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A young Kurdish woman discovers a commitment to liberation, both personal and collective, through a harrowing journey to Rojava and the heart of armed struggle.Jînçin is a young professor living in Berlin, born to a Yezedi father who years earlier was shunned and exiled for marrying outside his community, and who late in life makes the surprising and fateful decision to return to his homeland to join the Kurdish People’s Defense Units (YPG) in their fight against the Islamic State.Searching for answers as to why the father she adored would give his life for such a cause, Jînçin embarks on a clandestine journey through various autonomous territories of Kurdistan, from Başûr in northern Iraq (southern Kurdistan), to the remote mountains of Bakûr in southeast Turkey (northern Kurdistan), and to Rojava in northeastern Syria.With little training and without warning, she is plunged into the freedom struggle as she confronts the extremist threat that faces the Kurds, from bloody skirmishes with ISIS to drone strikes and the clandestine operations and brutal human rights abuses of the Turkish military. Her new life as a guerrilla fighter is a bitter and arduous one, but also one of rich discovery. Over months of mournful, intimate, and often-times playful conversations with her comrades, as well as remarkable acts of resistance and narrow escapes from grave danger, Jînçin finally grasps her place and purpose in the world. Ultimately, Rojava is the story of people living and fighting shoulder-to-shoulder who have decided, regardless of the present world order and in spite of the odds stacked against them, to build a society free from discrimination, based on shared dignity and collective autonomy.

A memoir of the “last Surrealist,” Marianne Ivsic. Alain Segura documents their initial meeting in 1967, amid the heady militancy of May ’68.Alain Segura was a teenage anarchist in Paris during the mid-to-late 1960s when he hung around with members of the Enragés and the Situationist International. He was particularly captivated by Yugoslavian militant, poet, and painter Marianne Ivsic, a member of André Breton’s Surrealist group. It was Guy Debord who approvingly called her “the last surrealist.” Segura wrote this book so that Ivsic’s life and creative legacy are not forgotten.A Season with Marianne details the heady days of friendship, rebellion, and creative militancy surrounding May ’68, against the backdrop of a colossal split between the Anarchist International and the Situationists in 1967, and the impossible demands of a revolution briefly glimpsed by the author through an encounter with the last surrealist.

Lessons for the antifascist fight now and to come rooted in well-learned lessons from Black liberation.Revolution In These Times delivers veteran Black Panther Party member, Black Liberation Army leader, and former political prisoner Dhoruba Bin-Wahad direct in his own words to offer us an analysis of how today's resurgent right-wing agenda is an outgrowth of the ongoing and historical political struggle between the oppressed masses and settler-colonialism of America and Europe. Bin-Wahad not only explores how white supremacist politics have recaptured the American imagination but also prescribes a radical grassroots response to counter this ideology and supplant the violent state repression that keeps it in power.Bin Wahad pieces together fight-back strategies against the police and the state through a process of mobilizing in the streets, on the block, and in our communities, while gathering mass through antifascist coalition-building in a manner unrealized since the 1960s and 1970s. In this series of interviews, Bin Wahad grounds us in the now, seamlessly weaving together firsthand accounts of his own and other’s revolutionary past in the history of struggle, alongside lessons for today.

Our fears about AI might tell us more about class struggle today than technology in the future.Why We Fear AI boldly asserts these fears are actually about capitalism, reimagined as a kind of autonomous intelligent agent. Hence, Hagen Blix and Ingeborg Glimmer argue, we need to understand these fears in terms of the political threats and opportunities in the current moment, rather than a distant and abstract future. To do so, we need to explore their meaning through the lens of class: the fear of an AI uprising may actually be about alienation for the working class (the tools we made returning as an alien and oppressive power), but equally about fears of revolt and revolution for the ruling class (the labor that they have control over emancipating itself).The aim of Why We Fear AI is radical and simple: to develop political analyses and counterstrategies that highlight the divergence of material interests in high-tech digital capitalism, and thus provide fruitful ground for a class-based politics around these new technologies—and new worlds.

