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An obsessive and revealing self-portrait of a remarkable woman humiliated by the circumstances of her birth and by her physical appearance, La Bâtarde relates Violette Leduc’s long search for her own identity through a series of agonizing and passionate love affairs with both men and women.When first published, La Bâtarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir—like that of Henry Miller, Leduc’s brilliant writing style and attention to language transform this autobiography into a work of art.

On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt . . . Meanwhile, in the not-too-distant future of our own, "e;real"e; world, another last Jew-the last living Holocaust survivor-sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

A polyphonic novel set over the course of three days, Midnight is Not in Everyone’s Reach is a stunning meditation on memory and time from Antonio Lobo Antunes, considered by many to be Portugal’s greatest living writer.The year is 2011, and our aging narrator has returned to Alto da Vigia to say goodbye to the house where her family spent summers during her childhood. Divided into three sections, one for each day that she spends at the home, Midnight is Not in Everyone’s Reach unspools in torrents of dialogue and surreal, feverish scenarios.Over these three days, the dead return to life, time splinters and freezes, and conversations flow from the past into the present and back again, as we journey across the narrator’s corrosive psyche toward our real destination—the place inside herself where the family’s grief-stricken secrets are kept.

Edouard Leve delivered the manuscript for his final book, Suicide, just a few days before he took his own life.

A puzzle of colorful, sardonic episodes that come together as a portrait of totalitarian society as a whole.Sugar Kremlin follows the near-future universe of Sorokin’s Day of the Oprichnik, crafting a set of 15 chapters that all return to the symbol of the title: The Sugar Kremlin. Thousands of these creations are being given away to citizens on the street, from lucky children to secret political dissidents, torture-obsessed civil servants, sex workers in a nearby bordello, and more.As Sorokin moves from story to story, he draws the reader through the dark streets of life in Russia, creating a metaphysical encyclopedia of the Russian soul through a deceptively sweet sugary treat. Presenting a wide variety of genres and tones, Sugar Kremlin lays out a frightening vision of speculative mercilessness and quirky political horror.

Casting light and shadow, looking backwards and forwards, My Paris is a hynotizing tale of desire and nostalgia, magically submerging the reader in the endless—and not always seamless—sensuality of the City of Light. In My Paris, a Canadian woman keeps an extraordinary journal of her time in a Parisian studio. Not a typical tourist, she prefers indoor spaces, seeing Paris go by on TV or watching from her window the ever-changing displays of men's designer clothing across the boulevard. Or she roams the streets, caught between nostalgia and a competing sense of the present day, between Paris's rich cultural traditions and the realities of Western imperialism. Disillusioned by her inability to reconcile these contradictions and by her own part in perpetuating them, she assembles in her journal pieces of the present, past, of art, philosophy, of herself, and of the world outside her.

The second volume in Stig Sæterbakken's loosely connected "S Trilogy," Self-Control moves from the dark portrait of codependent marriage featured in the acclaimed Siamese to a world of solitary loneliness and repression. A middle-aged man, Andreas Feldt, feeling that he is unable to communicate with his adult daughter over the course of a friendly lunch, announces on an inexplicable whim that he is going to get a divorce. Though his daughter is initially shocked, she quickly assimilates this information and all returns to normal. Faced with this virtual invisibility-for no matter what actions he takes, the world seems to take no notice-Andreas is cut adrift from the certainties of his life and forced to navigate through a society where it seems virtually everyone is only one loss of self-control away from an explosion of dissatisfaction and rage.

Nina, a drifter from southern Spain comes to London in search of experience, only to find that the strangest of stories is hiding in her father's loft in America... A playfully concocted, fast-paced novel committed to the irresistible pleasure of reading, both a celebration and a critique of our relationship to objects (from fetishes, to curios, to commodities, to objectum sexuality, to our becoming cyborgs through our addiction to technology), Philosophical Toys travels through different times, countries and experiences as chance leads Nina to encounter time and again the enigmatic nature of things, which end up transforming her into that most rare of species: a female philosopher. Witty and elegiac, Philosophical Toys takes the reader on a tour of fetishism, late capitalist culture, Buñuel's films, psychoanalysis, Alzheimer's disease, as well as the avatars of belonging to two cultures, an experience increasingly shared by a myriad of expatriates.

A writer of "enormous sophistication" (The New York Times), Nicholas Delbanco has established himself as an intelligent and erudite fount of American literature. Reprise collects three volumes of short stories, bringing together half a century of Delbanco's writing for the first time. Nicholas Delbanco has been many things: a student of John Updike; a teacher of noteworthy authors like Bret Easton Ellis, Andrea Barrett, and Jesmyn Ward; and even, for a while, the next-door neighbor of James Baldwin. Across a career spanning nearly six decades, Delbanco has published more than thirty books of fiction and nonfiction and edited a dozen more. He is the recipient of numerous awards. The stories collected here represent a sort of retrospective, capturing the restless and boundlessly intelligent Nicholas Delbanco at key moments in his artistic life. With painterly eye for detail and texture, Reprise offers readers an invitation to glimpse American literature at its most elegant and graceful.

