, and a DJ attempt to restore order and humanity.

A little desert town gets a sexual charge from a crash-landed alien. A dysfunctional family tries to summit Everest with "discount Sherpas" and yakloads of emotional baggage. A teen messiah emerges from a game of 3-on-3. The stories Songs for the Deaf put an intimate and modern spin on the American tall tale.

A single mother rents a fundamentalist preacher's carriage house. A pop star contemplates suicide in the hotel where Janis Joplin died. And in the title story, a train engineer, after running over a young girl on his tracks, grapples with the pervasive question-what propels a life toward such a disastrous end?