Graphic design and political solidarity work in revolutionary Cuba through the lens of OPSAAAL (Organization of Solidarity of the Peoples of Africa, Asia, and Latin America) and its cultural production.Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America.OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements around the world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements.Armed By Design brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL’s work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.This full-color multilingual edition includes ten international contemporary political poster-makers, artists, and designers commissioned to produce OSPAAAL-inspired prints in solidarity with today’s movements: Friends of Ibn Firnas (USA), Yuko Tonohira (Japan/USA), Ganzeer (Egypt/USA), Un Mundo Feliz (Spain), Steven Rodriguez (USA), Dignidad Rebelde, Tomie Arai (USA), Sublevarte Colectivo (Mexico), Jamaa Al-Yad (Lebanon/Worldwide), and A3CB (Japan).

What the opioid epidemic teaches us about the addiction at the root of our social life—and how we free ourselves from it.How To Break An Addiction paints an original and dynamic portrait of the nature of the opioid crisis while offering original commentary on what the crisis portends about the present historical conjuncture. Interrogating long- and short-run, macro and micro, national and global, structural and personal factors, it takes the ongoing US opioid crisis as a jumping off point to illustrate the profound conclusion: capitalism at its core is an addiction.In a blend of memoir, historical record, original research, and theoretical and cultural analysis, critical geographer and harm reduction activist Annie Spencer argues against a dominant ‘progressive’ presumption of the need to reform (or ‘save’) capitalism, demonstrating instead the imperative to think, organize, and enact new ways of being and provisioning together on a living Earth.How To Break An Addiction renders visible the extent to which the world we inhabit today is made by addiction—in capital’s image—and against life and well-being. Spencer calls for redress of the deepening crisis of addiction and the so-called ‘epidemic’ of pain at its root; for a paradigm shift away from the dominant economic logic in favor of new kinds of ecosystemic social practice and provision. We must innovate a new way of being human together in the here and now. Spencer’s first-person narration anchors rigorous and far-reaching research and theory, making for an original and impactful tour through capital’s addiction to crisis and our ability—and need—to break from it.

A bold rethinking of cancer as a biological phenomenon, science that serves capitalism, and a radical vision of liberated health and well-being.More than fifty years after the declaration of the War on Cancer, we are nowhere closer to victory. The problem lies in the way cancer is understood and the “cancer-industrial complex” that has been established to address it. The cancer-industrial complex arises from the symbiosis of private corporations, nonprofit organizations such as universities and foundations, and public governmental regulatory bodies in the post-genomic era. This network profits off a vulnerable population who exist in a market that is structurally rigged against them given their physical and socioeconomic conditions. Under the auspices of scientific research and technological progress, much of which is well-meaning, a critical extortion takes place.Metastasis brings the cancer-industrial complex to the fore of our understanding of what cancer is, the chronic nature of the disease, its unmistakable parallels to capitalism, its inextricable link to the neoliberal model of economic development, and its disproportionate burden on nonwhite and poor populations—and what it will really take to rid ourselves of the gravest dangers to our individual and collective well-being.Trained as a cancer scientist, Nafis Hasan offers a critical and clinical reading of current narratives of cancer research and the conditions that put the onus on the individual rather than our collective efforts to prevent cancer incidence and deaths. He offers a visionary alternative theory about carcinogenesis—one countering the dominant neoliberal idea of mutations causing cancer—and centers a dialectical approach to understanding the biology and sociology of cancer. Hasan states, “If we must fight the longest war, then it should be the war against capitalism, whose growth has metastasized in every aspect of our society and ourselves.”