Log of the S.S. The Mrs. Unguentine is a masterpiece of modern domestic life, a comic novel of closeness and difficulty, miscommunication and stubborn resolve. "Forty years ago I first linked up with Unguentine and we made love on twin-hulled catamarans, sails a-billow, bless the seas . . ."So begins the courtship of a certain Unguentine to the woman we know only as "Mrs. Unguentine," the chronicler of their sad, fantastical tale. For forty years, they sail the seas together, alone on a giant land-covered barge of their own devising. They tend their gardens, raise a child, invent an artificial forest-all the while steering clear of civilization. Rarely has a book so perfectly registered the secret solitude of marriage, how shared loneliness can result in a powerful bond.

"Lesbianism, its flories and sorows, is the subject and quest of this marvelously perverse sentimental journey by Nightwood's author... A striking lesbian manifesto and a deft parody." —Library JournalBlending fiction, myth, and revisionary parody and accompanied by the author's delightful illustrations, Ladies Almanack is a brilliant modernist composition and arguably the most audacious lesbian text of its time. While the book pokes fun at the wealthy Paris expatriates who were Barnes' literary contemporaries and remains controversial today, it seems to have delighted its cast of characters, which was also the first audience. Arranged by month, it records the life and loves of Dame Evangeline Musset in a robust style taken from Shakespeare and Robert Burton's Anatomy of Melancholy. Published for the first time in decades, this edition features original illustrations by the author.

Angel in the Forest is Marguerite Young's fascinating chronicle of two attempts to establish utopian communities in nineteenth-century America.In it, she  recounts the strange tale of New Harmony, Indiana, a community originally founded in 1814 by the German mystic Father George Rapp, who wanted to apply Scriptural communism to daily life in order to bring about the New Jerusalem. It was sold in 1825 to Robert Owen, the father of British socialism who, with a group of English immigrants, implemented his own theories for a perfect community, this time based on rationalism.Both experiments failed, but Young finds in both a distinctively American yearning for utopia, which continues to characterize the American spirit to this day: a tradition of faith and folly can be traced from Owen's New Moral World to George Bush's New World Order.Written with the same elegance, wit, and lyric beauty that distinguishes her fiction, Angel in the Forest was widely praised upon its first publication in 1945. This edition includes Mark Van Doren's introduction to Scribner's 1966 reprint.

"Torrential and dreamlike, Mauro Javier Câardenas' novel unfurls into a layered, poignant, and unflinching portrait of how family separations have impacted the minds of Latin American deportees in a technology-bound 21st century."--Provided by publisher.

"Grotesque, deconstructive, and absolutely genius, Vladimir Sorokin's short story collection Dispatches from the District Committee is a revelatory, offbeat portrait of Soviet life beyond the propaganda and state-sponsored realism. Celebrated-and censored-for its political satire, literary irreverence, and provocative themes, his work has been recognized across the world for its scathing, darkly humorous commentary on political and cultural oppression in the Soviet Union and contemporary Russia. Dispatches from the District Committee brings together stories from Sorokin's incendiary 1992 collection The First Subotnik/My First Working Saturday. Skillfully translated by Max Lawton, these stories remain subversive classics, and increasingly relevant in a post-truth information age"--

"True Story: A Trilogy gathers together three documentary plays by acclaimed playwright and poet Dan O'Brien concerning trauma, both political and personal. The Body of an American speaks to a moment in history when a single, stark photograph--of a US Army Ranger dragged from the wreckage of a Blackhawk helicopter through the streets of Mogadishu--altered the course of global events. In a story that ranges from Rwanda to Afghanistan to the Canadian Arctic, O'Brien dramatizes the ethical and psychological haunting of journalist Paul Watson. In The House in Scarsdale: A Memoir for the Stage the playwright applies journalistic principles to an investigation of his childhood unhappiness, as he searches for the reason why his parents and siblings cut him off years ago. The more he learns about his family, the more mysterious the circumstances surrounding their estrangement become, until his sense of self is shaken by rumors regarding his true parentage. The trilogy concludes with New Life, a tragicomedy that finds Paul Watson in Syria and the playwright in treatment for cancer, while together they endeavor to sell a TV series about journalists in war zones. New Life explores the paradox of war as entertainment, and dares to dream of healing after catastrophe. These three gritty yet poetic plays stand as a testament to the value of witnessing, honoring, and perhaps transcending the struggles of living."--

