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Elegy for Joseph Cornell is at once a monologue; a collection of metafictional microfictions; a series of prose poems; an artist¿s quest; the herös journey; a filmography, biography, bibliography, and inventory; a travel scrapbook; and a guidebook for creativity. Argentinian writer María Negroni transcends form and genre as she explores, with both luminous and illuminating results, the life of Joseph Cornell, a solitary urban artist whose work also defied conventional classification.

The time is the twilight of the decrepit Brezhnev regime, the place, the Soviet Socialist Republic of Moldavia: the "Latin periphery of empire." A pensioner seeks justice for his dead wife, crushed by a falling crane--the very symbol of the "construction of socialism"--but comes up against hostility from a cynical system at best indifferent, at worst contemptuous of human life. With a keen, Gogolian eye for the grotesque, often squalid, details of everyday life in the USSR, Iulian Ciocan paints darkly humorous but compassionate portraits of Homo sovieticus, from crusty war veterans and lowly collective farm workers to venal Party bigwigs, as each comes to the disturbing realization that the lofty ideals of Soviet society were lies all along. And for idealistic young pioneer Iulian, the biggest disillusionment of all will be the abrupt revelation of Brezhnev's mortality.

collection of previously published and unpublished storiesDumitru Tsepeneag exiled because of this controversial writing style

Amanda Michalopoulou's God's Wife is a deceptive novel: it draws us close with promises of titillating confession and heart-warming intimacy only to send us on a conceptual scavenger hunt that probes the ethics of reading, writing, and the unspoken conventions of literary mastery. "It sounds like a lie, but I am His wife," is the arresting opening declaration made by the novel's unnamed narrator, who will always be known through her role as an appendage, "at His side." This premise-bringing to mind as it does the very origins of the western novel: epistolary novels of romance as both salvation and captivity-immediately also raises issues of power, domination, truth and belief. God's Wife, then, is ultimately a meditation on the power of literature to create a space of imaginative play. It is a love story, a philosophical treatise on the nature of faith and divinity, a self-conscious meditation on the nature of writing and creativity, and a feminist tract all rolled into one. What holds all these strands together is what can only be described as the compelling authenticity of the narrator's voice and her relentless focus on the role of femininity as performance and convention in literature. Her voice is, of course, shaped by Michalopoulou's inimitably spare, elegant and masterfully evocative prose, which like the narrator's mother's brand of storytelling, uses few words and eschews didacticism.

With each chapter embodying a separate Commandment, Living Tissue, 10x10 is both a Decalogue and a ribald, exuberant, deliriously inventive postmodern Decameron, which covers four decades in the life of the protagonist, unfolding against the backdrop of Soviet and post-communist Moldova, from the untimely death of Yuri Gagarin in 1968 to the so-called "twitter revolution" of 2009. Tens of tragical, comical, fantastical, historical tales intertwine, punctuated by the endless upheavals suffered by twentieth-century Moldova. But the narrative also takes euphoric flight, in episodes that travel as far afield as Paris, Moscow, and Tibet. In Living Tissue. 10x10, Emilian Galaicu-Päun engages in literary origami, bending and blending together real and fictional worlds, abolishing up and down, here and there, past and present, as if in an Escher engraving, alternating narrative techniques, braiding myth, history and literary allusion, transgressing the boundaries of languages and cultures to create a rapturously intricate novel in ten dimensions.

In Pisa, Italy, an Armenian immigrant named Marco Iprannossian sits in jail awaiting judgment on the attempted murder of a local official.The novel opens on the first day of his hearing-three years after his arrest-and follows the lives of Marco, his friends on the outside, the judge presiding over this case, her husband, and their teenage daughter, Lea. Through deceptively structured as a crime novel, Quarry's real concerns are both far smaller and far larger than those of a typical whodunit.Houdart's modern tale, presented in a series of brief, elliptical snapshots, is a precision-cut gem of literary minimalism.

* Nabokov, Joyce, and John Barth can be counted among Boylan's forebears

* A book of hallucinatory narratives-à la Cortázar or Bioy Casares-about subjects as various as slave rebellions and flying worms made of ash attacking human civilization

*A novel about the toxic relationships between mothers and their children by a writer famous for her vigorous sentence-making and her vitriol.

* Featuring previously unpublished fiction by Ádám Bodor, Alberto Olmos, Lars Petter Sveen, and Haro Kraak, among others. * This year's edition features writers whose work is both cutting-edge and entertaining. The editor has compiled this anthology so that it that can be read for pleasure-as long as you like your pleasure with a good dose of stylistic complexity and emotional pain.

In this collection of eighteen stories, Hugh Fulham-McQuillan writes with the playfulness and intelligence of such masters of the short form as Borges, Poe, and Barthelme. He examines the aesthetics of murder, the reigning fascination of the macabre in popular culture, and the tenuous line that separates art from life. One narrator traces the Möbius strip that encloses the assassination of Julius Caesar, Shakespeare¿s play Julius Caesar, and the murder of Lincoln by a famous actor in a theater. Another undergoes plastic surgery to accelerate the process of his being possessed by the ghost of the Italian composer Gesualdo. A detective ponders the interest he takes in investigating murders. Fulham-McQuillan wears his learning lightly and writes with the tact of a born storyteller.

