Bøker utgitt av Dalkey Archive Press

*This is a book that's whimsical and funny and also very much engaged with the political ramifications of language, how we use language to wound in the same way we use it to play

*a novel that incorporates not only a fictionalized history of Delbanco's own extraordinary family history but also re-imagines the turbulent history of emigrant German Jews in the twentieth century

A hard but tender chronicle of flawed characters, bad choices, and contemporary Dublin life.

In this debut novel by the Polish writer Piotr Pazinski, a young man takes a train to a small town outside of Warsaw to visit a boarding house populated by the last generation of Polish Holocaust survivors.

Alistair Ian Blyth's Card Catalogue is a book about books. Set in Bucharest in the decade after the Revolution, it presents a series of dreamlike narratives loosely linked by the subject of libraries: book hoarding, book hunting, book burning, and, above all, the dreams of infinite other books--past and future--that every individual codex volume inspires. Whether he is describing his encounters with Gribski (whose strange hidden library in Bucharest he is to see but once) or itemizing the various books whose existence he has dreamed (including "a collection of children's paeans to Ceausescu bound in the same volume as a slim commentary on Pound's Canto XIV"), Blyth shows himself to be a card catalogue unto himself. In the tradition of Jorge Luis Borges, Italo Calvino, and Alberto Manguel, this book is bound to please.

In the hospital, being treated for cervical cancer, Mia meditates on her life, her ex-girlfriend, and the state of her sanity. This heartbreaking autobiographical novel dramatizes the brutality of disease and its effects on both mind and body.

In Ishmael Reed's Conjugating Hindi, stories, histories and myths of different cultures are mixed and sampled. Modern issues like gentrification addressed. It is the closest that a fiction writer has gotten to the hip-hop form on the page.Once again, Ishmael Reed has pioneered a new form. One that crosses all borders.

In Cut Up on Copacabana, three interlocking sets of texts by professional boxer and professor of French literature David Scott ("Travel Notes," "Boxing Rings," and "Schoolboy Rites of Passage") explore such singular moments.

In these subtly linked novellas, Muharem Bazdulj takes the reader across several centuries of Yugoslav history, finding in three very different sets of circumstances a common longing to escape the desperation and depression of life in the east.

Against the backdrop of the Second World War, an old woman tells the story of a love affair between an SS officer and a local girl. Everyday tasks are interrupted by executions, and lies, thoughtlessly told, change the worlds and lives of two families forever.

Caring for Japanese Art at the Chester Beatty Library is a memoir of Yoshiko Ushioda , looking back at more than five decades of life in Dublin. Both inspiring and heartfelt, Mrs. Ushioda's memoir will be of interest to both lovers of Japanese Art and those interested in Irish-Japanese relations.

The Formality of the Page is a collection of powerfull and meditative poems tracking the emotional histories of ageing, love, family, and the artist's life. Alongside these personal reflections, Roberts looks back on the many writers and artists with a role in shaping his sensibility, including Catullus, Dickinson, Melville, and Wallace Stevens.

Mosley's Rainbow People is a masterful,powerful book about borders, politics, andhope.

The twenty-first century doesn¿t much care for subtlety. Now is the era of the gist, the elevator pitch, the big idea boiled down. This is precisely why Christopher Woodall¿s fiction gives such pleasure. His meticulous stories about love, death, fidelity, friendship, and human solitude do not wave their narrative arms wildly, demanding unwarranted attention. They speak in a calm voice, inviting the reader closer¿inviting him not merely to react but to feel and think. Sweets and Toxins is the first collection of short fiction to be published by this talented novelist (November) and it marks him as a writer whose sharp eye for detail and feeling for people is a rare commodity indeed. He is one of the major English authors writing today.

Caterva (meaning "throng" or "horde") tells the story of seven erudite, homeless, and semi-incompetent radicals traveling from city to city in an attempt to foment a revolution: conspiring with striking workers, setting off bombs, and evading the local authorities. But this is no political thriller. Like his literary "descendant" Julio Cortazar--who mentions this book in Hopscotch--Filloy is far more concerned with his characters' occasionally farcical inner lives than with their radical machinations. With its encyclopedic feel, and its satirical look at both solidarity and nonconformity, Caterva is considered to be among Filloy's greatest achievements.

This novella recounts the imagination of a lonely old man who becomes obsessed by a beautiful young girl in his village. His every moment is filled with thoughts and fantasies about her. Eventually lines cross as this fantasy becomes a reality, paternal feeling and sexual urges combining as they become lovers. This is a brialliant, poetic account of the wanderings of an old man's mind

"Atavisms" is an original and unsettling portrait of Quebec, from the hinterland to the metropolis, from colonial times to the present, and beyond. These thirteen stories, though not linked in the traditional sense, abound in common threads. Like family traits passed down through the generations, the attitudes and actions of a rich cast of characters reverberate, quietly but deeply, over generations. Here is a group portrait of the individual lives that together shape a collective history. "Atavisms" has been shortlisted for the 2014 Jan Michalski Prize for Literature.

