Bøker utgitt av Columbia Books on Architecture and the City

Architecture is a field organized by documents produced within distinct historical, mediatic, and disciplinary registers. Whether in the mode of drawing, design, fabrication, computation, photography, or video, architectural documents are defined by different discursive and institutional exigencies. But architectural archives are hardly stable or uniform. Rather, archives are active processes and systems of coordination, woven into architecture's media, their histories, and their communicative effects.Over the last decade, the Arthur Ross Architecture Gallery at Columbia University's Graduate School of Architecture, Planning and Preservation has conducted a sustained experiment in archival exhibitions. Fueled by the recent historicization and theorization of exhibition practices, the gallery has offered a critical alternative to the conventional role of architectural school galleries and exhibitions at major museums and architecture associations. Through a commitment to researching under-examined projects from the postwar period, the Ross Gallery has forged an identity based on the uncovering and display of a wide range of documents that expand and test the contours of architectural practice.This book collects text and documents from fourteen exhibitions that span the past ten years of the Ross Gallery. These exhibitions are accompanied by commentaries by a group of architects, artists, historians, theorists, and curators that examine each exhibition, survey the work of the gallery, and foreground the shifting status of architectural exhibitions more broadly.

Organized around conversations with the authors of three seminal texts that document the city-Rem Koolhaas on Delirious New York, Denise Scott Brown on Learning from Las Vegas, and Yoshiharu Tsukamoto on Made in Tokyo-this volume traces the history of "books on cities."

In the 1920s, the urban theory of Ludwig Hilberseimer (1885¿1967) redefined architecture's relationship to the city. His proposal for a high-rise city, where leisure, labor, and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer's Großstadtarchitektur is presented here for the first time in an English translation. Its propositions encourage us to reconsider mobility, concentration, and the scale of architectural intervention in our own era of urban expansion.