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"Virtually all journal articles in the factor investing literature make associational claims, instead of causal claims. This Element analyzes the current state of causal confusion and proposes solutions with the potential to transform factor investing into a truly scientific discipline. This title is also available as Open Access on Cambridge Core"--

Drawing on his experiences in Berlin under Schleiermacher and his travels to the Vatican, Mendelssohn, as the Director of Prussian Church Music, wanted to offer an edifying worship experience where large-scale choral works would become an indispensable part of the liturgy, which he saw as a performative or representational act, centered around the life of Christ. Yet he quickly realized that the court and clergy were not interested in his foundational concepts; they merely wanted reforms based on the restauration ideals espoused by Winterfeld and Thibaut. Analyses of his 25 Domchor compositions and their revisions in this Element chronicle Mendelssohn's stylistic development and his ability to continue to offer a Christological worship experience within strictly prescribed parameters. The Berlin Domchor and its new repertoire by Mendelssohn and contemporaneous composers quickly became the model for the emerging a cappella movement throughout Protestant Germany.

The objective of this Element is to provide an analysis of social protection from an economic perspective. It relies on tools and methods widely used in public and insurance economics and comprises four main section besides the introduction. The first section is devoted to the design of social protection programs and their political sustainability. The second section assesses the efficiency and performance of social protection programs, and of the welfare state as a whole. In the third section, the relative merits of social and private insurance are analyzed as well as the design of optimum insurance contract with emphasis on health and pensions. The last section focuses on the implications of asymmetric information that may lead governments to adopt policies that would otherwise be rejected in a perfect information setting.

"Based on a systematic and empirical comparative study of six European Union countries, Christel Querton explores judicial decision-making in the context of persons fleeing armed conflicts in the EU.Using interdisciplinary techniques, it re-asserts the Refugee Convention as the cornerstone of international protection"--

This book characterises the diverse morphological complexity we find in the languages of the world.

The Renaissance was a highly mobile, turbulent era in Europe, when war, poverty, and persecution pushed many people onto the roads in search of a living or a safe place to settle. In the same period, the expansion of European states overseas opened up new avenues of long-distance migration, while also fuelling the global traffic in slaves. The accelerating movement of people stimulated commercial, political, religious, and artistic exchanges, while also prompting the establishment of new structures of control and surveillance. This Element illuminates the material and social mechanisms that enacted mobility in the Renaissance and thereby offers a new way to understand the period's dynamism, creativity, and conflict. Spurred by recent 'mobilities' studies, it highlights the experiences of a wide range of mobile populations, paying particular attention to the concrete, practical dimensions of moving around at this time, whether on a local or a global scale.

Drawing on scholarly research, artist experience, and audience behaviour, This Distracted Globe considers the disruptive, affective, phenomenological, and generative potential of distraction in contemporary performance at the Globe.

This Element examines six Indigenous communities with contrasting experiences of extractive projects. It highlights the Indigenous ability to shape different self-determination outcomes, and assesses Indigenous possibilities for self-determination in the light of environmental activism and discourses on Buen Vivir.

"This Element critically investigates proposed tabletop experiments controversially claimed to produce and 'witness' the first laboratory quantum gravity phenomena"--

The romance publishing landscape in the Philippines is vast and complex, characterised by entangled industrial players, diverse kinds of texts, and siloed audiences. This Element maps the large, multilayered, and highly productive sector of the Filipino publishing industry. It explores the distinct genre histories of romance fiction in this territory and the social, political and technological contexts that have shaped its development. It also examines the close connections between romance publishing and other media sectors alongside unique reception practices. It takes as a central case study the Filipino romance self-publishing collective #RomanceClass, analysing how they navigate this complex local landscape as well as the broader international marketplace. The majority of scholarship on romance fiction exclusively focuses on the Anglo-American industry. By focusing here on the Philippines, the authors hope to disrupt this phenomenon, and to contribute to a more decentred, rhizomatic approach to understanding this genre world.