With Flann O'Brien now widely acknowledged as a subversive genius of early post-modernism, Flore Coulouma gives the "question of language" a central position in his literary identity. Tracing O'Brien's philosophy of language to the convoluted structure of his writing, Coulouma demonstrates how his bilingualism and ambiguous relation to language inspired his satirical fiction and chronicles, and develops a series of narrative oppositions: orality and literacy, truth and fiction, authority and legitimacy, native and national language(s). Using such dialectical oppositions to stage O'Brien's literary representation of the diglossic relationship of speakers to their native tongue, this book casts light on O'Brien's own intuitions about the failures and achievements of language, the logic of fiction, the relation between language and knowledge, and the impossibility of a nation cut off from its original tongue finding its linguistic identity.

"Addendum to a Photo Album" is the saga of the births, deaths, and disappearances within the eccentric Mandrykin family. Following patriarch Malach, a Cossack captain, his wife Annushka, and his many sons all born with sideburns, the novel details their fraught relationships, particularly when sitting for family photographs. Vladislav Otroshenko's flowing sentences and rich metaphorical language describe characters whose concerns embrace the heroic, the metaphysical, and the mundane, as they fulfill their duties as Cossack warriors and family members. Otroshenko draws on his upbringing in Novocherkassk, a city on the Don River, creating a world and a book inhabited with absurdity, filial love, and unusual facial hair.

Childhood play, scarlet fever, a first kiss, befriending a Nazi spy--the narrative of "Past Habitual" roams through experiences both commonplace and formative, all under the uneasy canopy of wartime Ireland. Moving with ease between the voices of a young child, a German immigrant, an I.R.A member, and colloquial chatter, MacLochlainn forms a web of interactions that expose a century's tensions. A combination of traditional prose, poetry, monologue, and music, "Past Habitual" is an engaging and fascinating depiction of an Ireland struggling through the effects of war--both distant and on her doorstep.

A dazzling collection of essays--on reading, writing, form, and thought--from one of America's master writers. Beginning with personal, both past and present, it emphasizes William H. Gass's lifelong attachment to books and then moves on to ponder the work of some of his favorite writers (among them Kafka, Nietzsche, Henry James, Gertrude Stein, and Proust). An essential addition to the Gassian canon, Life Sentences shows William H. Gass at his best.

Short stories about men and women, love and hate, sex and disappointment, cynicism and hope--perhaps unique in that none of the stories reveal the time or place in they occur: the world is too small now for it to matter. A disillusioned woman, the narrator doesn't mince words about the imperfection of her life, her relationships, her prospects; yet what might in other hands seem discouraging is presented with such humor the reader can't help but feel there may yet be hope... for most of us.

"Gombrowicz is one of the most original and gifted writers of the twentieth century: he belongs at the very summit, at the side of his kindred spirits, Kafka and Celine." The Washington Post

Published posthumously in 1995, Mrs. Ted Bliss tells the story of an eighty-two-year-old widow starting life anew after the death of her husband. As Dorothy Bliss learns to cope with the mundane rituals of life in a Florida retirement community, she inadvertently becomes involved with a drug kingpin trying to use her as a front for his operations. Combining a comic plot with a deep concern for character, Elkin ends his career with a vivid portrait of a woman overcoming loss, a woman who is both recognizable and as unique as Elkin's other famous characters.

Man + Doctor is Nick Wadley s wordless story of encounters with doctors, from the patient s attempts to avoid the scalpel, to, once surgery becomes inevitable, watching himself learn to cope with days and weeks spent in hospital beds.

Oliver Rohe's first novel is a word-crazed monologue in the mind of a man named Selber flying back to his wartorn native country for the first time in years. Grappling with his fear of flying and increasingly possessed by reminiscences of his long-dead childhood friend Roman, the narrator begins to wonder if any of his thoughts, or the decisions he has made in his life, are truly his own. From meditations upon loss, violence, repetition, and individuality, to explicit homages to the works of Thomas Benhard, Without Origin is a remarkable and incisive debut.

American Odysseys is an anthology of twenty-two novelists, poets, and short-story writers drawn from the shortlist for the 2011 Vilcek Prize for Creative Promise in Literature. Including Ethiopian-born Dinaw Mengestu, the recipient of the Prize; Yugoslavian-born Téa Obreht, the youngest author to receive the Orange Prize in Fiction; and Chinese-born Yiyun Li, a MacArthur Genius grantee, what these authors all have in common¿and share with US Poet Laureate Charles Simic, who has contributed a foreword¿is that they are immigrants to the United States, now excelling in their fields and dictating the terms by which future American writing will be judged by the world. Running the gamut from desperate realism to whimsical fantasy¿from Miho Nonakäs poetry, inspired by fourteenth-century Noh theater, to Ismet Prcic¿s wrenching stories set in the aftermath of the Bosnian war¿American Odysseys is proof, if any be needed, that the heterogeneity of American society is its greatest asset.