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“A shocking tale of wrongful conviction . . . that brings general conditions into cruelly sharp focus.” —Kirkus ReviewsJustice Failed is the story of Alton Logan, an African American man who served twenty–six years in prison for a murder he did not commit. In 1983, Logan was falsely convicted of fatally shooting an off–duty Cook County corrections officer, Lloyd M. Wickliffe, at a Chicago–area McDonald’s, and sentenced to life in prison. While serving time for unrelated charges, Andrew Wilson—the true murderer—admitted his guilt to his own lawyers, Dale Coventry and Jamie Kunz. However, bound by the legal code of ethics known as the absolutism of client–attorney privilege, Coventry and Kunz could not take action. Instead, they signed an affidavit proclaiming Logan’s innocence and locked the document in a hidden strong box. It wasn’t until after Wilson’s death in 2007 that his lawyers were able to come forward with the evidence that would eventually set Alton Logan free after twenty–six years in prison.Written in collaboration with veteran journalist Berl Falbaum, Justice Failed explores the sharp divide that exists between commonsense morality—an innocent man should be free—and the rigid ethics of the law that superseded that morality. Throughout the book, in–depth interviews and legal analyses give way to Alton Logan himself as he tells his own story, from his childhood in Chicago to the devastating impact that the loss of a quarter century has had on his life—he entered prison at twenty–eight years of age, and was released at fifty–five.

Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II.Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war.The film editor, fluent in translating the written word over to the languages of sight and sound, began slowly translating Malaparte's writings from World War II. The density and intricacy of his stories compelled Murch to adapt many of them into prose or blank verse poems. The result is a book of surprising insight and strange beauty.

"A rock and roll drummer abandons his successful music career to pursue his true passion and discovers a deeper understanding of artistic fulfillment in this episodic memoir of swapping one dream for another"--

A cut & paste celebration of Black punk and outsider identity, this is the only complete collection of the fanzine Shotgun Seamstress, a legendary DIY project that centered the scope of Blackness outside of mainstream corporate consumerist identityIn 2006, Osa Atoe was inspired to create an expression out of the experience of being the only Black kid at the punk show-and Shotgun Seamstress was born. Like a great mixtape where radical politics are never sidelined for an easier ride, Shotgun Seamstress was a fanzine by and for Black punks that expressed, represented, and documented the fullest range of being, and collectively and individually explored "all of our possibilities instead of allowing the dominant culture to tell us what it means to be Black." Laid out by hand, and photocopied and distributed in small batches, each issue featured essays, interviews, historical portraits of important artists and scenes, reviews, and more, all paying tribute to musicians and artists that typify free Black expression and interrupt notions of Black culture as a monolith. Featuring figures such as Vaginal Cream Davis, the seminal Black punk band Death, Poly Styrene, Bay Area rocker Brontez Purnell, British post-punker Rachel Aggs, New York photographer Alvin Baltrop, Detroit garage rocker Mick Collins and so many others, in the pages of this book rock'n'roll is reclaimed as Black music and a wide spectrum of gender and sexuality is represented. Collecting and anthologizing the layouts as they were originally photocopied by hand, this collection comprises all eight issues created between 2006 and 2015.

In this ';strange hybrid of travelogue and natural science' the award-winning author explores extinction with ';solid research... and truly poetic prose' (New York Times Review of Books). Award-winning author, poet, and scholar Melanie Challenger saw a link between her own estrangement from nature and the cultural shifts that led to a dramatic rise in extinction. Inspired to uncover how we had become so destructive, Challenger went in search of the stories behind these losses. From an abandoned mine in England to an Antarctic sea voyage; from a visit to South Georgia's old whaling stations to a stay among an Inuit community in Canada; and from the Falkland Islands to Manhattan Island and beyond, Challenger uncovers lost species and lost languages, as well as cultures, industries, and communities touched in different ways by extinction. On each of these peregrinations, Challenger also explores the thoughts of anthropologists, biologists, and philosophers who have come before her. Drawing on their words as well as firsthand accounts and ancestral memory, she traces the mindset that made the 20th century an age of extinction, then proposes a path of redemption rooted in our emotional responses to these disappearances. On Extinction offers an ';erudite and impassioned... examination on the way our 21st century world is changing so quickly' (Dallas Morning News).

Winner of the DSC Prize for South Asian Literature and the Atta Galatta-Bangalore Literature Festival Lifetime Achievement Award, Jayant Kaikini is one of India's most celebrated short story writers. No Presents Please brings his work to North America for the first time.

With the exception of sleep, humans spend more of their lifetimes on work than any other activity. It is central to our economy, society, and the family. It underpins our finances and our sense of meaning in life. Given the overriding importance of work, we need to recognize a profound transformation in the nature of work that is significantly altering lives: the incoming tidal wave of shadow work.Shadow work includes all the unpaid tasks we do on behalf of businesses and organizations. It has slipped into our routines stealthily; most of us do not realize how much of it we are already doing, even as we pump our own gas, scan and bag our own groceries, execute our own stock trades, and build our own unassembled furniture. But its presence is unmistakable, and its effects far-reaching.Fueled by the twin forces of technology and skyrocketing personnel costs, shadow work has taken a foothold in our society. Lambert terms its prevalence as middle-class serfdom, and examines its sources in the invasion of robotics, the democratization of expertise, and new demands on individuals at all levels of society. The end result? A more personalized form of consumption, a great social leveling (pedigrees dont help with shadow work!), and the weakening of communities as robotics reduce daily human interaction.Shadow Work offers a field guide to this new phenomenon. It shines a light on these trends now so prevalent in our daily lives and, more importantly, offers valuable insight into how to counter their effects. It will be essential reading to anyone seeking to understand how their day got so fulland how to deal with the ubiquitous shadow work that surrounds them.

"The forty-two short tales that comprise Buddha In A Teacup are set in contemporary America, as opposed to long ago China or India. Each parable springs from the author's meditations on fundamental aspects of Buddhist dharma as those teaching apply to the world today. Some of the tales are humorous, some sad, some erotic, some mysterious-all linked and balanced by themes of mindfulness, compassion, generosity, kindness and love. The reader need not be a Buddhist or know anything about Buddhism to fully appreciate and enjoy these universal tales of the human condition. "--