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A young woman chronicles the experience of living on the margins, in spaces and places where body and mind are flayed by guilt, disappointments and betrayals. Her poems record the shattering trauma of struggling to survive through periods of doubt, fear, rage and pain, creating a narrative of disconnection, indignation, alienation and emptiness, the extremes of suffering and desperation. Employing lyrical free verse, Rani Rivera has skillfully employed the short line to pinpoint moments of acute perception. Unadorned, taut and precise cries of pain, loss and fury draw the reader deeper and deeper inside this in-your-face confrontation with a dark world of foreboding alleviated by flashes of mordant wit and grace under fire.

In 1917, during Canadas 50th anniversary, there was little celebration in the country as it entered the fourth year of World War I. This conflict had a tremendous economic and emotional impact on the various levels of government in the country and on the lives of many people in Canada. In western Canada, despite the turmoil and uncertain outcome of the war, one of the countrys major surveying projects continued. In 1913 the Alberta, British Columbia, and Dominion governments began surveying and marking the boundary between the two provinces along the Rocky Mountains. British Columbias representative, A O Wheeler, scaled many of the peaks along the Great Divide and did the phototopographic surveying. R W Cautley, the representative for the Alberta and Dominion governments, mapped the boundary through the economically important mountain passes. During the years of 1913-1917, the Boundary Commission surveyors mainly covered the area from Kicking Horse Pass to the United States border.

This mouthwatering, intimate, and sensual memoir traces Monica Meneghettis unique life journey through her relationship with food, family and love. As the youngest child of a traditional Italian-Catholic immigrant family, Monica learns the intimacy of the dinner table and the ritual of meals, along with the requirements of conformity both at the table and in life. Monica is thirteen when her mother is diagnosed with breast cancer and undergoes a mastectomy. When her mother dies three years later, Monica considers the existence of her own breasts and her emerging sexuality in the context of grief and the disintegration of her sense of family. As Monica becomes an adult, she discovers a part of her self that rebels against the rigours of her traditional upbringing. And as the layers of her sexuality are revealed she begins to understand that like herbs infusing a sauce with flavour, her differences add a delicious complexity to her life. But in coming to terms with her place in the margins of the margins, Monica must also face the challenge of coming out while living in a small town, years before same-sex marriage and amendments to the Charter of Rights and Freedoms created safer spaces for queers. Through risk, courage, and heartbreak, she ultimately redefines and recreates family and identity according to her own alternative vision.

Curious about the previous inhabitants of the lake community where her family has vacationed for over one hundred years, author Shelley O'Callaghan starts researching and writing about the area. But what begins as a personal journey of one woman's relationship to the land and her desire to uncover the history of her family's remote cabin, soon turns into an exploration and questioning of our rights as settlers upon a land that was inhabited long before we came.O'Callaghan's research discovers a depth to the history of the Valley that runs as deep as the 1000 metre lake. She discovers her grandfather's intriguing connection with the First Nation's chief whose ancestry goes back to the earliest recorded history at the lake, and her grandmother's attendance at a school where First Nations girls were taught servitude instead of knowledge.Through the summer of her research, she shares her discoveries with her six grandchildren as they set off on expeditions that make the past come alive. Together they find the headstone of an American scout with the 1858 International Boundary Commission Survey, a 1916 silver mine set up by Chief Sepass, and remnants of the original Indian Trail. They learn about trapper and prospector Charlie Lindeman, who introduced her grandfather to the lake in the early 1920s, and rescued her mother and grandmother from a fire that engulfed the lake in the 1930s.Together with her grandchildren they consider the impact of the legacy of white settlement in the area-what is received from the past and what is given to the future. And as they reflect on the essence of a "summer cabin," a place that brings family together and that nourishes the soul with its solitude and beauty, they gain a new perspective on the inevitable nature of change and privilege."Only someone with O'Callaghan's intimate attachment to 'the lake' could have written such an appealing history-cum-memoir of this out of the way corner of the province. A charming portrait of family life set against the historical changes that threaten the tranquility and isolation of so many unique wilderness retreats. Highly recommended." -- Daniel Francis, editorial director, Encyclopedia of British Columbia

