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Lovers, companions, and husband and wife, Catherine and Prince Grigory Potemkin were also close political partners. This work reveals the complexity of Catherine and Potemkin's personal relationship in light of changes in matters of state, foreign relations, and military engagements. It gives insights into Catherine's passions, and her world.

"This book investigates the social and political role of local Jewish museums in Polish lands and in independent Poland from the 1890s up to the Holocaust, as well as Jewish ethnographic initiatives"--

"A cultural history of the collapse of the USSR, focused on the highly visible flourishing of radical spiritual movements and worldviews that emerged in Soviet cities at that time, revealing the nature of Soviet ideology as it unraveled and the common features of societies undergoing crisis"--

Performing Desire examines the intellectual and philosophical complexity of a monument of medieval literature: the mid-thirteenth century Bestiaire d'amours of Richard de Fournival. Although the Bestiaire was recognized in its time as significant, as evinced by numerous surviving manuscript copies and its influence on other literary works, modern scholarship has tended to neglect it. Performing Desire remedies this omission by detailing the contributions of the Bestiaire to medieval literature and thought. Attending to the phenomenology, psychology, and philosophy of Fournival's Bestiaire, Elizabeth Eva Leach and Jonathan Morton reconsider the work as a literary experiment that explores erotic desire and the construction of a self. Leach and Morton further show that the Bestiaire is as much a meditation on sound and performance as it is a study of desire. Synthesizing methods from musicology, literary studies, and manuscript studies, Leach and Morton consider the complex and hybridized workings of text, image, sound, and cues for performance in the surviving manuscripts of the Bestiaire. Through their analysis, Leach and Morton find that the distinctive aspect of the Bestiaire's philosophical method is its self-conscious status as a performance between the oral and the literary, the voice and the page. It is this aspect, they contend, that left such a mark on the medieval European tradition of philosophical fiction. In Performing Desire, Richard de Fournival's hybrid text emerges as one of the most philosophically sophisticated and important works of medieval literature not only in French but in any language.

The German-Soviet War revises the conflict's generally accepted understanding through case studies, demonstrating the complexity of the war at the local level. The contributors assembled by Jeff Rutherford and Robert von Maier examine the multiplicity of experiences of individuals caught in this savage war, starting with the German war of annihilation launched against Soviet state and society in June 1941.This detailed collection shows that the particular nature of the war in the east resulted from an intertwining of military, ideological, and economic motives. The German-Soviet War puts Germany's murderous policies toward Soviet Jews and prisoners of war, and the justification for these policies and actions within the ranks of the army, into the larger context of battlefield events.The neglected topic of the destructive German scorched-earth retreats receives detailed analysis, demonstrating the importance of ideology and economic thinking in the German army's war. The difficulty in reconciling economic and ideological considerations also played a prominent role in Soviet attempts to rebuild after the war. The German-Soviet War not only brings attention to these devastating events but also revises the general narrative of the war.By internationalizing the conflict through examinations into the various Axis and Allied nations and peoples who participated in the fighting, this volume provides new ways of conceptualizing their motivations, actions, and importance in its eventual outcome. Together, the contributions to The German-Soviet War provide new ways of examining the defining conflict of the Second World War.

"Gender and Authority in the Late Medieval Church analyzes the relationship between patriarchy and governance in the English church between 1200 and 1500."--

The Dutch World of Washington Irving tells an alternative origin story of American literary culture. In December of 1809, before finding fame with "Rip Van Winkle" and "The Legend of Sleepy Hollow," Washington Irving published his satirical History of New-York from the Beginning of the World to the End of the Dutch Dynasty under the pseudonym Diedrich Knickerbocker. Elisabeth Paling Funk explains that the History of New-York and the Hudson Valley folktales that followed are part of an early trend to respond to the national desire for a historical record. Funk argues that these works uniquely describe this part of the American scene in the period of the Early Republic and bring forward the Dutch strain in its history and culture. Funk explores what the young Irving would have read, heard, and observed during his early life and career in New York City, once part of the former colony of New Netherland, where he was surrounded by Dutch-speaking neighbors, relatives, and Dutch literature. Based on these sources, The Dutch World of Washington Irving argues that Irving's Knickerbocker works-not only his History but also his Hudson Valley stories-represent a crucial effort to preserve Dutch life and folk customs in the Hudson Valley in the face of Anglo-Americanization. Providing the first complete glossary of Irving's Dutch vocabulary and drawing on untranslated Dutch sources, Funk offers cultural historians, scholars of American folklore and literature, and the latest generation of Irving's readers unprecedented access into the Dutch world of Washington Irving and his American contemporaries.