Bøker utgitt av Cune Press,US

Shahrazad's Gift is a collection of linked short stories, set in an apartment building in contemporary Cairo, with a cast of flamboyant, unlikely characters, who seem to have stepped out of A Thousand and One Nights.

A look behind the headlines on the war on terror, the author takes the reader through six war-torn countries, engaging in self-styled citizen diplomacy.

Musa Al-Halool, from Raqqa Syria, has put together 36 tales on the subject of the Syrian Civil War, the Assad government, and the authoritarian style of other Arab dictators. The heart of The Dusk Visitor is short fiction that paints a dystopian landscape, Kafkaesque, life that appears to offer hope and yet is riven with absurdity, unfreedom, fear, and death.

Girl Fighters is a novel based on a true account of two girls who passed as men and fought in Yemen's 1960's civil war.The characters in our story are two cousins who dress as males and are known as Mohammed and Ali. The men in their family have died in war. The girls feel it is their duty to seek revenge, the code of honor in tribal society. However in Yemen girls are hidden from public view?behind walls, doors, and veils. When Mohammed and Ali decide to seek revenge, they ironically violate another tribal expectation: that fighters be males.At first, Mohammed and Ali are inspired by their act of resistance. The war was compelling, a ?noble cause.? Later, they come to realize that war benefits corrupt political leaders and business interests, both local and international. Against the backdrop of war they gain new perspectives. Taking off veils and dressing as men opens their eyes to gender inequities. They question female roles in tribal society. For example, boys can be educated at mosques, but girls cannot attend schools.Mohammed plans to open a girl's school when the war ends. Ali is a military medic. When Ali is killed, Mohammed confronts loss and guilt. She cannot return to her former life. The dream of educating girls cannot happen as a ?man.? In tribal society, as ?a woman? she must marry and produce children. Against the odds, Mohammed reshapes her life as leader in the community.

Refugees from the Middle East and Asia who have fled famine and violence and resettled in the US too often are isolated, disconnected, living in despair. Will their lives disintegrate?Enter a group of ordinary Americans who recognized the need, created a solution, got results—and found their own lives uplifted in the process.Author Patricia Martin Holt reports on Peace of Thread, a non-profit founded by Denise Smith, an Evangelical Christian who lived in Clarkston, an Atlanta suburb with refugees from 51 nations in a single square mile. Smith had previously learned Arabic during six years of mission work in Lebanon. She befriended refugee women and built on the fabric skills that many women brought with them.Now the women are creating handbags and accessories and selling them on ESTY and in specialty shops. They are now feeling much more at home and credit their fabric work for helping them transition to stable lives.Patricia Martin Holt demonstrates that good-hearted people, including Evangelical Christians from the South, are actively overcoming the national climate of fear and bigotry toward refugees—and are taking practical steps to overcome the problems of refugee resettlement. It turns out that we can work for world peace simply by lending a hand to those in need—in the same cities, counties, and neighborhoods where we live.Winner: 1st in Category 2020 NELLIE BLY Award. The NELLIE BLY Book Awards recognize emerging talent and outstanding works in non-fiction for Investigative and Journalist Non-fiction. The Nellie Bly Book Awards is a division of the Chanticleer International Book Awards (The CIBAs).

In a world driven by power, money, and the pursuit of personal success, Helen and her father Elia have given us a glimpse of an intact society stretched to the limit, yet surviving with all the strands of its fabric securely in place. Their deceptively simple work carries a profound message for our time.24 full color plates of original artwork by the established Arab American artist Helen Zughaib accompany her father Elia Zughaib's family stories of his childhood in Syria and Lebanon in the 1930s.Helen's art in review: "Like dreaming in color." "Her perfectly patterned visual images create a path of radiance." "Her images magically carry us into distant places of beauty, joy, devotion, and love."In counterpoint to Helen's art work, Elia Zughaib's stories portray with rich cultural detail the traditions and lifestyle of a previous era. Evocative, full of wisdom and humor, they offer fascinating glimpses into Syrian and Lebanese Christian traditions, folk culture, and daily life.Winner of the Evelyn Shakir Non-Fiction Award from the Arab American National Museum 2021 Arab American Book Awards

The modern Middle East often seems like a web of problems none of which has proven more intractable over the last half century than the Israeli-Arab conflict. One of the core issues is the Israeli claim to ownership of modern-day real estate based on ancient stories that have been enshrined in scripture, promoted by politicians, and buttressed by Hollywood. In this book two revisionist thinkers expose what they argue are the tenuous underpinnings of these claims. Was the Exodus of scripture actually a Hebrew exodus. Was the Moses depicted by Charlton Heston actually a Hebrew leader? Or were they echoes of a much earlier exodus of Hyksos, the invasive people to first conquer and reign over Egyptians? The authors argue that neither Moses nor the Hebrews were in Egypt until around 1000 BCE -- 500 years after the earlier Exodus is known to have taken place. They go on to sift through research of an Hyksos evacuation of Egypt led by an Eastern leader who is far different than the Moses with whom we are familiar.

Features essays on the theme 'local truth'. This work includes proses from 75 writers of the East and West Coasts.

A middle-aged playwright -- in conflict with his ex-wife, his current girlfriend, and a legion of creditors -- journeys from Hollywood to Atlanta to work with his youthful idol, legendary avant-garde director Joseph Chaikin. Thus begins a roller coaster ride of a very unusual sort, combining personal revelations with theatrical obsessions, a step-by-step disclosure of a master director's rehearsal process with a search for spiritual truth (and a decent night's sleep). Just hop aboard and get a backstage pass to the 'holding-on-by-your-fingernails' reality of the contemporary American theatre.