Conflict and resolution are the lifeblood of social movements. How, and with whom, do we find lasting friendship, support, and joy in a world in need of so much repair?In On Activism, Friendships, and Fighting veteran organizer and social worker Benjamin Heim Shepard traces a pressing dynamic of social movements: friendship and conflict. The project builds on oral histories with more than  thirty movement organizers—from AIDS, queer, trade union, community, Occupy, and harm reduction-based movements—reflecting on the lessons, meanings, and future directions of movements and collective organizing efforts. “There is a hunger for radical history – to give credit to past struggles, to learn from our mistakes and to improve our strategies for the future,” writes Lesley Wood. Oral histories trace the stories of these movements.The book goes in depth into the reasons and ways the interviewees became involved in activism, the friendships they formed, and the conflicts they faced. This includes asking questions such as: where do friendships support or undermine these efforts? How can conflicts be resolved?  And where do people find lasting support?

The future of public higher education is being held hostage by financial institutions and actors. How did it get this way? Lend & Rule reveals the “shadow governance” of debt and credit in the United States higher education system. With sharp and hard-hitting insight, the Coalition Against Campus Debt exposes how institutional debt is a primary driver of university austerity, miseducation, and the deepening of societal inequality.Addressing how our lives are entangled in a debt economy, they develop the analysis necessary to transform higher education in today’s neoliberal racial capitalist political economy.Part theoretical analysis, part toolbox for organizers in higher education, Lend & Rule is an invaluable resource for anyone engaged in debt abolition struggles or looking to acquire a critical and transformative vision of higher education today.

A militant reading of struggles and developments in Bolivia form a balance sheet of possibility for a Left program in the country, hemisphere, and the world. Bolivia beyond the Impasse sketches the primary characteristics of the current political, social, and economic situation of Bolivia. Longtime militant researchers Michael Hardt and Sandro Mezzadra explain not only how this situation came about but also the obstacles that confront today’s progressive forces and have led to an impasse. Right-wing political and social forces continue to gain strength and constantly hinder or thwart progressive initiatives. Obstacles also arise from within movements, including the vexed question of leadership, which has increasingly surfaced between Evo Morales as leader of the MAS party and Luis Arce as president of the government. Hardt and Mezzadra do not dwell on these obstacles, however, because they also recognize the extraordinary power and innovation that a new phase of political struggle in Bolivia could unleash beyond the impasse. The current situation, they argue, remains open to new political inventions rooted in the wide range of progressive and revolutionary forces both inside and outside the government and the MAS party. Firmly grounded in the Bolivian situation, Hardt and Mezzadra keep their eye on the Latin American context because they believe that, just as it was twenty years ago, many of today’s most stubborn political and economic obstacles can only be overcome through mechanisms beyond national boundaries, by inventing effective mechanisms of regional cooperation. Although the path forward is not clear and that new and old right-wing forces constitute continuing and increasing threats throughout the region—from Brazil to Argentina and from Colombia to Chile—Hardt and Mezzadra offer a reading of the struggles that form the balance sheet of possibility for a Left program in the country, and consequently the hemisphere, and world. Despite all the threats and obstacles that feed the impasse, however, dynamics of insurgency and struggle continue to resonate and circulate throughout Latin America. As they powerfully demonstrate, discovering how to defend against violent reactionary forces while furthering democratic initiatives and projects for liberation will be a key task for social movements and progressive governments. Bolivia beyond the Impasse makes the claim with passion and rigor that this regional space of political action and innovation is where the potential for moving beyond the impasse is most promising.

The essential political and theoretical work of one of Latin America’s most important contemporary theorists.Raquel Gutiérrez Aguilar is one of the foremost Latin American political thinkers. From armed Indigenous struggle in the Bolivian altiplano to the contemporary wave of feminist uprisings, Raquel Gutiérrez's life and work have spanned and spurred on some of the most important political sequences in the last forty years in Latin America. Almost unknown in the United States, Raquel is one of the Latin American anticapitalist, antistate Left's most important contemporary theorists.  She has produced important work on communal struggles and political forms and has been at the center of some of the most important political organizing in Bolivia and Mexico in the last forty years. This volume presents an extensive interview with Raquel in which she charts her political and intellectual trajectory from her militancy in the Ejército Guerrillero Tupac-Katari, to Bolivia's famous Water and Gas wars, to the massive wave of popular feminist rebellions and organizing. Translator and writer, Brian Whitner offers two essays in translation that contain some of her central theoretical concepts, including the veto and reappropriation of communal wealth, for thinking a politics in common, and of the commons.With the publication of In Defense of Common Life, a new audience of English-language readers can finally engage with the thought and political experience of a thinker and militant, whose contributions to social movements span an incredible political and regional breadth, and resonate deeply with current debates with the US about the conditions and practices of revolutionary change, feminism, and popular struggle.