Edited by Miriam Matejova, Wherever I Find Myself is a diverse collection of stories about the joys and struggles of immigrant women living in Canada. Often bringing with them the shadow of war and the guilt of leaving, the women in this new anthology expose their emotional pain but also their gratitude for being able to call Canada home. Their stories paint touching and charming portraits of cultural and linguistic misunderstandings, bureaucratic hurdles, attempts to navigate unfamiliar landscapes, and a desire to be accepted despite differences in accent, skin colour, or taste in food. Together they form a mosaic of emotions and world-views that underline the immigrant condition for women. A yellow dress with ruffles, a kind Grade 1 teacher with a surname that's difficult to spell, cockroaches in the bathroom, the contempt of strangers, and Whitney Houston on the radio-a Filipino woman recalls her experience as a six-year-old immigrant in a ghetto in Mississauga in the 80s. Browsing through a Polish fashion magazine at a European deli, a woman sees herself in an alternative universe of what her life might have been had she never immigrated to Canada. A same-sex couple moves from Minnesota to Ontario to find refuge for their love, but first they must drive a seventeen-foot truck through a blizzard and make it through the frustrating net of Canadian bureaucracy. In search of her origins, a Jewish woman travels to her birthplace in Passau, Germany. There, among rows of European picturesque houses and foreign tombstones of a Jewish cemetery, she finds no memories, only the shadow of Hitler and the ghosts of her parents. Through these stories of courage, aloneness, and hope, new and established writers reach out to both immigrants and those whose families long ago ceased to identify with the immigrant label. Through their struggles and, at times, endearingly critical looks at Canada, they remind us that many of our perceived divisions are nothing but artificial creations of mind and that all of us are past, current, or potential immigrants.

In 1945, Alfred Adams, a respected Haida elder and founding president of the Native Brotherhood of British Columbia (NBBC), was dying of cancer. After decades of fighting to increase the rights and recognition of First Nations people, he implored Maisie Hurley to help his people by telling others about their struggle. Hurley took his request to both heart and mind, and with $150 of her own money, started a small newspaper that would become a powerful catalyst for change: The Native Voice. At that time, the Welsh-born Hurley had been an advocate for First Nations clients in court. She did not have a law degree, but was graced with the courage and confidence to challenge all who stood in her way. When defending a First Nations woman accused of stealing a hotel clerk''s wallet, she seared the hapless plaintiff with such a withering cross examination that his off-colour rejoinder earned him a night in jail for contempt after he refused to pay the fine. After Hurley launched The Native Voice, it became the official newspaper of the NBBC, one of the largest democratic First Nations organizations in the country, but she continued to serve on the editorial board as publisher and director for many years without remuneration. At a time when telecommunication was expensive and often inaccessible in Aboriginal communities, The Native Voicereported relevant news and stories of everyday life to First Nations throughout the province, including hard-won rights such as the right to vote provincially (1949) and federally (1960). As the official publication of the NBBC, the VOICE chronicled both the realities of Aboriginal life and a vision for the future, enabling and inspiring overdue change in Canada. Maisie Hurley''s dedication to improving the lives of those she referred to as "my people" was honoured through several First Nations naming ceremonies by people of the Skeena, Squamish/North Vancouver and Comox areas. The story of the NBBC, The Native Voice and Maisie Hurley offer an inspiring testament to the power of cooperation and vision to create powerful change.

At the age of sixteen, Ernest Lamarque travelled from England to North America, to begin a life as a Victorian adventurer. Born in 1879 and orphaned at age twelve, he would go on to become an artist, a writer and a surveyor, creating some of the earliest visual records of the people of remote regions of Canada. At seventeen, Lamarque started working as a clerk at Hudson''s Bay Company posts in Saskatchewan, Alberta, British Columbia and the Northwest Territories. He recorded his adventures through paintings, sketches and photographs, which would later become invaluable historical resources -- the artwork and photography he created during his three years at the Ile-a-la-Crosse district, for example, are among the earliest visual records of the Metis of the area. As one of British Columbia''s best-known surveyors, he located a route across northern BC during the Bedaux Expedition. He also travelled along and photographed the historic First Nations Davie Trail as part of his work on the location of the initial Alaska Highway. In 1914, Lamarque participated in the important D A Thomas coal transportation survey in northern Alberta that was halted by the start of World War I. This book reveals remote regions of western Canada and its people and places through the eyes of a self-taught man. Utilising unpublished artwork, photographs and written accounts, author Jay Sherwood tells the story of Lamarque''s varied, unusual and interesting life.

