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Winik arranges her arresting portraits of the dead chronologically, spanning Friends of My Youth, Mostly in New Jersey 1958-1978, The Austin Years, Including New Orleans 1977-2009, We Were Ten Years in Pennsylvania 1999-2009, and Love in the Time of Baltimore 2009-2018. Featuring 12 additional vignettes, The Big Book of the Dead continues Winik's work as an empathic chronicler of life.

First published in A Continuous Harmony in 1972, "Think Little" is cultural critic and agrarian Berry at his best: prescient about the dire environmental consequences of people's mentality of greed and exploitation, yet hopeful that they will recognize war and oppression and pollution not as separate issues, but aspects of the same.

"e;The Art of Loading Brush is singular in Berry's corpus."e; -The Paris ReviewWendell Berry's profound critique of American culture has entered its sixth decade, and in this gathering he reaches with deep devotion toward a long view of agrarian philosophy. The Art of Loading Brush is an energetic mix of essays, stories, and a poem, which explore agrarian ideals as they present themselves historically and as they might apply to our work today. Filled with insights and new revelations from a mind thorough in its considerations and careful in its presentations, The Art of Loading Brush is a necessary and timely collection.

Being the son of counter-culture author William S. Burroughs is bound to be a trial. After all, the man who frequented lesbian dives and had a fascination with firearms couldn't possibly make that great of a father. Perhaps inevitably, William Jr. (called Billy) referred to himself as "cursed from birth" and in the book of the same name editor David Ohle collects parts of Billy's third and unfinished novel Prakriti Junction, his last journals and poems, and correspondence and conversations to recreate this tortured life. Endowed with the sufferings — but not the patience — of Job, Billy's life was often characterized by tragedy and frustration, although there were also pockets of success and levity. More than just the memoir of a casualty of the Beat Generation, Cursed From Birth provides rare insight in Billy's father, as well as his scene, friends, and times. It also provides an all-too-familiar story of familial difficulties that anyone with difficult parents can understand and appreciate.

David Markson was a writer like no other. In his novels, which have been called "hypnotic," "stunning," and "exhilarating" and earned him praise from the likes of Kurt Vonnegut and David Foster Wallace, Ann Beattie and Zadie Smith. Markson created his own personal genre. With crackling wit distilled into incantatory streams of thought on art, life, and death, Markson's work has delighted and astonished readers for decades.Now for the first time, three of Markson's masterpieces are compiled into one page–turning volume: This Is Not a Novel, Vanishing Point, and The Last Novel. In This Is Not a Novel, readers meet an author, called only "Writer," who is weary unto death of making up stories, and yet is determined to seduce the reader into turning pages and getting somewhere. Vanishing Point introduces us to "Author," who sets out to transform shoeboxes crammed with note cards into a novel. In The Last Novel, we find an elderly author (referred to only as "Novelist") who announces that, since this will be his final effort, he possesses "carte blanche to do anything he damn well pleases."United by their focus on the trials, calamities, absurdities and even tragedies of the creative life, these novels demonstrate David Markson's extraordinary intellectual richness—leaving readers, time after time, with the most indisputably original of reading experiences.

Jared Yates Sexton's latest is an outlaw expedition into America through the guise of the savage and unprecedented 2016 presidential campaign.

In the fateful month of March 2000, shortly after opening a hugely successful show in New York that unveiled the more nefarious financial connections of Presidential candidate George W. Bush, the hugely ambitious Conceptual artist Mark Lombardi was found hanged in his studio, an apparent suicide. With museums lining up to buy his work, and the fame he had sought relentlessly at last within his reach, speculation about whether his death was suicide or murder has titillated the art world ever since. Lombardi was an enigma who was at once a compulsive truth-teller and a cunning player of the art game, a political operative and a stubborn independent, a serious artist and a Merry Prankster, a metaphysicist if not a scientist.Lombardi's spidery, elusive diagrams describing the evolution of the shadow-banking industry from a decades-old alliances between intelligence agencies, banking, government and organized crime, may have made him unique in art history as the only artist whose primary subject, the CIA, has turned around and studied him and his art work. Exhaustively researched, this is the first comprehensive biography of this immensely contradictory and brilliantly original artist whose pervasive influence in not only the art world, but also in the world of computer science and cyber-security is only now coming to light.