A memoir of a mother and daughter's return to Cabo Verde reveals the legacies of national liberation, a story of memory and migration, and the psychic and physical landscape that colonialism has wrought.When Sonia Vaz Borges accompanied her mother, Maria Isabel Vaz, home to Santiago Island, Cabo Verde, it was the first time she experienced the island where her mother and family were born, and where her mother left forty years earlier. As a historian, documentarian, and a Black Cabo Verdean young woman born in Portugal, she booked a trip to a native land she's never been to in order to conduct research on the history of militant resistance to Portuguese colonialism, of the education initiatives of the African Party for the Independence of Guinea Bissau and Cabo Verde (PAIGC), and the lessons for freedom available for today. What she discovers are lifelong lessons as illuminating as anything her PhD revealed to her. The fragments of memories, episodes, and encounters in Cabo Verde that she assembled in this travel diary reveal an experience of "homegoing" that is rich with the legacies of national liberation, the story of a Black woman's migration during the height of colonial oppression, of separation from family and nation, and memories of an island transformed since Independence, and the psychic and physical landscape that the legacy of colonial rule has wrought. As mother and daughter travel home together for the first time, they embark on a journey that takes them to new places in their relationship to each other, a return and a rediscovery of a place and people imagined and conjured through memory, where history and place blur and where stories are created and shared. Ragáaacute;s is a Cabo Verdean creole word for the space created between the waist and the knees when seated: the lap. Here, it is a place to find nurturing, a place to be embraced, protected, and cared for, a place for reconnection and return to the memories that others carry for you when migration means both leaving and being left behind.

The home has become a laboratory for capital but also for forms of financial disobedience. It has become increasingly clear that home is not a site of private life and isolation, but a battleground where the conflict over the reorganization of working days, over what even counts as labor, is waged. In the very spaces that capital historically sought to portray as an "unproductive" and apolitical space, and refused to pay for, now emerge new forms of debt and profit extraction. Although the home has been transformed into a favored site of finance's colonization of social life and of experimentation for capital, this is not a finished process-or one without its resistance. The Home as Laboratory traces this story through the links between debt and financial technologies, the violence of property, and reproductive and feminized labor, and everyday forms of feminist organizing.Drawing on militant research and interventions with feminist organizers in informal settlements and renters' organizations in Buenos Aires, Luci Cavallero, Veróoacute;nica Gago, and Liz Mason-Deese offer a powerful feminist methodology that points to the vital space of the home as an open dispute. They critically analyze the changes that have occurred in domestic routines, in labor dynamics, in the very cuts imposed by the pandemic's reorganization of the sensible and of logistics. Thus, the home?its spatiality, functioning, and dynamics?suffered from reconfigurations during these novel years of the COVID-19 pandemic that have not ended. Yet, these processes are also resisted by feminist organizations, which have put the question of debt at the forefront of alliance-building, political education, and public interventions. The Home as Laboratory provides key insights into transformations in the home leading up to and during the pandemic, showing how what was historically considered an ?unproductive space? became a crucial laboratory for capital and new financial technologies. Luci Cavallero, Verónica Gago, and Liz Mason-Deese analyze how the home has become a site of battles over what work is considered essential, the intensification of paid and unpaid work, often at the same time, the expansion of new forms of financial extraction, and multiple and interconnected forms of violence. But, importantly, by highlighting the research and action of feminist and housing organizations, they also demonstrate how these processes are being resisted on a daily basis.

Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of "crises" in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere. In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations. Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutional Psychotherapy of Féeacute;lix Guattari is put into conversation with the Brazilian art therapy of Nise da Silveira; the Mexican anti-psychiatry movement's reflections on violence are thought together with theories of violence developed in Argentinian psychoanalysis and Frantz Fanon's anticolonial therapeutic practice; the social form of the Italian Democratic Psychiatry and Brazilian anti-institutional movements are contrasted with the anti-psychiatry factions of the 1960s-70s North American counterculture.Storming Bedlam: Madness, Utopia, and Revolt subverts the divisions between social and biological approaches to mental health or between psychiatry and anti-psychiatry. By exploring the history of psychiatry in the context of revolution, war, and economic development, Warren outlines a minor history of approaches to mental health care grounded in common struggles against conditions of scarcity, poverty, isolation, and exploitation.

From the fight against the AIDS crisis to the struggle for Black liberation and international solidarity, Graphic Liberation! digs deep into the history, present, and future of revolutionary political image making. What is the role of image and aesthetic in revolution? Through a series of interviews with some of the most accomplished designers, Josh MacPhee charts the importance of revolutionary aesthetics from the struggle for abolition by Black Panthers, the agitation during the AIDS crisis from ACT-UP, the fight against apartheid in South Africa and Palestine, as well as everyday organizing against nuclear power, for housing, and international solidarity in Germany, Japan, China, and beyond. In ten interviews, political designer and street artist Josh MacPhee talks to decorated graphic designers such as Avram Finkelstein, Emory Douglas, and more, focussing on each of their contributions to the field of political graphics, their relationships to social movements and political organizing, the history of political image making, and issues arising from reproduction and copyright.

Oglala Lakota poet Mark Tilsen relives the Indigenous-led struggle against the pipeline at Standing Rock and elsewhere through a blend of journal entries and poems.The poems and words collected in Water Protector are bold, urgent, and incomplete, just like the struggle at Standing Rock, where Mark Tilsen fought bravely and wrote defiantly. Through his meditations, he brings us to the frontlines of meaning and struggle, of poetry and power. His writings conjure the aching beauty of seeing Indigenous tribes from all around Turtle Island and beyond come to Standing Rock, the canoes of warriors coming to camp, the heartbreak of ever brutal action, the cold indifference of the government, the weird mixed blessings of the Veterans, the behind the scenes heroes, the bitter atmosphere left behind by social media opportunists and vultures. As Mark writes, “there comes a point where you have to call it and let it be, that point is here.”

Another justice is possible. Genocide in the Neighborhood documents the theories, debates, successes, and failures of a rebellious tactic to build popular power and transformative justice.Genocide in the Neighborhood explores the autonomist practice of the "escrache," a series of public shamings that emerged in the late 1990s to honor the lives of those tens of thousands disappeared and exterminated under the Argentinean military dictatorship (1976 to 1983) and to protest the amnesty granted to perpetrators of state violence. Through a series of hypotheses and two sets of interviews, Colectivo Situaciones highlights the theories, debates, successes, and failures of the escraches-those direct and decentralized ways to agitate for justice that Brian Whitener defines as ?something between a march, an action or happening, and a public shaming." Genocide in the Neighborhood also follows the popular Argentine uprising in 2001, a period of intense social unrest and political creativity that led to the collapse of government after government. The power that ordinary people developed for themselves in public space soon gave birth to a movement of neighborhoods organizing themselves into hundreds of popular assemblies across the country, while the unemployed took over streets and workers occupied factories. These events marked a sea change, a before and an after for Argentina that has since resonated around the world. In its wake Genocide in the Neighborhood investigates the nature of rebellion, discusses the value of historical and cultural memory to resistance, and tactfully deploys a much-needed model of political resistance that has recently been given new life by feminist groups across Latin America organizing against patriarchal violence.

