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Lawrence Johns is regarded as America's greatest epic poet for his narratives of the Sixties ("Love And Hate") and Seventies ("Beyond Exile"). His thought-provoking "The Western Way" (2023) startled the literary world. "Will And Resistance" carries the story forward a hundred years, when everything created in "The Western Way" is threatened with destruction.

Lawrence Johns is America's greatest epic poet. "Love and Hate" (2005). his story of the rise and fall of Haight Ashbury was selected as the best work of fiction ever written about the Sixties. "Beyond Exile" (2008), his international narrative of the Cold War and terrorism in the Seventies was made into three seasons of the popular TV series "I'm Carlos Now". His long-awaited third epic, "The Western Way" is a radical philosophical examination of contemporary America that restores the power and principles of Western Culture. Brilliant in conception, refined and lyrical in expression, "The Western Way" is a literary masterpiece that immediately makes Lawrence Johns a serious contender to supplant Billy Collins as America's most important poet.

Lawrence Johns' polymath essay on golf in the New Medieval presents the first theoretical strategy for winning golf tournaments in the royal and ancient history of the game.With 85 Old Medieval illustrations.

Beyond Exile is the second part of Lawrence Johns' epic poem on the cultural roots of American consciousness. Pulitzer-nominated Love And Hate told the story of the rise and fall of Haight Ashbury in the Sixties through the eyes of the Diggers. Beyond Exile carries the narrative though the psychology, politics and dark magic of the Seventies as Frank Glendover meets up with Carlos the Jackal spinning strange dreams in Exile. If Love And Hate was Johns' Iliad, Beyond Exile is his Odyssey and Oedipus Rex. Lawrence Johns has been called the Poet Laureate of the Counterculture, and Beyond Exile, with its ancient Welsh stylings of free verse, its sex and adventure, its philosophical and and theological inventions, provides brilliant new evidence of a Johns counterhistory that revalues the intent and function of American poetry.