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There was nothing out of the ordinary about Jim Koplin. He was just your typical central Minnesota gay farm boy with a Ph.D. in experimental psychology who developed anarchist-influenced, radical-feminist, and anti-imperialist politics, while never losing touch with his rural roots. But perhaps the most important thing about Jim is that throughout his life, almost literally to his dying breath, he spent some part of every day on the most important work we have: tending the garden. Plain Radical is a touching homage to a close friend and mentor taken too soon. But it is also an exploration of the ways in which an intensely local focus paired with a fierce intelligence can provide a deep, meaningful, even radical engagement with the world.
Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II.Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war.The film editor, fluent in translating the written word over to the languages of sight and sound, began slowly translating Malaparte's writings from World War II. The density and intricacy of his stories compelled Murch to adapt many of them into prose or blank verse poems. The result is a book of surprising insight and strange beauty.
"A rock and roll drummer abandons his successful music career to pursue his true passion and discovers a deeper understanding of artistic fulfillment in this episodic memoir of swapping one dream for another"--
A cut & paste celebration of Black punk and outsider identity, this is the only complete collection of the fanzine Shotgun Seamstress, a legendary DIY project that centered the scope of Blackness outside of mainstream corporate consumerist identityIn 2006, Osa Atoe was inspired to create an expression out of the experience of being the only Black kid at the punk show-and Shotgun Seamstress was born. Like a great mixtape where radical politics are never sidelined for an easier ride, Shotgun Seamstress was a fanzine by and for Black punks that expressed, represented, and documented the fullest range of being, and collectively and individually explored "all of our possibilities instead of allowing the dominant culture to tell us what it means to be Black." Laid out by hand, and photocopied and distributed in small batches, each issue featured essays, interviews, historical portraits of important artists and scenes, reviews, and more, all paying tribute to musicians and artists that typify free Black expression and interrupt notions of Black culture as a monolith. Featuring figures such as Vaginal Cream Davis, the seminal Black punk band Death, Poly Styrene, Bay Area rocker Brontez Purnell, British post-punker Rachel Aggs, New York photographer Alvin Baltrop, Detroit garage rocker Mick Collins and so many others, in the pages of this book rock'n'roll is reclaimed as Black music and a wide spectrum of gender and sexuality is represented. Collecting and anthologizing the layouts as they were originally photocopied by hand, this collection comprises all eight issues created between 2006 and 2015.
Winner of the DSC Prize for South Asian Literature and the Atta Galatta-Bangalore Literature Festival Lifetime Achievement Award, Jayant Kaikini is one of India's most celebrated short story writers. No Presents Please brings his work to North America for the first time.
"The forty-two short tales that comprise Buddha In A Teacup are set in contemporary America, as opposed to long ago China or India. Each parable springs from the author's meditations on fundamental aspects of Buddhist dharma as those teaching apply to the world today. Some of the tales are humorous, some sad, some erotic, some mysterious-all linked and balanced by themes of mindfulness, compassion, generosity, kindness and love. The reader need not be a Buddhist or know anything about Buddhism to fully appreciate and enjoy these universal tales of the human condition. "--
Based on the life of bronc rider Doughbelly Price, The Diamond Hitch tells the story of Dewey Jones, western cowman and rodeo hooligan, as he travels the circuit throughout the Southwest in search of that one big purse that will punch his ticket out of rodeo bumming and into a more normal life. O'Rourke effectively evokes the sights, sounds and smells of the cowboy way presenting an unvarnished glimpse into this vanished way of life.
"The color of one's skin and passport have long dictated the conditions of travel. For Shahnaz Habib, travel and travel writing have always been complicated pleasures. Habib threads the history of travel with her personal story as a child on family vacations in India, an adult curious about the world, and an immigrant for whom roundtrips are an annual fact of life. Tracing the power dynamics that underlie tourism, this ... debut parses who gets to travel, and who gets to write about the experience. Threaded through the book are ... analyses of obvious and not-so-obvious travel artifacts: passports, carousels, bougainvilleas, guidebooks, trains, the idea of wanderlust itself. Together, they tell a subversive history of travel as a Euro-American mode of consumerism--but as any traveler knows, travel is more than that"--
"Eighteen-year-old Shelley, born into a much-despised branch of the Zheng family in Yunnan Province and living in the shadow of his widowed father's grief, dreams of bigger things. Buoyed by an exuberant heart and his cousin Deng's tall tales about the United States, Shelley heads to San Francisco to claim his destiny, confident that any hurdles will be easily overcome by the awesome powers of the 'Chinese groove,' a belief in the unspoken bonds between countrymen that transcend time and borders"
Having masterfully translated a wide range of ancient Chinese poets and philosophers, David Hinton is uniquely qualified to offer the definitive contemporary English version of Lao Tzu's Tao Te Ching. Like all of his translations, Hinton's translation of the Tao Te Ching is mind-opening, presenting startling new dimensions in this widely-influential text. He shows how Lao Tzu's spirituality is structured around the generative life-force, for example, and that this system of thought weaves the human into natural process at the deepest levels of being, thereby revealing the Tao Te Ching as an originary text in deep feminist and ecological thought.Lao Tzu's Tao Te Ching is not only the single most important text ever composed in China, it is probably the most influential spiritual text in human history. In the past, virtually all translations of this text have been produced either by sinologists having little poetic facility in English, or writers having no ability to read the original Chinese. Hinton's fluency in ancient Chinese and his acclaimed poetic ability provide him the essential qualifications. Together, they allow a breathtaking new translation that reveals how remarkably current and even innovative this text is after 2500 years.
The essential annual guide to the newest voices in short fiction, selected this year by Deesha Philyaw, Emily Nemens, and Sabrina Orah MarkWho are the most promising short story writers working today? Where do we look to discover the future stars of literary fiction? This book will offer a dozen answers to these questions.The stories collected here represent the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding debuts in literary magazines in the previous year. They are chosen by a panel of distinguished judges, themselves innovators of the short story form: Deesha Philyaw, Emily Nemens, and Sabrina Orah Mark. Each piece comes with an introduction by its original editors, whose commentaries provide valuable insight into what magazines are looking for in their submissions, and showcase the vital work they do to nurture literature's newest voices.
Rei Hayakawa, a lonely, bulimic freelance writer with a drinking problem, wanders into a convenience store. She's swaddled in her coat and scarf, while her thoughts - of alienation, of hunger, of the need for gin and white wine - drift in via stream-of-consciousness. A trucker named Okabe walks in, deliberately grazes her behind, and at the same time, Rei's cell phone, set on vibrate, goes off over her heart. Rei impulsively gets into Okabe's truck with him - and stays. Suddenly she finds herself embarking on a road journey across the wintry landscape of Japan with a complete, and possibly dangerous, stranger. Can the physical relationship that develops between them give Rei what she needs, and can she ever free herself from her self-destructive tendencies? Both parties are wounded, guarded and distant -- can they learn to trust each other? Author Mari Akasaka brings her trademark wordplay and vivid imagery to this compelling story of an unlikely pairing set against the bleak backdrop of Japan's highways. Adapted for the screen in 2003, "Vibrator" has also been made into a film.
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