In 2008, a small-scale flour miller from British Columbia's Sunshine Coast created a hand-made bike mill to attract a dedicated farmers' market following. Chris Hergesheimer wanted to challenge the belief that there is only one way -- the big way -- to grow, process and market grain and flour. For Chris and his family, it was not about profit, but connecting a community to its food producers for better health, lower impact on the environment, and the kind of flapjacks only fresh-milled flour can make. But Chris Hergesheimer and his brother Josh could not have predicted that this unique contraption would take them on the journey of their lives. Committed to their cause, and believing in its value despite the dismal economic outlook, the Hergesheimer brothers follow their passion for local on a transcontinental journey. From the rainforests of Roberts Creek, BC, to the bustling streets of Kampala, Uganda, and finally onwards to the village of Panlang in the north-western corner of South Sudan, this is the story of two community-minded entrepreneurs as they set out to build and deliver their bicycle-powered grain mill to a rural women's cooperative in a tiny village. Chris and Josh come face to face with the realities of life in South Sudan when war breaks out and their microcapitalism mission becomes a race to leave the country before violence makes escape impossible. Part grain-chain analysis, part bare-all exposé, this is a unique and gripping story that explores the trends and issues of local food systems as well as the challenges and power of alternative food movements. For the Hergesheimer brothers, it is also a journey of surprising adventure, from broken-down market vans, fraudulent bus tickets and hungry bears to a Russian helicopter, an attempted coup and a heart-wrenching homecoming.

Sometimes tragic, sometimes uproariously funny, THIS PLACE A STRANGER is a diverse collection of Canadian women writing about their experiences of travelling alone. From the deceptiveness of the everyday to the extremes of geography, weather and violence, these stories go beyond the usual tales of intrepid male explorers and reveal the varied and unique circumstances in which women travellers find themselves when "going solo." For one woman, the allure of a multiday hike on a "congenial trail" becomes as shrouded as the soggy temperate rainforest she was so unprepared for. After thirty-seven years of marriage, another woman prepares for her return trip to Africa: vaccination boosters, nausea pills and lots and lots of condoms. A seventeen-hour journey by car through the Great Lakes region of Ontario leads another to dreamlike reflections on the travels of her Anishinaabe grandmothers and the ever-present "fear, worry" she experiences today. In another story, a woman poignantly searches for what many seek on solo journeys - inspiration, renewal, discovery - by returning to Paris only a few years after the painful dissolution of her marriage. But the grey February, a body in pain and the funeral of Mavis Gallant offer a different insight. With new work from both emerging and award-winning authors including Yvonne Blomer, Jane Eaton Hamilton, Waaseyaa'sin Christine Sy, Catherine Owen, Karen Lee and more, these stories explore the unexpected blessings and soul-searching that aloneness offers: clarity, liberation, danger, misery, adventure, devastation and joy.

In the canon of contemporary feminist and lesbian poetry, FOR YOUR OWN GOOD breaks silence. A fictionalized autobiography, the poems in this collection illustrate the narrator's survival of a domestic and sexual violence in a lesbian relationship. There is magic in this work: the symbolism of the Tarot and the roots of Jewish heritage, but also the magic that is at the heart of transformation and survival. These poems are acutely painful, rooted in singular and firsthand experiences. But Horlick also draws from a legacy of feminist, Jewish and lesbian writers against violence: epigraphs from the works of Adrienne Rich and Minnie Bruce Pratt act as touchstones alongside references to contemporary writers, such as Daphne Gottlieb and Michelle Tea. In this reflection on grief, silence and community, we follow the narrator's own journey as she explores what it is to survive, to change, to desire and to hope. At once unflinching and fragile FOR YOUR OWN GOOD is a collection with transformation at its heart.

