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Written when he was only twenty-five, before embarking on the masterpieces that would make him an integral figure in twentieth-century letters, Psalm 44 shows Kis at his most lyrical and unguarded, demonstrating that even in "e;the place of dragons . . . covered with the shadow of death,"e; there can still be poetry. Featuring characters based on actual inmates and warders-including the abominable Dr. Mengele-Psalm 44 is a baring of many of the themes, patterns, and preoccupations Kis would return to in future, albeit never with the same starkness or immediacy.
"No one is better than William H. Gass at communicating the sublime and rapturous excitement of reading." Washington Post
Martereau is narrated by a tubercular young man driven by a compulsion to discover what lies behind faades, especially in relation to the adults around him. He's particularly interested in Martereau, his uncle's devoted friend and business associate. All in all, Martereau seems like a trustworthy, benign, self-sufficient man, but under the narrator's intense scrutiny--and Martereau's suspect behavior concerning a shady real-estate deal--his motives seem much more complex and seedy. In a subtle, skillful way, Nathalie Sarraute explores the difference between those who are wealthy and those who pretend to be so, and the manipulative way in which some people get ahead in the world.
Just as Ezra Pound wrote a "Homage to Sextus Propertius" to pay tribute to an important influence, Julian Rios offers in his new novel a "Homage to Ezra Pound" (as the original Spanish edition is subtitled). On November 1, 1972, news of Pound's death in Venice reaches three Spanish bohemians in London, passionate admirers of "il miglior fabbro" ("the better craftsman", as Eliot called him), who decide to honor Pound's memory by visiting various sites in London associated with him. Filled with allusions to Pound's life and works and written in a style similar to Finnegans Wake, Rios's word-mad novel features the same characters from his first novel, Larva: the poet Milalias, his girlfriend Babelle, and their mentor X. Reis, each of whom writes part of the novel: Milalias writes the Joycean main text, Reis (as Herr Narrator) adds commentary on facing pages, and Babelle furnishes maps and photos. Together, they compile the "Parting Shots" at the end, dazzling short stories that expand upon incidents in the main text. Sound confusing? No more so than the Cantos, and Rios is much funnier.
This book reflects the crude reality of rural Spain in Franco's time. It is full of human power and rich in social insight. Cela writes with great detail, but still maintains simplicity.
Graal Flibuste follows the progress of its narrator and his impudent coachman, Brindon, through a fantastical land peopled by strange creatures and stranger potentates, and filled with tall tales, mysteries, crimes, dilemmas, and deities ... not least among whom is the terrible god Graal Flibuste himself.
With an undercurrent of sensual excitement, C line paints an almost unbearably vivid picture of society and the human condition.
Dust tells the story of a librarian terrified by the decay of the world around him. With the help of his wife, the librarian wages a futile war against the dust that coats his surroundings until one day Adrian Bravi, or a character very much like the author, arrives on the scene attesting to the very same fears of decay and decline.
La Belle Roumaine tells the story of Ana, a beautiful and bewitching Romanian woman. Shuttling between the capital cities of Europe. The novel follows Ana as she seduces cafe owners, philosophers, and wandering emigrants alike, each receiving a different version of her life story. To some, she's a former nurse, to others, a former spy.
Selected Poems offers a selection of the award-winning poetess Maja Vidmar, culled from a several volumes: Body Distances (1984), Ways of Binding (1988), At the Base (1998) and Presence (2005), which was awarded the Jenko Prize. She is also the winner of the prestigious Preseren Foundation Award, and her work has appeared internationall
In The Circus of Trust, Mark Tardi implicates us all in a pastoral of detritus where "the same indifferent sun" unflinchingly tracks devastation as part of the most routine actions.
From Laurence Sterne to Flann O'Brien and beyond, this anthology presents both highly familiar and relatively obscure writers from across the history of Irish fiction. It offers a fresh perspectives, and a provocative reshuffling of the literary canon.
Matei Brunul was the first Romanian novel to explore the carceral world of the former regime, but it is also a subtle meditation on Heinrich von Kleist's On the Marionette Theatre and the ways in which a totalitarian state and ultimately fiction itself create and manipulate puppets.
The Irish Sea meditation on the paradox of nostalgia, which always seems to pine for what never was. A fevered search for order through writing, of truth through literature, of the nodal point where life and literature intersect. A strange personal gallery curated by a razor-sharp reader and his other, unknown self.
The Dogs of Inishere collects stories from across Alannah Hop-kin's thirty-year career as a fiction and travel writer. The stories presented here move from adolescence to middle age, sensitive always to the particular social, emotional, and intellectual challenges of the different phases of a life.
The narrator of the novel has just been released from an extended stay at a psychiatric hospital where he developed an obsession with Cathie, a young woman. Desire drives him from his bedroom one night in search of a telephone, which leads him two floors below into the apartment of his neighbor, Sauvage, whom with he develops a bizarre relationship
When Kjersti A. Skomsvold was seventeen years old and about to start engineering studies at college, she found herself almost unable to move. "Laid out like a relic" - she begins to compose a novel on Post-it notes that she sticks on the wall above her bed.
Mixing the most private fragments of theirfamilial saga with the turbulent recent history of post-Yu-goslav transition, the book connects seemingly divid-ed fields of private and public and suggests a strong linkbetween the two facets of trauma: individual and collective.
When Albert Jackson, a middle-aged school teacher, catches a glimpse of the infinite universe and his own tiny insignificance he cannot shake himself free of regret for a life all but squandered. In a blind and demented attempt to salvage something from his life, he sets off, half-lucidly, on a mission to reclaim life, to live it on his terms.
The Hamburg Score (Gamburgsky schyot) is "a very important concept," wrote Viktor Shklovsky, the famous Russian literary critic and founder of Russian formalism, in 1928. All wrestlers cheat in performance and allow themselves to lose a fight for the organizers. But once a year wrestlers gather in Hamburg and fight in private among themselves.
Love at Last Sight is a fierce novel about marital abuse, written for wives, girlfriends, mothers, and all women who have experienced trauma in their relationships. Rudan writes with conviction and strength, drawing upon her own personal experiences to create a book with powerful insight.
The existence of an afterlife is now a fact: heaven is the internet. Death is only an interruption as souls can be uploaded to the web and new bodies can be purchased by those wishing to reenter the physical world.
Emilia, a pensioner in northern Romania, is forced to confront the nostalgic illusions she nurtures as a reaction to the grim post-communist present when her daughter, now living in Canada, telephones urging her not to vote for the former communists in upcoming elections.
Saga of Brutes draws together three confronting and darkly stories: "Between Dog Fights and Pig Slaughter," "The Dirty Work of Others," and "carbo animalis," published in one volume for the first time.
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