"e;Award-winning writer Bahrami is a delightful guide in this thoroughly enjoyable look into the research and recovery of a group of Neandertal remains in the French Dordogne region . . . Her wide interests in travel, memoir, food, wine, and more make this exceedingly engaging title more like a French version of Under the Tuscan Sun."e; -Booklist (starred review)Centered in the Dordogne region of southwestern France, one of Europe's most concentrated regions for Neandertal occupations, Caf Neandertal features the work of archaeologists doing some of the most comprehensive and global work to date on the research, exploration, and recovery of our ancient ancestors, shedding a surprising light on what it means to be human.

In his energetic, funny, and intelligent memoir, Peter Coyote relives his fifteen-year ride through the heart of the counterculturea journey that took him from the quiet rooms of privilege as the son of an East Coast stockbroker to the riotous life of political street theater and the self-imposed poverty of the West Coast communal movement known as The Diggers. With this innovative collective of artist-anarchists who had assumed as their task nothing less than the re-creation of the nations political and social soul, Coyote and his companions soon became power players.In prose both graphic and unsentimental, Coyote reveals the corrosive side of love that was once called free; the anxieties and occasional terrors of late-night, drug-fueled visits of biker gangs looking to party; and his own quest for the next high. His road through revolution brought him to adulthood and to his major role as a political strategist: from radical communard to the chairman of the California Arts Council, from a street theater apprentice to a motion-picture star.

Aaron Aaronsohn was one of the most extraordinary figures in the early struggle to create a homeland for the Jewish people. Brought to Palestine at age five, as a young man Aaronsohn was a rugged adventurer who became convinced during years of solo explorations that water should govern the region's fate. He compiled both the areas first detailed water maps and a plan for Palestines national borders that predicted andin its insistence on partnership between Arabs and Jewsmight have prevented the decades of conflict to come. In World War I, he ran a spy network with his sister, Sarah, that enabled the British to capture Jerusalem but also made him the rival of his colleague T.E. Lawrence. There is evidence that beautiful, rebellious Sarah, who died tragically in 1917, was the only woman the enigmatic Lawrence ever loved. Ultimately, Aaron Aaronsohn also paid for his devotion to the new nation with his life. A history that speaks directly to the present, Aaronsohns Maps reveals for the first time Aaronsohns key role in establishing Israel and the enduring importance of Aaronsohns maps in Middle Eastern politics today.

Running so hard you think you'll choke on your next breath. Lungs burning like they're drenched in battery acid. Peripheral vision blurred by the same adrenaline that drowns out the cheers coming from the full stadium. And of course, the reporters. The men scribbling furiously on their notepads so they can publish every stumble, sprain, and sniffle in these historic games.This was the world of the female athletes in the 1928 Amsterdam Olympics, the first games in which women were allowed to compete (and on a trial basis, at that). Nicknamed "the Peerless Four," the Canadian track team included some of the strongest and most diversely talented women on the scene. Narrated by the team's chaperone—a former runner herself—the women embark on their journey with the same golden goals as every other Olympian, male or female. But as the Olympic tension begins to rise with unexpected injuries, heartbreaking disqualifications, and the pressure of supreme athletic performance, each woman discovers new fears and new priorities, all while the weight of women's future in the Olympics rests on their performance poise.The Peerless Four is more than a sports novel, more than a record of how far women's rights have come in the past 75 years. It's a meditation on sacrifice, loyalty, commitment, perseverance, and the courage to live a true underdog tale.