A powerful guidebook for healing and resistance for young girls and gender-expansive youth of color on how to unite, heal, protect, and lead their communities.Turn Up For Freedom helps youth leaders hone their skills to build personal, emotional, and collective freedom. It centers youth leadership through principled positions, such as being a healer, a protector, a scholar-activist, a community organizer, and being radically joyful, in order to build personal emotional and collective freedom. Through memoir, story telling, and political education, E Morales-Williams grounds these principles in the material experiences of working-class youth and reflects on the possibilities and challenges in practicing them as a collective in under-resourced communities. These were the principles of leadership and lessons learned from a Black and Brown girls and gender expansive youth-collective called TUFF Girls (Turning Up for Freedom), based in North Philadelphia. Morales-Williams carefully guides young readers through the challenging issues that confront their lives, helping to identify the traumatic impact that structural violence has on Black and Brown communities, restoring traditions of healing and collective care, and recentering leadership in community as an abolitionist and decolonizing practice. Turn Up For Freedom calls on young people to unite, heal, protect, and lead.

2013 marked the 40th anniversary of the assassination of Amilcar Cabral, revolutionary, poet, liberation philosopher, and leader of the independence movement of Guinea Bissau and Cap Verde. Cabral's influence stretched well beyond the shores of West Africa. He had a profound influence on the pan-Africanist movement and the black liberation movement in the US. In this anthology, contemporary thinkers commemorate the anniversary of Cabral's assassination. They reflect on the legacy of this extraordinary individual and his relevance to contemporary struggles for self-determination and emancipation.

A love letter to over 750 record labels which produced political music as a medium for improving our communities and world.

Work is a joke. Laughing at it is political.Humor, Groucho Marx asserted, is reason gone mad. For Walter Benjamin, laughter was the most revolutionary emotion. In a moment when great numbers of people are reevaluating their commitment to the hellscape we call work, what does it mean to take comedy seriouslyand to turn it against work?Both philosophically brilliant and deeply personal, Comedy Against Work demonstrates how laughing about work can puncture the pretensions of tyrannical bosses while uniting us around a commitment to radically new ways of making the world together. At the same time, Lane-McKinley exposes a war at the heart of contemporary comedy between those who see comedy as a weapon for punching down and those whose laughter points to social transformation. From stand-up to sitcoms, podcasts to late night, comedy reveals our longing to subvert power, escape the prison of work, and envision the joys of a liberated world.

In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together.In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world.Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that holds up our society, experiencing domestic work as a kind of possession. In coming of rage films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.

Frontline voices from the worldwide movement to decolonize climate change and revitalize a dying planet.With a deep, anticolonial and antiracist critique and analysis of what “conservation” currently is, Decolonize Conservation presents an alternative vision–one already working–of the most effective and just way to fight against biodiversity loss and climate change. Through the voices of largely silenced or invisibilized Indigenous Peoples and local communities, the devastating consequences of making 30 percent of the globe “Protected Areas,” and other so-called “Nature-Based Solutions” are made clear.Evidence proves indigenous people understand and manage their environment better than anyone else. Eighty percent of the Earth’s biodiversity is in tribal territories and when indigenous peoples have secure rights over their land, they achieve at least equal if not better conservation results at a fraction of the cost of conventional conservation programs. But in Africa and Asia, governments and NGOs are stealing vast areas of land from tribal peoples and local communities under the false claim that this is necessary for conservation.As the editors write, “This is colonialism pure and simple: powerful global interests are shamelessly taking land and resources from vulnerable people while claiming they are doing it for the good of humanity.”The powerful collection of voices from the groundbreaking “Our Land, Our Nature” congress takes us to the heart of the climate justice movement and the struggle for life and land across the globe. With Indigenous Peoples and their rights at its center, the book exposes the brutal and deadly reality of colonial and racist conservation for people around the world, while revealing the problems of current climate policy approaches that do nothing to tackle the real causes of environmental destruction.