Ethie Coulter was born after her father Howard returned from the war in 1945. She never knew him as he was before, never knew that he had been an open, loving man and a devoted husband. When his wife dies in bizarre circumstances, Howard must take on the burden of looking after eleven-year-old Ethie and her two older brothers. Why, Ethie wonders, is he so silent and withdrawn? Howard Coulter was one of two thousand Canadian soldiers sent to the Far East a month before the Japanese attack on Pearl Harbour. Surviving the fierce battle for Hong Kong, he became a POW, moving from camp to notorious camp, watching his friends die of disease, starvation and worse. Yet Howard carries more than the physical and mental scars inflicted by his captors. Something happened in Hong Kong, a secret that he has carried for nearly two decades. Ethie, inquisitive and fearless, will be the one to work her way towards the truth and help her father come to terms with the past.

Art, children, marriage, breaking, rejoicing. Love is a many-branched tree and in Hamilton's newest poetry collection, her third, it's autumn or winter, the winds are kicking up and branches are flying everywhere - bursting into a thousand shapes. Or maybe it's Hamilton's heart that explodes into many dimensions. Tender, furious, grief-stricken, witty, urbane, elegiac, political, personal, erotic - these poems are all those things. Hamilton can't stop loving big no matter how chancy it is. All these shapes lend raw material for a poem: Mothers lose their babies. A boy loses his leg to war. A girl hides from serial killer Richard Speck. A virgin gets pregnant. A partner mourns a death at Walkerton. Women tumble into love, celebratory and foolhardy. Frank and elemental, LOVE WILL BURST INTO A THOUSAND SHAPES reminds us that life is worth everything we can throw at it. "LOVE WILL BURST INTO A THOUSAND SHAPES is jazzy and engaging. Hamilton proves herself to be a real wordsmith, with a trickster's soul and a heart as big as New Mexico. The poems are enlightening, risky, rough, funny as hell, and ultimately very moving." -- Barry Dempster

Julia Hoop, a twenty-five-year-old counselling psych student, is working on her thesis, exploring an idea which makes her graduate supervisor squirm. She is conducting interview after interview with a group of women she affectionately calls the Molestas - women whose experience of childhood sexual abuse did not cause physical trauma. Julia is the expert, she claims, because she has the experience; her own father, Dirtbag, a furniture designer and failed poet, disappeared when she was eight leaving behind nothing but his Dylan Thomas book, and a legacy of addiction and violence. But the more Julia learns, the less certain she is of what she believes. When both her boyfriend and her graduate advisor break up with her on the same day, Julia leaves her city of Vancouver on a bicycle for a cross-Canada trip in search of her father, or so she tells people. Julia will visit the three cities from which he's contacted her over the years: Banff, Alberta; Redvers, Saskatchewan; and Kingston, Ontario. Her unexpected travel partner is Smirks, a handsome athlete who also has a complicated history, and with whom Julia is falling in love. Their travel days are marked by peaks of ecstatic physical exertion, and their nights by frustrated drinking and drugs. After an unsettling incident in rural Saskatchewan involving a trio of aggressive children, Julia wakes up in the morning to discover Smirks has disappeared. Everything, once again, falls apart. Sometimes shocking in its candour, yet charmed with enigmatic characters, PEDAL is an exploration of the potholes and pitfalls of identity. It is a close look at how we are shaped by accidents of timing: trauma and sex, brain chemistry and the landscape of our country. PEDAL challenges beliefs we hold dear about the nature of pedophilia, the essence of innocence and the idea that the past is something one runs from.

A collection of essays which follow Christine Lowther's journey from the unutterable loss of her mother to the discovery of her own poetic voice through reflection and her intimate connection to the coastal rainforest. Lowther looks back on her mother's poetry and activism. She recalls the day the police arrested her father, and the indifferent beauty surrounding that life-changing moment.