"Antâonio Lobo Antunes's twenty-fifth novel, Commission of Tears (2011, Comissäao das Lâagrimas) is set during the Angolan Civil War (1975-2002). Angola attained official independence on November 11, 1975 and, while the stage was set for transition, a combination of ethnic tensions and international pressures rendered Angola's hard-won victory problematic. As with many post-colonial states, Angola was left with both economic and social difficulties which translated into a power struggle between the three predominant liberation movements. The People's Movement for the Liberation of Angola (MPLA), formed in December of 1956 as an offshoot of the Angolan Communist Party, had as its support base the Ambundu people and was largely supported by other African countries, Cuba, and the Soviet Union. In this novel, Antunes delves into this traumatic period of Angola's history through the fragmented memories and dreams of a broken woman. The author drew from the story of the commander of the female battalion MPLA who was tortured and killed following the state coup of May 1977. It is said that while they tortured her she did not stop singing. This is the story of Cristina, admitted in to a psychiatric clinic in Lisbon. In her torrent of memories, dialogues and traumatic episodes, Cristina remembers her early childhood in Africa, at the time when everything inside her head was intertwined with her father's voice, who was a former Black priest and became one of the torturers of the "Commission of Tears." Cristina's white mother, a cabaret dancer imported from Lisbon to entertain Portuguese farmers in Angola, marries the Black ex-priest because she finds herself pregnant with Cristina by the man who exploits her, the cabaret manager. The long, twisting narrative weaves together the three voices of daughter, father, and mother as they recall the terrors of their life in Angola, and their own suffering. Their personal tragedies, scarred by racism and abuse, mirror those of the country that is being torn asunder around them"--

Radical and racy, Robert Coover's Coover Stories is a new collection of incisive, inventive works from the postmodern master.When Robert Coover's first collection Pricksongs & Descants came out in 1969, his shortstory "The Babysitter," took the literary world by storm. Described as "metafiction at its best,"his work is taught in classrooms more than half a century later, no less relevant-andirreverent-than at its debut. Provocative, experimental, and biting, Coover's darkly satiricwriting has pushed the avant-garde to its limits and sired a generation of postmodernists. Coover Stories is the fourth short story collection from Robert Coover. Drawing on decades of experience, the William FaulknerFoundation Award-winning writer continues to shock and engage his readers with his wit, style,and keen critical eye for the paradoxes of modernity.

In this brilliant, inventive, tragic farce, Deborah Levy creates the ultimate dysfunctional kids, Billy and his sister Girl. Apparently abandoned years ago by their parents, they now live alone somewhere in England. Girl spends much of her time trying to find their mother, going to strangers' doors and addressing whatever Prozac woman who answers as "Mom." Billy spends his time fantasizing a future in which he will be famous, perhaps in the United States as a movie star, or as a psychiatrist, or as a doctor to blondes with breast enlargements, or as the author of "Billy England's Book of Pain." Together they both support and torture each other, barely able to remember their pasts but intent on forging a future that will bring them happiness and reunite them with the ever-elusive Mom. Billy and Girl are every boy and girl reeling from the pain of their childhoods, forgetting what they need to forget, inventing worlds they think will be better, but usually just prolonging nightmares as they begin to create—or so it seems—alternative personalities that will allow them to survive and conquer and punish. In the end, the reader is as bewildered as Billy and Girl—have they found Mom and a semblance of family, or are they completely out of control and ready to explode?

Candid and unfettered, Sven Popovic's Last Night is a playfully existential meditation on youth and the search for the self. Acclaimed in his native Croatia, Popovic's unique blend of intimacy and contemplation has garnered him a following in the alternative literary scene of Zagreb-and beyond. With an intellectualism that never takes itself too seriously, an unaffected fluidity of form, and a keen eye for the smallest, strangest moments that color our lives, his stories weave an offbeat tapestry of urban life. Last Night is the first short story collection from Sven Popovic, whose writing was previously featured in Dalkey Archive Press's Best European Fiction 2017, and his first full work to be released in English. Slickly translated by Vinko Zgaga, Popovic's sometimes-dreamlike, sometimes-conversational vignettes offer a shrewd, original outlook on life's absurdities.

The tenth child of a fantasist mother and an absent millionaire, Matty Crickholme is growinginto a sexually bewildered, neurotic young man. Through the collected paraphernalia of anunconventional childhood, Alex Kovacs creates a quirky, kaleidoscopic rumination on family andhow it shapes us—for better or worse.Sexology follows the strange, wonderful, fluxional world of the Crickholmes, wherenonconformism is celebrated, siblings form autonomous republics, and eccentricity reignssupreme. The Crickholme siblings youthful exploits take them on myriad paths: a hermeticpsychic, a dog trainer, an ice cream purveyoress, a missing person. Between memories,factoids, letters, and old photographs, Matty investigates how their offbeat rearing made themthe adults they became, and how fantasy and convention collide.Alex Kovacs’s writings have received acclaim for their invention, wit, and astute observations ofour absurd world. Sexology brings this intellectual playfulness to the story of the Crickholmeswith a unique prose that evokes the complex emotional landscapes of W.G. Sebald’s novels andthe sometimes-gentle, sometimes-devastating style of Susanna Clarke. The result is anentrancing, incomparable medley.