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At eight years old, Grace Eiko Nishikihama was forcibly removed from her Vancouver home and interned with her parents and siblings in the BC Interior. Chiru Sakura--Falling Cherry Blossoms is a moving and politically outspoken memoir written by Grace, now a grandmother, with passages from a journal kept by her late mother, Sawae Nishikihama. An educated woman, Sawae married a naturalized Canadian man and immigrated to Canada in 1930. They came with great hopes and dreams of what Canada could offer them. However, within just a little more than a decade after settling happily in Paueru Gai (Powell Street) area, her dreams, and those of her husband's, were completely shattered. It was 1942 and more than 22,000 Japanese Canadians on the West Coast were interned and had their belongings, property and homes confiscated, and then sold off by the Government of Canada. After the war ended, restrictions on Japanese Canadians' movement continued for another four years and the Government ordered anyone of Japanese ancestry to move "east of the Rockies," or be deported to Japan. There was nothing on the West Coast to return to, so the Nishikihama family moved first to rural Manitoba and, when government restrictions were lifted, later to Winnipeg. At eighty-four years of age, Sawae began writing her memories for her children, ensuring they would know their family's story. While translating her mother's journal, Grace began to add her own experiences alongside her mother's, exploring how generational trauma can endure, and how differently she and her mother interpreted those years of struggle. Despite her years spent studying art and working as a gallery director and curator, translating her mother's writings, and her country's perceived efforts to simply move on from a dark period in Canada's history, Grace continues to seek an understanding of her past, while facing both sexism and racism. As an advocate for reconciliation, she openly shares her story with the next generations; throughout, Grace returns to her mother's teachings of hope and resilience symbolized in the cherry blossoms around what was once their home.

"On a sunny Sunday afternoon in June 2013, performer and singer Pat Henman, was driving home on the highway with her 19-year-old daughter, Maia, when they were struck head-on by a drunk driver. Pat and Maia's injuries were too complicated and life-threatening for the small hospital in Cranbrook, and they were flown to Calgary. Pat was revived four times, and her family was told to prepare for the worst. Maia had multiple breaks of all four limbs and the doctors had to induce her into a coma for more than a week. Both women spent months in the hospital recovering and undergoing major surgery. Pat had nineteen surgeries in the first week alone and Maia, a first-year university student, was left permanently disabled. This was the beginning of a long and painful struggle for their entire family. But as Pat and Maia were rehabilitating and trying to adapt to new routines, the family's life became engulfed in the confusing world of insurance settlements, a criminal trial against the impaired driver, and a broken legal system. Pat writes candidly about the accident and their family's ongoing struggle in a powerful memoir demanding justice not just for her family, but for all victims. Among the grief and anguish is a story of resilience, and recovery. Pat, whose vocal chords were damaged from the breathing tubes and was left with a permanent broken shoulder, was told she was unlikely to ever perform again. But with determination and retraining in her late fifties, she has slowly returned to her passion--the stage. Beyond the Legal Limit is the story of how love, community support and the compassion of many, including strangers, can be the path to survival."--

"By providing a deeper understanding and appreciation of the adoption journey, she enables us to more clearly see and honour adoptive families. ... This memoir shifted my perceptions in the way only compassionate and vulnerable writing can." --Monica Meneghetti, Lambda Literary finalist and award-winning author of What the Mouth Wants When starting the adoption process, Jane Byers and her wife could not have predicted the illuminating and challenging experience of living for two weeks with the Evangelical Christian foster parents of their soon-to-be adopted twins. Parenthood becomes even more daunting when homophobia threatens their beginnings as a family, seeping in from places both unexpected and familiar. In this moving and poetic memoir, Byers draws readers into her own tumultuous beginnings: her coming out years, finding love, and the start of her parenting journey. Little did Byers know that her experiences when coming out was merely training for becoming an adoptive parent of racialized twins. Small Courage: A Queer Memoir of Finding Love and Conceiving Family is a thoughtful and heart-warming examination of love, queerness and what it means to be a family.

In the long-awaited follow-up to her 2012 memoir, Journeywoman, Kate Braid returns with an honest and thought-provoking collection of essays reflecting on her career in a male-dominated profession and on the changes female tradespeople have witnessed. In 1977, Kate Braid began work as one of the first women to stumble (literally) into construction. Since then, feminism, the #MeToo movement, pay equity legislation and other efforts have led to more women in a wider variety of careers. Yet, the number of women in blue-collar trades has barely shifted--from three percent to a mere four. In Journeywoman, Braid told a personal story of working almost exclusively with all-male construction crews. In Hammer & Nail: Notes of a Journeywoman, Braid returns to the trades with courage, compassion, and humour. Connecting her lifetime of experiences as a construction worker, as well as an educator and writer, Braid reflects on the culture of labour and recalls the thrill of realizing her own skill and capabilities. Through stories, articles and speeches, Hammer & Nail sheds new light on our ideas of traditional gender roles--and how those ideas change in small but profound moments of gentleness, strength, humility and clarity on the job. Hammer & Nail is a thought-provoking collection of the highs and lows, the laughs, the heartaches and some of the lessons of Braid's journey.

