Bøker utgitt av Burrow Press

The Florida Man meme lodged itself into the national consciousness through viral headlines like "Florida man threw live gator in Wendy's drive-thru window." But there's much more to the meme than a punchline. In this innovative collection, Tyler Gillespie strips away the accepted myths of his home state and its inhabitants in poems centered on Florida's history and culture. He uses a lyric mix of journalism, science, family lore, and lived experience to reveal complex realities of the state and a redemption that's wondrously messy and surprising.Since the collection's initial publication in 2018, Florida has become even more chaotic and unsafe. In this time, too, Gillespie emerged as one of the state's rising literary voices for his wit and style. This second edition revisits the original collection and extends its themes with 20 new poems that form the chapbook-length addition HEAT ADVISORY.

"Ramos's Cells questions and complicates that idea, presenting the beehive as a trope for all sorts of thorny constraints and limitations-in the workplace, at national borders, within economic models, in poetic form itself. In our various cells, must we always serve a Queen? Must we forever have a Keeper? If so, how can we break free? This stunning collection urges us to imagine more nourishing forms of life."-JENA OSMAN author of Motion StudiesUsing bees, hives and keepers as a central conceit, this collection explores how language acts as imperfect material for building not only poems, but also laws and institutions.

WINNER OF THE FLORIDA BOOK AWARD¿In this wildly imaginative debut collection, whimsical fairy tales of princesses and farm girls turn dark, and dark tales of mistreated sideshow freaks turn whimsical. An itinerant marionette falls prey to a lusty mesmerist. An alcoholic camp counselor is haunted by her dead best friend. A juvenile delinquent languishes in a boot camp run by authoritarian grandmas. Be they human monsters or reluctant moth-girls, the outcasts that populate these eleven compelling stories all long for escape, community, acceptance, and self-discovery.

"In Ariel Francisco's Miami, invasive lionfish are sympathetic spirit animals, the beach succumbs to sea-level rise, and "305 till I die" is a cry for help. The speakers in these hilarious and melachonly poems depict a rich and varied emotional landscape that mirrors that of the state they long to leave, dead or alive. They imagine themselves standing on ocean garbage patches, contemplate the crabgrass on traffic medians, and envision the new beauty of a submerged Miami Beach: "Famed art deco replaced by fire coral / and colorful parrot fish, neon lights / restored by pulsating swarms of moon / jellyfish, lit up like a Saturday night." In one moment the strange becomes familiar, only to become strange again in the next stanza. Taking inspiration from Campbell McGrath and Richard Blanco, among others, Ariel Francisco's second book of poems deals with climate change and the absurdities and difficulties of being a millenial Latinx in the Sunshine State."--

A single mother rents a fundamentalist preacher's carriage house. A pop star contemplates suicide in the hotel where Janis Joplin died. And in the title story, a train engineer, after running over a young girl on his tracks, grapples with the pervasive question-what propels a life toward such a disastrous end?