"A multi-genre anthology rooted in the deep desire to not only acknowledge and name the various forms of pain and trauma Latinx people experience regularly, but to do so in the service of imagining new futures and ways of being that prioritize healing and justice not just for Latinx people, but for Queer BIPOC communities and, ultimately, for all people.."--Back cover

"Britney Daniels is a Black, masculine-presenting, tattooed lesbian from a working-class background. For the last five years, she has been working as an emergency-room nurse. She began Journal of a Black Queer Nurse as a personal diary, a tool to heal from the day-to-day traumas of seeing too much and caring too much. Hilarious, gut-wrenching, and infuriating by turns, these stories are told from the perspective of a deeply empathetic, no-nonsense young nurse, who highlights the way race, inequality, and a profit-driven healthcare system make the hospital a place where systemic racism is lived. Whether it is giving one's own clothes to a homeless patient, sticking up for patients of color in the face of indifference from white doctors and nurses, or nursing one's own back pain accrued from transporting too many bodies as the morgues overflowed during the pandemic, Journal of a Black Queer Nurse reveals the ways in which care is much more than treating a physical body and how the commitment to real care-care that involves listening to and understanding patients in a deeper sense-demands nurses, especially nurses of color, must also be warriors"--

"e;Writing from the barren confines of his death row cell, Mumia Abu-Jamal provides a remarkable testament about the Black Panther Party. . . .an amazing book that illuminates the truth of what his membership in the Party was about, and reveals the extreme price extracted from him for having learned, and for now telling the truth."e;Kathleen Cleaver, from the IntroductionMumia Abu Jamal, America's most famous political prisoner, is internationally known for his radio broadcasts and books emerging ';Live from Death Row.' In his youth Mumia Abu-Jamal helped found the Philadelphia branch of the Black Panther Party, wrote for the national newspaper, and began his life-long work of exposing the violence of the state as it manifests in entrenched poverty, endemic racism, and unending police brutality. In We Want Freedom, Mumia combines his memories of day-to-day life in the Party with analysis of the history of Black liberation struggles. The result is a vivid and compelling picture of the Black Panther Party and its legacy.Applying his poetic voice and unsparing critical gaze, Mumia examines one of the most revolutionary and most misrepresented groups in the US. As the calls that Black Lives Matter continue to grow louder, Mumia connects the historic dots in this revised/updated edition, observing that the Panthers had legal observers to monitor the police and demanded the ';immediate end to police brutality and the murder of Black people.' By focusing on the men and women who were the Party, as much as on the leadership; by locating the Black Panthers in a struggle centuries oldand in the personal memories of a young manMumia Abu-Jamal helps us to understand freedom.

';How can we get free? How can we free ourselves, our communities, our environments, our society? Our present is infused with incredible possibilities for realizing a free association of social individuals, sustainably regulating our relations within nature. Yet the material possibilities for the realization of this freedom remain trapped within a present that summons all available weapons of repression to contain and suppress it';The question of freedom is central to all revolutionary movements. It is at the root of everyday struggles to resist and overcome oppression. Often, the realities we face constrain how we understand this question, so we ask it in pieces. How do we provide for each other? How do we protect, nurture, care, love, create? These questions of survival and perseverance ask how we liberate ourselves from the hardships of enclosure, exploitation, and dependency that are imposed on our minds, bodies, communities, and environments.'By laying bare the mechanisms of capitalism, imperialism, settler colonialism, climate catastrophe, heteropatriarchy, white supremacy, exploitation and dispossesion, and a range of other oppressive structures and countering them with a historical account of revolutionary movements from around the world, Organizing for Autonomy offers a brazen and determined articulation of a world that centers community, love, and justice.With an unparalleled breadth and by synthesizing innumerable sources of revolutionary thought and history, CounterPower presents the result of years of inquiry, struggle, and resistance. Bold, fearless, and radically original, Organizing for Autonomy imagines a decolonized, communist, alternative world order that is free from oppressive structures, state violence, and racial capitalism and helps us to get there.