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The Red Shoes consists of tatters of a half-dozen tales (The Glass Shoe, The Gingerbread Variations, The Little Match Girl, Don Juan Is a Woman, and the title story, among others), sewn together into a novel by two seamstresses. "Fabric, fabrication - such is the stuff of these lost chronicles come together here", Gordon writes in her introduction. "Swinging their hatboxes, swaying their hips, chapters with torn slips wander in on high heels and blistered feet". Looking back to the fairy tales of Hans Christian Andersen and the Brothers Grimm, but also casting sidelong glances at metafictional sugardaddies like Queneau, Nabokov, Cortazar, Gass, and Milorad Pavic, The Red Shoes is a Rabelaisian romp through the language of sensuality.

When Papa LaBas (private eye, noonday HooDoo, and hero of Reed's Mumbo Jumbo) comes to Berkeley, California, to investigate the mysterious death of Ed Yellings, owner of the Solid Gumbo Works, he finds himself fighting the rising tide of violence propagated by Louisiana Red and those militant opportunists, the Moochers. A HooDoo detective story and a comprehensive satire on the explosive politics of the '60s, The Last Days of Louisiana Red exposes the hypocrisy of contemporary American culture and race politics.

In The Terrible Threes, Ishmael Reed proves that he is one of the most innovative voices in contemporary literature. This adventure into the world of offbeat humor and on-target social criticism is a vision of America in the not-too-distant future, a portrait of a fairy-tale gone awry. This novel begins where The Terrible Twos left off, in the late 1990s, three years after President and former fashion model Dean Clift was laughed out of office, with the nation in chaos and the White House implicated in a covert operation to rid America of surplus people and the Third World of its nuclear weapons. A blend of science fiction, folklore, history, fantasy, social satire, and all out surrealist comedy, The Terrible Threes bears Reed's distinctive voice and message. At once a threat, a promise, a prediction, and the awful truth about the land of the free and the home of the brave, the tale is wholly unforgettable. Once you've seen the world through Reed's eyes, you might never see it the same way again.

In this widely acclaimed translation, Dominic DiBernardi expertly captures Celine's trademark style of prose which has served as inspiration to such American writers as Philip Roth, Kurt Vonnegut, William Burroughs, Jack Kerouac, Charles Bukowski, Norman Mailer and Joseph Heller.

Alice Clark has been trying to avoid an acute state of "not-knowing" about what's happened and what's happening. Whatever happened has much to do with why three of her friends died early and badly and she did not. Alice is a mess, and her story is a mess too--digressive, disheveled, and wild. She takes us across the United States in an overdue effort to find out what part she's played, or failed to, in her own life. Along the way she revisits her memories and meets a variety of "Cheshire cats," who in scary, rude, and seductive ways help her to keep going and find things out... or not.

The narrator of this novel begins by introducing himself not as a speaker but a listener, spellbound by his friend Caracala's yarns, which blend accounts of youthful mischief with casual references to Cervantes and Laurence Sterne. At first, the spotlight is entirely on Caracala, but the narrator soon begins to distrust his friend, concluding that Caracala is no more than a sham: a performer. Yet the reader will in turn come to doubt the narrator's own pretensions to honesty, until every source of information has become so unreliable as to make the very notion of a "true story" seem like blatant propaganda.

"Mobile is not only a memorable experience, accomplishing that rich task of all true art providing the reader with new eyes but it is also work which fellow writers and artists can profit from because it supplies the best of all ingredients: stimulation." New York Herald Tribune