The Odd Universe Argument aims to show that from four intuitive assumptions about parts and wholes, we can conclude a priori that there is an odd number of things in the universe. This Element investigates how this is so and where things might have gone awry. Section 1 gives an overview of general methodology, basic mereology, and plural logic. Section 2 explores questions about the nature of composition and decomposition. Does composition always occur? Never? Sometimes? Is the universe, at rock bottom, just many partless bits (simples)? Or do the parts have parts all the way down (gunk)? Section 3 looks at arguments for and against the thesis that composition is identity, with a healthy bias in its favor. In the wake of this discussion, we reconsider our methods of counting. We conclude with a return to the odd universe argument and suggestions on how best to resist it.

This Element answers four questions. Can any traditional theory of scientific explanation make sense of the place of mathematics in explanation? If traditional monist theories are inadequate, is there some way to develop a more flexible, but still monist, approach that will clarify how mathematics can help to explain? What sort of pluralism about explanation is best equipped to clarify how mathematics can help to explain in science and in mathematics itself? Finally, how can the mathematical elements of an explanation be integrated into the physical world? Some of the evidence for a novel scientific posit may be traced to the explanatory power that this posit would afford, were it to exist. Can a similar kind of explanatory evidence be provided for the existence of mathematical objects, and if not, why not?

"As we understand them, dispositions are relatively uncontroversial 'predicatory' properties had by objects disposed in certain ways. By contrast, powers are hypothetical 'ontic' properties posited in order to explain dispositional behaviour. Section 1 outlines this distinction in more detail. Section 2 offers a summary of the issues surrounding analysis of dispositions and various strategies in contemporary literature to address them, including one of our own. Section 3 describes some of the important questions facing the metaphysics of powers, including why they are worth positing and how they might metaphysically explain laws of nature and modality"--

This Element synthesizes the current state of research on organizational social networks from its early foundations to contemporary debates. It highlights the characteristics that make the social network perspective distinctive in the organizational research landscape, including its emphasis on structure and outcomes. It covers the main theoretical developments and summarizes the research design questions that organizational researchers face when collecting and analyzing network data. Then, it discusses current debates ranging from agency and structure to network volatility and personality. Finally, the Element envisages future research directions on the role of brokerage for individuals and communities, network cognition, and the importance of past ties. Overall, the Element provides an innovative angle for understanding organizational social networks, engaging in empirical network research, and nurturing further theoretical development on the role of social interactions and connectedness in modern organizations.

Reveals how the empire of Attalid Pergamon dominated the Hellenistic world by controlling culture and identity through its fiscal system.

Diaspora is an ancient term that gained broad new significance in the twentieth century. At its simplest, diaspora refers to the geographic dispersion of a people from a common originary space to other sites. It pulls together ideas of people, movement, memory, and home, but also troubles them. In this volume, established and newer scholars provide fresh explorations of diaspora for twenty-first century literary studies. The volume re-examines major diaspora origin stories, theorizes diaspora through its conceptual intimacies and entanglements, and analyzes literary and visual-cultural texts to reimagine the genres, genders, and genealogies of diaspora. Literary mappings move across Africa, the Americas, Middle East, Asia, Europe, and Pacific Islands, and through Atlantic, Pacific, Mediterranean, Gulf, and Indian waters. Chapters reflect on diaspora as a key concept for migration, postcolonial, global comparative race, environmental, gender, and queer studies. The volume is thus an accessible and provocative account of diaspora as a vital resource for literary studies in a bordered world.

"This Element outlines current issues in the study of the pragmatics of fiction. It starts from the premise that fictional texts are complex and multilayered communicative acts which deserve attention in pragmatic research in their own right, and it highlights the need to understand them as cultural artefacts rich in possibilities to explore pragmatic effects and pragmatic theorising. The issues covered are (1) the participation structure of fictional texts, (2) the performance aspect of fictional texts, (3) the interaction between readers and viewers and the fictional texts, and (4) the pragmatic effects of drawing on indexical linguistic features for evoking ideologies in characterisation"--