When Cathy Sosnowsky and her family first joined the Hemming Bay Community, a cooperative formed to preserve a large piece of forested land on a remote coastal island of British Columbia, she found the idea of experiencing the raw wilderness appealing. But as her husband Woldy and his brother Vic thrive in this new environment, Cathy begins to feel like she's not in her element. The wild paradise she envisioned reveals itself as a harsh and hostile environment, the water too cold to swim, the beaches rocky and jagged. Cathy withdraws to her work, her love of raising her family, and her passion for sharing meals sourced from local delicacies with her new friends. But when their lives take a tragic turn with the loss of their three children, one to a fatal and tragic accident and two to addiction, the couple begin to drift apart. Ironically, Cathy's writing becomes her link to Heartstone Lodge, drawing her back to the support of the community and the wilderness she shared with her children.

For many, the Doukhobor story is a sensational one: arson, nudity, and civil disobedience once made headlines. But it isn't the whole story. In Our Backs Warmed by the Sun, the author, Vera, through the stories of her mother Elizabeth, describes a wholly activist life. The Doukhobors led anti-military protests throughout the early 1900s, harboured draft dodgers in the 60s, and stood up for their beliefs. In response, they were hosed down, arrested, and jailed. Vera learns of the confusion and fear when, as a child, Elizabeth's father served time in prison for charges related to a peaceful protest, and of her loneliness when she was institutionalized--one of a series of Canadian government efforts in assimilation. By removing the children, it was believed, the cycle of protest and resistance could be broken. Elizabeth's story is also one of a small but thriving Kootenay community, and of the experiences of a family who stood by their beliefs.

Blending lore and magic with contemporary questions around belief and beauty, power and fear, this stunning new poetry collection from Kelly Rose Pflug-Back is a grimoire for our times. Spanning centuries, The Hammer of Witches reaches from present-day urban dystopias and the unlikely enchantments that they harbour, to medieval Norway, where the first Christian king waged war on the country's gender-nonconforming wizards. Macabre imagery, speculative themes, and everyday mysticism blur the distinction between the real and the unreal, challenging modern concepts of beauty, power, and fear. In her first full-length collection, Kelly Rose Pflug-Back weaves together the magical and the monstrous, the sacred and the profane, to make sense of a world where primeval forests are clear-cut to build parking lots, and where it often seems that the gods have all gone to live behind the veil.

As a child, Claire's big brother Ray was bright and inquisitive, but as the two became teenagers, Ray struggled to acquire the social skills that came more easily to others. Claire tried to help, pointing out what he should or shouldn't have said or done. Ray insisted that he wasn't the problem--"On my planet..." he would explain, there were no social climbers, no subtle hints or subliminal messages to miss, and the telling of little white lies would be a capital offence. At sixteen, sitting with him in the high school cafeteria, Claire vowed to find Ray's planet. Dispatches from Ray's Planet draws on Ray and Claire's correspondence to tell the story of two siblings from two very different planets. There are thousands of Rays in our world. In this collective memoir, Claire and Ray share their journey with the hope that others can also learn that we all perceive the world in different ways, and that "different" does not necessarily mean "wrong."

The English poet, William Blake said, "joy and woe are woven fine." So it is in The Crooked Thing. In tales delicate and steely, a troubled young ferryman finds himself with an unexpected passenger, a songbird finds its voice, a mother learns to let go of her son and, after a chance encounter, an aging ballerina dances again. In her debut story collection, Mary MacDonald brings each narrator to face their own existence, taking the reader into darkness, passing through fear and resistance, to seek redemption and freedom. At their core these are love stories; they move us, disturb us, and upend our beliefs, to show us characters not all that different from ourselves.