*This is a book that's whimsical and funny and also very much engaged with the political ramifications of language, how we use language to wound in the same way we use it to play

*a novel that incorporates not only a fictionalized history of Delbanco's own extraordinary family history but also re-imagines the turbulent history of emigrant German Jews in the twentieth century

In this miniature masterpiece, Róbert Gál¿whom Joshua Cohen has called ¿a phenomenon¿¿conducts a noble experiment in uncategorizable prose. One long, unbroken paragraph, blending memoir, fiction, and philosophy, Agnomia takes the reader on a transcontinental journey from Lower Manhattan to the Little Quarter of Prague, but most of all it takes the reader on a tour of the writer¿s mind. Meditations on tautology, sexuality, and art culminate in an attentive evocation of a concert given by the composer and saxophonist John Zorn. For readers of Thomas Bernhard, Georges Bataille, and E. M. Cioran, Agnomia is a book to relish.

Winner of the European Union Prize for Literature. A hymn to the city of Sofia, a series of whimsical character portraits, a literary mural of Bulgaria, this is the first collection of stories from author Kalin Terziyski to be published in English.

A hard but tender chronicle of flawed characters, bad choices, and contemporary Dublin life.

In this debut novel by the Polish writer Piotr Pazinski, a young man takes a train to a small town outside of Warsaw to visit a boarding house populated by the last generation of Polish Holocaust survivors.

Alistair Ian Blyth's Card Catalogue is a book about books. Set in Bucharest in the decade after the Revolution, it presents a series of dreamlike narratives loosely linked by the subject of libraries: book hoarding, book hunting, book burning, and, above all, the dreams of infinite other books--past and future--that every individual codex volume inspires. Whether he is describing his encounters with Gribski (whose strange hidden library in Bucharest he is to see but once) or itemizing the various books whose existence he has dreamed (including "a collection of children's paeans to Ceausescu bound in the same volume as a slim commentary on Pound's Canto XIV"), Blyth shows himself to be a card catalogue unto himself. In the tradition of Jorge Luis Borges, Italo Calvino, and Alberto Manguel, this book is bound to please.

In Ishmael Reed's Conjugating Hindi, stories, histories and myths of different cultures are mixed and sampled. Modern issues like gentrification addressed. It is the closest that a fiction writer has gotten to the hip-hop form on the page.Once again, Ishmael Reed has pioneered a new form. One that crosses all borders.

In Cut Up on Copacabana, three interlocking sets of texts by professional boxer and professor of French literature David Scott ("Travel Notes," "Boxing Rings," and "Schoolboy Rites of Passage") explore such singular moments.

In these subtly linked novellas, Muharem Bazdulj takes the reader across several centuries of Yugoslav history, finding in three very different sets of circumstances a common longing to escape the desperation and depression of life in the east.

Against the backdrop of the Second World War, an old woman tells the story of a love affair between an SS officer and a local girl. Everyday tasks are interrupted by executions, and lies, thoughtlessly told, change the worlds and lives of two families forever.

Caring for Japanese Art at the Chester Beatty Library is a memoir of Yoshiko Ushioda , looking back at more than five decades of life in Dublin. Both inspiring and heartfelt, Mrs. Ushioda's memoir will be of interest to both lovers of Japanese Art and those interested in Irish-Japanese relations.

The Formality of the Page is a collection of powerfull and meditative poems tracking the emotional histories of ageing, love, family, and the artist's life. Alongside these personal reflections, Roberts looks back on the many writers and artists with a role in shaping his sensibility, including Catullus, Dickinson, Melville, and Wallace Stevens.

Mosley's Rainbow People is a masterful,powerful book about borders, politics, andhope.

The twenty-first century doesn¿t much care for subtlety. Now is the era of the gist, the elevator pitch, the big idea boiled down. This is precisely why Christopher Woodall¿s fiction gives such pleasure. His meticulous stories about love, death, fidelity, friendship, and human solitude do not wave their narrative arms wildly, demanding unwarranted attention. They speak in a calm voice, inviting the reader closer¿inviting him not merely to react but to feel and think. Sweets and Toxins is the first collection of short fiction to be published by this talented novelist (November) and it marks him as a writer whose sharp eye for detail and feeling for people is a rare commodity indeed. He is one of the major English authors writing today.

As young Jake Horner's mind became an increasingly paralyzing cobweb of dark thoughts, he turned for help to an extraordinary doctor-part saint, part evil-genius, a weird combination of faith healer, magician, and devil. And in so doing Jake found himself following a drastic prescription that was to draw him into a strange, compulsive relationship. It is around the startling results of Jake Horner's "cure" and its amazing mastermind-a doctor almost surely designed to become one of the most remarkable characters in modern fiction-that this brilliant, imaginative novel hinges. John Barth is a young writer of unusual talent whose uncanny insight into the dark mazes of the human mind has given The End of the Road a haunting and troubling reality.

Caterva (meaning "throng" or "horde") tells the story of seven erudite, homeless, and semi-incompetent radicals traveling from city to city in an attempt to foment a revolution: conspiring with striking workers, setting off bombs, and evading the local authorities. But this is no political thriller. Like his literary "descendant" Julio Cortazar--who mentions this book in Hopscotch--Filloy is far more concerned with his characters' occasionally farcical inner lives than with their radical machinations. With its encyclopedic feel, and its satirical look at both solidarity and nonconformity, Caterva is considered to be among Filloy's greatest achievements.