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An examination of Friedrich Nietzsche's radically original ideas on time and becoming. It explores Nietzsche's approach to temporality, showing that his metaphorical and literary presentations lend themselves, in surprising detail, to the debates that have engaged other thinkers.
Presents a comprehensive study of the roots of the concept of genius in Kant's understanding of nature and his notion of the artist. While many studies have chronicled the Romantic legacy of artistic genius, this book uncovers the roots of the concept of genius in Kant's third Critique, alongside the development of his understanding of nature.
Investigates the origin of the concept of the zero article and shows that it has roots both in structural linguistics of the 1940s and earlier historical linguistics. This book is suitable for academics and students interested in grammar and syntax.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.