"A compelling memoir by the daughter of convicted polygamist Winston Blackmore explores a young womans journey from polygamy to feminism and independence. As the daughter of Mormon leader Winston Blackmore, Mary Jayne Blackmore grew up within the closed-off polygamist community of Bountiful, BC. She spent her younger years riding ponies, raising pet lambs and playing in the hay in the Old Barn. Her familys staunch Fundamentalist Mormon faith imposed fanatical doomsday preparation and carried an instilled fear of the world outside her community. The church community split in 2002 when her father was revoked of his leadership position by Prophet Warren Jeffs. In 2017 Winston Blackmore was convicted of practicing polygamy further inciting the media sensationalism and worldwide criticism that had surrounded Bountiful for decades. Through the evolving and controversial narrative of her young adult life, Mary Jayne was forced to redefine her faith, family and womanhood for herself. Today, through her work and her personal exploration of feminism, Mary Jayne is helping to heal an injured community, one that she watched turn from safe and loving to defensive and resentful. She is also building her own place in the worldas a teacher, mother, writer and educated womanand she has managed to restore loving bonds with her family, including her father. From a childhood in an idyllic but sheltered community to early adulthood in an arranged marriage, ensuing divorce, and eventual return to Bountiful, Balancing Bountiful is Mary Jaynes journey of coming of age and coming to terms with her background as she strives to answer the question: What is the right kind of family, the right kind of woman and the right kind of feminist?"

"In her debut poetry collection, Shannon McConnell explores the fraught history of New Westminsters Woodlands School, a former 'lunatic asylum' opened in 1878 which later became a custodial training school for children with disabilities before its closure in 1996. Partially set in the 1960s and 70s, The Burden of Gravity uses personas to imagine residents lives, giving voice to those who were unable to speak for themselves, to shift focus from the institutional authority to the experience of residents. As poetry of witness, the collection uses a grounding tone to excavate the individual experiences through traditional narrative, ekphrastic and experimental erasure forms that elicit an array of emotions, from heartbreak to anger. Drawn from archival research, The Burden of Gravity, challenges readers to consider how we, in the aftermath of deinstitutionalization, choose to remember institutions like Woodlands School."--

DEVOLUTION's quirky, reality-bending poems and fables of extinction and ecological unravelling are haunting and unforgettable.

1950s, New Denver: Pavel and Nina are among 200 Russian Doukhobor children separated from their families and community, and placed in a residential facility in the Kootenay region of BC. Forcibly removed from their homes by the RCMP, the children attend mandatory school. They must speak in English and observe Canadian customs and religious practices. Seeking to protect the younger children and suffering mistreatment at the hands of the officials, Pavel and Nina struggle to keep their culture alive and remain resilient. 2018, Vancouver: After more than ten years in business, William has rejected his Doukhobor heritage and is now adept at juggling the demands of his business importing sporting goods. Surrounded by the material wealth he has amassed, William feels justified in enjoying his prosperity--even if he is emotionally distant from his wife and barely knows his daughter--he has made sacrifices to succeed in life as well as making some shady deals. When a cycling accident ends with William in the hospital with a concussion, doctors discover a mass on his brain. He is rushed into surgery, but instead of improving after his operation, William's life starts to tumble out of control: he loses his grasp on the illegitimate side of his business arrangements, an affair threatens his marriage, an employee turns up dead, and then the police come knocking. These two stories converge as Pavel and Nina leave New Denver and struggle to build a life outside the dormitory walls, while William begins to question his own values, motivations, and accountability. A powerful and emotional novel, The Kissing Fence examines generational trauma through one family's story of obligation, justice, and belonging. A story of conflicting cultural tensions that questions how we define success, identity, and our community.

One murder. Nine months. Two trials. Chad Reimer weaves a captivating tale of murder in early British Columbia as a young man tries desperately to dodge the hangman's noose.

Gold rushes, telegraph lines and railroads, Smith-Josephy reaches into BC's pioneering past to share intriguing stories featuring famous mule train packer, Jean "Cataline" Caux. In the early days of British Columbia, pack trains of horses or mules were a lifeline for the early pioneer population. Explorers, trappers, traders, miners, merchants, workers and settlers and relied on them for the materials needed to live and work. Packers were also vital to the building of railways, roads, and telegraph lines. Pack mule train drivers followed trails created over the years by the First Nations people and later by the fur trading companies, to travel between settlements in the rugged backcountry. The most famous of all the men who ran the pack trains was Jean Caux, who would enter British Columbia's history as the legendary packer "Cataline". Cataline came to North America from Southern France with his brother, eventually landing in British Columbia in 1858. Having learned the trade from Mexican packers in California and Washington, Cataline established a pack train operation that grew to be one of the most well-known and reliable in the province, including securing contracts with the government and Hudson's Bay Company. Cataline witnessed many of the pioneering events that shaped the province, including the Fraser River Gold Rush of 1858, the Cariboo Gold Rush of 1862, the coming of the railway to Ashcroft in 1886, and the Grand Trunk Pacific to Hazelton in 1912. Cataline also crossed paths with significant historical figures such as Judge Matthew Begbie, famed anthropologist James Teit, and Amelia York (ne¿e Paul, daughter of Chief Kowpelst (Telxkn) of the Nlaka'pamux people of Spuzzum), a world-famous First Nations basketmaker, with whom Cataline had two children. In Cataline, the legend and life of the man has been remembered in the words of his friends, his family, and those who chronicled the times and development of the province.

Debut poet Francine Cunningham explores what it means to grow up as an Indigenous, "white passing" young woman in urban Vancouver.

A new collection by award-winning poet Fiona Tinwei Lam that explores what it means to live in an environment constantly under threat and that challenges our perceptions of the everyday, transforming the mundane into the sublime.

In this highly visual and authoritative work, award-winning author and historian Jay Sherwood returns to the Alberta/BC boundary and the survey of one of Canada's most stunningly rugged landscapes.

The remarkable adventures of legendary mountain man Cody Tegart, owner of one of the most successful guide and outfitting businesses in BC, who left his mark on a disappearing way of life.

Governor General award-winning historian Jean Barman describes how a family of mixed Indigenous and white descent faced prejudice in BC, a long-ignored aspect of the province's history.

How do you establish trust and meaningful connection with a sibling who suffers from schizophrenia? In an attempt to rekindle her relationship with her estranged brother Steve, Joan takes him to art the Art Studios in Vancouver, where he takes part in art classes for individuals with a mental illness in a safe, supportive environment. This marks the beginning of a remarkable journey into the healing power of art. Schizophrenia had already done its worst, confounding Steve with voices, hallucinations and delusions. At fifty-five, Steve was in a burn-out phase of schizophrenia with a hunger for creativity. Joans efforts to connect with him through art soon become the vehicle of change. Over the next eight years, Steve progresses both artistically and personally. Together, Steve and Joan explore their art, drawing upon their own resources as they learn to trust one another. Steves artwork provides a glimpse into his perspective, at once both troubled and beautiful. His paintings and drawings are eventually displayed in two solo exhibits at Basic Inquiry Gallery. He attended what would become his final solo show shortly before his death in 2013. One in five North Americans experiences a serious mental health crisis; DrawBridge: Drawing Alongside My Brothers Schizophrenia offers a path of hope for the afflicted and for their advocates. In memory of her brother, Joan has established the Stephen A. Corcoran Memorial Award at Emily Carr University of Art and Design to assist students coping with mental health issues.

A powerful debut collection that explores and celebrates the resilience of bodies and sexualities through the sensual and fantastical.

In The Co-op Revolution: Vancouver's Search for Food Alternatives, author and journalist DeGrass writes about her journey as a founding member of the Collective Resource and Services Workers' Co-op. Bounding to life during the heady, activist, grant-funded years of 1974-1980, the CRS Co-op became one of the most successful co-ops in BC and was committed to co-operation and worker ownership. While the decade of the seventies is remembered for its new wave of co-ops--usually organized by a "free-flowing" collection of women and men in their twenties--CRS was unique in its success. Among its many accolades, it created the Tunnel Canary cannery, the Queenright Co-operative Beekeepers, Vancouver's popular Uprising Breads Bakery and a food wholesaler, which later became Horizon Distributors. The economic, political and social skyline of Vancouver was changing. For some, the co-op movement was about crushing capitalism; for others it was simply about buying cheap, wholesome food from people they trusted, and living in communal camaraderie. No matter the pursuit, co-operation was the answer.

Chenille or Silk is a startling first collection of confessional poetry examining the slippery relations of desire, class, embodiment and trauma. Emma McKenna's writing traverses the bounds and the wounds of a family marked by poverty and intergenerational trauma. The collection asserts the primacy of intimacy and sexuality to subjectivity, as the poems move through the struggle to find identity, love and belonging in an urban queer community's ever-shifting economy of desire. Striking, brave, and at times uncomfortable, Chenille or Silk captures the ambivalence--and the hope--of possibility.

First-of-its-kind, very long-awaited, and bursting with rich storytelling, Swelling with Pride compiles the successes and setbacks of Canadian, queer parenthood, past and present. Editor and proud queer mom Sara Graefe has assembled more than twenty-five creative non-fiction LGBTQ2 authors from across North America, both well-known and up-and-coming, including Andrea Bennett, Marusya Bociurkiw, Jane Byers, Susan G. Cole, Caitlin Crawshaw, Rachel Epstein, Terrie Hamazaki, Nicola Harwood, Natalie Meisner and many more. Together, their candid, moving, thought-provoking stories celebrate what it is to be queer and give voice to both the challenges and joys of building a LGBTQ2 family in a predominantly straight, cis-gendered world.